There once was an Untaught Sea-Urchin,

Who said that for years he’d been searchin’

For a place in the sea

Where he quiet could be,

For the waves kept him pitchin’ and lurchin’.

A NEW THEORY.

BY BESSIE CHANDLER.

At the telegraph poles Grace was looking,

When she solemnly said: “I think

Those little glass things are the bottles

That hold all the telegraph ink.”

WORK AND PLAY FOR YOUNG FOLK.—XV.

A ROPE YARN SPUN BY AN OLD SAILOR.

BY C. W. MILLER.

There are many things you boys can do with a rope, if you only know how.

Let an old sailor spin you a “yarn” or two.

I. SPLICES.

If you wish to put up a swing, to make a lasso, to fasten a rope to your

sled, or if you live on a farm and desire to make a halter or a hay-rope,

you should know how to make an “eye-splice.”

The tools you will need are a hammer and a marline-spike. A sailor’s

marline-spike is made of iron, and is about six inches long, like that in

Fig. 1; but you can easily whittle from a bit of any hard wood a peg that

will answer the purpose of a marline-spike.

To begin the splice, take a small rope, like a clothes-line (if possible,

a new one in which the strands are unworn), and first untwist, or, as we

sailors say, unlay, about four inches of it. Then wind thread tightly

around the end of each strand to keep it in shape. Next bend the rope

around into a loop of any size desired, letting the loose strands or

cords cross on the upper side and project beyond the rope. Be sure that,

as you hold the loop toward you, the rope bends toward the right.

[Illustration: FIG. 1.—MARLINE-SPIKE AND EYE-SPLICE.]

At the point of crossing, twist the solid or “standing” part of the

rope the wrong way, so as to open it a little, and thrust the spike in

between the strands, pushing it in until the strands are well apart. Now

draw the spike out and put the end of the first loose strand into the

enlarged opening. To do this easily you should insert the spike with its

point toward the loose ends, so that, as you draw it out, you can follow

it closely with the first end before the separated strands close. Draw

the end up tight, as shown in the cut. Then take the spike and separate

the next strand in the rope from the others, and insert the second loose

end in the same way, and similarly place the third end under the third

strand of the rope. At this stage, your splice will look like Fig. 1, and

a little study of that diagram will show you, better than I can tell you,

just how to insert the strands.

Continue the work, by passing the first end over one strand and under the

next, and do the same with the second and third ends.

When each end has been woven in twice, take off the thread from the ends

and cut about a third from the under side of each one, making it that

much thinner than before. Bind the ends again with the thread, and weave

each one under another strand of the rope. Again take off the thread and

cut off half of what remains from the under side of each of the loose

ends; replace the thread, weave under again, draw each end up tightly,

and cut it off close to the rope. If you have carefully followed the

directions, each end will pass over and under the strands alternately,

and no two ends next each other will pass under the same strand.

You must always remember, in working with a rope, to twist every strand

hard and tight, and to draw it snugly to place. And in making a splice,

the rope should be pounded frequently with the hammer or a piece of wood,

and rolled back and forth under your foot. This operation makes the

strands sink into one another and look smooth and even.

Another splice, quite as useful as the one just described, is that

by which the ends of two ropes are joined so firmly that they form

one continuous rope. There are two forms of it, one called the “short

splice,” and the other the “long splice.”

The short splice, is more often used, because it is quickly made, it

does not waste much of the rope, and it is nearly as strong as the

long splice. There is one objection to it: It makes part of the rope

somewhat larger than the rest, so that it can not be run through a narrow

pulley-block. The long splice, on the other hand, though using much more

material, may be made without increasing the size of the rope at any

point, and is, in fact, somewhat stronger.

To make the short splice, first untwist about eight inches of each of the

two ends you wish to join, and bring them together in such a way that the

ends of the untwisted parts are squarely and closely against each other

as though they were one rope, while the six loose strands stand out all

around, each one of the right-hand strands being between two of those on

the left hand, or interlocked.

Now what you are to do is to weave the loosened strands of the right-hand

rope into the untwisted rope of the left side, and the loosened strands

of that rope into the solid part of the right-hand rope. To hold the two

ends in place while you work, begin by drawing all three of the left-hand

strands down over the right-hand rope, and tie them there with a piece of

cord.

[Illustration: FIG. 2.—A SHORT SPLICE.]

Now weave the three loose strands into the solid rope by the help of the

spike, just as you did in making the eye-splice. When you have finished

this side, untie the twine and weave the loose strands into the left-hand

rope in the same manner. The directions given for making the eye-splice

apply also to this splice. It must be well pounded and twisted back and

forth until the ends work into the strands and it is smooth and firm; and

this splice, too, will look better if part of the rope-yarns are cut off

before weaving in the last time, but if you are not particular you may

cut the ends off just as they are left in Fig. 2. To help you to see how

the ends go under and over the strands of the rope, each one is marked in

Fig. 2 with a different line of dots and dashes, and, by following any

one line, you will learn exactly where that one strand passes in and out.

[Illustration: FIG. 3.—A LONG SPLICE, FIRST STAGE.]

The long splice, though a little more trouble than the short splice,

makes a much neater joining. For this splice, you must untwist three feet

of one end of each rope and bring the two closely together as in making

a short splice, with the loose ends interlocked. Next take one of the

strands of the right-hand side and untwist it, or separate it from the

rope an inch or two, and into the space it leaves vacant “lay” one of the

loose ends from the other side. (By “laying” I mean twisting the strand

tightly and pressing it into place.) Go on in this way, untwisting the

strand from one side and laying in its place the strand from the other

side, until the latter has only about eight inches free, while the one

you have been untwisting has nearly six feet free. What you have now

done is merely replacing a strand belonging to one rope by a strand from

the other. Do the same thing on the other side; that is, untwist one of

the strands of the left-hand rope and twist into its place a loose strand

from the right-hand rope. When you have done this, your splice will look

like Fig. 3, the six untwisted strands ending in pairs in three places.

The pair in the middle will be three feet long each; while at the ends

there will be one long and one short strand, although, as seen in Fig. 3,

they all must be cut off short for the next operation.

[Illustration: FIG. 4.—A LONG SPLICE FINISHED.]

This consists in weaving the ends in, and it is done by forcing the spike

under the strand next to the end you wish to weave in, passing the end

through the opening, then over the next strand, and under the third,

which you have opened in the same way. Now cut off a portion from the

under side of the strand, pass it over and under once more, and cut off

closely. Repeat this with the second strand of the pair, and your joining

will look like Fig. 4, which represents a long splice finished. This

figure, of course, shows only one woven-in end, the other being on the

opposite side.

Having thus disposed of one pair of the loose ends, treat the other two

pairs in the same way. Notice that the strands are nowhere turned back on

themselves, but that they always work on in the same way they started;

that is, those which turned out from the middle turn out to the end,

while those that turned toward the middle (or those you untwisted to make

place for the others) still turn toward the center, as they began.

