III

” Look at that sailboat,” said Grant Grey.

“Yes,” said Joy contentedly.

The two were sitting on the piazza of the Grey’s summer home, which

fronted the beach.

It had not been Grant who had finally called Joy up, but Betty, all

thrills and eagerness. She asked Joy to come down for the week-end—“and

Grant wants you to come, too!” she added, as if that settled it.

It had.

Sarah was frankly envious, Jerry rejoiced, at her invitation.

“You’ll get some rest,” said Jerry; “you never do here.”

“I wish _we_ could get away,” Sarah grumbled; “I get so sick of summer

in the city.”

“Why don’t you go somewhere for a few weeks?”

Jerry shrugged her shoulders, and knocked the ashes off her cigarette.

“No funds, as the banks tell me constantly. I have to stick around town

and do a little work once in awhile.”

“Work!”

Jerry laughed. “It’s time I took in washing on the side again. I am not

a young lady of independent means.”

Sarah gave forth a groan. “Oh, dear, Jerry, are you going to start

again?”

“Must, my lady, the situation spells must, if I am to continue to buy

our delicatessen breakfasts. At times, food seems scarcely worth while

to me.”

“It seems to me,” said Joy, “that we are pretty extravagant for people

having no visible income.”

“How?” demanded Sarah. “We hardly ever buy any meals except

breakfasts——”

“But look at the stuff we drink and pass around—so far as I can see,

keeping the cellarette filled is as expensive as running a free bar——”

“Little one,” Jerry drawled, “our cellarette is endowed. Some day when I

have a lot of time I’ll take you around to the wine closet and tell you

the names of who has contributed to which. To send a case of spirits to

a young lady was ever a delicate mark of attention. We had a wonderful

collection this spring, and before the first of July—don’t you remember

the cases and cases of supplies that were pouring in around then? We

have to go easy on those Prohibition allotments, though. The donors

collect on them every once in so often.”

Joy realized that she was learning something new every day. She

travelled down to the Grey’s in a rather sombre frame of mind. Her

father had returned home and she had just escaped his descending upon

her on the way by business necessity which had made him haste on through

and write her, wishing her to return as soon as she could. She had

written him that she was at a critical period in voice-placing and did

not want to leave her teacher just now, especially when she was so lucky

as to have him in Boston during the summer. It was true, she was going

through a critical period in voice placing. In spite of her irregular

hours, under Pa Graham’s magical touch and through the scales she

practised regularly, her voice was coming forth in a way that now

bewildered her, now filled her with an exultant sense of power. But the

moments of exultation were few and far between. It was baffling to let

loose one pure, golden note, and while yet tingling from the joy of it,

to follow it with half a dozen that were edgy, or swallowed, or had a

thread in them—there seemed to be no end to the variety of ways one

could defeat tone production. She had just achieved sufficient grasp in

the art of singing to know how little she knew, and instead of

discouraging her as it might have at first, she was lured on and

stimulated to further endeavour. She was right not to leave Pa,—but she

knew that was not the real reason she had signified her wish to remain

in Boston. Was it this boy—this boy whom she had seen only once? She

ought to know by this time how transient her fancies were. But this was

so different from her other affair. She knew more about men now.

Betty met her at the station in a little runabout, and had driven away

the flurry in Joy’s brain with her eager chatter. Grant had been

intending to come to the station, too, she informed her; but at the last

minute Mrs. Grey had found a number of things for him to do. Grant

humoured mother a lot. Betty didn’t believe in it; encourage mothers too

much, and they’ll expect everything of you.

It had been a shock to meet Mrs. Grey. She was the woman who surveyed

Joy so critically the night of the dance. A tall, large woman, with

independent demeanor, marcelled white hair and snapping eyes still

almost as blue as Grant’s. She was gracious, but far from cordial. Very

little appeared to escape the scrutiny of those eyes, and she made Joy

feel exceedingly uncomfortable. Joy remembered what Packy had said:

“Mother’s the Gorgon of the beach;” she decided that Packy had great

descriptive powers. Mrs. Grey inspired the “what-have-I-done-anyway”

feeling in one. Mr. Grey was only a shade more approachable. He seemed

to consider Joy Betty’s age, to be talked to as such at convenient

moments, and ignored as such most of the time.

