CHAPTER XVII.

THE OLD ESCRITOIR.

After this night I never remember to have seen that rich, fruity smile

upon my mother’s lips again. Bear in mind, there had been no quarrel

between her and Lord Clare; not even a hard word; but she loved him so

deeply, so fatally. She who had no world, no thought, no existence that

did not partake of him, and her trust in him had been like the faith of

a devotee. All at once she _felt_ that he had secrets, thoughts,

memories, many things long buried in his heart, of which she had no

knowledge. She had gathered it only from a look; but if all the angels

of heaven had written it out in fire before her eyes, the revelation

could not have been more perfect.

And now the proud tranquillity of her life, the rich contentment of her

love departed forever. The gipsy blood fired up again; she was restless

as a wild bird. Her care of me relaxed. I ran about the park recklessly,

like the deer that inhabited it. She rode out sometimes alone, and

always at full speed. I saw her often talking with old Turner, and

observed that he looked anxious and distressed after their

conversations.

She was a proud creature, that young gipsy mother, but it was a pride of

the soul, that which blends with genius as platina strengthens and

beautifies gold. All the sweet trusting fondness of manner which had

made her love so luxurious and dreamy, changed to gentle sadness. She

met Lord Clare meekly and with a certain degree of grateful submission,

but without warmth. It was the humility which springs from excess of

pride. In the whole range of human feelings there is not a sensation

that approaches so near to meekness, as the pride of a woman who feels a

wrong but gives it no utterance.

Lord Clare saw and understood this. You could see it in his air; in his

slow step as he approached the house; in the anxious look with which he

always regarded my mother on their first meetings. He grew more tender,

more solicitous to divine her wishes, but never asked an explanation of

the change that had come over her. What was the reason of this? Why did

Lord Clare remain silent on a subject that filled both their thoughts?

Those who know the human heart well can best answer.

Lord Clare had reached that point in life when we shrink from new

sources of excitement. I have said that he was young only in years. The

romance of suffering had long since passed away. He was capable of

feeling the pain, nothing more.

Close by Lord Clare’s estate, and visible through the trees in winter,

when no foliage intervened, was an old mansion that had once been

castellated, but modern art had transformed it into a noble dwelling,

leaving the old keep and some prominent towers merely for their

picturesque effect. A large estate surrounded it, sweeping down, on the

north, to that of Lord Clare’s, and extending as far as the eye could

reach toward the mountain ridges that terminated the view.

The estate had belonged to a wealthy banker of London, one of those city

men who sometimes, by their energies, sweep the possessions of the

peerage into their coffers with a sort of ruthless magic. This man had

married a distant relative of Lord Clare—a lady who at one time had been

an inmate of his father’s family. She had married the banker suddenly,

most people supposed for his wealth, for she carried nothing but high

birth and connections to her city bridegroom.

The dwelling, of which I speak, had been purchased before the marriage,

as a surprise for the lady. Close to the estate of her young relative,

almost regal in its splendor, what gift could be more acceptable to the

bride? It was purchased, renovated, furnished, and settled upon her. On

her bridal morning only she became aware of the fact. Those who

witnessed the ceremony saw that the bride turned pale, and that a

strange look came into her face as she acknowledged the magnificent

kindness of her bridegroom; but one brief visit was all that she made to

the estate, and it became a matter of comment that Lord Clare should

have started on his foreign travels the day before the bridal party

arrived in the neighborhood.

Now Mr. Morton was dead, and about this time his widow, Lady Jane, came

down to live at the castle. Turner informed us of this, but there was

something in his manner that did not please me. His precise language,

and that sort of solemn drollery that made him so unique, and to us so

lovable, abandoned him as he told this news. His dear, honest, eyes

wavered, and there was something wrong in his whole appearance that I

shall never forget.

Another piece of news he brought us after this. Lord Clare’s sister, a

lady some years older than himself, had arrived at Greenhurst, and more

company was expected. This lady was a widow, and heiress at law to the

title and entailed estates, for both descended alike to male or female

heir. My poor mother knew nothing of all this; how should she? The laws,

and even customs of England were a sealed book to her. She only felt

that strangers were intruding into her paradise, and the shadows around

her home grew deeper and deeper.

I fancy all this gossip was brought to us by Lord Clare’s direction, for

he never mentioned the subject himself, and poor old Turner certainly

did not seem to find much pleasure in imparting unpleasant information.

With all his eccentricities, he was a discreet and feeling man.

I have said that I ran wild about the grounds, like a little witch or

fairy. This made me bold and reckless. I put no limits to my rambles,

but trampled through flower-beds, waded rivulets, and made myself

acquainted with everything I met without fear. Up to this time I had

never entered the mansion nor met any of the servants without avoiding

them. Perhaps I had been directed to do this. I cannot remember if it

was the command of my mother or an intuition. But now I ventured into

the garden, the graperies, and at length into the house itself.

I had not seen Lord Clare in several days, and possibly it was a longing

for his presence that gave me courage to steal up the broad, oaken

staircase, and along the sumptuous rooms that lay beyond.

