CHAPTER XXI.

A TIFF.

WHEN one is not _en rapport_ with one’s friends about any particular

subject, in which for the time they are interested, it is better to

leave them, for it is certain they would rather have our room than our

company. If you happen to be at Bullock Smithy, for example, during a

contested election, when your host at the Hall and all his family are

looking forward to the regeneration of the species—conditional upon

the return of Mr. Brown—and you don’t much care about it yourself

(or even doubt of its being accomplished that way), you had better

for the present leave the Hall and revisit it under less exciting

circumstances. They will politely lament your departure, but privately

be very glad to get rid of you. You may be (you _are_) a charming

person, but just now you are a little in the way. They resent your

presence as spirit-rappers resent that of ‘the sceptic,’ as they call

every one endowed with reason and common-sense. The common harmony is

disturbed by it as by a false note.

Thus it happened that the withdrawal of Frank Dennis from his friends

in Norfolk Street was upon the whole a relief to them. They could

talk unreservedly among themselves of the subject that lay next their

hearts, and which was really assuming great importance for all of them.

If the mere amount of the Shakespearean manuscripts could have

assured, as it undoubtedly made more probable, their authenticity, the

voice of detraction ought to have been silenced; for there was some

new discovery made in that wonderful treasure chamber of the Temple

almost every day. Contracts and mortgages, theatrical disbursements,

miscellaneous letters, deeds of gift, all immediately relating to

Shakespeare, if not in his very hand, were constantly being found.

Records which a few months ago would have filled Mr. Erin’s heart with

rapture were now, indeed, welcomed by him, but almost as a matter of

course. ‘The gentleman of considerable property in the Temple,’ as the

antiquary had been wont to vaguely term him, had now grown as familiar

to him as though he had had a name as well as a local habitation.

‘Well, what news from our friend to-day, Samuel?’ was the cheery

question he would address to his son on his return home every evening,

and it was very seldom that there was no news.

Mr. Erin indeed had cause to be grateful to this unknown person,

since he had (though not without reluctance) given permission for

the publication of the papers, which had accordingly been advertised

to appear in a handsome quarto at two guineas. They included all

the documents, the ‘Lear’ (of which unfortunately three leaves were

missing) and a few pages of ‘Hamlet.’ These last differed but little

from those of the accepted text, a circumstance which did not escape

the notice of the enemy, who did not hesitate to aver that the forger,

whoever he was, had found ‘Hamlet’ too difficult a nut to crack.

The best reply, as Mr. Erin wisely concluded, to so coarse a sarcasm

was the publication of Shakespeare’s Deed of Trust, conveying the

‘Lear’ to John Hemynge, in which he said, ‘Should this bee everre

agayne Impryntedd, I doe order tyhatt itte bee so doun from this mye

true written Playe, and nott from those now prynted’—an injunction

which, had there been an entire copy extant, would doubtless have

included the ‘Hamlet’ also.

To the ‘Miscellaneous papers and legal instruments, under the hand

and seal of William Shakespeare, including the tragedy of “King Lear“

and a small fragment of “Hamlet,”’ was prefixed a preface by Mr. Erin

himself, setting forth the circumstances under which they had come

into his possession, challenging criticism and defying inquiry. This

publication was of course the crucial test. While our opinions are

expressed _viva voce_, or even with pen and ink, they are of little

consequence to the world at large, however much they may affect our

little circle of friends and enemies. I know many persons who might

have remained in possession of great works of genius in manuscript had

they not been so indiscreet as to print them; the annalist’s sarcasm of

_nisi imperasset_ applies to authors as well as kings.

The book evoked a storm of censure. ‘My eyes will scarcely permit me

to read it,’ wrote Malone (’posturing as a sick lion,’ sneered Mr.

Erin), ‘but I have read enough to convince me that the whole production

is a forgery.’ Others fell foul of the style, the ideas, the very

punctuation of the discovered manuscripts. They acknowledged that the

phraseology was simple, but added that ‘it was that sort of simplicity

that belongs to the fool.’ As it was some time before the advocates of

the discovery could get out their rejoinders—with which many of those

who had signed the certificate were busy—Mr. Samuel Erin had for the

present a pretty time of it. He was like a man caught in a downpour

of hailstones without an umbrella. He never blenched, however, for a

single instant; one would have thought that waterproofs and overalls

had been invented before his time for his especial behalf. But poor

Margaret trembled and shivered. How could people be so wicked as to

say such things of Willie! She would not have been so distressed had

she not seen that he shrank from these stings himself. Womanlike, she

concealed her own pain and strove to comfort him.