II. SENNIT, OR BRAID.

The first thing a boy learns when he goes to sea is to make braid, or,

in sailors’ talk, “sennit,” and I think land boys will find it very

convenient to know a few of the different kinds in use. All boys wish

to make whip-lashes or to swing hammocks; and for those of you who own

sail-boats, or even row-boats, there are endless uses for these braids.

Fenders to protect the sides of boats from injury are best made from a

short, thick piece of sennit; and many boats have a guard, made of about

seven large strands, like Fig. 5, running all around just under the

gunwale.

[Illustration: FIG 5.—THE SIMPLEST KIND OF SENNIT.]

On a ship these braids are used to wrap around parts of the rigging,

to keep them from chafing, so they are called “chafing-gear.” And the

sailors make it by the barrelful, so that it will be on hand when needed.

In beginning a braid, tie a string around one end of the strands and

fasten it to any convenient object, such as a hook in the wall or a

door-knob, in order to keep the braid taut, as it is very important to

draw the strands up snug and even every time. The simplest kind of sennit

may be made of any uneven number of strands. It is shown in Fig. 5.

To begin, take five strands and separate them, holding three in the right

hand and two in the left. First take the outside strand of the three in

the right hand, pass it over the two next it, and lay it inside the two

in the left hand. Now you have three in the left hand. Then take the

outside strand of the three in the left hand, pass it over the two next

it, and lay it inside of the two in the right hand. So you go on, always

taking the outside strand from the side which has three together, passing

it over its two neighbors, and laying it inside the two in the other

hand. It is very easy, you see, and you will soon have a piece like that

in the figure, in which the outside strand from the left side has just

been laid over inside of the right. You can make this kind of braid of

any uneven number of strands, and the only rule is always to bring the

one from the outside of the greater number over all its neighbors to the

inside of the smaller number.

[Illustration: FIG. 6.—A ROUND SENNIT.]

To make a whip-lash, you should try a braid like that shown in Fig. 6,

which is a round sennit. The one in the drawing is made of large round

strands to show the braid better; but for a lash you should take flat

strips of leather, and taper them to make your lash the proper shape.

This braid is made of four strands. Take two in each hand, pass the

outside strand in the right hand under its neighbor and also under the

inside strand in the left hand. Bring it up between the two in the left,

and lay it over the inside strand next to it, placing it at last beside

the one strand in the right hand, only inside of it instead of outside,

where it was first. Do the same with the outside strand of the left hand;

that is, pass it under the one next to it and the inside one of the

right hand, bringing it up between the two in the right, turning it over

the inside one, and laying it next to the one remaining in the left hand,

on the inside. Keep on doing this and you will notice that the same two

strands always stay in the same hand, but each turn of one interlocks it

through the two in the other hand.

In Fig. 6 the outside strand on the right side has just been passed under

and up between the two on the left side, over the inside one of the left

and beside the strand on the right.

This method of braiding is pretty to use in covering many things, round,

square, or tapering. Even a turned vase and many articles of varying

shape may be covered by it. Where the object is wide the strands cross

each other at a wide angle, and where narrow, run more nearly parallel to

the object, but in every case it is covered. Some very pretty things are

made with this braid.

For a flat braid, which, when made of rope-yarns or cord, is very nice

for a dog or goat harness, you will need the “French” sennit shown in

Fig. 7. At sea, it is sometimes made eight or ten inches wide, and half

an inch thick; but you will not need it so heavy. To begin, take nine

strands as in the figure, though it may be made of any other number.

[Illustration: FIG. 7.—THE FRENCH SENNIT.]

First spread the strands out flat, take the middle one (in this case,

No. 5), bend it to the right and over No. 4, which is bent to the left.

Take No. 6, bend it to the right, and under No. 4. Take No. 3, bend it to

the left, over No. 5, and under No. 6. Take No. 7, bend it to the right,

over No. 4, and under No. 3. Take No. 2, bend to the left, under No. 5,

over No. 6, and under No. 7. Continue in this way until all the strands

are in. Then take No. 5, which, you remember, was bent to the right, and

now occupies the outside place on that side, bend it up and over No. 6,

which is next it, and then braid it in alternately over and under just

as before. Braid in the outside strand from the left side in the same

manner. Go on in this way, and the braid will look like Fig. 7. So many

directions make it seem hard; but when you try it with the figure before

you, you will find it very easy. If the braid is made from an even number

of strands, as in Fig. 8, the strands will begin on both sides by turning

over; but if the number is uneven, as in Fig. 7, the strands on one side

will begin by turning under.

Be careful to draw the strands even and snug. This braid has one great

advantage over others. It may be split into two or more narrower braids,

as you see in Fig. 8, and afterward braided together again, leaving an

open loop, or a sort of button-hole. A glance at Fig. 8 will show you

just how this is accomplished, and that it is an easy task.

[Illustration: FIG. 8.]

In a navy hammock, the cords which support the body are woven into a flat

braid which starts with two or three strands and has the others gradually

woven in, two at a time, one on each side. This finishes it off very

neatly, and keeps the cords from tangling, and is a great improvement

on simply putting the cords through the ring, which has a bungling

appearance, as they are generally in a snarl. This braid may be more

easily made by “putting the cart before the horse”; that is, by beginning

at what is apparently the wrong end. Take the cords double length, and

draw them all through the ring, until half the length is on each side.

There will be twice as many strands as you had cords. Begin a flat braid,

as in Fig. 8, until all the strands are woven in. If there are twelve,

you then leave out the outside strand on each side and continue the braid

with ten; leave out two again, and continue with the middle eight; and so

on until you have but two left. Tie these firmly together, and the braid

will not work loose.

[Illustration: FIG. 9.]

The queer-looking flat open-work braid shown in Fig. 9 is much used at

sea, but it is hard to make of anything but tarred hemp rope-yarns,

because it always inclines to loosen. The tarred rope does not slip like

ordinary cord. In this braid, the strands do not cross the braid, but

each one simply locks into its neighbor. To make it, you twist the first

strand around the second, the second around the third, the third around

the fourth, and so on across the braid. In the figure, the first has been

twisted around the second, and the second is ready to twist around the

third.

These braids can be easily learned by following the descriptions, and by

referring to the cuts. Girls may use them in many ways; that shown in

Fig. 5 is pretty for the hair. But I need not point out the various uses

to which they may be put, for I am sure you all will discover them for

yourselves.

III. THE “MADERWOCKER.”

This object bears no relation to the famous Jabberwock; in fact, it is

simply a knot in common use among sailors; and the mysterious-sounding

name is merely a very bad way of pronouncing “Matthew Walker.” Matthew

Walker was an inventor, and, though his name has become gibberish, his

knot is as good as ever, and is a very useful one. Whenever a rope is put

through a hole and held by a knot, there is the place for a maderwocker,

one that is not clumsy, will hold fast, and never loosen. The boys can

use it on sled-ropes, swings, rope handles to boxes, and in many other

places.

