CHAPTER XXII.

He talked with open heart and tongue,

Affectionate and true;

A pair of friends, though I was young

And Matthew seventy-two.--WORDSWORTH.

Meanwhile the young artist proceeded rapidly with his picture.

Devoured by his enthusiasm, and utterly engrossed by the sanguine

anticipation of a fame which appeared to him already won, he allowed

himself no momentary interval of relaxation; his food was eaten by

starts, and without stirring from his easel; his sleep was brief and

broken by feverish dreams; he no longer roved with Clarence, when the

evening threw her shade over his labours; all air and exercise he

utterly relinquished; shut up in his narrow chamber, he passed the

hours in a fervid and passionate self-commune, which, even in suspense

from his work, riveted his thoughts the closer to its object. All

companionship, all intrusion, he bore with irritability and

impatience. Even Clarence found himself excluded from the presence of

his friend; even his nearest relation, who doted on the very ground

which he hallowed with his footstep, was banished from the haunted

sanctuary of the painter; from the most placid of human beings, Warner

seemed to have grown the most morose.

Want of rest, abstinence from food, the impatience of the strained

spirit and jaded nerves, all contributed to waste the health while

they excited the genius of the artist. A crimson spot, never before

seen there, burned in the centre of his pale cheek; his eye glowed

with a brilliant but unnatural fire; his features grew sharp and

attenuated; his bones worked from his whitening and transparent skin;

and the soul and frame, turned from their proper and kindly union,

seemed contesting, with fierce struggles, which should obtain the

mastery and the triumph.

But neither his new prospects nor the coldness of his friend diverted

the warm heart of Clarence from meditating how he could most

effectually serve the artist before he departed from the country, It

was a peculiar object of desire to Warner that the most celebrated

painter of the day, who was on terms of intimacy with Talbot, and who

with the benevolence of real superiority was known to take a keen

interest in the success of more youthful and inexperienced genius,--it

was a peculiar object of desire to Warner, that Sir Joshua Reynolds

should see his picture before it was completed; and Clarence, aware of

this wish, easily obtained from Talbot a promise that it should be

effected. That was the least service of his zeal touched by the

earnestness of Linden's friendship, anxious to oblige in any way his

preserver, and well pleased himself to be the patron of merit, Talbot

readily engaged to obtain for Warner whatever the attention and favour

of high rank or literary distinction could bestow. "As for his

picture," said Talbot (when, the evening before Clarence's departure,

the latter was renewing the subject), "I shall myself become the

purchaser, and at a price which will enable our friend to afford

leisure and study for the completion of his next attempt; but even at

the risk of offending your friendship, and disappointing your

expectations, I will frankly tell you that I think Warner overrates,

perhaps not his talents, but his powers; not his ability for doing

something great hereafter, but his capacity of doing it at present.

In the pride of his heart, he has shown me many of his designs, and I

am somewhat of a judge: they want experience, cultivation, taste, and,

above all, a deeper study of the Italian masters. They all have the

defects of a feverish colouring, an ambitious desire of effect, a

wavering and imperfect outline, an ostentatious and unnatural strength

of light and shadow; they show, it is true, a genius of no ordinary

stamp, but one ill regulated, inexperienced, and utterly left to its

own suggestions for a model. However, I am glad he wishes for the

opinion of one necessarily the best judge: let him bring the picture

here by Thursday; on that day my friend has promised to visit me; and

now let us talk of you and your departure."

The intercourse of men of different ages is essentially unequal: it

must always partake more or less of advice on one side and deference

on the other; and although the easy and unpedantic turn of Talbot's

conversation made his remarks rather entertaining than obviously

admonitory, yet they were necessarily tinged by his experience, and

regulated by his interest in the fortunes of his young friend.

"My dearest Clarence," said he, affectionately, "we are about to bid

each other a long farewell. I will not damp your hopes and

anticipations by insisting on the little chance there is that you

should ever see me again. You are about to enter upon the great

world, and have within you the desire and power of success; let me

flatter myself that you can profit by my experience. Among the

'Colloquia' of Erasmus, there is a very entertaining dialogue between

Apicius and a man who, desirous of giving a feast to a very large and

miscellaneous party, comes to consult the epicure what will be the

best means to give satisfaction to all. Now you shall be this

Spudaeus (so I think he is called), and I will be Apicius; for the

world, after all, is nothing more than a great feast of different

strangers, with different tastes and of different ages, and we must

learn to adapt ourselves to their minds, and our temptations to their

passions, if we wish to fascinate or even to content them. Let me

then call your attention to the hints and maxims which I have in this

paper amused myself with drawing up for your instruction. Write to me

from time to time, and I will, in replying to your letters, give you

the best advice in my power. For the rest, my dear boy, I have only

to request that you will be frank, and I, in my turn, will promise

that when I cannot assist, I will never reprove. And now, Clarence,

as the hour is late and you leave us early tomorrow, I will no longer

detain you. God bless you and keep you. You are going to enjoy

life,--I to anticipate death; so that you can find in me little

congenial to yourself; but as the good Pope said to our Protestant

countryman, 'Whatever the difference between us, I know well that an

old man's blessing is never without its value.'"

As Clarence clasped his benefactor's hand, the tears gushed from his

eyes. Is there one being, stubborn as the rock to misfortune, whom

kindness does not affect? For my part, kindness seems to me to come

with a double grace and tenderness from the old; it seems in them the

hoarded and long purified benevolence of years; as if it had survived

and conquered the baseness and selfishness of the ordeal it had

passed; as if the winds, which had broken the form, had swept in vain

across the heart, and the frosts which had chilled the blood and

whitened the thin locks had possessed no power over the warm tide of

the affections. It is the triumph of nature over art; it is the voice

of the angel which is yet within us. Nor is this all: the tenderness

of age is twice blessed,--blessed in its trophies over the obduracy of

encrusting and withering years, blessed because it is tinged with the

sanctity of the grave; because it tells us that the heart will blossom

even upon the precincts of the tomb, and flatters us with the

inviolacy and immortality of love.

The Disowned — Volume 03 · 第 2 / 16 章