CHAPTER I.

BLACK MAGIC

A TALE OF THE RISE AND

FALL OF ANTICHRIST

BY

MARJORIE BOWEN

LONDON: ALSTON RIVERS, LTD.

BROOKE STREET, HOLBORN, E.C.

1909

[COPYRIGHT]

_Copyright, 1909, by Marjorie Bowen_

CONTENTS

PART I. THE NUN

I. SUNSHINE

II. THE STUDENTS

III. THE EXPERIMENT

IV. THE DEPARTURE

V. COMRADES

VI. THE LADY

VII. SPELLS

VIII. THE CASTLE

IX. SEBASTIAN

X. THE SAINT

XI. THE WITCH

XII. YSABEAU

XII. THE SNARING OF JACOBEA

XIV. THE SNARING OF THEIRRY

XV. MELCHOIR OF BRABANT

XVI. THE QUARREL

XVII. THE MURDER

XVIII. THE PURSUIT OF JACOBEA

XIX. SYBILLA

XX. HUGH OF ROOSELAARE

XXI. BETRAYED

XXII. BLAISE

PART II. THE POPE

I. CARDINAL LUIGI CAPRAROLA

II. THE CONFESSION

III. THE EMPRESS

IV. THE DANCER IN ORANGE

V. THE POPE

VI. SAN GIOVANNI IN LATERANO

VII. THE VENGEANCE OF MICHAEL II

VIII. URSULA OF ROOSELAARE

IX. POPE AND EMPRESS

X. THE EVENING BEFORE THE CORONATION

XI. THE ANGELS

XII. IN THE VATICAN

XIII. THE SECRET

BLACK MAGIC

PART I.

THE NUN

CHAPTER I.

SUNSHINE

In the large room of a house in a certain quiet city in Flanders, a

man was gilding a devil.

The chamber looked on to the quadrangle round which the house was

built; and the sun, just overhead, blazed on the vine leaves clinging

to the brick and sent a reflected glow into the sombre spaces of the

room.

The devil, rudely cut out of wood, rested by his three tails and his

curled-back horns against the wall, and the man sat before him on a

low stool.

On the table in front of the open window stood a row of knights in

fantastic armour, roughly modelled in clay; beside them was a pile of

vellum sheets covered with drawings in brown and green.

By the door a figure of St. Michael leant against a chair, and round

his feet were painted glasses of every colour and form.

On the white-washed wall hung a winged picture representing a

martyrdom; its vivid hues were the most brilliant thing in the room.

The man was dressed in brown; he had a long dark face and straight

dull hair; from the roll of gold leaf on his knee he carefully and

slowly gilded the devil.

The place was utterly silent, the perfect stillness enhanced by the

dazzle of the blinding sun without; presently the man rose and,

crossing to the window, looked out.

He could see the sparse plants bordering the neglected grass-grown

paths, the house opposite with its double row of empty windows and the

yellowing vine-leaves climbing up the tiled roof that cut the polished

blue of the August sky.

In between these windows, that were all closed and glittering in their

golden squares, busts of old and weary philosophers were set; they

peered out blindly into the unfathomable sunshine, and the dry

tendrils of the vine curled across their leanness.

In the centre square of grass was an ancient and broken fountain; some

tall white daisies grew there, and the pure gold of their hearts was

as bright as the gilding on the devil within.

The silence and the blaze of the sun were one and indescribable.

The man at the window rested his elbows on the sill; it was so hot

that he felt it burning through his sleeve; he had the air of one

habitually alone, the unquestioning calm that comes of long silences;

he was young and, in a quiet fashion, well-looking, wide in the brows

and long in the jaw, with a smooth pale skin and cloudy dark eyes, his

hair hung very straightly, his throat was full and beautiful.

In expression he was reserved and sombre; his lips, well shaped but

pale, were resolutely set, and there was a fine curve of strength to

his prominent chin.

After a time of expressionless gazing at the sun-filled garden, he

turned back into the room, and stood in the centre of the floor, with

his teeth set in his forefinger looking ponderingly at the half-gilded

devil.

