Then in the darkness came a voice which said,

"As thy heart bleedeth, so my heart hath bled,

As I have need of thee,

Thou needest me."

That night Van Elsen kissed the baby feet,

And, kneeling by the narrow winding sheet,

Praised Him with fervent breath

Who conquered death.

FREDERICK GEORGE SCOTT.

WHEN LILACS LAST IN THE DOOR-YARD BLOOMED.

[THE DEATH OF LINCOLN.]

1.

When lilacs last in the door-yard bloomed,

And the great star early drooped in the western sky in the night,

I mourned and yet shall mourn with ever-returning spring.

Ever-returning spring, trinity sure to me you bring,

Lilacs blooming perennial, and drooping star in the west,

And thought of him I love.

2.

O powerful western fallen star!

O shades of night--O moody, tearful night!

O great star disappeared--O the black murk that hides the star!

O cruel hands that hold me powerless--O helpless soul of me!

O harsh surrounding cloud that will not free my soul!

3.

In the door-yard fronting an old farm-house, near the whitewashed

palings,

Stands the lilac-bush tall-growing with heart-shaped leaves of rich

green,

With many a pointed blossom rising delicate, with the perfume strong I

love,

With every leaf a miracle;--and from this bush in the door-yard,

With delicate-colored blossoms and heart-shaped leaves of rich green,

A sprig with its flower I break.

4.

In the swamp in secluded recesses,

A shy and hidden bird is warbling a song.

Solitary the thrush,

The hermit withdrawn to himself, avoiding the settlements,

Sings by himself a song.--

Song of the bleeding throat,

Death's outlet song of life (for well, dear brother, I know,

If thou wast not granted to sing thou wouldst surely die).

5.

Over the breast of the spring, the land, amid cities,

Amid lanes and through old woods, where lately the violets peeped from

the ground, spotting the gray débris,

Amid the grass in the fields each side of the lanes, passing the endless

grass,

Passing the yellow-speared wheat, every grain from its shroud in the

dark-brown fields up-risen,

Passing the apple-tree blows of white and pink in the orchards,

Carrying a corpse to where it shall rest in the grave,

Night and day journeys a coffin.

6.

Coffin that passes through lanes and streets,

Through day and night with the great cloud darkening the land,

With the pomp of the inlooped flags, with the cities draped in black,

With the show of the States themselves as of crape-veiled women standing,

With processions long and winding and the flambeaus of the night,

With the countless torches lit, with the silent sea of faces and the

unbared heads,

With the waiting depot, the arriving coffin, and the sombre faces,

With dirges through the night, with the thousand voices rising strong

and solemn,

With all the mournful voices of the dirges poured around the coffin,

The dim-lit churches and the shuddering organs--where amid these you

journey,

With the tolling, tolling bells' perpetual clang,

Here, coffin that slowly passes,

I give you my sprig of lilac.

7.

(Nor for you, for one alone,--

Blossoms and branches green to coffins all I bring;

For, fresh as the morning, thus would I chant a song for you, O sane and

sacred death.

All over bouquets of roses,

O death, I cover you over with roses and early lilies,

But mostly and now the lilac that blooms the first,

Copious I break, I break the sprigs from the bushes,

With loaded arms I come, pouring for you,

For you and the coffins all of you, O death.)

8.

O western orb sailing the heaven,

Now I know what you must have meant as a month since I walked,

As I walked in silence the transparent shadowy night,

As I saw you had something to tell as you bent to me night after night,

As you drooped from the sky low down as if to my side (while the other

stars all looked on),

As we wandered together the solemn night (for something, I know not

what, kept me from sleep),

As the night advanced, and I saw on the rim of the west how full you

were of woe,

As I stood on the rising ground in the breeze in the cool transparent

night,

As I watched where you passed and was lost in the netherward black of

the night,

As my soul in its trouble dissatisfied sank, as where you, sad orb.

Concluded, dropt in the night, and was gone.

9.