[Illustration: FIG 10.—A SINGLE MADERWOCKER.]

To make it you must first untwist, or unlay, about six inches of one end

of the rope, and tie a string firmly around it where the knot is to be.

Now, hold the rope in your left hand with the untwisted ends standing up,

take one strand and bend it downward and around the second. Do not draw

it tight, but leave a loop. Next bend the second strand around the third,

and the third around the first, bringing the third one up through the

loop left in the first. Draw all the ends tight and snug, and the knot

will look like Fig. 10, which is a “single maderwocker,” or “single wall.”

[Illustration: FIG. 11.—A CROWN.]

If this knot is not enough you may put a “crown” on it. Bend down the

first end and leave a loop; bend the second over the first, the third

over the second, and put the end through the loop left in the first. Draw

all the ends down snug and cut them off, and you will have a neat and

strong knot like Fig. 11. Perhaps you will understand this crown better

by looking at the end of the braid, Fig. 13.

[Illustration: FIG. 12.—A DOUBLE MADERWOCKER.]

A “double maderwocker,” or “double wall,” is a variety of this knot, made

in the same way, excepting that each strand passes around two others,

instead of one, as in the single maderwocker. Thus, the first strand is

bent down and around the second and third, the second around the third

and first, and up through the loop of the first; the third around the

first and second, and up through the loop of the second, which also has

been left a little loose. Draw all snug and you have a larger knot than

the single one. (See Fig. 12.) You can finish it either by putting a

“crown” on it, as described before, or by binding the strands close to

the knot and cutting off the ends.

[Illustration: FIG. 13]

A series of crowns makes a very pretty and useful round braid like Fig.

13. The one represented has but four strands, though you will notice

that it looks as if it had eight. Any number of strands may be used for

this, and it will always appear to have double the number it really has.

To make it look even and smooth, you must always bend the strands down

in the same way; that is, always bend them to the right or always to the

left. Girls will find this pretty cord convenient for many things; made

of fine silk braid, it is nice to hang a fan from the belt, or for other

purposes. Made of heavier materials, boys, I am sure, will find use for

it.

THE SAILOR BOY.

BY WALLACE E. MATHER.

[Illustration]

I knew a little youngster

Who would a sailor be;

He did not care for top or ball,

For marbles, kites, or trinkets small,—

He did not care for these at all,

For he would go to sea.

The things he really cared for

Were queer things such as these:

Odd knots of rope, and bits of string,

A marline-spike, a hammock ring,

India ink, or anything

That might a sailor please.

He liked to read of voyages,

And navigators’ lore.

“And I can tell you how,” he said,

“To make a splice or a ‘Turk’s head,’

To hold the reel, or heave the lead,

And—oh! a great deal more.”

And if perchance you missed him,

When others were at play,

You’d find him stowed in some odd nook,

Off cruising in his sailor book

With Frobisher or Captain Cook,

In regions far away.

He has not gone from home as yet,

To ship before the mast;

But only wait and you shall see—

Sailors are made from such as he;

I’m very sure that he will be

An Admiral at last.

[Illustration]

“Hi! Yi! What’s the matter with you?”

“My! My! There’s a frog in my shoe!

I just took ’em off to paddle, you know,

In the beautiful lake where the pond lilies grow,

And when I turned ’round, that frog, don’t you see?

Sat up in my shoe and made faces at me.

My! My! Oh, what shall I do?”

“BLUP!” said the frog—and jumped out of the shoe.

[Illustration: “DO _YOU_ LIKE BUTTER, BOSSY?”]

JACK-IN-THE-PULPIT.

[Illustration]

Try not to mind it, dearly beloveds. It is merely “the sensation caused

by caloric, or the principle of heat, in excess; the bodily feeling

experienced on exposure to the sun’s rays; the reverse of _cold_.” What

is there to grumble about in so simple a thing as that? And yet that is

all that makes these sunny days uncomfortable. Just fan yourselves with

that fact, my dears. I’m assured you have the highest authority for it—a

big, wise book named Webster.

And now that your thoughts are cooled and refreshed, you’re ready for

this communication which the Little School-ma’am wishes to lay before you.

LONGFELLOW’S FIRST LETTER.

MY DEAR LITTLE SCHOOL-MA’AM: My mamma has found in a new book (the “Life

of Henry W. Longfellow,” edited by his brother Samuel), a copy of the

very first letter ever written by the poet. We reckoned his age, and

found that he was six years and eleven months old when he wrote it. It

interested my brother Kit and me so much that Mother said we could copy

it for you to show the ST. NICHOLAS boys and girls. I think it was very

nice in him to put his sister Ann in first, and Kit says I ought to

explain that a billet was sometimes good to get.

This is the letter:

“PORTLAND, 1814.

“DEAR PAPA,—Ann wants a little Bible like little Betsey’s. Will

you please buy her one, if you can find any in Boston. I have

been to school all the week, and got only seven marks. I shall

have a billet on Monday. I wish you to buy me a drum.

“HENRY W. LONGFELLOW.”

As some one may wish you to tell whether Henry got the drum or not, I

think I’ll copy next a part of the father’s answer to the letter. He was

in Boston at the time, and he wrote:

... “I have found a very pretty drum, with an eagle painted

on it, but the man asks two dollars for it; and they do not

let any vessels go from Boston to Portland now. But if I can

find any opportunity to send it down, I shall buy it. And if

I cannot, I shall buy something else which will please you

as well. I am glad to hear that you have been a good boy at

school, and are likely to get a billet. You must save all your

billets till I get home.” ...

P. S.—What do you think my father says? He says Henry’s letter was pretty

hard on Boston.

Your little friend and admirer,

DOROTHY G——.

THE WATER-SNAKE AS A FISHERMAN.

DEAR JACK: I once had some tame fish in a lake at the foot of my

garden,—or, rather, some fish that came every afternoon about five

o’clock to be fed. My children were in the habit of taking bread daily

and throwing it into the lake for them to eat. The fish became so tame

that they would eat out of our hands, and when a foot-fall was heard

coming down the terrace that leads into the small flower-garden by the

lakeside, the fish would rush through the water by hundreds, expecting

their food. They were of many kinds,—from the large catfish, or bullpout,

weighing three or four pounds, to the small minnow.

Once, while I was feeding them from my hand, a water-snake suddenly

caught one of the fish by the head, and, as a snake always must do after

catching his prey under water, he held the fish up out of the water for a

moment while he took breath. I instantly caught the fish, and attempted

to pull it out of the snake’s mouth, but the snake as quickly twisted his

tail around a root under the water and resisted my attempt to deprive

him of his expected dinner. With all the strength I could exert, I could

neither pull the fish out of the snake’s mouth nor tear loose his hold

upon the root.

While I continued to pull, I very soon found that the snake was beginning

to swallow the fish, and was visibly sucking it in. Notwithstanding all

my efforts to wrench it from his grasp, the fish gradually disappeared

into the snake’s mouth until I felt my thumb and finger touch against the

jaws of the reptile, and even then they were irresistibly pushed back

until my grasp was only upon the tip end of the fish’s tail. Then the

snake, with a sudden jerk, pulled it quite out of my hand and swam away.