Then he took a bunch of beautifully wrought keys from his belt, and

swinging them softly in his hand left the chamber.

The house was built without corridors or passages, each room opened

into another and the upper ones were reached by short dark stairways

against the walls; there were many apartments, each of a lordly design

with the windows in the side facing the quadrangle.

As the man moved lightly from one chamber to the next his footfall

displaced dust and his gaze fell on cobwebs and the new nets of

spiders, that hung in some places across the very doorways.

Many curious and gorgeous objects were in those deserted rooms; carved

presses full of tarnished silver, paintings of holy subjects,

furniture covered with rich-hued tapestry, other pieces of arras on

the walls, and in one chamber purple silk hangings worked with ladies’

hair in shades of brown and gold.

One room was full of books, piled up on the floor, and in the midst of

them stood a table bearing strange goblets of shells set in silver and

electrum.

Passing these things without a glance the young man mounted to the

upper storey and unlocked a door whose rusty lock took his utmost

strength to turn. It was a store-room he entered--lit by low long

windows looking on the street and carefully shrouded by linen drawn

across them; the chamber was chokingly full of dust and a sickly musty

smell.

About the floor lay bales of stuff, scarlet, blue and green, painted

tiles, old lanterns, clothes, priests’ garments, wonderfully worked,

glasses and little rusty iron coffers.

Before one of these the young man went on his knees and unlocked it.

It contained a number of bits of glass cut to represent gems; he

selected two of an equal size and a clear green colour, then, with the

same gravity and silence with which he had come, he returned to the

workshop.

When he saw the devil, half bright gold, half bald wood, he frowned,

then set the green glass in the thing’s hollow eye-sockets.

At the twinkling effect of light and life produced by this his frown

relaxed; he stood for a while contemplating his handiwork, then washed

his brushes and put away his paints and gold leaf.

By now the sun had changed and was shining full into the room casting

hot shadows of the vine leaves over the little clay knights, and

dazzling in St. Michael’s wet red robe.

For the second time the young man left the room, now to go into the

hall and open the door that gave upon the street.

He looked on to an empty market-place surrounded by small houses

falling into decay, beyond them the double towers of the Cathedral

flying upwards across the gold and blue.

Not long ago the town had been besieged and this part of it

devastated; now new quarters had been built and this left neglected.

Grass grew between the cobbles, and there was no soul in sight.

The young man shaded his eyes and gazed across the dazzling

dreariness; the shadow of his slack, slim figure was cast into the

square of sun thrown across the hall through the open door.

Under the iron bell that hung against the lintel stood a basket of

bread, a can of milk and some meat wrapped in a linen cloth; the youth

took these in and closed the door.

He traversed a large dining-room, finely furnished, a small

ante-chamber, came out into the arcaded end of the courtyard, entered

the house by a low door next the pump and so into his workshop again.

There he proceeded to prepare his food; on the wide tiled hearth stood

a tripod and an iron pot; he lit a fire under this, filled the pot

with water and put the meat in; then he took a great book down off a

shelf and bent over it, huddled up on a stool in the corner where the

shade still lingered.

It was a book filled with drawings of strange and horrible things, and

close writing embellished with blood-red capitals. As the young man

read, his face grew hot and flushed where it rested on his hand, and

the heavy volume fell cumbrous either side his knee; not once did he

look up or change his twisted position, but with parted lips and

absorbed eyes pored over the black lettering.

The sun sank the other side of the house, so that the garden and room

were alike in shadow, and the air became cooler; still the young man

made no movement.

The flames leapt on the hearth and the meat seethed in the pot

unheeded.

Outside the vine leaves curled against the brick, and the stone faces

looked down at the broken fountain, the struggling grass and the tall

white daisies; still the young man, bending lower, his heated cheek

pressed into his palm, his hair touching the page, bent over the great

tome on his knee.

Not the devil with his green eyes staring before him, not St. Michael

in his red robe by the door, not the martyr in the bright winged

picture were more still than he, crouched upon his wooden stool.