Sing on there in the swamp,

O singer bashful and tender! I hear your notes, I hear your call,

I hear, I come presently, I understand you;

But a moment I linger, for the lustrous star has detained me,

The star my departing comrade holds and detains me.

10.

O how shall I warble myself for the dead one there I loved?

And how shall I deck my song for the large sweet soul that has gone?

And what shall my perfume be for the grave of him I love?

Sea-winds blown from east and west,

Blown from the Eastern sea and blown from the Western sea, till there on

the prairies meeting,

These and with these and the breath of my chant,

I'll perfume the grave of him I love.

11.

O what shall I hang on the chamber walls?

And what shall the pictures be that I hang on the walls,

To adorn the burial-house of him I love?

Pictures of growing spring and farms and homes,

With the Fourth-month eve at sundown, and the gray smoke lucid and bright,

With floods of the yellow gold of the gorgeous, indolent, sinking sun,

burning, expanding the air,

With the fresh sweet herbage under foot, and the pale green leaves of

the trees prolific,

In the distance the flowing glaze, the breast of the river, with a

wind-dapple here and there,

With ranging hills on the banks, with many a line against the sky, and

shadows,

And the city at hand with dwellings so dense, and stacks of chimneys,

And all the scenes of life and the workshops, and the workmen homeward

returning.

12.

Lo, body and soul--this land,

My own Manhattan with spires, and the sparkling and hurrying tides, and

the ships,

The varied and ample land, the South and the North in the light, Ohio's

shores and flashing Missouri,

And ever the far-spreading prairies covered with grass and corn.

Lo, the most excellent sun so calm and haughty,

The violet and purple morn with just-felt breezes,

The gentle soft-born measureless light,

The miracle spreading, bathing all, the fulfilled noon,

The coming eve delicious, the welcome night and the stars,

Over my cities shining all, enveloping man and land.

13.

Sing on, sing on, you gray-brown bird!

Sing from the swamps, the recesses; pour your chant from the bushes,

Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother, warble your reedy song,

Loud human song, with voice of uttermost woe.

O liquid and free and tender!

O wild and loose to my soul--O wondrous singer!

You only I hear--yet the star holds me (but will soon depart),

Yet the lilac with mastering odor holds me.

14.

Now while I sat in the day and looked forth,

In the close of the day with its light and the fields of spring, and the

farmers preparing their crops,

In the large unconscious scenery of my land with its lakes and forests.

In the heavenly aerial beauty (after the perturbed winds and the storms),

Under the arching heavens of the afternoon swift passing, and the voices

of children and women,

The many-moving sea-tides, and I saw the ships how they sailed,

And the summer approaching with richness, and the fields all busy with

labor,

And the infinite separate houses, how they all went on, each with its

meals and minutia of daily usages,

And the streets how their throbbings throbbed, and the cities pent--lo,

then and there,

Falling upon them all and among them all, enveloping me with the rest,

Appeared the cloud, appeared the long black trail,

And I knew death, its thought, and the sacred knowledge of death.

Then with the knowledge of death as walking one side of me,

And the thought of death close-walking the other side of me,

And I in the middle as with companions, and as holding the hands of

companions,

I fled forth to the hiding receiving night that talks not,

Down to the shores of the water, the path by the swamp in the dimness,

To the solemn shadowy cedars and ghostly pines so still.

And the singer so shy to the rest received me,

The gray-brown bird I know received us comrades three,

And he sang the carol of death, and a verse for him I love.

From deep secluded recesses,

From the fragrant cedars and the ghostly pines so still,

Came the carol of the bird.

And the charm of the carol rapt me,

As I held as if by their hands my comrades in the night,

And the voice of my spirit tallied the song of the bird.

_Come, lovely and soothing death.

Undulate round the world, serenely arriving, arriving,

In the, day, in the night, to all, to each,

Sooner or later, delicate death_.

_Praised be the fathomless universe,

For life and joy, and for objects and knowledge curious,

And for love, sweet love--but praise! praise! praise!