Immediately upon arriving, Joy had had to dress for dinner, which was an

absurdly formal meal for a beach house, and then after dinner the whole

family had gone for a moonlight sail. She had no moment alone with

Grant, and both were silent most of the evening, acutely conscious of

each other’s presence, while Betty chattered and Mr. and Mrs. Grey

admired the light effects of the moon on the water, and spoke of art and

science and other impersonally interesting subjects to which none of the

three young people listened.

Betty came in while Joy was undressing, her eyes dancing with

excitement. “Joy—mother thinks Grant’s crazy about you—I heard her

tell father. Do you think so? It would be so screaming! He never gets

that way!”

“I think so? Why, Betty——”

“Well—can’t you always tell when a man’s crazy about you? I can!”

Joy laughed hysterically. “Maybe I haven’t had as much experience as

you, Betty,” she suggested.

After Betty had gone, something happened that terrified her. For no

concrete reason she burst into tears, and the more she cried, the more

hysterical she became at the thought that she was crying with no

apparent reason. Of course, she was very much excited. And her nerves

were pretty raw, and she had not had the usual “prescription” with which

to deaden them. But it couldn’t be because she had no recourse to

alcohol that she felt this way. That was the way only awful people got,

and after they had been drinking for years and years and years! She

finally fell into a tear-tinted slumber, from which she awoke barely in

time for breakfast.

And now she and Grant found themselves miraculously left alone. Betty

had gone to play tennis with some friends, and to Joy’s stupefaction,

Mr. and Mrs. Grey had motored up to town together. And so the two sat on

the piazza, still wrapped in an anticipatory silence.

They watched the sailboat out of sight, then Grant turned to her. “I

say—let’s get away from everything. Let’s take the roadster and some

lunch and go way off into the country—will you?”

There are few perfect days in life that stand out golden, untarnished,

with no flaws or worrisome little details to bar the way of loving

memory; but that Saturday was one for Joy. As they rode far into the

country, past orchards and immaculate white New England farmhouses, the

hours seemed to be resting motionless, while they talked aimlessly and

with long, happy silences, shyly sitting as near together as they dared.

Time, as well as everything else, had gone away and left them alone.

They ate beside a pebble-hindered brook, with tall trees gossiping above

them. There were not even mosquitoes to hum their way through the

rainbow haze in which the two were lingering. A large and elaborate

repast had been put up for them, but Joy could not eat. He, too, seemed

to find difficulty in raising any enthusiasm over the luncheon, and

looked at her instead. Finally they gravely repacked the almost

unimpaired repast, then looked at each other over the basket. Because

they were young and American, they laughed.

“It’s too hot to eat now,” said Grant, recovering hastily; “we’ll take

out the basket again later, when we get hungry.”

“That’s what I thought, too,” said Joy, with dancing eyes.

It was so peaceful by the brook; she had not realised how the hectic

life in the apartment had been wearing upon her. She closed her eyes

with a little shiver of ecstasy. “Let’s stay here a little while,” she

said. “It’s nice under the trees.”

“I was just going to suggest that,” said Grant. “We think the same in

almost everything, don’t we?”

How many millions of lovers have “thought the same”—lovers are

distanced in tastes, likes and dislikes, ideas and ideals, as the poles

are distanced one from the other!

“Yes,” said Joy dreamily. By now they had passed into the “you and I”

stage. They drifted into what they thought was a discussion of modern

education; but he was telling her about his years at Harvard. He had

just graduated; Packy’s class.

“But Packy and I never ran together much,” he said. “Packy is a

natural-born fusser; I’ve always been more or less of a woman-hater.”

“They say woman-haters are really the most romantic,” said Joy lightly.

“Well, they usually have the highest ideals; that’s what makes ’em

dislike most women. I had almost impossibly high ideals; so high that I

was getting afraid I’d never meet her.”

Silence. A twig fell from a tree, and the two started.

“I said,” said Grant, looking up at a patch of sky through the branches

while Joy plucked a blade of grass into tiny bits; “I said—I _was_

getting afraid I’d never meet her.”

A throbbing stillness in the woods; then Joy spoke breathlessly.

“So—was I,” she said.

A blue-jay shrieked discordantly from near by, and with a hitch, they

resumed more general subjects. Somehow, when one talks about ideals, one

always gets personal.

“Girls nowadays don’t encourage men to look up to them,” said Grant.

“There isn’t the respect there used to be—and the girls don’t seem to

miss it.”