I was defeated, and the snake had gained the victory.

Yours truly,

H. E. S.

MORE ANIMAL WEATHER-PROPHETS.

It never rains but it pours! as I’ve often heard the Deacon say. We

have lately been discussing the habits of some animal weather-prophets,

but we have considered them one at a time. Now, lo and behold!—my young

friend Ida G. Egerton sends me this letter and a newspaper extract, which

describes a long list of such weather-prophets.

BOONVILLE, N. Y.

DEAR JACK: Seeing your readers are interested in living

barometers, I thought I would send you this paper. From

IDA G. EGERTON.

“I do not know of any surer way of predicting the changes in

the weather, says a correspondent, than by observing the habits

of the snail. They do not drink, but they imbibe moisture

during a rain, and exude it afterward. The snail is never seen

abroad except before a rain, when you will see it climbing the

bark of trees and getting on the leaves. The tree-snail, as it

is called, two days before rain, will climb up the stems of

plants, and if the rain is going to be a hard and long one, it

gets on the sheltered side of a leaf, but if a short rain, on

the outside. Then there are other species that before a rain

are yellow in color, and after rain blue.

“Take the ants, too; have you ever noticed the activity they

display before a storm—hurry, scurry, rushing hither and yon,

as if they were letter-carriers making six trips a day, or

expressmen behind time? Dogs grow sleepy and dull, and like

to lie before a fire, as rain approaches; chickens pick up

pebbles, fowls roll in the dust, flies sting and bite more

viciously, frogs croak more clamorously, gnats assemble under

trees, and horses display restlessness.

“When you see a swan flying before the wind, spiders crowding

on a wall, toads coming out of their holes in unusual

numbers in the evening, worms, slugs, and snails appearing,

robin-redbreasts pecking at the windows, pigeons coming to

the dovecotes earlier than usual, peacocks squalling at

night, mice squeaking, or geese washing, you can put them

down as rain-signs. Nearly all the animals have some way of

telling the weather in advance. It may be that the altered

condition of the atmosphere with regard to electricity, which

generally accompanies changes of the weather, makes them feel

disagreeable or pleasant. The fact that a cat licks herself

before a storm is urged by some naturalists as proof of the

special influences of electricity. Man is not so sensitive. Yet

many persons feel listless before a storm, to say nothing of

aggravated headaches, toothaches, and rheumatic pains.”

It appears, from this, that even boys and girls may sometimes be classed

among the animal weather-prophets. But, as they seem to have a rather

painful way of indicating storms, I hope none of you excel in prophesying.

A USEFUL BIRD WITH AN ARISTOCRATIC NAME.

WARWARSING, N. Y.

DEAR JACK: We were lately much interested in watching a family of

Baltimore orioles that lived in a nest in a tree near our house. There

were several young birds in the nest, that kept their father and mother

busy all day long feeding them. The nest was rather small for its

inmates, and some time ago a little bird fell out. Though the nest is

about fifteen feet above the ground, it did not hurt itself. We saw it

fall, and put it on a small tree near by, where its mother could see it.

Afterward I climbed a ladder and put it in the nest. Then the mother bird

arrived and hunted all over the small tree, trying to find it and give it

something to eat, and seemed very anxious about it. It was a very pretty

sight to watch her.

This oriole’s nest has been in the tree for some years. It hangs from

one of the highest limbs, to which it is fastened by strong cords made

from the material of which the nest is built. We are glad to have orioles

about, for they feed the young birds with insects injurious to the garden

and orchard. Insects seem to be their principal food; and I have seen

them eat hornet’s eggs.

The name “oriole” is from the old French “oriol,” which is derived from

the Latin “aureolus,” meaning golden. They are sometimes called “golden

robins.” The orchard oriole, which we occasionally see, is of a pure

yellow color, with stripes of black on its back, and is about the size

of a canary-bird. The colors of the Baltimore oriole are orange and

black. They are so called because orange and black were the colors of the

coat of arms of Lord Baltimore, who was Governor of Maryland under King

Charles I.

Respectfully,

NORMAN T. SAUNDERS.

A WISE HUMMING-BIRD.

Wisdom does not depend on size, as you all know, my dears. The ant and

the bee, in fact, often seem to know more than some of the largest

animals. The humming-bird, too, though the smallest of birds, is not

lacking in intelligence. A friend of the Deacon tells a pleasant little

story of one that was trying to secure the honey from a flower with a

deep cup, and at the same time was plainly very tired. The flower grew

near a porch where a family was sitting, and seeing the trouble of the

bird, a young girl walked slowly toward him, holding out her finger. The

tired bird looked sharply at her and then accepted the offered perch,

alighted on the finger, and, when it was held close to the flower,

returned to his work of honey-gathering. The girl stood quietly, and he

used her finger as a resting-place till he had finished his meal, when he

flew away home. A wise humming-bird that, say I,—and a wise girl, too.

THE PITCHER PLANT.

You were lately told in ST. NICHOLAS, I hear, about a curious lace-leaf

that grows in a far-off corner of the world called Madagascar. Well, the

Little School-ma’am asks me to show you now this picture of another queer

plant, which, she says, is a near neighbor to the lace-leaf, for it is

found in the marshes along the coast of Madagascar, and it is known as

the pitcher plant.

[Illustration]

At the end of each leaf, which narrows to a mere stalk at the tip,

it carries a little vegetable vase very like a pitcher with lid and

all complete. And this curious cup is indeed a pitcher, given to the

plant for the express purpose of keeping its leaves well supplied with

moisture; for travelers report that they have frequently found quite a

quantity of water in those queer little natural cups. Besides, they have

big ears, so of course they’re little pitchers.

The Deacon says that, according to all accounts, Madagascar must be a

sort of palace of the vegetable kingdom.

[Illustration: The Agassiz Association

SIXTY-FOURTH REPORT.]

A FINAL WORD ABOUT THE BADGE.

Since Mr. Hayward went out of business, Mr. N. M. Shepard, 85 Nassau

street, N. Y., has consented to succeed him as our badge-manufacturer.

He is quite enthusiastic in the matter, and has designed some very pretty

badges, which seem to us a decided improvement upon the styles shown in

the hand-book. The scarf-pin and lace-pin are most attractive, because

least noticeable,—which is a paradox.

For further information communicate with Mr. Shepard, whose address is

given above.

A FRIENDLY WORD FROM PRINCE KRAPOTKINE.