For the sure-enwinding arms of cool-enfolding death_.

_Dark mother, always gliding near with soft feet,

Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee, I glorify thee above all,

I bring thee a song that when thou must indeed come, come unfalteringly._

_Approach, strong deliveress!

When it is so, when thou, hast taken them, I joyously sing the dead,

Lost in the loving floating ocean of thee,

Laved in the flood of thy bliss, O death_.

_From me to thee glad serenades,

Dances for thee, I propose, saluting thee, adornments and feastings for

thee;

And the sights of the open landscape and the high-spread sky are fitting,

And life and the fields, and the huge and thoughtful night--_

_The night in silence under many a star,

The ocean shore and the husky whispering wave whose voice I know,

And the soul turning to thee, O vast and well-veiled death,

And the body gratefully nestling close to thee_.

_Over the tree-tops I float thee a song,

Over the rising and sinking waves, over the myriad fields and the

prairies wide,

Over the dense-packed cities all and the teeming wharves and ways,

I float this carol with joy, with joy to thee, O death_.

15.

To the tally of my soul,

Loud and strong kept up the gray-brown bird,

With pure deliberate notes spreading, filling the night,

Loud in the pines and cedars dim.

Clear in the freshness moist and the swamp-perfume,

And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,

As to long panoramas of visions.

And I saw askant the armies,

I saw as in noiseless dreams hundreds of battle-flags,

Borne through the smoke of the battles and pierced with missiles I saw

them,

And carried hither and yon through the smoke, and torn and bloody.

And at last but a few shreds left on the staffs (and all in silence),

And the staffs all splintered and broken.

I saw battle-corpses, myriads of them,

And the white skeletons of young men, I saw them;

I saw the debris and debris of all the slain soldiers of the war,

But I saw they were not as was thought,

They themselves were fully at rest, they suffered not:

The living remained and suffered, the mother suffered,

And the wife and the child and the musing comrade suffered,

And the armies that remained suffered.

16.

Passing the visions, passing the night,

Passing, unloosing the hold of my comrades' hands,

Passing the song of the hermit bird and the tallying song of my soul,

Victorious song, death's outlet song, yet varying ever-altering song,

As low and wailing, yet clear the notes, rising and falling, flooding

the night,

Sadly sinking and fainting, as warning and warning, and yet again bursting

with joy,

Covering the earth and filling the spread of the heaven,

As that powerful psalm in the night I heard from recesses,

Passing, I leave thee lilac with heart-shaped leaves,

I leave thee there in the door-yard, blooming, returning with spring.

I cease from my song for thee,

From my gaze on thee in the west, fronting the west, communing with thee,

O comrade lustrous, with silver face in the night.

Yet each to keep and all, retrievements out of the night,

The song, the wondrous chant of the gray brown bird,

And the tallying chant, the echo aroused in my soul,

With the lustrous and drooping star with the countenance full of woe.

With the holders holding my hand nearing the call of the bird,

Comrades mine and I in the midst, and their memory ever to keep, for the

dead I loved so well.

For the sweetest, wisest soul of all my days and lands--and this for his

dear sake,

Lilac and star and bird twined with the chant of my soul,

There in the fragrant pines and the cedars dusk and dim.

WALT WHITMAN.

IF I SHOULD DIE TO-NIGHT.

If I should die to-night,

My friends would look upon my quiet face

Before they laid it in its resting-place,

And deem that death had left it almost fair;

And, laying snow-white flowers against my hair.

Would smooth it down with tearful tenderness,

And fold my hands with lingering caress--

Poor hands, so empty and so cold to-night!

If I should die to-night,

My friends would call to mind, with loving thought,

Some kindly deed the icy hands had wrought;

Some gentle word the frozen lips had said;

Errands on which the willing feet had sped;

The memory of my selfishness and pride,

My hasty words, would all be put aside,

And so I should be loved and mourned to-night.

