THE EXILES RETURNED.

Of the _dramatis personae_ of our tale, already known to our reader,

Carlos Santander, Florence Kearney, and Cris Rock were not the only ones

who had shifted residence from the City of New Orleans to that of

Mexico. Within the months intervening two others had done the same--

these Don Ignacio Valverde and his daughter. The banished exile had not

only returned to his native land, but his property had been restored to

him, and himself reinstated in the favour of the Dictator.

More still, he had now higher rank than ever before; since he had been

appointed a Minister of State.

For the first upward step on this progressive ladder of prosperity Don

Ignacio owed all to Carlos Santander. The handsome _aide-de-camp_,

having the ear of his chief, found little difficulty in getting the ban

removed, with leave given the refugee--criminal only in a political

sense--to come back to his country.

The motive will easily be guessed. Nothing of either friendship or

humanity actuated Santander. Alone the passion of love; which had to do

not with Don Ignacio--but his daughter. In New Orleans he himself dared

no longer live, and so could no more see Luisa Valverde there. Purely

personal then; a selfish love, such as he could feel, was the motive for

his intercession with the political chief of Mexico to pardon the

political criminal. But if he had been the means of restoring Don

Ignacio to his country, that was all. True, there was the restitution

of the exile's estates, but this followed as a consequence on

reinstatement in his political rights. The after honours and

emoluments--with the appointment to a seat in the Cabinet--came from the

Chief of the State, Santa Anna himself. And his motive for thus

favouring a man who had lately, and for long, been his political foe was

precisely the same as that which actuated Carlos Santander. The

Dictator of Mexico, as famed for his gallantries in love as his

gallantry in war--and indeed somewhat more--had looked upon Luisa

Valverde, and "saw that she was fair."

For Don Ignacio himself, as the recipient of these favours, much may be

said in extenuation. Banishment from one's native land, with loss of

property, and separation from friends as from best society; condemned to

live in another land, where all these advantages are unattainable,

amidst a companionship uncongenial; add to this the necessity of work,

whether mental or physical toil, to support life--the _res augustae

domi_; sum up all these, and you have the history of Don Ignacio

Valverde during his residence in New Orleans. He bore all patiently and

bravely, as man could and should. For all he was willing--and it cannot

be wondered at that he was--when the day came, and a letter reached him

bearing the State seal of the Mexican Republic--for its insignia were

yet unchanged--to say that he had received pardon, and could return

home.

He knew the man who had procured it for him--Carlos Santander--and had

reason to suspect something of the motive. But the mouth of a gift

horse must not be too narrowly examined; and Santander, ever since that

night when he behaved so rudely in Don Ignacio's house, had been chary

in showing his face. In point of fact, he had made but one more visit

to the Calle de Casa Calvo here, presenting himself several days after

the duel with a patch of court plaister on his cheek, and his arm in a

sling. An invalid, interesting from the cause which made him an

invalid, he gave his own account of it, knowing there was but little

danger of its being contradicted; Duperon's temper, he understood, with

that of the French doctor, securing silence. The others were all G.T.T.

(gone to Texas), the hack-drivers, as he had taken pains to assure

himself. No fear, therefore, of what he alleged getting denial or being

called in question.

It was to the effect that he had fought Florence Kearney, and given more

and worse wounds than he himself had received--enough of them, and

sufficiently dangerous, to make it likely that his adversary would not

long survive.

He did not say this to Luisa Valverde--only to her father. When she

heard it second hand, it came nigh killing her. But then the informant

had gone away--perhaps luckily for himself--and could not further be

questioned. When met again in Mexico, months after, he told the same

tale. He had no doubt, however, that his duelling adversary, so

terribly gashed as to be in danger of dying, still lived. For an

American paper which gave an account of the battle of Mier, had spoken

of Captain Kearney in eulogistic terms, while not giving his name in the

death list; this Santander had read. The presumption, therefore, was of

Kearney being among the survivors.

Thus stood things in the city of Mexico at the time the Mier prisoners

entered it, as relates to the persons who have so far found place in our

story--Carlos Santander, a colonel on the staff of the Dictator; Don

Ignacio Valverde, a Minister of State; his daughter, a reigning belle of

society, with no aspirations therefor, but solely on account of her

beauty; Florence Kearney, late Captain of the Texan filibusters, with

Cris Rock, guide, scout, and general skirmisher of the same--these last

shut up in a loathsome prison, one linked leg to leg with a robber, the

other sharing the chain of a murderer, alike crooked in soul as in body!

That for the Texan prisoners there was yet greater degradation in

store--one of them, Kearney, was made aware the moment after the

gaol-governor had so unceremoniously shut the door of their cell. The

teaching of Don Ignacio in New Orleans had not been thrown away upon

him; and this, with the practice since accruing through conversation

with the soldiers of their escort, had made him almost a master of the

Spanish tongue.

Carlos Santander either did not think of this, or supposed the cloister

door too thick to permit of speech in the ordinary tone passing through

it. It did, notwithstanding; what he said outside to the governor

reaching the Irishman's ear, and giving him a yet closer clue to that

hitherto enigma--the why he and Cris Rock had been cast into a common

gaol, among the veriest and vilest of malefactors.

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