It is a pleasant thought that even those men whose personal experience of

sorrow has led them to take dark views of life in general can find in our

Association something worthy their commendation—something to be built up,

rather than destroyed. Would that we could extend our brotherly influence

as widely as Prince Krapotkine suggests in the following extract from

his article, “What Geography Ought To Be,” published in “The Nineteenth

Century” for December, 1885:

“Another feature to be introduced in our schools ought to

be mentioned here. I mean the exchange, between schools,

of correspondence on geographical subjects and of their

natural science collections. This feature, already introduced

in several schools of the United States by the ‘Agassiz

Association,’ can not be too warmly advocated. It is not

enough to collect specimens of rocks, plants, and animals from

its own limited regions. Each village school ought to have

collections from everywhere; not only from all parts of its own

country, but from Australia and Java, Siberia and the Argentine

Republic. It can not purchase them, but it may have them—it can

have them in exchange for its own collections, from schools

scattered everywhere on the surface of the globe.

“Such is the great idea which presided at the creation of the

‘Agassiz Association’—an organization which has already seven

thousand members and six hundred ‘Chapters,’ or sections.[5]

The members of this Association are accustomed to study

natural sciences in the field, amid nature itself; but they

do not keep their treasures to themselves. They write to

other branches of the Association; they exchange with them

their observations, their ideas, their specimens of minerals,

plants, and animals. They write about the scenery of Canada to

friends in Texas. Their Swiss friends (for something similar

exists also in Switzerland) send them the _Edelweiss_ of the

Alps, and their English friends instruct them in the geology

of England. Shall I add that in proportion as the existence of

the Association becomes known, specialists, professors, and

_amateur_-naturalists hasten to offer their services to their

young friends for lecturing before them, for determining their

specimens, or for climbing with them on the hills in geological

and botanical excursions?... Is it necessary to insist on the

benefits of the ‘Agassiz Association,’ or to show how it ought

to be extended? The greatness of the idea of establishing a

lively connection between all schools of the Earth is too

clear. Everybody knows that it is sufficient to have a friend

in a foreign country—be it Moscow or Java—to begin to take

some interest in that country. A newspaper paragraph entitled

‘Moscow’ or ‘Java’ will thereafter attract his attention,—the

more so if he is in a lively intercourse with his friend, if

both pursue the same work and communicate to one another the

results of their studies and explorations. More than that: Let

English children be in a continuous exchange of correspondence,

collections, and thoughts with Russian children, and you may be

sure that after some time neither English nor Russians will so

readily grasp at guns for settling their misunderstandings. The

‘Agassiz Association’ has a brilliant future; similar ones will

surely extend all over the world.”

[5] “Hand-book of the Agassiz Association,” by Harlan H. Ballard. Lenox,

Mass., 1884.

DELAYED REPORTS.

455, _Bedford, Pa._ Each member has his own cabinet. Our time has not

been wasted by any means. It will not be long before we recommence our

collecting expeditions and picnics.—W. C. Langdon, Jr., Sec.

447, _Chittenango, N.Y._ We have a very good collection, including rare

insects. We intend soon to visit the Indian mound near Manlius, where we

hope to make various additions to our collection. We shall raise 1000

silk-worms for study this summer.—C. A. Jenkins, Sec.

490, _New York_ (_N_). The year has been the most successful of our

existence. We stand to-day strong in numbers, interest, and enthusiasm.

We have held meetings steadily twice a month, and these have been

enthusiastic and well attended. Our good friend, Professor J. D. Hyatt,

has lectured for us, illustrating each lecture by blackboard diagrams

and also by his powerful microscope. We have started a library, and a

number of interesting and valuable books have been presented to us. We

have issued a little paper called the “Naturalist’s Journal.” Our cabinet

is assuming gigantic proportions, and embraces specimens in all lines of

natural history, properly arranged and classified. We have a tabulated

list of subjects and speakers for our meetings arranged for the next

three months. These are nicely printed, together with names of officers,

time of meeting, rules, and constitution, so that each member can have

a copy for his own reference, and also to distribute to his friends.

We have also made arrangements for excursions and field-meetings. We

are encouraged and inspired by the past, and enter upon the future with

bright anticipations for still greater success. May that success crown

the efforts of all our Chapters!—Cephas B. Fox, Secretary.

REPORTS FROM THE SIXTH CENTURY.

527, _San Francisco_ (_G_). One of our young men has made an excellent

induction-coil and other apparatus which we find useful in experimenting.

Our work, as members of the A. A., has been very satisfactory and

instructive.—Henry Rhine, Secretary.

539, _Philadelphia_ (_P_). We started in October, ’83, with ten members,

and we now have thirty-two. We have held 100 regular and two special

meetings. Six lectures have been delivered to the Chapter by as many

lecturers. Our present plan of working is this: The Chapter is divided

into three classes, zoölogy, botany, and mineralogy and geology. A member

may join all the classes if he chooses, but must join at least one. Each

class elects its own chairman. At four successive meetings, zoölogy is

studied. The next four meetings are botanical. We conduct a journal, not

printed, but written in a book, and read by the editor. Each member, in

turn, is appointed to contribute an article to this journal. Our finances

are in good condition, and in our next report I hope you will find an

account of a permanent meeting-place (with an engraved charter, and

picture of Professor Agassiz on the wall), containing a large library, a

new cabinet, and a splendid microscope.—Louis L. Calvert, Sec.

549, _Linlithgow, Scotland._ The work of our Chapter has gone on very

successfully. The members of the A. A. are also members of a local

association, and the work of the latter is generally considered to be

also that for the former. All the members have to acknowledge with

pleasure the numerous offers to exchange made to them by American

friends, advantage of which has been greatly taken. The Secretary has

greatly enriched his herbarium by the additions to it of American plants.

The out-of-door work—always the most pleasant—proved all last year to

be most pleasurable and profitable, and it may be interesting to other

members to know that all the members here are ’cyclists and find their

wheels of the greatest service.

The subjects taken up have been botany, geology, entomology, ornithology,

conchology, oölogy, and to a certain extent also zoölogy. Meetings have

been held and papers read, and many excursions taken, and the members

hope that, in spite of the claims made on them by their daily avocations,

they will still be able to continue the study of nature.—Wm. Wardrop,

Secretary.

544, _Philadelphia_ (_Q_). Our meetings are well attended and very

interesting. Our debates are excellent, and show preparation on the part

of the participants. During the coming year we promise to push things to

a higher point than ever.—Joseph L. Hammer, Sec.

555, _Olympia, W. T._ We have held weekly meetings continuously, and have

made constant additions to our cabinets. In botany we have a pretty good

collection of phanerogams; about five hundred species determined; and in

microscopy we have a good collection of diatoms. We have a good series of

Puget Sound clamshells.—For the Secretary, Robt. Blankenship.

556, _Phila._, (_R_). Many specimens have been gained, but our cabinet

does not fairly represent the Chapter, because each member is an

enthusiastic collector in his own department, and, with a selfishness

that perhaps can not be blamed, reserves his “finds” to increase his

“working capital.” Our library has been more fortunate.

Our correspondence is a very pleasant feature. Mr. H. G. White writes us

valuable letters on the bird life of Eastern Massachusetts, and W. H.

Steckel keeps us informed on the plant life of Bucks County, Pennsylvania.