“Some girls miss it,” said Joy; “but what can they do about it? If they

object, and try to bring back past conditions, they are labelled

old-fashioned, slow, stiff,—and let alone. Respect and what men

consider a good time can no longer be combined.”

“That’s the girls’ side, I suppose. But a man’s position is hard, too.

No man wants to fall in love with a girl who is unattractive to other

men. Probably you would call that sheep-like, but it’s something we

can’t help. And the popular girls nowadays, the girls that men run

after, are spoiled by that very quality that makes them popular. Betty

says I’m awfully stuffy—but most of them seem to me

hard—flippant—and—well, unreserved. Do you see what I mean?”

“Yes,” said Joy, amazed at his putting into words the half-formed

thoughts that had been sifting through her brain ever since she had

begun to observe boys and girls together, which had been at an early

age, as with most small-town girls.

“It seems,” Grant went on, “it seems almost as if girls were trying to

break down every difference that exists between them and men—smoking

and drinking are only two examples——”

She winced. Vaguely conscious of her unrest, he turned to her with an

impulsive gesture. “The only reason I’m saying all this is because it’s

so wonderful to find a girl like _you_ nowadays——”

“Oh, I don’t think things are as bad as all that!” she said. He sensed

her withdrawal, and they left the Modern Girl to return to Modern

Education.

They started back when the sun began to gleam redly through the trees.

The way seemed shorter than coming, and they talked more, whirling

through a world of fiery golden sun. Before they had even thought of

opening the luncheon basket, they were back at the beach house where

Betty with an accusing face awaited them on the piazza.

“We’re back,” said Joy. The sun had gone, and everything seemed suddenly

grey and flat.

Betty came dashing down to them. “Do you call this nice, to go off and

leave me for a whole day?” she demanded, pouting. “Lucky mother and

father haven’t got back yet. And now you’ll have to hurry like

everything to get ready for the dance!”

They realized that she was in evening dress.

“Oh, yes, there’s a dance to-night,” said Grant intelligently.

“There usually is, Saturday nights at the club house,” Betty retorted

with fine sarcasm appreciated by no one but herself. “I’m not going to

wait for you two—here comes my man now and there’s a wonderful

orchestra!” She waved to her “man,” a gentleman about town, possibly all

of seventeen, who was boiling up the driveway in a racer, and ran off to

meet him.

Joy and Grant looked at each other. “I had forgotten all about the

dance,” said Grant.

“Let’s not go!” It was Joy who spoke impulsively. “I—I dance so much up

in town—and it’s so beautiful just here, by the sea——”

But the golden day had faded, the perfect moment passed. “We ought to

go,” Grant considered. “Mother would think Betty and I weren’t

entertaining you very well. Besides, there are some duty dances I’ve got

to work off, that mother’s been after me about for a long time.”

Joy bowed her head. What was this feeling of impending distress—it must

be only that the sun had set!

“We’ll get dressed,” said Grant, “and then we can decide whether it’s

too late to go or not.” He met her eyes with a twinkle in his. “I

dress—very slowly!”

“I’ve torn my evening gown—and it will take me a long time to mend it!”

Joy returned with a laugh, and they separated.

Joy dressed as slowly as she dared. Her head was aching—two days now

without her prescription. Was that why she felt so depressed? She had

brought the same blue evening dress, and when the work was over, even to

her anxious eyes she had never shone more gorgeously. The only question

was color. Her face was temporarily red from driving in the wind; but

she knew it wouldn’t stay, and it would leave her pale and dragged

looking, as she had been lately most of the time. Which was preferable;

to put on some rouge and run the risk of looking conspicuously painted

until the wind-burn died down, or to omit the rouge and face the

certainty of looking ghastly later?—She put on some rouge.

When she finally went down, about nine o’clock, Grant was on the piazza.

She stood in the doorway and looked at him, as he came towards her. Why

couldn’t all boys be like Grant—Grant, with reverence and purity

shining in those clear blue eyes——

“I was hoping you’d wear that dress,” he was saying. “It’s the one you

wore the first time I ever saw you——”

The first time already seemed impossible ages away.

“That’s why I wore it,” said Joy, in a matter-of-fact tone.

Neither kept the other in doubt by word or look. They looked now—and

then, because they were human, they went and ate a fairly good meal from

the lunch basket. Now there was no excuse for not starting to the

dance—but still they lingered.

“I never heard you sing, you know,” said Grant. “Can’t you sing after

eating—or will you sing to me before we go?”

