CHAPTER II

A SHADOW IN SPRING

With spring came trouble. The Saxtons declared they were being bitten

off the estate by rabbits. Suddenly, in a fit of despair, the father

bought a gun. Although he knew that the Squire would not for one moment

tolerate the shooting of that manna, the rabbits, yet he was out in the

first cold morning twilight banging away. At first he but scared the

brutes, and brought Annable on the scene; then, blooded by the use of

the weapon, he played havoc among the furry beasts, bringing home some

eight or nine couples.

George entirely approved of this measure; it rejoiced him even; yet he

had never had the initiative to begin the like himself, or even to urge

his father to it. He prophesied trouble, and possible loss of the farm.

It disturbed him somewhat, to think they must look out for another

place, but he postponed the thought of the evil day till the time

should be upon him.

A vendetta was established between the Mill and the keeper, Annable.

The latter cherished his rabbits:

“Call ’em vermin!” he said. “I only know one sort of vermin—and that’s

the talkin sort.” So he set himself to thwart and harass the rabbit

slayers.

It was about this time I cultivated the acquaintance of the keeper. All

the world hated him—to the people in the villages he was like a devil

of the woods. Some miners had sworn vengeance on him for having caused

their committal to gaol. But he had a great attraction for me; his

magnificent physique, his great vigour and vitality, and his swarthy,

gloomy face drew me.

He was a man of one idea:—that all civilisation was the painted fungus

of rottenness. He hated any sign of culture. I won his respect one

afternoon when he found me trespassing in the woods because I was

watching some maggots at work in a dead rabbit. That led us to a

discussion of life. He was a thorough materialist—he scorned religion

and all mysticism. He spent his days sleeping, making intricate traps

for weasels and men, putting together a gun, or doing some amateur

forestry, cutting down timber, splitting it in logs for use in the

hall, and planting young trees. When he thought, he reflected on the

decay of mankind—the decline of the human race into folly and weakness

and rottenness. “Be a good animal, true to your animal instinct,” was

his motto. With all this, he was fundamentally very unhappy—and he made

me also wretched. It was this power to communicate his unhappiness that

made me somewhat dear to him, I think. He treated me as an affectionate

father treats a delicate son; I noticed he liked to put his hand on my

shoulder or my knee as we talked; yet withal, he asked me questions,

and saved his thoughts to tell me, and believed in my knowledge like

any acolyte.

I went up to the quarry woods one evening in early April, taking a look

for Annable. I could not find him, however, in the wood. So I left the

wildlands, and went along by the old red wall of the kitchen garden,

along the main road as far as the mouldering church which stands high

on a bank by the road-side, just where the trees tunnel the darkness,

and the gloom of the highway startles the travellers at noon. Great

trees growing on the banks suddenly fold over everything at this point

in the swinging road, and in the obscurity rots the Hall church, black

and melancholy above the shrinking head of the traveller.

The grassy path to the churchyard was still clogged with decayed

leaves. The church is abandoned. As I drew near an owl floated softly

out of the black tower. Grass overgrew the threshold. I pushed open the

door, grinding back a heap of fallen plaster and rubbish and entered

the place. In the twilight the pews were leaning in ghostly disorder,

the prayer-books dragged from their ledges, scattered on the floor in

the dust and rubble, torn by mice and birds. Birds scuffled in the

darkness of the roof. I looked up. In the upward well of the tower I

could see a bell hanging. I stooped and picked up a piece of plaster

from the ragged confusion of feathers, and broken nests, and remnants

of dead birds. Up into the vault overhead I tossed pieces of plaster

until one hit the bell, and it “tonged” out its faint remonstrance.

There was a rustle of many birds like spirits. I sounded the bell

again, and dark forms moved with cries of alarm overhead, and something

fell heavily. I shivered in the dark, evil-smelling place, and hurried

to get out of doors. I clutched my hands with relief and pleasure when

I saw the sky above me quivering with the last crystal lights, and the

lowest red of sunset behind the yew-boles. I drank the fresh air, that

sparkled with the sound of the blackbirds and thrushes whistling their

strong bright notes.

I strayed round to where the headstones, from their eminence leaned to

look on the Hall below, where great windows shone yellow light on to

the flagged court-yard, and the little fish pool. A stone staircase

descended from the graveyard to the court, between stone balustrades

whose pock-marked grey columns still swelled gracefully and with

dignity, encrusted with lichens. The staircase was filled with ivy and

rambling roses—impassable. Ferns were unrolling round the big square

halting place, half way down where the stairs turned.