Then, without prelude or warning, the heavy clang of a bell woke the

silence into trembling echoes.

The young man dropped the book and sprang to his feet; red and white

chased across his face, he stood panting, bewildered, with one hand on

his heart, and dazed eyes.

Again the bell sounded.

It could only be that which hung at the front door; not for years had

one rung it; he picked up the book, put it back on the shelf, and

stood irresolute.

For a third time the iron clang, insistent, impatient, rang through

the quiet.

The young man frowned, pushed back the hair from his hot forehead and

went, with a light and cautious step, across the courtyard, through

the dark dining-chamber into the hall.

Here for a second he hesitated, then drew back the bolt and opened the

door.

Two men stood without.

One was most gorgeously attired, the other wore a dark cloak and

carried his hat in his hand.

“You cannot want me,” said the youth, surveying them. “And there is no

one else here.”

His voice fell full and low, of a soft quality, but the tone was

sombre and cold.

The splendidly-dressed stranger answered--

“If you are Master Dirk Renswoude, we are most desirous to see and

speak with you.”

The young man opened the door a little wider.

“I am Dirk Renswoude, but I know neither of you!”

“I did not think so,” the other answered. “Still, we have a matter to

ask you of. I am Balthasar of Courtrai and this is my friend, whom you

may call Theirry, born of Dendermonde.”

“Balthasar of Courtrai!” repeated the youth softly; he stood aside and

motioned them to enter.

When they had passed into the hall he carefully bolted the door; then

turned to them with a grave absorbed manner.

“Will you follow me?” he said, and went before them to his workroom.

The sun had left chamber and garden now, but the air was golden warm

with it, and a sense of great heat still lay over the grass and vines

seen through the open window.

Dirk Renswoude moved St. Michael from the chair and tossed a pile of

parchments off a stool.

He offered these seats to his guests, who accepted them in silence.

“You must needs wait till the supper is prepared,” he said, and with

that placed himself on the stool by the pot, and, while he stirred it

with an iron spoon, openly studied the two men.

Balthasar of Courtrai was gorgeous; his age might be perhaps

twenty-six or seven; he was of a large make, florid in the face with a

high red colour and blunt features; his brows were straight and over

fair, his eyes deep blue and expressionless; his heavy yellow hair was

cut low on his forehead and fell straightly on to his neck.

He wore a flat orange hat, slashed and cut, fastened by purple cords

to the shoulder of a gold doublet that opened on a shirt of fine lawn;

his sleeves were enormous, fantastic, puffed and gathered; round his

waist was a linked belt into which were thrust numerous daggers and a

short sword.

His breeches, of a most vivid blue, were beruffled with knots and

tassels, his riding-boots, that came to his knees, stained with the

summer dust, showed a small foot decorated with gilt spurs.

He sat with one hand on his hip, and in the other held his leathern

gloves.

Such the picture, Master Dirk Renswoude, considering him coldly,

formed of Balthasar of Courtrai.

His companion was younger; dressed sombrely in black and violet, but

as well-looking as a man may be; he was neither dark nor fair, but of

a clear brown hue, and his eyes were hazel, swift and brilliant; his

mouth was set smilingly, yet the whole face expressed reserve and some

disdain; he had laid his hat on the floor beside him, and with an

interested glance was observing the room.

But Balthasar of Courtrai returned Master Dirk Renswoude’s steady

gaze.

“You have heard of me?” he said suddenly.

“Yes,” was the instant answer.

“Then, belike, you know what I am here for?”

“No,” said Master Dirk, frowning.

Balthasar glanced at his companion, who gave no heed to either of

them, but stared at the half-gilded devil with interest and some

wonder; seeing this, Balthasar answered for himself, in a manner half

defiant and wholly arrogant.

“My father is Margrave of East Flanders, and the Emperor knighted me

when I was fifteen. Now I am tired of Courtrai, of the castle, of my

father. I have taken the road.”

Master Dirk lifted the iron pot from the fire to the hearth.

“The road to--where?” he asked.

Balthasar made a large gesture with his right hand.