The magnificence did not astonish me, for it was only on a broader scale

than the exquisite arrangement of my own pretty home; but the stillness,

the vast breadth and depth of the apartments filled me with a sort of

awe, and I crept on, half afraid, half curious, to see what would come

next.

At length I found myself in a little cabinet. The walls were hung with

small pictures; the carpet was like wood-moss gleaming through flowers;

two or three crimson easy chairs stood around. On a table lay some

curious books in bindings of discolored vellum, others glowing with

purple and gold, the ancient and modern in strong contrast. An escritoir

of ebony, sculptured an inch deep, and set with precious stones, stood

near it; some papers lay upon the open leaf, and a small drawer was half

out, in which were other papers, folded and emitting a faint perfume.

Child-like, I clambered up the chair that stood before this desk and

began tossing the papers about. Something flashed up from the drawer

like a ray of light. I plunged my hand in again and drew forth a golden

shell, frosted over with ridges of orient pearls and edged with

diamonds. I clasped the gem between my hands and sprang down with a glad

little shout, resolved to examine it at my leisure. Either the leap or

the pressure of my hands opened the spring, and when I sat down on the

carpet and unclosed my fingers, the shell flew open, and I saw the face

of Lord Clare. I had not seen my father in some days, and as if the

portrait had been himself, I fell to kissing it, murmuring over the

endearing names that his presence always prompted.

After a little, my eyes fell on the opposite half of the shell, and the

face that met my gaze checked my joy; it was not beautiful, but a

singular fascination hung about the broad forehead and the clear,

greyish blue eyes. The power embodied there enthralled me more than

beauty could have done. My murmurs ceased; my heart stopped its gleeful

beating; I looked on the pair with a sort of terror, yet could not

remove my eyes.

All at once I heard steps in the next room. Huddling the miniature up

with the folds of my scarlet dress, I sat upon the floor, breathless and

full of wild curiosity, but not afraid. The door opened and Lord Clare

came in. He did not observe me, for a cloud of lace from one of the

windows fell between us, and he sat down by the desk wearily leaning his

forehead in the palm of one hand. I heard him sigh and observed that he

moved his hand rapidly across his forehead two or three times, as if to

assuage the pain of some harassing thought.

Still with the miniature and some folds of my dress huddled together, I

got up, and moving toward the desk clambered softly up the chair on

which he sat. Putting one arm around his neck, I laid my head close to

his cheek and murmured, after the fashion of my gipsy mother, “Oh, my

Busne, my Busne!”

He started violently; my weight drew back the chair, and I fell heavily

to the carpet.

“Child, child, how came you here?” cried my father, looking down upon

me, pale as death, and excited beyond anything I had ever witnessed,

“surely, surely, your mother cannot have brought you—tell me, was it

Turner—was it”——

“No, no,” I answered, forcing back the tears of pain that sprung to my

eyes, “it was myself, not Turner, not mamma, only myself—my own self; I

came alone; I will go alone—I and the pretty Busne in my dress. That

will not throw me down—that will not strike my head, and fill my eyes

with sparks of fire. It is the good Busne, mamma and I loved—it will

make her glad again. Let me go out—me and the good Busne.”

I still lay upon the floor, for the blow against my head made it reel

when I attempted to move; but my hand clung to the miniature, and a

fierce spirit of rage, hitherto unknown, possessed me. He stooped over

me with his old, gentle manner, and attempted to lift me in his arms,

but in my rage I shrunk away.

“You don’t love me—you don’t love mamma,” I cried, fighting him back

with one hand. “She knows it—I know it, and so does good Turner. You go

away one, two, four days, and all that time she sits this way, looking

on the floor.”

I struggled to a sitting posture and sunk into the abstracted manner

that had become habitual to my mother. I do not know what chord of

feelings was struck by this position, but tears crowded into his eyes,

and dropping on one knee by my side, he laid a hand on my head. I sprang

up so violently that the miniature fell to my feet, glittering and open.

“Child, gipsy, where did you get this?” he cried, white with agitation,

and seizing my arm. “There!” I answered, stamping my foot, and pointing

with my clenched hand to the desk.

“Who told you—how dare you?”

“No one told me—dare, what is that?” I answered, meeting his pale anger

with fire in my heart and eyes.

“Contaminated again by this gipsy gang,” he muttered, gazing upon the

female face. “Jane, Jane, to what degradation you have driven me.”

I listened greedily. The name of that woman was Jane; how from that hour

I hated the sound.

“Go!” he said to me, sternly, “go and never enter this room again. Tell

your mother that this mad life must have an end. You shall not run

through the estate like a gip—like a wild animal.”

Every word sunk like a drop of gall into my heart—the bitterness—the

scorn—the angry mention of my mother’s name. I left the miniature in his

hand, and, with my infant teeth scarcely larger than pearls clenched

hard, turned away, burning with futile wrath. He called me back, but I

kept on. Again he called, and his voice trembled. It only filled my

little heart with scorn that a man should not hold his anger more

firmly. In order to avoid him, I fled like a deer through the spacious

apartments, ignorant what direction I ought to take, but determined to

run anywhere rather than speak to him again.

The heiress of Greenhurst · 第 17 / 56 章