A peacock, startled from the back premises of the Hall, came flapping

up the terraces to the churchyard. Then a heavy footstep crossed the

flags. It was the keeper. I whistled the whistle he knew, and he broke

his way through the vicious rose-boughs up the stairs. The peacock

flapped beyond me, on to the neck of an old bowed angel, rough and

dark, an angel which had long ceased sorrowing for the lost Lucy, and

had died also. The bird bent its voluptuous neck and peered about. Then

it lifted up its head and yelled. The sound tore the dark sanctuary of

twilight. The old grey grass seemed to stir, and I could fancy the

smothered primroses and violets beneath it waking and gasping for fear.

The keeper looked at me and smiled. He nodded his head towards the

peacock, saying:

“Hark at that damned thing!”

Again the bird lifted its crested head and gave a cry, at the same time

turning awkwardly on its ugly legs, so that it showed us the full

wealth of its tail glimmering like a stream of coloured stars over the

sunken face of the angel.

“The proud fool!—look at it! Perched on an angel, too, as if it were a

pedestal for vanity. That’s the soul of a woman—or it’s the devil.”

He was silent for a time, and we watched the great bird moving uneasily

before us in the twilight.

“That’s the very soul of a lady,” he said, “the very, very soul. Damn

the thing, to perch on that old angel. I should like to wring its

neck.”

Again the bird screamed, and shifted awkwardly on its legs; it seemed

to stretch its beak at us in derision. Annable picked up a piece of sod

and flung it at the bird, saying:

“Get out, you screeching devil! God!” he laughed. “There must be plenty

of hearts twisting under here,”—and he stamped on a grave, “when they

hear that row.”

He kicked another sod from a grave and threw at the big bird. The

peacock flapped away, over the tombs, down the terraces.

“Just look!” he said, “the miserable brute has dirtied that angel. A

woman to the end, I tell you, all vanity and screech and defilement.”

He sat down on a vault and lit his pipe. But before he had smoked two

minutes, it was out again. I had not seen him in a state of

perturbation before.

“The church,” said I, “is rotten. I suppose they’ll stand all over the

country like this, soon—with peacocks trailing the graveyards.”

“Ay,” he muttered, taking no notice of me.

“This stone is cold,” I said, rising.

He got up too, and stretched his arms as if he were tired. It was quite

dark, save for the waxing moon which leaned over the east.

“It is a very fine night,” I said. “Don’t you notice a smell of

violets?”

“Ay! The moon looks like a woman with child. I wonder what Time’s got

in her belly.”

“You?” I said. “You don’t expect anything exciting do you?”

“Exciting!—No—about as exciting as this rotten old place—just rot

off—Oh, my God!—I’m like a good house, built and finished, and left to

tumble down again with nobody to live in it.”

“Why—what’s up—really?”

He laughed bitterly, saying, “Come and sit down.”

He led me off to a seat by the north door, between two pews, very black

and silent. There we sat, he putting his gun carefully beside him. He

remained perfectly still, thinking.

“Whot’s up?” he said at last, “Why—I’ll tell you. I went to

Cambridge—my father was a big cattle dealer—he died bankrupt while I

was in college, and I never took my degree. They persuaded me to be a

parson, and a parson I was.

I went a curate to a little place in Leicestershire—a bonnie place with

not many people, and a fine old church, and a great rich parsonage. I

hadn’t overmuch to do, and the rector—he was the son of an Earl—was

generous. He lent me a horse and would have me hunt like the rest. I

always think of that place with a smell of honeysuckle while the grass

is wet in the morning. It was fine, and I enjoyed myself, and did the

parish work all right. I believe I was pretty good.

A cousin of the rector’s used to come in the hunting season—a Lady

Crystabel, lady in her own right. The second year I was there she came

in June. There wasn’t much company, so she used to talk to me—I used to

read then—and she used to pretend to be so childish and unknowing, and

would get me telling her things, and talking to her, and I was hot on

things. We must play tennis together, and ride together, and I must row

her down the river. She said we were in the wilderness and could do as

we liked. She made me wear flannels and soft clothes. She was very fine

and frank and unconventional—ripping, I thought her. All the summer she

stopped on. I should meet her in the garden early in the morning when I

came from a swim in the river—it was cleared and deepened on

purpose—and she’d blush and make me walk with her. I can remember I

used to stand and dry myself on the bank full where she might see me—I

was mad on her—and she was madder on me.