“To Cologne, perhaps to Rome, to Constantinople… to Turkey or

Hungary.”

“Knight errant,” said Master Dirk.

Balthasar tossed his fine head.

“By the Rood, no. I have ambitions.”

Master Dirk laughed.

“And your friend?” he asked.

“A wandering scholar,” smiled Balthasar. “Also weary of the town of

Courtrai. He dreams of fame.”

Theirry looked round at this.

“I am going to the Universities,” he said quietly. “To Paris, Basle,

Padua--you have heard of them?”

The youth’s cloudy eyes gleamed.

“Ah, I have heard of them,” he replied upon a quick breath.

“I have a great desire for learning,” said Theirry.

Balthasar made an impatient movement that shook the tassels and

ribbons on his sleeves.

“God help us, yes! And I for other things.”

Master Dirk was moving about setting the supper. He placed the little

clay knights on the window-sill, and flung, without any ado, drawings,

paints and brushes on to the floor.

Silence fell on them; the young host’s bearing did not encourage

comment, and the atmosphere of the room was languid and remote, not

conducive to talk.

Master Dirk, composed and aloof, opened a press in the wall, and took

thence a fine cloth that he laid smoothly on the rough table; then he

set on it earthenware dishes and plates, drinking-glasses painted in

bright colours, and forks with agate handles.

They were well served for food, even though it might not be the

princely fare the Margrave’s son was used to; honey in a silver jar,

shining apples lying among their leaves, wheaten cakes in a plaited

basket, grapes on a gold salver, lettuces and radishes fragrantly wet;

these Master Dirk brought from the press and set on the table. Then he

helped his guests to meat, and Balthasar spoke.

“You live strangely here--so much alone.”

“I have no desire for company. I work and take pleasure in it. They

buy my work, pictures, carvings, sculptures for churches--very

readily.”

“You are a good craftsman,” said Theirry. “Who taught you?”

“Old Master Lukas, born of Ghent, and taught in Italy. When he died he

left me this house and all it holds.”

Again their speech sank into silence; Balthasar ate heavily, but with

elegance; Dirk, seated next the window, rested his chin on his palm

and stared out at the bright yet fading blue of the sky, at the row of

closed windows opposite, and the daisies waving round the broken

fountain; he ate very little. Theirry, placed opposite, was of the

same mind and, paying little heed to Balthasar, who seemed not to

interest him in the least, kept curious eyes on Dirk’s strange, grave

face.

After a while the Margrave’s son asked shamelessly for wine, and the

youth rose languidly and brought it; tall bottles, white, red and

yellow in wicker cases, and an amber-hued beer such as the peasants

drank.

The placing of these before Balthasar seemed to rouse him from his

apathy.

“Why have you come here?” he demanded.

Balthasar laughed easily.

“I am married,” he said as a prelude, and lifted his glass in a large,

well-made hand.

At that Master Dirk frowned.

“So are many men.”

Balthasar surveyed the tilting wine through half-closed eyes.

“It is about my wife, Master, that I am here now.”

Dirk Renswoude leant forward in his chair.

“I know of your wife.”

“Tell me of her,” said Balthasar of Courtrai. “I have come here for

that.”

Dirk slightly smiled.

“Should I know more than you?”

The Margrave’s son flushed.

“What you do know?--tell me.”

Dirk’s smile deepened.

“She was one Ursula, daughter of the Lord of Rooselaare, she was sent

to the convent of the White Sisters in this town.”

“So you know it all,” said Balthasar. “Well, what else?”

“What else? I must tell you a familiar tale.”

“Certes, more so to you than to me.”

“Then, since you wish it, here is your story, sir.”

Dirk spoke in an indifferent voice well suited to the peace of the

chamber; he looked at neither of his listeners, but always out of the

window.

“She was educated for a nun and, I think, desired to become one of the

Order of the White Sisters. But when she was fifteen her brother died

and she became her father’s heiress. So many entered the lists for her

hand--they contracted her to you.”

Balthasar pulled at the orange tassels on his sleeve.