Another department of our Chapter is the biological section. Objects

are exhibited under the microscope, and specimens, dissections, and

preparations are handed around and freely discussed. Sometimes we meet

informally, and spend an evening in dissections and general study. One

will take a cicada pupa, one a locust or an earth-worm, and so on; before

adjourning, each reports on his evening’s work.

Our MS. paper, “Monthly Notes,” has fallen into the hands of a most able

and vigorous editor, and is flourishing vigorously. To conclude, we all

feel that we are engaged in a good work, and each one, inspiring and

being inspired by the example of the others, agrees that the Agassiz

Association is the most worthy object of his loyalty and love. A question

frequently asked by outsiders is, “Does it pay?” We promptly and heartily

answer, “Yes!”—Wm. E. McHenry, sec.

564, _Santa Rosa, Cal._ The interest and attendance for the past six

months have been larger than ever before. We gave a reception one

Saturday evening, for the purpose of awaking an interest, and introducing

our society to the public. The programme was:

1. Address, “History of the S. R. Chapter of the A. A.,” _Pres. G.

Lowell_, 2. Select Reading, “The Cat,” _Louis King_. 3. Essay, “Nature,”

_Wilber M. Swett_. 4. Select Reading, “Poem of Agassiz,” _Geo. Butt_.

5. “Biographical Sketch of Agassiz,” _Geo. Shaffer_. 6. “Microscopical

Exhibition.”

The members loaned their private collections. There were four microscopes

at hand, and numerous slides, all of which had been prepared by members.

We hope by our perseverance to raise the S. R. A. A. to rank “one,” as a

working Chapter.—Wilber M. Swett, Sec.

565, _Waseca, Minn._, is in the field to stay. Since our last report we

have accomplished a great deal in the way of adding to our collections.

We consider one good working member worth a hundred drones. The

Secretary and Vice-President hope to be at Davenport in August. We

report forty-six mounted birds, and seventeen skins of birds, all of our

country; three mammals, forty-five osteological specimens, etc.; three

skeletons, fifteen alcoholic specimens, and 200 eggs in sets, all named

and numbered. Also some 1200 mineral specimens. We also devote some

time to the study of ethnology, as up to as late as 1863, the ground on

which Waseca now stands was frequented by tribes of Indians; and as a

consequence of that study we have a box of bones, dug up from a mound,

about two hundred arrow points, stone axes, and a curiously carved stone

head. Please consider Chapter 565 as one of the Chapters that will be

heard and felt in the years to come.—J. F. Murphy, Sec.

569, _Ludington, Mich._ We have a faithful club. Have not lost a member

since we started two years ago last November. Have not failed of a

meeting each week since last September. Have fourteen boys between ages

of thirteen and fifteen.

Have been studying Winchell’s geological excursions, and one of the

members said he thought that Prof. Winchell had written the book

purposely for him. It has explained to us the higher geologies, and by

it we have been enabled to name nearly all the rock specimens found in

Michigan.

We gave a public meeting to our parents and friends, and entertained

them with music, and essays, etc., prepared on the subjects previously

studied. We also had a blackboard illustration, showing the causes of

wells and springs, drawn and explained by one of our boys.

Again we invited the young ladies’ club to hold a meeting at our rooms,

and after listening to their programme of essays, music, etc., we invited

them to a banquet, cooked, arranged, and served _wholly_ by our _boys_.

All pronounced it a fine success. We have had various excursions,

examining gravel banks, gullies, cañons (small ones), etc. We have had

experiments in chemistry, and have used the various acids, to the full

satisfaction of the owner of the club-room. In order to fix in the minds

the description of the different rocks, two of our young members have

invented games of mineralogy,—one to be played like “Authors,” and the

other like the geography game. The members like to try the latter on

their adult friends, to see how much they know of the hardness, streak,

chemical composition, forms of crystals, and uses of the common rocks.—L.

B. Elsworth, Cor. Sec.

571, _Grand Rapids, Mich._ We organized our club in the first part of

January, 1883, with about fifteen members; but we have grown, and now we

have twenty-five members. We meet for one hour every Monday evening. One

plan has been to call for items of interest from each of the members,

and of these items we are forming a scrap-book. We have often had short

talks from gentlemen upon various subjects, such as gunpowder and the

care taken of it; light, and sound, and electricity with experiments.

Our meetings are well attended, and the interest rather increases than

otherwise.—Ed. Avery, Sec.

578, _Osceola, Iowa._ Our Chapter has a membership of twenty. We meet

every Wednesday evening in a room fitted for that purpose. We have a

cabinet containing a fine collection of ores, fossils, etc. Our Chapter

was organized over two years ago. Since then our membership has gradually

increased, and with it the interest of the members. The condition of the

society is in every way promising.—Lee Burns, Sec., Box 744.

587, _Concord, N. H._ We think we have made more progress during the

past year than in any other since our Chapter was formed. We have

received many good specimens in exchange, among them some coal-fossils,

in which we were greatly interested; a piece of iron ore from the Isle

of Elba, and a quantity of shells from all points of the compass. So now

our cabinet contains some 500 minerals, besides the shells and other

curiosities. We have not read scientific books as much this winter as

we did last year, but have given our time to practical work in botany

and mineralogy. Five young ladies come in every Monday for the study

of botany, taking up house-plants as a preparation for other work next

summer. Also, we took advantage of Professor Crosby’s offer, and have

much enjoyed the work in mineralogy under his direction. We found

blow-pipe analysis very fascinating.—Lunette E. Lamprey, Sec.

590, _Pomfret Centre, Conn._ An average of four members of our Chapter

have met once a week through the winter. We have carefully examined two

herbariums collected by members, besides looking over nearly one hundred

species of flowers and ferns sent to me from California. During the

year we have examined 300 species of flowers and ferns growing in this

vicinity. We have made one excursion this month, and we have upon our

list since April 7, 1886, twenty-five plants. The first, Houstonia, was

found on April 13. Our members are more enthusiastic than ever before,

and we are looking forward to a very profitable season.—S. P. Oakes

Marsh, Sec.

595, _Oneonta, N. Y._ One of our members is taking the course of lessons

in mineralogy, and enjoys it very much. Another is making a collection

of the violets, and writing out descriptions of all the plants she

finds. When we go to the woods we always take a basket and stout knife;

then when we find a plant which we do not know, and is not in bloom,

we transplant it to our little wild garden; then when it blossoms, we

analyze it: if it is pretty and desirable, we let it grow; if not, we

pull it up; but when we meet it again, we know it.—Jessie E. Jenks, Sec.

600, _Galveston_ (_A_). Since date of last report (September 16, 1885),

we have held fifteen meetings, at which were read six essays and eleven

selected readings. There were reported seventy-six notes on natural

objects, and specimens found, to the number of one hundred and fifty-one.

Among the many curious notes reported was one on the nest of a mud-wasp,

found within the rind of a ripe orange, the skin of which had burst from

rapid growth.