They went into the music room, where Joy had already sounded out the

piano. “Singing right after a meal gives me an excuse for not doing it

well,” she smiled, but her fingers trembled as she played a few chords.

What if he shouldn’t like it? That would be something she could not

bear. Unconsciously music was already a part of herself. It would be so

hard to sing to him—the hardest singing she had ever done! “I’ll sing a

song called ‘The Unrealized Ideal,’” she said.

To most singers it is a handicap to play for themselves, but for Joy, to

whom playing was as natural and spontaneous as breathing, it was only an

added delight. She could almost hear her heart trembling as she

modulated into the song.

The accompaniment stole out—a sound as of little bells chiming from far

away—and then Joy’s voice, muted and shaky, but all the more poignant

for that reason——

“My only love is always near

In country or in town

It seems that he must feel, must hear

The rustle of my gown.

“I foot it after him, so young

My locks are tied in haste—

And one is o’er my shoulder flung

And hangs below my waist.

“He runs before me in the meads

And down the world-worn track

He leads me on—but as he leads

He never glances back.

“Yet still his voice is in my dreams

To witch me o’er and o’er

That wooing voice! Ah, me—it seems

Less near me than before.”

A pause—a little wistful interlude of tinkling notes in a minor key.

“Lightly I speed while hope is high

And youth beguiles the race

I follow—follow still—but I

Shall never see his face.”

Grant had risen and had come over to her, his eyes blazing.

“You have never sung that to Packy, have you? Joy——”

“No—I haven’t ever sung it to anybody.”

“Somehow—I couldn’t have borne it, if you had, Joy——”

A cool voice from the doorway smote in upon their throbbing hearts.

“Dear me! Have you two not gone to the dance yet?”

Mrs. Grey came forward into the room, her chill eyes dwelling first on

Grant, then upon Joy, lingering on her face where the mixed colours

strove for supremacy. “It was a great pity Mr. Grey and I were delayed

in town.” She turned to Joy. “So you’re a—singer! I rather thought

you—expressed yourself in some way.” Her eyes still rested with

emphasis upon Joy’s colour; it was almost as if she wished Grant to

follow her gaze and see what she saw. But Grant was not looking at Joy

with his mother’s eyes. “What are you going to do with your voice?”

Joy took a deep breath. “I am going to study for opera.” It was the

first time she had admitted it, even to herself. Once the statement was

out, she contemplated it with delight.

“Oh, indeed. A professional—with all that that entails.” The bleak

words fell between Joy and Grant; and although neither dreamed it then,

with the rose flush of the vanished day still upon them, they stayed

between them.

Almost without words, it was determined that they start at once for the

dance. Grant remarked that he and Joy would walk up the beach. A

snowbound glance from the blue eyes, and the two left the house, with

the understanding that they would meet Mr. and Mrs. Grey over there.

The tide had gone out, leaving long stretches of hard sand. The moon was

up, full and round, staring down upon them with friendly curiosity.

“I always used to wonder why people raved so about the moon,” said

Grant. A little farther on, and they were out of sight of the house, on

a lonely stretch of beach and sky. “Joy, when you sang, I felt—I can’t

explain how I felt. It’s wonderful, it’s—you.”

Somehow they came to a pause on the sands looking out on the moon’s

arclight reflection on the water.

“I—I once read some of Shelley—in college,” and Grant looked down at

her, suddenly scarlet——

“See the mountains kiss high heaven

And the wavelets kiss the sea

What is all this kissing worth

If thou kiss not me?”

Almost a gasp in the murmuring ocean air—and then their lips met,

brushing shyly, in a frightened thistledown of contact.

“Joy—I worship you.” His trembling whisper in her ear. “I love you—I

love you so! Joy——”

This time they clung together, half frightened at the passion that

surged to their lips.

And then a long interval without words—until they found themselves

sitting on the sand, she with her head on his shoulder, he stroking her

hair.

“You have the prettiest hair I’ve ever seen. Everything about you is the

most wonderful I’ve ever seen. Your eyes, your voice, your lips—”

Another interval. “Joy—I never knew what it was to feel like this.

You—you’re the only girl I’ve ever kissed.”

“I didn’t know a man existed, who could say that,” said Joy with a happy

laugh which died away on his next words.

“And I didn’t know there were girls like you—until I met you. For I am

the first with you—am I not?”

“I’ve been kissed before—once.”

