II.

Our language does not possess any single word wherewith to sum up the

various categories of things (made by nature or made by man, intended

solely for the purpose of subserving by mere coincidence) which

minister to our organic and many-sided æsthetic instincts: the things

affecting us in that absolutely special, unmistakable, and hitherto

mysterious manner expressed in our finding them _beautiful_. It is of

the part which such things--whether actually present or merely

shadowed in our mind--can play in our life; and of the influence of

the instinct for beauty on the other instincts making up our nature,

that I would treat in these pages. And for this reason I have been

glad to accept from the hands of chance, and of that road-mender of

the tram-way, the bay laurel as a symbol of what we have no word to

express: the aggregate of all art, all poetry, and particularly of all

poetic and artistic vision and emotion.

For the Bay Laurel--_Laurus Nobilis_ of botanists--happens to be not

merely the evergreen, unfading plant into which Apollo metamorphosed,

while pursuing, the maiden whom he loved, even as the poet, the artist

turns into immortal shapes his own quite personal and transient moods,

or as the fairest realities, nobly sought, are transformed, made

evergreen and restoratively fragrant for all time in our memory and

fancy. It is a plant of noblest utility, averting, as the ancients

thought, lightning from the dwellings it surrounded, even as

disinterested love for beauty averts from our minds the dangers which

fall on the vain and the covetous; and curing many aches and fevers,

even as the contemplation of beauty refreshes and invigorates our

spirit. Indeed, we seem to be reading a description no longer of the

virtues of the bay laurel, but of the _virtues_ of all beautiful

sights and sounds, of all beautiful thoughts and emotions, in reading

the following quaint and charming words of an old herbal:--

"The bay leaves are of as necessary use as any other in garden or

orchard, for they serve both for pleasure and profit, both for

ornament and use, both for honest civil uses and for physic; yea,

both for the sick and for the sound, both for the living and for

the dead. The bay serveth to adorn the house of God as well as of

man, to procure warmth, comfort, and strength to the limbs of men

and women;... to season vessels wherein are preserved our meats as

well as our drinks; to crown or encircle as a garland the heads of

the living, and to stick and deck forth the bodies of the dead; so

that, from the cradle to the grave we have still use of it, we

have still need of it."

Laurus Nobilis: Chapters on Art and Life · 第 10 / 131 题