“Without my wish or consent,” he said.

The young man took no heed.

“They sent a guard to bring her back to Rooselaare, but because they

were fearful of the danger of the journey, and that she might be

captured by one of the pretenders to her fortunes, they married her

fast and securely, by proxy, to you. At this the maid, who wished most

heartily, I take it, to become a nun, fell ill of grief, and in her

despair she confided her misery to the Abbess.”

Balthasar’s eyes flickered and hardened behind their fair lashes.

“I tell you a tale,” said Dirk, “that I believe you know, but since

you have come to hear me speak on this matter, I relate what has come

to me--of it. This Ursula was heiress to great wealth, and in her love

to the Sisters, and her dislike to this marriage, she promised them

all her worldly goods, when she should come into possession of them,

if they would connive at saving her from her father and her husband.

So the nuns, tempted by greed, spread the report that she had died in

her illness, and, being clever women, they blinded all. There was a

false funeral, and Ursula was kept secret in the convent among the

novices. All this matter was put into writing and attested by the

nuns, that there might be no doubt of the truth of it when the maid

came into her heritage. And the news went to her home that she was

dead.”

“And I was glad of it,” said Balthasar. “For then I loved another

woman and was in no need for money.”

“Peace, shameless,” said Theirry, but Dirk Renswoude laughed softly.

“She took the final, the irrevocable vows, and lived for three years

among the nuns. And the life became bitter and utterly unendurable to

her, and she dared not make herself known to her father because of the

deeds the nuns held, promising them her lands. So, as the life became

more and more horrible to her, she wrote, in her extremity, and found

means to send, a letter to her husband.”

“I have it here.” Balthasar touched his breast. “She said she had

sworn herself to me before she had vowed herself to God--told me of

her deceit,” he laughed, “and asked me to come and rescue her.”

Dirk crossed his hands, that were long and beautiful, upon the table.

“You did not come and you did not answer.”

The Margrave’s son glanced at Theirry, as he had a habit of doing, as

if he reluctantly desired his assistance or encouragement; but again

he obtained nothing and answered for himself, after the slightest

pause.

“No, I did not come. Her father had taken another wife and had a son

to inherit. And I,” he lowered his eyes moodily, “I was thinking of

another woman. She had lied, my wife, to God, I think. Well, let her

take her punishment, I said.”

“She did not wait beyond some months for your answer,” said Master

Dirk. “Master Lukas, born of Ghent, was employed in the chapel of the

convent, and she, who had to wait on him, told him her story. And when

he had finished the chapel she fled with him here--to this house. And

again she wrote to her husband, speaking of the old man who had

befriended her and telling him of her abode. And again he did not

answer. That was five years ago.”

“And the nuns made no search for her?” asked Theirry.

“They knew now that the girl was no heiress, and they were afraid that

the tale might get blown abroad. Then there was war.”

“Ay, had it not been for that I might have come,” said Balthasar. “But

I was much occupied with fighting.”

“The convent was burnt and the sisters fled,” continued Dirk. “And the

maid lived here, learning many crafts from Master Lukas. He had no

apprentices but us.”

Balthasar leant back in his chair.

“That much I learnt. And that the old man, dying, left his place to

you, and--what more of this Ursula?”

The young man gave him a slow, full glance.

“Strangely late you inquire after her, Balthasar of Courtrai.”

The Knight turned his head away, half sullenly.

“A man must know how he is encumbered. No one save I is aware of her

existence… yet she is my wife.”

Dusk, hot and golden, had fallen on the chamber. The half-gilded devil

gleamed dully; above his violet vestment Theirry’s handsome face

showed with a half smile on the curved lips; the Knight was a little

ill at ease, a little sullen, but glowingly massive, gorgeous and

finely coloured.

The young sculptor rested his smooth pale face on his palm; cloudy

eyes and cloudy hair were hardly discernible in the twilight, but the

line of the resolute chin was clear cut.

“She died four years ago,” he said. “And her grave is in the garden…

where those white daisies grow.”

Black magic · 第 1 / 23 章