An intake of breath. Then, before she could continue: “Don’t tell me

about it, Joy, dear—” a pause to accustom oneself to the unfamiliar

“dear”—“don’t tell me about it—I’d rather not hear any more. I’ll make

you forget him—just once isn’t much——”

After a month of whiles, they walked slowly up the beach. Their

conversation was incoherent, but adequate.

“The dance will be almost over—what does it matter to _us_—isn’t it

all strange and wonderful—your mother will think we were drowned——”

They came into the club house with unmistakably luminous faces. There is

something about young love that stands starkly revealed, and they were

as patent as if they had been hung with sandwich-man signs.

At times life seems to move in a quick succession of scenes until the

scenes begin to seem unreal, and one feels apart from the drama of

events, watching impersonally while life plays on with oneself. So Joy

felt, as she saw Packy at the far corner of the room, and so she watched

with impartial interest as he looked at them, first carelessly, then in

swift incredulity, then with a face that grew thunderous, as, hands in

pockets, he strode across to where they were about to join the dancers.

“Hello, Joy,” he said shortly. “Doesn’t take you a long time to change

running mates, does it?”

“My goodness, look at Packy, entirely surrounded by a frown,” she tossed

back at him—how easily Jerry’s line came to one’s lips.

“Is that all you’ve got to say?” he demanded, blocking their way as they

started again to join the dancers.

Joy remembered a saying of Jerry’s which seemed peculiarly pat at this

moment: “A girl never has the right amount of men. If she has few, it’s

boring; if she has many, they get in the way and cramp her style.” She

laughed. Packy was really a grotesque figure, with his glowering face

and childish remarks. “You make me feel like a dancing school, with all

this talk of changing partners,” she observed, and turned to Grant. She

was amazed at the transformation. Grant’s lips were drawn back over his

teeth, his eyes glittering.

“Would you mind stating what business it is of yours, who Joy goes to a

dance with?” he asked, in a voice as chill and cold as Mrs. Grey’s

herself; a voice with the ring of generations of Boston ancestors behind

it.

It was the end of the dance; and Joy now realized, in a sort of detached

horror, that they were becoming conspicuous. Grant and Packy were facing

each other in the same tense, bristly pose that dogs assume before a

pitched battle; faces were turning their way; she could see Mrs. Grey

rising, in impotent protest, across the room——

A voice assailed her memory. “Is it really you, Miss Nelson?” Standing

close at hand, his eyes upon their little group in grave attention, was

a good-looking boy of medium height, with blond, wavy hair that had been

plastered back in an attempt to make it look straight—At her look of

vague recognition, he stepped nearer, said to Grant and Packy in an

undertone: “Couldn’t you talk it over just as well out-doors?” then

smiled at Joy, and in a normal, bread-and-butter voice that seemed to

have the effect of suddenly bringing everything back to an everyday

basis, said: “You don’t remember me, do you? I met you at Prom this

spring—my name’s Dalton.”

“Mr. Dalton—of course!” she exclaimed. “I remember you very well—” she

stopped, and twinkled. The echo of his blunt lecture seemed for a moment

to hang in the air. She turned to introduce him to Grant and Packy; but

Packy had gone. The scene was over, and she relaxed.

“I’ll cut in later,” said Jim Dalton, and moved away. The music had

started again, the orchestra-leader announcing that this was “the last

dance.” In Grant’s arms she floated off to the strains of “I Love You

Truly.”

“Hope that fellow who said he’d cut in, will have sense enough not to do

it on the last dance,” he growled, clasping her almost fiercely to him.

“If that fellow hadn’t come up just then, I don’t know what might have

happened,” Joy suggested.

“Damn Packy! Forgive me, Joy; but don’t you think Packy rates a damn or

two? Of all the cake-eating parlour pythons——”

“Your mother was watching us. In fact, she still is. That was an awful

scene to make, Grant.”

“Scene! Asking him one question. It was nothing to what I wanted to do.

At that, though, he faded away pretty quick. Joy you dance like—like

nothing at all.”

“So do you!” she thrilled up at him; and they drifted rapturously past

Mrs. Grey, whose eyes, freshly iced, followed them everywhere.

Jim Dalton did not cut in until the very last encore. Grant relinquished

Joy, then went revengefully to cut in on Betty, who looked far from

delighted to be interrupted in the midst of “I Love You Truly” by a

_brother_.

“I want to thank you for coming up when you did,” Joy said.

“It was nothing; I wanted to see you. How have you been? You look——”

“I look—what?”