‘As for these imputations upon your honour, Willie, they are not worth

thinking of; it is as though they called you a negro, when every one

who has ever seen you knows you to be a white man. Still less need you

trouble yourself about their criticisms; for what can it matter to you

whether the manuscript, or the printed copy, of Shakespeare’s works has

the greater worth?’

‘That’s true,’ assented the young fellow; but by his knitted brows and

downcast looks she knew that it did matter to him nevertheless.

‘This is what I have always feared for you, should you publish a book

of your own,’ she went on earnestly. ‘You are so sensitive, darling.

How thankful I am that Shakespeare (who can afford to smile at it) is

bearing the brunt of all this, and not you!’

Then came the ‘rejoinders,’ like sunshine after storm. ‘There was

not an ingenuous character or disinterested individual in the whole

circle of literature,’ wrote one enthusiastic partisan, ‘to whom

the manuscripts had been subjected who was not convinced of their

authenticity.’ They had ‘not only convinced the scholar and the

antiquary, but the paper-maker.’ As to the secrecy observed with

respect to their origin and possessor, ‘what becomes of the acumen of

the critic if such details are necessary to establish the genuineness

of such a production? His occupation is gone.’ As to the intrinsic

merits of the ‘Lear,’ the seal of Shakespeare’s genius was stamped

upon it. ‘A wit so pregnant, an imagination so unbounded, a knowledge

so intuitive of the weakness of the human heart as was here exhibited

could belong to no other man. If it was not his, it was inspiration

itself.’

‘Here, indeed,’ thought William Henry, ‘is something like criticism.

This is an independent opinion with which the carping of prejudice or

personal malevolence is not to be mentioned in the same breath.’

And, indeed, if these eulogies had been the products of the best minds

in the most perfect state of equilibrium they could scarcely have

given him a more exquisite gratification. He had a sensation about his

forehead as though a wreath of laurels rested there, or even a halo.

He touched the stars with his head, and if he moved upon the earth at

all it was on wings. It was delightful to Margaret to see him thus.

She hardly recognised in him, exultant and self-conscious, the same

young fellow whom she had known depressed and obscure. She was proud

beyond measure of the position he had made for himself in the world of

letters, but happier still because it seemed to make him hers, to put

her uncle’s consent to their union beyond all question. Yet, as love’s

fashion is, she still pictured to herself at times delays, opposition,

and even obstacles.

‘We must not be too sure, my darling,’ she said to him lovingly one

day, ‘though all things seem to smile on us. It is but the promise

after all, the bud but not the flower, the blossom but not the fruit’.

‘True,’ he answered thoughtfully; ‘all this is but a mock engagement;

the battle has yet to come. It is something, however, that the fighting

will be on the same field; one at least knows the ground.’

She stared at him, in doubt as to what he meant; then, as if alarmed by

her wondering looks, he stammered out, ‘I was thinking of Mr. Erin; we

now know him thoroughly, or rather he has become another man from what

he was.’

‘My uncle has changed, no doubt, and for the better,’ she said.

‘There is change everywhere and for the better,’ he answered, smiling.

He took from his pocket one of the printed cards which were now

formally issued to purchasers of the lately published volume for leave

to examine the manuscripts.

SHAKESPEARE.

Admit Albany Wallis, a subscriber, to view

the papers.

‘Think of Mr. Wallis having bought the book! Malone and he have

quarrelled about it, it seems.’

‘Not about the book,’ put in Margaret quietly; ‘I am afraid he is not

even yet a true believer, but I like him better for having bought the

book than even if he were. He felt he had behaved badly to us when he

came here with that wretched Mr. Talbot, and his purchase of it was

by way of making some amends. Where he differed from Mr. Malone was

about the John Hemynge deed you brought from the Temple; Mr. Malone

has had the malevolence to stigmatise even that as a forgery; but, as

Mr. Wallis points out, since you were away from Norfolk Street only

three-quarters of an hour, such a fraud was impossible and out of the

question. He is a just man with a mind open to conviction, and he has

had the courage to confess himself in the wrong.’

‘Whoever told you all this?’ inquired William Henry in amazement.