If I should die to-night,

Even hearts estranged would turn once more to me,

Recalling other days remorsefully;

The eyes that chill me with averted glance

Would look upon me as of yore, perchance,

And soften, in the old familiar way;

For who could war with dumb, unconscious clay?

So I might rest, forgiven of all, to-night.

Oh, friends, I pray to-night,

Keep not your kisses for my dead, cold brow--

The way is lonely; let me feel them now.

Think gently of me; I am travel-worn;

My faltering feet are pierced with many a thorn.

Forgive, oh, hearts estranged, forgive, I plead!

When dreamless rest is mine I shall not need

The tenderness for which I long to-night.

BELLE E. SMITH.

AWAKENING.

Down to the borders of the silent land

He goes with halting feet;

He dares not trust; he cannot understand

The blessedness complete

That waits for God's beloved at his right hand.

He dreads to see God's face, for though the pure

Beholding him are blest,

Yet in his sight no evil can endure;

And still with fear oppressed

He looks within and cries, "Who can be sure?"

The world beyond is strange; the golden streets,

The palaces so fair,

The seraphs singing in the shining seats,

The glory everywhere,--

And to his soul he solemnly repeats

The visions of the Book. "Alas!" he cries,

"That world is all too grand;

Among those splendors and those majesties

I would not dare to stand;

For me a lowlier heaven would well suffice!"

Yet, faithful in his lot this saint has stood

Through service and through pain;

The Lord Christ he has followed, doing good;

Sure, dying must be gain

To one who living hath done what he could.

The light is fading in the tired eyes,

The weary race is run;

Not as the victor that doth seize the prize.

But as the fainting one,

He nears the verge of the eternities.

And now the end has come, and now he sees

The happy, happy shore;

O fearful, and faint, distrustful soul, are these

The things thou fearedst before--

The awful majesties that spoiled thy peace?

This land is home; no stranger art thou here;

Sweet and familiar words

From voices silent long salute thine ear;

And winds and songs of birds,

And bees and blooms and sweet perfumes are near.

The seraphs--they are men of kindly mien;

The gems and robes--but signs

Of minds all radiant and of hearts washed clean;

The glory--such as shines

Wherever faith or hope or love is seen.

And he, O doubting child! the Lord of grace

Whom thou didst fear to see--

He knows thy sin--but look upon his face!

Doth it not shine on thee

With a great light of love that fills the place?

O happy soul, be thankful now and rest!

Heaven is a goodly land;

And God is love; and those he loves are blest;--

Now thou dost understand;

The least thou hast is better than the best

That thou didst hope for; now upon thine eyes

The new life opens fair;

Before thy feet the Blessed journey lies

Through homelands everywhere;

And heaven to thee is all a sweet surprise.

WASHINGTON GLADDEN.

BEYOND THE SMILING AND THE WEEPING.

Beyond the smiling and the weeping

I shall be soon;

Beyond the waking and the sleeping,

Beyond the sowing and the reaping,

I shall be soon.

_Love, rest, and home!

Sweet hope!

Lord, tarry not, but come._

Beyond the blooming and the fading

I shall be soon;

Beyond the shining and the shading,

Beyond the hoping and the dreading,

I shall be soon.

_Love, rest, and home!_ etc.

Beyond the rising and the setting

I shall be soon;

Beyond the calming and the fretting,

Beyond remembering and forgetting,

I shall be soon.

_Love, rest, and home!_ etc.

Beyond the gathering and the strowing

I shall be soon;

Beyond the ebbing and the flowing.

Beyond the coming and the going,

I shall be soon.

_Love, rest, and home!_ etc.

Beyond the parting and the meeting

I shall be soon;

Beyond the farewell and the greeting,

Beyond this pulse's fever beating,

I shall be soon.

_Love, rest, and home!_ etc.

Beyond the frost chain and the fever

I shall be soon;

Beyond the rock waste and the river,

Beyond the ever and the never,

I shall be soon.

_Love, rest, and home!

Sweet hope!

Lord, tarry not, but come._

HORATIUS BONAR.