“It’s not easy to describe the change. I would hardly have known you if

I hadn’t overheard one of those two young men—ah—mentioning your

name.”

Joy’s lips twitched. “Do I look like ‘a typical model showing off some

undress creation’?” She was as surprised as he at the ease with which

she remembered his words. Certainly, being with Jerry sharpened one’s

wits.

“No. Of course not. You look older, for one thing—and——”

“And—what?”

“And as if—well, as if you were—unsettled in your mind—looking for

something you hadn’t found.”

“Everyone—always is looking for something they haven’t found—don’t you

think so?” she countered, watching Grant from the corner of her eye,

while her heart beat a painful tattoo of triumph against her side. She

had—found what she had always been looking for! Girlhood’s tentative

dream was victorious certainty.

“I haven’t asked you how you happened to be around these parts?”

She told him she was studying music in Boston, and living with Jerry.

This he received in a silence which became so long that she did not know

what thread he was taking up when he finally demanded:

“Did you mean that?”

“Mean what?”

“That you were living with Jerry. Were you serious?” Receiving an

affirmative answer, he fell back again into a silence which lasted until

Grant cut back at the end of the dance.

They rode home with Betty and her “man,” thus escaping Mrs. Grey, and

Joy and Betty went upstairs before Mr. and Mrs. Grey returned. Betty was

full of thrills. She confided to Joy that she “had found someone

harmonious, even to dancing, at last.” He was her escort of the evening,

and they were engaged.

“Engaged!” Joy exclaimed. “You, at your age—you don’t want to be

married at sixteen, do you?”

“Of course not!” Betty tossed her head. “My goodness, Joy, I’ve been

engaged three times already—being engaged and getting married have got

nothing to do with each other!”

Saying which, she departed, leaving Joy undecided whether to laugh or be

horrified. Decidedly, there was more to these naïve, sunburned kittens

than met the eye of the innocent bystander.

Sunday breakfast at the Greys’ was a late affair, and the table was not

fully assembled until eleven. Joy dreaded meeting Mrs. Grey’s scrutiny

again; she even shrank from seeing Grant, for in the morning sun she

blushed at the memory of things under the white heat of the moon, and

longed for another moon with no glaring day intervening; but finally she

could not longer postpone it. Mrs. Grey was presiding at the table,

immaculate and unruffled as ever, not a hair of her marcel straying from

its designated path. She enquired meticulously if Joy had slept well,

then talked past Joy on one side and Grant and Betty on the other, to

Mr. Grey at the head. Joy and Grant met each other’s eyes for one

glowing moment, then devoted their attention to their plates. After all,

it was the first real meal they had had since yesterday morning.

Conversation flitted its way about as noncommittally as a

feather-duster, ignoring the vital corners. It was Mr. Grey who grew

expansive after his soft-boiled eggs and toast.

“In my day,” he remarked with a chuckle, “we didn’t choose a club-house

dance in which to pick a fight. We chose some vacant lot.”

“We weren’t fighting,” said Grant curtly.

Mrs. Grey allowed her sea blue eyes, cold and sparkling as salt water,

to rest on Joy for one pungent moment. The air tingled with omission.

She spoke finally, as she rose from the table: “We shall hope to hear

you sing later in the day, Miss Nelson.”

A stupid, hot Sunday, composed of working through the Sunday papers,

sitting on the piazza talking about weather probabilities, and keeping

maids perspiring to bring cooling drinks. Grant and Joy had no excuse to

slip away, with the events of the day before stalking in the minds if

not the words of the Greys, and the stubborn fact that Joy was nominally

Betty’s guest. Betty remarked that it was a pity church attendance had

gone out of style; it did fill in part of Sunday, anyway. She had

suggested golf, which Joy did not play, and tennis, which Joy had

expressed a willingness to watch; and everyone had unanimously declared

that it was too hot to go down on the beach in the blaze of the sun.

Motoring was voted down, since on Sunday “there was such a fearful

rabble in the road,” and the day groaned away in an agony of repressions

for Grant and Joy.

Towards evening, as it grew cooler, some callers arrived, and Betty

pointed out that now was the time for Joy to sing. So Joy sang—not the

“Unrealized Ideal” this time, but some little French songs which evoked

polite murmurs of appreciation from the guests who were of the type that

know nothing about music and care less, but know that it is the thing to

appreciate it. And then Betty, rolling her eyes in a manner she

considered romantic, requested “Last Night.”