‘A person who is no friend of his, but, like him, has a generous

nature.’

‘Methinks you do protest too much,’ observed the young man drily. ‘No

one was saying anything against your informant, who it was easy to

perceive was Mr. Frank Dennis. I thought he had literally withdrawn his

countenance from us of late, as he has done long ago in another sense.’

‘No one can control his own opinions, Willie,’ said Margaret gently.

‘I have heard you yourself say a hundred times, concerning this very

matter, that every one had a right to them, but, since the very

knowledge of Frank’s entertaining certain views (though he never

expressed them except upon compulsion) was an annoyance to my uncle, he

thought it better to absent himself.’

‘But still you meet him elsewhere?’

‘I met him in the street the other day by accident. He gave me, it

is true, the information I have just given to you, but he did not

volunteer it. It was I who spoke to him first about Mr. Wallis.’

‘It seems he took great care to undeceive you as to that gentleman’s

having any belief in me.’

‘In _you_, Willie? We never even spoke of _you_.’

This was very true: he had become a subject to which, for Frank’s sake,

she never alluded in Frank’s presence.

‘Well, of course I am not responsible for the manuscripts; but do you

suppose that Dennis was thinking of them, for which he does not care

one farthing, even if he was talking of them? He was thinking of _me_.

When he depreciates them to you he depreciates me; when he quotes the

opinion of Mr. Wallis or of any one else he is quoting it against me.

You need not blush, Margaret, as if my mind had just awakened to a

suspicion of the truth. Do you suppose I don’t know what Mr. Frank

Dennis has been after, all along?’

‘I will not pretend to be ignorant of what you mean, Willie,’ said

Margaret firmly, ‘but you are quite mistaken if you imagine that Frank

Dennis has ever breathed a word to me, or, as I believe, to any one, to

your disadvantage: he has a loyal heart and is a true friend.’

‘A friend, indeed!’ said William Henry scornfully.

‘Yes, indeed and in need. I will lay my life on it, Willie. A man

who detests all falsehood and deceit, and even if he entertained an

unworthy thought of a rival would hold his peace about him.’

‘That is why, no doubt, he did not speak of me,’ put in the young man

bitterly. ‘Detraction can be conveyed by silence as well as by a forked

tongue.’

‘You are both unjust and unkind, Willie.’

‘Still the fact remains that, whenever you see this gentleman, I do not

rise—I will not say by comparison, because I believe you love me—but

I do not rise in your opinion. You cannot deny it; your face confesses

it. Under these circumstances you can hardly think me unreasonable if I

ask you for the present not to meet Mr. Frank Dennis, even “by accident

in the street.”’

‘I will not speak to him, Willie, if you object to it,’ said Margaret

in a low voice. She was the more distressed at what he had said because

she had a secret consciousness that it was not undeserved. He did not

indeed sink in her opinion after her talks with Frank, and certainly

did not suffer by contrast; but, on the other hand, he did not rise,

while her confidence in the genuineness of the Shakespearean documents

did sink.

Thence arose misgivings as to the future, doubts whether Willie would

be permitted to win her, and a certain unsteadiness, not indeed of

purpose but of outlook.

‘Of course you must speak to him if you meet him, Maggie,’ continued

William Henry in a tone from which all irritation had disappeared;

‘only for the present do not seek his society. You will not long have

to deny yourself the pleasure, since in a few weeks—that is, I intend

very shortly to ask Mr. Erin to give you to me for my very own.’

‘Oh, Willie! He will never do it,’ she returned, not however with much

conviction, but as one who toys with doubt. ‘I am sure he does not

dream of your having such an intention.’

‘Then he must be as blind as Gloster, Maggie.’

This allusion to the ‘Lear’ was somehow—it would have been difficult

to say why—unwelcome to her. Love no doubt depends upon very small and

comparatively mundane matters, but still that her hopes of marriage

with her lover should hang upon the general belief in the genuineness

of an old manuscript seemed a little humiliating. She would have far

preferred, had it been possible, that William Henry should have won

his way to a modest competence by his own pen. Perhaps he had hopes of

this, and some surprise in store for her; or why should he have used

that phrase ‘in a few weeks’? It was true that he had substituted for

it a more vague expression, but she could not help thinking that he had

some definite plan in his mind to precipitate events. What _could_ it

be?

The Talk of the Town, Volume 2 (of 2) · 第 3 / 17 章