THE LAND O' THE LEAL.

I'm wearing awa', Jean,

Like snaw when it's thaw, Jean;

I'm wearing awa',

To the land o' the leal.

There's nae sorrow there, Jean,

There's neither cauld nor care, Jean,

The day is aye fair

In the land o' the leal.

Ye were aye leal and true, Jean;

Your task's ended noo, Jean,

And I'll welcome you

To the land o' the leal.

Our bonnie bairn 's there, Jean,

She was baith guid and fair, Jean:

O, we grudged her right sair

To the land o' the leal!

Then dry that tearfu' ee, Jean,

My soul langs to be free, Jean,

And angels wait on me

To the land o' the leal!

Now fare ye weel, my ain Jean,

This warld's care is vain, Jean;

We'll meet and aye be fain

In the land o' the leal.

CAROLINA, BARONESS NAIRNE.

ANTONY AND CLEOPATRA.

"I am dying, Egypt, dying."--SHAKESPEARE'S

_Antony and Cleopatra_, Act iv. Sc. 13.

I am dying, Egypt, dying.

Ebbs the crimson life-tide fast,

And the dark Plutonian shadows

Gather on the evening blast;

Let thine arms, O Queen, enfold me,

Hush thy sobs and bow thine ear;

Listen to the great heart-secrets,

Thou, and thou alone, must hear.

Though my scarred and veteran legions

Bear their eagles high no more.

And my wrecked and scattered galleys

Strew dark Actium's fatal shore,

Though no glittering guards surround me,

Prompt to do their master's will,

I must perish like a Roman,

Die the great Triumvir still.

Let not Caesar's servile minions

Mock the lion thus laid low;

'T was no foeman's arm that felled him,

'T was his own that struck the blow:

His who, pillowed on thy bosom,

Turned aside from glory's ray,

His who, drunk with thy caresses,

Madly threw a world away.

Should the base plebeian rabble

Dare assail my name at Rome,

Where my noble spouse, Octavia,

Weeps within her widowed home,

Seek her; say the gods bear witness--

Altars, augurs, circling wings--

That her blood, with mine commingled,

Yet shall mount the throne of kings.

As for thee, star-eyed Egyptian!

Glorious sorceress of the Nile!

Light the path to Stygian horrors

With the splendors of thy smile.

Give the Caesar crowns and arches,

Let his brow the laurel twine;

I can scorn the Senate's triumphs,

Triumphing in love like thine.

I am dying, Egypt, dying;

Hark! the insulting foeman's cry.

They are coming--quick, my falchion!

Let me front them ere I die.

Ah! no more amid the battle

Shall my heart exulting swell;

Isis and Osiris guard thee!

Cleopatra--Rome--farewell!

WILLIAM HAINES LYTLE.

HABEAS CORPUS.[9]

My body, eh? Friend Death, how now?

Why all this tedious pomp of writ?

Thou hast reclaimed it sure and slow

For half a century, bit by bit.

In faith thou knowest more to-day

Than I do, where it can be found!

This shrivelled lump of suffering clay,

To which I now am chained and bound,

Has not of kith or kin a trace

To the good body once I bore;

Look at this shrunken, ghastly face:

Didst ever see that face before?

Ah, well, friend Death, good friend thou art;

Thy only fault thy lagging gait,

Mistaken pity in thy heart

For timorous ones that bid thee wait.

Do quickly all thou hast to do,

Nor I nor mine will hindrance make;

I shall be free when thou art through;

I grudge thee naught that thou must take!

Stay! I have lied: I grudge thee one,

Yes, two I grudge thee at this last,--

Two members which have faithful done

My will and bidding in the past.

I grudge thee this right hand of mine;

I grudge thee this quick-beating heart;

They never gave me coward sign,

Nor played me once a traitor's part.

I see now why in olden days

Men in barbaric love or hate

Nailed enemies' hands at wild crossways,

Shrined leaders' hearts in costly state:

The symbol, sign, and instrument

Of each soul's purpose, passion, strife,

Of fires in which are poured and spent

Their all of love, their all of life.