EXCHANGES.

Galena, gold ore, silver ore, fluorspar, etc. I will hereafter give all

inquirers for exchange my closest attention.—Ernest L. Roberts, Sec. 262,

Denver, Col.

Infusorial earth from Virginia for specimens from other States.—Chapter

248, 109 East Grace street, Richmond, Va.

Minerals for same. Lists exchanged. Silicified wood a specialty.—Miss

Allie Cole, Sec. Ch. 700, Mt. Pleasant, Iowa.

Cactus and petrified wood.—Emma E. Pirie, San Antonio, Texas.

Collections of twenty-five native California plants each, for books and

pamphlets relating to botany and ornithology.—P. M. Hoit, Santa Barbara,

California.

Holly, mistletoe, balls of sweet gum-tree, and “cross-vine,” for mounted

sea-weed, star-fish, and other marine specimens.—Frank J. Engel, Montvale

Springs, Tennessee.

Well identified bird-skins for same. Send for lists.—L. M. Davies, 203

Newell street, Cleveland, Ohio.

Petrified wood.—Wilber M. Swett, Santa Rosa, Cal.

NEW AND REORGANIZED CHAPTERS.

_No.

_No._ _Name._ of _Address._

Members._

967 Menominee, Mich. (A) 2 Guy Milbury.

779 Chicago, Ill. (Y) 4 Miss Alice I. Halsey, 3027½ S.

Park Ave.

45 Shelbyville, Ky. (A) 6 Ross Neel.

791 St. Louis, Mo. (F) 5 Mrs. E. K. Jones, 713 Channing

Ave.

347 Baltimore, Md. (C) 6 Miss Affa Gray, 428 N. Mount St.

719 Phila., Pa. (A’) 7 Herbert L. Evans, 4414 Sansom St.

557 Phila., Pa. (S) 7 Chas. Nason, 2116 Percy St.

968 Montvale Sp’gs, Tenn (A) 9 Frank J. Engel, Blount Co.

969 Cromwell, Ct. (A) 9 H. H. Barrows.

970 Stanbridge Quebec (A) 8 A. F. Sargent.

971 Mendham, N. J. (A) 11 Alvah Quimby.

110 Marshalltown, Iowa (A) 4 C. C. Trine.

13 Madison, N. J. (A) 9 Lillian H. Springer.

107 Newburyport, Mass. (A) 6 Geo. A. Noyes.

168 Buffalo, N. Y. (C) 5 Henry S. Gatley, 205 Swan St.

DISBANDED.

841 Fairview, N. J. Mrs. C. W. Asbury.

506 Port Henry, N. J. John M. Thomas.

462 New Haven, Conn. (A) J. H. Haydon.

Secretaries of Chapters 601-700 will kindly send in their annual reports

by August 25, if possible.

All are invited to join the AGASSIZ ASSOCIATION, old and young.

Address all communications for this department to

MR. HARLAN H. BALLARD,

Lenox, Mass.

THE LETTER-BOX.

Contributors are respectfully informed that, between the 1st of June and

the 15th of September, manuscripts can not conveniently be examined at

the office of ST. NICHOLAS. Consequently, those who desire to favor the

magazine with contributions will please postpone sending their MSS. until

after the last-named date.

The explanation of “curving” in base-ball pitching has been discussed at

length in this volume of ST. NICHOLAS, and we now present to our older

boy-readers, as a final contribution on the subject, these three letters

from three widely separated localities. The first comes from the far West:

PINOLE, CAL., 1886.

DEAR ST. NICHOLAS: The explanation of “curving” suggested in

your April number is ingenious, but unfortunately it makes the

ball curve the wrong way. The anonymous explanation in February

has the same defect, though it narrowly misses being correct.

I ask your readers to look over that explanation again, and

they will see that the ball, under the extraordinary conditions

imposed upon it, instead of “curving,” as the writer says, to

the right, will not advance at all, but will revolve around the

point D to the left.

There can be no doubt about the possibility of “curving” a

base-ball. The subject is an old one in gunnery, and has

been thoroughly investigated by various experimenters. When

spherical projectiles were the only ones in vogue, the matter

was one of vital interest to artillerists. When such a ball

is thrown, it is acted upon by two forces—the resistance of

the air and the force of gravity. The normal path for a given

velocity and angle of projection is a plane curve, because both

these forces act in the vertical plane of fire—the force of

gravity vertically and the resistance of the air tangentially

to the curve. When, in addition to the motion of translation,

the ball is given a motion of rotation about its center of

inertia, the latter will no longer describe the normal path,

but will deviate from it by “curving” to the right or left, up

or down, depending upon the direction of the rotation. This is

because the resultant of the air-resistances will no longer act

in the line of the tangent in the general case, but at an angle

with it. The general effect will be an increase or diminution

of the normal range or deviation to the right or left of the

plane of fire.

Now, it is almost impossible to project a spherical ball from

a smooth-bore gun without giving it a rotation the direction

of which it is difficult to predict; hence the inaccuracy of

that kind of fire. Spherical balls are not homogeneous, as a

rule. If the center of figure and center of inertia do not

coincide, the ball will rotate when fired—unless so placed in

the gun that these points are both in the axis of the piece.

Taking advantage of these principles, Major Wade, of our army,

years ago managed to make an eccentric shell curve so as to

fall fifty yards to the right or left of the plane of fire.

The “curving” due to rotation is in the direction in which the

_front of the ball rotates_. Perhaps the explanation accepted

by artillerists can be best understood by the aid of a figure.

Let the ball be moving in the direction AE and be rotating at

the same time in the direction BCD about an axis vertical to

the plane of the paper. AE will be the projection of the plane

of fire—which plane will divide the ball into two hemispheres.

Now, the half of the ball on the side B will be moving forward

by the rotation, or in the same direction as the center, while

the other half D will be moving backward, or in opposition

to the motion of the center. The side B will have a greater

velocity than the side D. The resistance of the air upon any

surface moving through it varies with the amount and form of

the surface. In these regards, the two sides are alike, but

the resistance also varies with the velocity of the moving

surface, increasing with some power greater than the square,

and in this regard the two sides are different. The side B

will experience a greater resistance than the side D, or, what

is the same thing, the resultant of all the pressures on all

points of the hemisphere. B is greater than the corresponding

resultant on D, and the ball will yield toward the side D,

describing a curve C F.

[Illustration]

The deviation of oblong rifle projectiles which rotate about

their axes of figure is called “drift.” This is a very

interesting phenomenon, but it should not be confounded

with the “curving” or deviation by rotation of spherical

projectiles, as it is to be explained very differently. Yours

truly,

W. R. QUINAN.

The next letter is sent from Chicago, and the writer’s theory is

comparatively a simple one:

CHICAGO, 1886.

DEAR ST. NICHOLAS: I have been much interested in the letters

on the subject of curve-pitching, and since I have taken you

for eleven years, I hope you will publish my theory, that it

may be picked to pieces, and I may be set right on the subject.

