XV.

There is another reason for such ascetism as was taught in _Marius the

Epicurean_ and in Pater's book on Plato: the modest certainty of all

pleasure derived from the beautiful will accustom the perfect æsthete

to seek for the like in other branches of activity. Accustomed to the

happiness which is in his own keeping, he will view with suspicion all

craving for satisfactions which are beyond his control. He will not

ask to be given the moon, and he will not even wish to be given it,

lest the wish should grow into a want; he will make the best of

candles and glowworms and of distant heavenly luminaries. Moreover,

being accustomed to enjoy the mere sight of things as much as other

folk do their possession, he will probably actually prefer that the

moon should be hanging in the heavens, and not on his staircase.

Again, having experience of the æsthetic pleasures which involve, in

what Milton called their sober waking bliss, no wear and tear, no

reaction of satiety, he will not care much for the more rapturous

pleasures of passion and success, which always cost as much as they

are worth. He will be unwilling to run into such debt with his own

feelings, having learned from æsthetic pleasure that there are

activities of the soul which, instead of impoverishing, enrich it.

Thus does the commerce with beautiful things and beautiful thoughts

tend to develop in us that healthy kind of asceticism so requisite to

every workable scheme of greater happiness for the individual and the

plurality: self-restraint, choice of aims, consistent and

thorough-paced subordination of the lesser interest to the greater;

above all, what sums up asceticism as an efficacious means towards

happiness, preference of the spiritual, the unconditional, the

durable, instead of the temporal, the uncertain, and the fleeting.

The intimate and continuous intercourse with the Beautiful teaches us,

therefore, the renunciation of the unnecessary for the sake of the

possible. It teaches asceticism leading not to indifference and

Nervana, but to higher complexities of vitalisation, to a more

complete and harmonious rhythm of individual existence.

Laurus Nobilis: Chapters on Art and Life · 第 23 / 131 题