O feeble, mighty human hand!

O fragile, dauntless human heart!

The universe holds nothing planned

With such sublime, transcendent art!

Yes, Death, I own I grudge thee mine

Poor little hand, so feeble now;

Its wrinkled palm, its altered line,

Its veins so pallid and so slow--

(_Unfinished here_)

Ah, well, friend Death, good friend thou art:

I shall be free when thou art through.

Take all there is--take hand and heart:

There must be somewhere work to do.

HELEN HUNT JACKSON.

[9] Her last poem: 7 August, 1885.

FAREWELL, LIFE.

WRITTEN DURING SICKNESS, APRIL, 1845.

Farewell, life! my senses swim.

And the world is growing dim;

Thronging shadows cloud the light,

Like the advent of the night,--

Colder, colder, colder still,

Upward steals a vapor chill;

Strong the earthly odor grows,--

I smell the mold above the rose!

Welcome, life! the spirit strives!

Strength returns and hope revives;

Cloudy fears and shapes forlorn

Fly like shadows at the morn,--

O'er the earth there comes a bloom;

Sunny light for sullen gloom,

Warm perfume for vapor cold,--

smell the rose above the mold!

THOMAS HOOD.

FOR ANNIE.

Thank Heaven! the crisis,--

The danger is past,

And the lingering illness

Is over at last,--

And the fever called "Living"

Is conquered at last.

Sadly, I know,

I am shorn of my strength,

And no muscle I move

As I lie at full length,--

But no matter!--I feel

I am better at length.

And I rest so composedly

Now, in my bed,

That any beholder

Might fancy me dead,--

Might start at beholding me,

Thinking me dead.

The moaning and groaning,

The sighing and sobbing,

Are quieted now,

With that horrible throbbing

At heart,--ah, that horrible,

Horrible throbbing!

The sickness, the nausea,

The pitiless pain,

Have ceased, with the fever

That maddened my brain,--

With the fever called "Living"

That burned in my brain.

And O, of all tortures

_That_ torture the worst

Has abated,--the terrible

Torture of thirst

For the naphthaline river

Of Passion accurst!

I have drunk of a water

That quenches all thirst,

Of a water that flows,

With a lullaby sound.

From a spring but a very few

Feet under ground,

From a cavern not very far

Down under ground.

And ah! let it never

Be foolishly said

That my room it is gloomy

And narrow my bed;

For man never slept

In a different bed,--

And, to _sleep_ you must slumber

In just such a bed.

My tantalized spirit

Here blandly reposes,

Forgetting, or never

Regretting, its roses,--

Its old agitations

Of myrtles and roses:

For now, while so quietly

Lying, it fancies

A holier odor

About it, of pansies,--

A rosemary odor,

Commingled with pansies,

With rue and the beautiful

Puritan pansies.

And so it lies happily,

Bathing in many

A dream of the truth

And the beauty of Annie,--

Drowned in a bath

Of the tresses of Annie.

She tenderly kissed me,

She fondly caressed,

And then I fell gently

To sleep on her breast,--

Deeply to sleep

From the heaven of her breast.

When the light was extinguished,

She covered me warm,

And she prayed to the angels

To keep me from harm,--

To the queen of the angels

To shield me from harm.

And I lie so composedly

Now in my bed,

(Knowing her love,)

That you fancy me dead;--

And I rest so contentedly

Now in my bed,

(With her love at my breast,)

That you fancy me dead,--

That you shudder to look at me,

Thinking me dead:

But my heart it is brighter

Than all of the many

Stars in the sky;

For it sparkles with Annie,--

It glows with the light

Of the love of my Annie,

With the thought of the light

Of the eyes of my Annie.

EDGAR ALLAN POE

THALATTA! THALATTA!

CRY OF THE TEN THOUSAND.

The World's Best Poetry, Volume 03: Sorrow and Consolation · 第 15 / 19 段