We went to some caves in Derbyshire once, and she would wander from the

rest, and loiter, and, for a game, we played a sort of hide and seek

with the party. They thought we’d gone, and they went and locked the

door. Then she pretended to be frightened and clung to me, and said

what would they think, and hid her face in my coat. I took her and

kissed her, and we made it up properly. I found out afterwards—she

actually told me—she’d got the idea from a sloppy French novel—the

Romance of A Poor Young Man. I was the Poor Young Man.

We got married. She gave me a living she had in her parsonage, and we

went to live at her Hall. She wouldn’t let me out of her sight.

Lord!—we were an infatuated couple—and she would choose to view me in

an aesthetic light. I was Greek statues for her, bless you: Croton,

Hercules, I don’t know what! She had her own way too much—I let her do

as she liked with me.

Then gradually she got tired—it took her three years to be really

glutted with me. I had a physique then—for that matter I have now.”

He held out his arm to me, and bade me try his muscle. I was startled.

The hard flesh almost filled his sleeve.

“Ah,” he continued, “You don’t know what it is to have the pride of a

body like mine. But she wouldn’t have children—no, she wouldn’t—said

she daren’t. That was the root of the difference at first. But she

cooled down, and if you don’t know the pride of my body you’d never

know my humiliation. I tried to remonstrate—and she looked simply

astounded at my cheek. I never got over that amazement.

She began to get souly. A poet got hold of her, and she began to affect

Burne-Jones—or Waterhouse—it was Waterhouse—she was a lot like one of

his women—Lady of Shalott, I believe. At any rate, she got souly, and I

was her animal—son animal—son boeuf. I put up with that for above a

year. Then I got some servants’ clothes and went.

I was seen in France—then in Australia—though I never left England. I

was supposed to have died in the bush. She married a young fellow. Then

I was proved to have died, and I read a little obituary notice on

myself in a woman’s paper she subscribed to. She wrote it herself—as a

warning to other young ladies of position not to be seduced by

plausible “Poor Young Men.”

Now she’s dead. They’ve got the paper—her paper—in the kitchen down

there, and it’s full of photographs, even an old photo of me—“an

unfortunate misalliance.” I feel, somehow, as if I were at an end too.

I thought I’d grown a solid, middle-aged-man, and here I feel sore as I

did at twenty-six, and I talk as I used to.

One thing—I have got some children, and they’re of a breed as you’d not

meet anywhere. I was a good animal before everything, and I’ve got some

children.”

He sat looking up where the big moon swam through the black branches of

the yew.

“So she’s dead—your poor peacock!” I murmured.

He got up, looking always at the sky, and stretched himself again. He

was an impressive figure massed in blackness against the moonlight,

with his arms outspread.

“I suppose,” he said, “it wasn’t all her fault.”

“A white peacock, we will say,” I suggested.

He laughed.

“Go home by the top road, will you!” he said. “I believe there’s

something on in the bottom wood.”

“All right,” I answered, with a quiver of apprehension.

“Yes, she was fair enough,” he muttered.

“Ay,” said I, rising. I held out my hand from the shadow. I was

startled myself by the white sympathy it seemed to express, extended

towards him in the moonlight. He gripped it, and cleaved to me for a

moment, then he was gone.

I went out of the churchyard feeling a sullen resentment against the

tousled graves that lay inanimate across my way. The air was heavy to

breathe, and fearful in the shadow of the great trees. I was glad when

I came out on the bare white road, and could see the copper lights from

the reflectors of a pony-cart’s lamps, and could hear the amiable

chat-chat of the hoofs trotting towards me. I was lonely when they had

passed.

Over the hill, the big flushed face of the moon poised just above the

treetops, very majestic, and far off—yet imminent. I turned with swift

sudden friendliness to the net of elm-boughs spread over my head,

dotted with soft clusters winsomely. I jumped up and pulled the cool

soft tufts against my face for company; and as I passed, still I

reached upward for the touch of this budded gentleness of the trees.