The room with its conventional puppets of listeners faded away; Joy was

only conscious of one intent brown face. What if all day they had been

and still were hedged about by tiresome details; she could speak to him

if there were thousands listening. Oh, to make love with one’s voice:

“I think of you in the daytime

I dream of you by night

I wake and would you were here, love

And tears are blinding my sight.

I hear a low breath in the lime-tree

The wind is floating through

And oh, the night, my darling,

Is sighing, sighing for you, for you.”

Her emotion was mastering her, so that her voice came forth in bursts of

gorgeous tone or died away in a tremulous whisper; but it carried a

quality that made her listeners look uncomfortable, as conventional

people tend to do when they feel that their emotions are being aroused

in a public place.

She ended, and there was a small moment of recapitulation before the

polite murmurs started again. She left the piano and crossed to

Grant—veiled under the general chatter, it was the first moment they

had to speak to each other.

“I sang to you,” she said; and the Chinese masks which they had both

been assuming all day, made easier by the breath-taking weather and the

environment, fell away from them as they looked at each other.

“You must always sing to me, Joy—your singing’s you—and I can’t bear

to have anyone else even get a part of you.”

She smiled up at him, seeing only the worship of the idea. The callers

stayed to a “simple” Sunday supper of three courses and “on the sides,”

then left the Grey family to settle down to a repletely quiet Sunday

evening. Not so Betty; she announced that “Mr. Cortland” was coming to

take her riding, and Joy and Grant could come along too. Mrs. Grey made

a few quiet remarks about the ordinary people who rode Sunday evenings,

but “Mr. Cortland,” Betty’s newly-acquired fiancé, arrived about that

time, and the four set off without even a pretense of asking Mr. and

Mrs. Grey to accompany them. They went in “Mr. Cortland’s” racer, which

necessitated three-in-one seat and one-on-the-floor, always a piquant

combination.

“No use taking a larger car,” said the fiancé, in a

bored-man-of-the-world tone: “everyone would scrap as to who wouldn’t

drive, and I’d have to, and I can’t drive with one arm—I can only

stop.”

“Oh, Nick, you do tear off the worst line,” trilled Betty. “Come

on—take the Jerusalem road—of course we’ll go to Nantasket. I want to

ride in the roller-coasters!”

Grant turned and looked up at Betty. “You’re not going to Nantasket

to-night,” he said. “I suppose you want to ride the merry-go-round too,

and dance in the Palm Garden! Where do you get your lowbrow tastes?”

Betty played a tune on Nick’s shoulder. “Drive straight to the border,”

she told him in a sepulchral voice, then to Grant: “Stuffy old thing!

I’ve been cooped in all day till I could _scream_—, thank goodness, we

can forget it’s Sunday at Paragon Park!”

What was there about visiting an amusement park on Sunday to call forth

such dignity from Grant? It was almost like his mother might have

spoken—Joy anxiously intervened before the brother-and-sister

controversy became too distressing: “It’s Mr. Cortland’s car, so we

can’t help where they go;—but we can sit and wait for them.”

So they sat in the car outside Paragon Park, while Betty went in to try

her fiancé’s endurance on the roller-coaster and in eating pop-corn. The

time raced by as swiftly as their heart-beats; they had a whole day to

catch up with, Grant said. “Our whole lives, too, Grant,” Joy whispered

against his lips.

“To think that we never knew each other—before!”

“But—loving this way is much more beautiful! If we had known each other

always—love would have made no more impression than a—a candle lighted

in a room blazing with electricity. But what a difference—when the

candle is lit in the darkness!”

“Joy, how can you say such wonderful things? You say them

all—everything that I can only feel, you say—or sing! How can a girl

like you ever be satisfied with me?”

“Don’t, Grant—that’s blasphemy! Or something!”

“I can’t bear to think of you going away to-morrow. We’ve seen each

other so little. I’ll be coming up to Boston every day, though.”

“Every day!—Every single day? Could—could we honestly keep that up?”

“Silly girl. . . . Now you make me feel almost up to your level. Do you

realize how much we’ll have to see of each other before we dare spring

an engagement on my people?”

“Oh . . . I had forgotten all about . . . people and things,” she

mumbled and the exalted rhythm of her heart-beat sagged ever so little.

Mrs. Grey had such adequately discouraging eyes. . . .

Dancers in the Dark · 第 3 / 15 题