The wood breathed fragrantly, with a subtle sympathy. The firs softened

their touch to me, and the larches woke from the barren winter-sleep,

and put out velvet fingers to caress me as I passed. Only the clean,

bare branches of the ash stood emblem of the discipline of life. I

looked down on the blackness where trees filled the quarry and the

valley bottoms, and it seemed that the world, my own home-world, was

strange again.

Some four or five days after Annable had talked to me in the

churchyard, I went out to find him again. It was Sunday morning. The

larch-wood was afloat with clear, lyric green, and some primroses

scattered whitely on the edge under the fringing boughs. It was a clear

morning, as when the latent life of the world begins to vibrate afresh

in the air. The smoke from the cottage rose blue against the trees, and

thick yellow against the sky. The fire, it seemed, was only just

lighted, and the wood-smoke poured out.

Sam appeared outside the house, and looked round. Then he climbed the

water-trough for a better survey. Evidently unsatisfied, paying slight

attention to me, he jumped down and went running across the hillside to

the wood. “He is going for his father,” I said to myself, and I left

the path to follow him down hill across the waste meadow, crackling the

blanched stems of last year’s thistles as I went, and stumbling in

rabbit holes. He reached the wall that ran along the quarry’s edge, and

was over it in a twinkling.

When I came to the place, I was somewhat nonplussed, for sheer from the

stone fence, the quarry-side dropped for some twenty or thirty feet,

piled up with unmortared stones. I looked round—there was a plain dark

thread down the hillside, which marked a path to this spot, and the

wall was scored with the marks of heavy boots. Then I looked again down

the quarry-side, and I saw—how could I have failed to see?—stones

projecting to make an uneven staircase, such as is often seen in the

Derbyshire fences. I saw this ladder was well used, so I trusted myself

to it, and scrambled down, clinging to the face of the quarry wall.

Once down, I felt pleased with myself for having discovered and used

the unknown access, and I admired the care and ingenuity of the keeper,

who had fitted and wedged the long stones into the uncertain pile.

It was warm in the quarry: there the sunshine seemed to thicken and

sweeten; there the little mounds of overgrown waste were aglow with

very early dog-violets; there the sparks were coming out on the bits of

gorse, and among the stones the colt-foot plumes were already silvery.

Here was spring sitting just awake, unloosening her glittering hair,

and opening her purple eyes.

I went across the quarry, down to where the brook ran murmuring a tale

to the primroses and the budding trees. I was startled from my

wandering among the fresh things by a faint clatter of stones.

“What’s that young rascal doing?” I said to myself, setting forth to

see. I came towards the other side of the quarry: on this, the moister

side, the bushes grew up against the wall, which was higher than on the

other side, though piled the same with old dry stones. As I drew near I

could hear the scrape and rattle of stones, and the vigorous grunting

of Sam as he laboured among them. He was hidden by a great bush of

sallow catkins, all yellow, and murmuring with bees, warm with spice.

When he came in view I laughed to see him lugging and grunting among

the great pile of stones that had fallen in a mass from the

quarry-side; a pile of stones and earth and crushed vegetation. There

was a great bare gap in the quarry wall. Somehow, the lad’s labouring

earnestness made me anxious, and I hurried up.

He heard me, and glancing round, his face red with exertion, eyes big

with terror, he called, commanding me:

“Pull ’em off ’im—pull ’em off!” Suddenly my heart beating in my throat

nearly suffocated me. I saw the hand of the keeper lying among the

stones. I set to tearing away the stones, and we worked for some time

without a word. Then I seized the arm of the keeper and tried to drag

him out. But I could not.

“Pull it off ’im!” whined the lad, working in a frenzy.

When we got him out I saw at once he was dead, and I sat down trembling

with exertion. There was a great smashed wound on the side of the head.

Sam put his face against his father’s and snuffed round him like a dog,

to feel the life in him. The child looked at me:

“He won’t get up,” he said, and his little voice was hoarse with fear

and anxiety.

I shook my head. Then the boy began to whimper. He tried to close the

lips which were drawn with pain and death, leaving the teeth bare; then

his fingers hovered round the eyes, which were wide open, glazed, and I

could see he was trembling to touch them into life.

“He’s not asleep,” he said, “because his eyes is open—look!”

I could not bear the child’s questioning terror. I took him up to carry

him away, but he struggled and fought to be free.

“Ma’e ’im get up—ma’e ’im get up,” he cried in a frenzy, and I had to

let the boy go.

He ran to the dead man, calling “Feyther! Feyther!” and pulling his

shoulder; then he sat down, fascinated by the sight of the wound; he

put out his finger to touch it, and shivered.

“Come away,” said I.

“Is it that?” he asked, pointing to the wound. I covered the face with

a big silk handkerchief.

“Now,” said I, “he’ll go to sleep if you don’t touch him—so sit still

while I go and fetch somebody. Will _you_ run to the Hall?”

He shook his head. I knew he would not. So I told him again not to

touch his father, but to let him lie still till I came back. He watched

me go, but did not move from his seat on the stones beside the dead

man, though I know he was full of terror at being left alone.

I ran to the Hall—I dared not go to the Kennels. In a short time I was

back with the squire and three men. As I led the way, I saw the child

lifting a corner of the handkerchief to peep and see if the eyes were

closed in sleep. Then he heard us, and started violently. When we

removed the covering, and he saw the face unchanged in its horror, he

looked at me with a look I have never forgotten.

“A bad business—an awful business!” repeated the squire. “A bad

business. I said to him from the first that the stones might come down

when he was going up, and he said he had taken care to fix them. But

you can’t be sure, you can’t be certain. And he’d be about half way

up—ay—and the whole wall would come down on him. An awful business, it

is really; a terrible piece of work!”

They decided at the inquest that the death came by misadventure. But

there were vague rumours in the village that this was revenge which had

overtaken the keeper.

They decided to bury him in our churchyard at Greymede under the

beeches; the widow would have it so, and nothing might be denied her in

her state.

It was a magnificent morning in early spring when I watched among the

trees to see the procession come down the hillside. The upper air was

woven with the music of the larks, and my whole world thrilled with the

conception of summer. The young pale wind-flowers had arisen by the

wood-gale, and under the hazels, when perchance the hot sun pushed his

way, new little suns dawned, and blazed with real light. There was a

certain thrill and quickening everywhere, as a woman must feel when she

has conceived. A sallow tree in a favoured spot looked like a pale gold

cloud of summer dawn; nearer it had poised a golden, fairy busby on

every twig, and was voiced with a hum of bees, like any sacred golden

bush, uttering its gladness in the thrilling murmur of bees, and in

warm scent. Birds called and flashed on every hand; they made off

exultant with streaming strands of grass, or wisps of fleece, plunging

into the dark spaces of the wood, and out again into the blue.

A lad moved across the field from the farm below with a dog trotting

behind him,—a dog, no, a fussy, black-legged lamb trotting along on its

toes, with its tail swinging behind. They were going to the mothers on

the common, who moved like little grey clouds among the dark grose.

I cannot help forgetting, and sharing the spink’s triumph, when he

flashes past with a fleece from a bramble bush. It will cover the

bedded moss, it will weave among the soft red cow-hair beautifully. It

is a prize, it is an ecstasy to have captured it at the right moment,

and the nest is nearly ready.

Ah, but the thrush is scornful, ringing out his voice from the hedge!

He sets his breast against the mud, and models it warm for the

turquoise eggs—blue, blue, bluest of eggs, which cluster so close and

round against the breast, which round up beneath the breast, nestling

content. You should see the bright ecstasy in the eyes of a nesting

thrush, because of the rounded caress of the eggs against her breast!

What a hurry the jenny wren makes—hoping I shall not see her dart into

the low bush. I have a delight in watching them against their shy

little wills. But they have all risen with a rush of wings, and are

gone, the birds. The air is brushed with agitation. There is no lark in

the sky, not one; the heaven is clear of wings or twinkling dot——.

Till the heralds come—till the heralds wave like shadows in the bright

air, crying, lamenting, fretting forever. Rising and falling and

circling round and round, the slow-waving peewits cry and complain, and

lift their broad wings in sorrow. They stoop suddenly to the ground,

the lapwings, then in another throb of anguish and protest, they swing

up again, offering a glistening white breast to the sunlight, to deny

it in black shadow, then a glisten of green, and all the time crying

and crying in despair.

The pheasants are frightened into cover, they run and dart through the

hedge. The cold cock must fly in his haste, spread himself on his

streaming plumes, and sail into the wood’s security.

There is a cry in answer to the peewits, echoing louder and stronger

the lamentation of the lapwings, a wail which hushes the birds. The men

come over the brow of the hill, slowly, with the old squire walking

tall and straight in front; six bowed men bearing the coffin on their

shoulders, treading heavily and cautiously, under the great weight of

the glistening white coffin; six men following behind, ill at ease,

waiting their turn for the burden. You can see the red handkerchiefs

knotted round their throats, and their shirt-fronts blue and white

between the open waistcoats. The coffin is of new unpolished wood,

gleaming and glistening in the sunlight; the men who carry it remember

all their lives after the smell of new, warm elm-wood.

Again a loud cry from the hill-top. The woman has followed thus far,

the big, shapeless woman, and she cries with loud cries after the white

coffin as it descends the hill, and the children that cling to her

skirts weep aloud, and are not to be hushed by the other woman, who

bends over them, but does not form one of the group. How the crying

frightens the birds, and the rabbits; and the lambs away there run to

their mothers. But the peewits are not frightened, they add their notes

to the sorrow; they circle after the white, retreating coffin, they

circle round the woman; it is they who forever “keen” the sorrows of

this world. They are like priests in their robes, more black than

white, more grief than hope, driving endlessly round and round,

turning, lifting, falling and crying always in mournful desolation,

repeating their last syllables like the broken accents of despair.

The bearers have at last sunk between the high banks, and turned out of

sight. The big woman cannot see them, and yet she stands to look. She

must go home, there is nothing left.

They have rested the coffin on the gate posts, and the bearers are

wiping the sweat from their faces. They put their hands to their

shoulders on the place where the weight has pressed.

The other six are placing the pads on their shoulders, when a girl

comes up with a jug and a blue pot. The squire drinks first, and fills

for the rest. Meanwhile the girl stands back under the hedge, away from

the coffin which smells of new elm-wood. In imagination she pictures

the man shut up there in close darkness, while the sunlight flows all

outside, and she catches her breast with terror. She must turn and

rustle among the leaves of the violets for the flowers she does not

see. Then, trembling, she comes to herself, and plucks a few flowers

and breathes them hungrily into her soul, for comfort. The men put down

the pots beside her, with thanks, and the squire gives the word. The

bearers lift up the burden again, and the elm-boughs rattle along the

hollow white wood, and the pitiful red clusters of elm-flowers sweep

along it as if they whispered in sympathy—“We are so sorry, so

sorry——”; always the compassionate buds in their fulness of life bend

down to comfort the dark man shut up there. “Perhaps,” the girl thinks,

“he hears them, and goes softly to sleep.” She shakes the tears out of

her eyes on to the ground, and, taking up her pots, goes slowly down,

over the brooks.

In a while, I too got up and went down to the mill, which lay red and

peaceful, with the blue smoke rising as winsomely and carelessly as

ever. On the other side of the valley I could see a pair of horses nod

slowly across the fallow. A man’s voice called to them now and again

with a resonance that filled me with longing to follow my horses over

the fallow, in the still, lonely valley, full of sunshine and eternal

forgetfulness. The day had already forgotten. The water was blue and

white and dark-burnished with shadows; two swans sailed across the

reflected trees with perfect blithe grace. The gloom that had passed

across was gone. I watched the swan with his ruffled wings swell

onwards; I watched his slim consort go peeping into corners and under

bushes; I saw him steer clear of the bushes, to keep full in view,

turning his head to me imperiously, till I longed to pelt him with the

empty husks of last year’s flowers, knap-weed and scabius. I was too

indolent, and I turned instead to the orchard.

There the daffodils were lifting their heads and throwing back their

yellow curls. At the foot of each sloping, grey old tree stood a family

of flowers, some bursten with golden fulness, some lifting their heads

slightly, to show a modest, sweet countenance, others still hiding

their faces, leaning forward pensively from the jaunty grey-green

spears; I wished I had their language, to talk to them distinctly.

Overhead, the trees, with lifted fingers shook out their hair to the

sun, decking themselves with buds as white and cool as a water-nymphs

breasts.

I began to be very glad. The colts-foot discs glowed and laughed in a

merry company down the path; I stroked the velvet faces, and laughed

also, and I smelled the scent of black-currant leaves, which is full of

childish memories.

The house was quiet and complacent; it was peopled with ghosts again;

but the ghosts had only come to enjoy the warm place once more,

carrying sunshine in their arms and scattering it through the dusk of

gloomy rooms.

The White Peacock · 第 2 / 10 章