My theory is as follows:

[Illustration]

Let _A B_ be a ball moving toward _D_, and rotating in the

direction shown by the arrows.

As the ball flies along, it pushes the air aside, as shown by

the lines _F E_; the air thus rubs against the sides of the

ball. But as the half of the ball called _B_ is revolving with

the air as shown by the arrow, there is much less friction

on that side than on the half called _A_, which is revolving

against the air.

Therefore, as motion is always in the direction of least

resistance, the ball must curve in the direction _C_.

If any of the readers of the ST. NICHOLAS can not understand

my explanation, let them imagine, for example (instead of a

regular ball), a ball covered with paddles, and they will then

readily understand it. If they think it not a good simile, let

them look at the surface of a ball through a microscope and

their doubts will not last long.

Your friend,

W. H.

Finally, from Boston, comes this rather formidable-looking explanation,

which will interest those of our boy-readers who are accustomed to take

their recreation and fun in the form of mathematical problems. [But

doesn’t it make the ball curve in the wrong direction?]

BOSTON, MASS.

DEAR ST. NICHOLAS: Let the line _A B_, Fig. 1, represent in

length and direction a given force acting on the point _B_.

Draw any parallelogram, as _A C B D_, having _A B_ for a

diagonal; then the lines _C B_ and _D B_ represent in length

and direction two forces acting on _B_, which, together, are

equivalent to _A B_, _A B_ is the resultant of _C B_ and _D B_,

_C B_ and _D B_ are components of _A B_.

[Illustration: Fig. 1]

[Illustration: Fig. 2]

If the parallelogram, _A C B D_, Fig. 2, is a rectangle, the

components _C B_ and _D B_ are known as right components. The

force represented by _D B_ has no effect in the direction _C

B_, and the force represented by _C B_ has no effect in the

direction _D B_.

Let Fig. 3 represent a ball revolving about its center _O_,

in the direction indicated by the arrows, but the ball, as a

whole, not moving in any direction. Let _BB_, _BB_, be lines

at right angles to each other. Let the resistance of the

atmosphere be represented by lines _AB_, _AB_, _AB_, _AB_, and

_AB′_, _AB′_, _AB′_, _AB′_, running in a direction opposite

to the revolution of the ball. The lines _AB_, _AB_, _AB_,

_AB_ are already perpendicular to _BB_, _BB_, and need not

be changed. But the lines _AB′_, _AB′_, _AB′_, _AB′_ must be

resolved into components perpendicular to _BB_, _BB_. This has

been done in one case, the components being _CB′_ and _DB′_.

But the force _CB′_ acting on the point _B_ is equivalent to

the force _EF_ acting on _BB_, and the force _DB_ is equivalent

to the force _GH_ acting on the other _BB_.

[Illustration: Fig. 3]

In a similar manner all the other forces, _A′B′_ may be

resolved into forces perpendicular to the lines _BB_, _BB_.

[Illustration: Fig. 4]

If, in Fig. 3, all the forces acting on each of the lines _OB_,

be represented by a single line, we have as the result the four

equal lines _AB_, _CD_, _EF_, _GH_, Fig. 4 representing the

total force acting on the ball.

Now, suppose the ball to move in the direction indicated by the

large arrow, Fig. 5, then the resistance on the side _B_ would

increase, that on the side _F_ would decrease, hence _AB_ would

increase, while _EF_ decreased proportionately. Again, the air

in front of the ball at _H_ is condensed, that in the rear at

_D_ is rarefied, hence the resistance at _H_ is increased, that

at _D_ being lessened, and _GH_ is increased, while _CD_ is

lessened.

[Illustration: Fig. 5]

Set off on _AB_, _AK_ equal to _EF_; _AK_ will balance _EF_,

and we have only the force _KB_ acting on the line _BF_. Making

_GL_ equal, _CD_, in the same manner, we have only the force

_LH_ acting the line _HD_.

Now, the force represented by the line _BK_ can not do any work

in the directions _BF_ or _FB_, and therefore merely slows the

ball. But the force _LH_, although it can not do any work in

the directions _HD_ or _DH_, can do work in the direction _LH_,

and causes the ball to follow the curve _HM_.

Of course, all the forces, _AB_, _CD_, _EF_, _GH_, tend to stop

the rotation of the ball, but the forces _KB_ and _LH_ are the

only ones which change the motion of the ball as a whole.

F. H. C.

* * * * *

The following verses were written by a young poet of eleven, who began

making rhymes at the rather early age of three.

CONSOLATION.

BY ETHEL S. K. PACKARD.

The waves of the coming tide

Crept gently along the beach,

With musical, silv’ry plash,

As if they broke into speech.

And when my sweet joy was dead,

The sound of the heaving sea,

Like gentle breath of sleepers,

Was a soothing balm to me.

* * * * *

DEAR ST. NICHOLAS: I suppose you know that many girls have a

poor opinion of boys. Well, my sister and her girl-friends were

going to have a fair in my mother’s parlors. I wanted to be in

it, but they laughed, and asked me “if I could dress a doll, or

make a needle-book?” While they were joking, Mamma whispered

something in my ear, and we had a secret together, and we kept

it till the night of the fair, and then we astonished my sister

in this way. There is a long hall opening out of our back

parlor. Mamma had it brightly lighted, that night, and about

the middle of the evening Papa opened the door which led into

the hall, and hung a large card over the door, on which was

written: “Target-Shooting.”

I was in there with my new air-pistol, and the target was at

the other end of the hall. I loaded the pistol, and another

boy took the money. We charged two cents for a shot, and we

had all we could do to load fast enough, so many people wanted

to shoot. Some took ten shots. When I handed the money to my

sister, she said I was “a daisy,”—I think I had the best of the

joke that time,—don’t you?

Yours,

JAMIE H.

Yes, Jamie,—but we think also that some of the credit belongs to Mamma.

Don’t you?

* * * * *

A FRIEND of ST. NICHOLAS sends to the “Letter-box” this illustrated

jingle:

[Illustration]

A rising young Man at the CAPE,

Climbed a tree with the speed of an ape.

“Why I’ve climbed up you’ll know

If you look down below.”—

Said this rising young Man at the CAPE.

* * * * *

THE CHILDREN’S RIDE.

Once there were two little girls. Their names were Rosy and Alice. They

had a little brother whose name was Robbie. Once when they were in the

woods they saw a creature with eyes of flame, whistling as it went

through the air, and it said in a gruff voice, “I am a Jabberwock.”

“What kind of a creature under the sun are you?” said Robbie; “what

flashing eyes you have! You look rather kind, though very frightful.

Please take me up to the moon on your back and give me some cheese when

you get there.”

Robbie had heard that there was cheese in the moon, but he did not really

think so; only for a joke he said that.

“Oh! you soft little pussy thing!” said Rosy, as they rode away up to

the moon. Pretty soon they went bump against something which was shiny

and yellow. It was the moon. Then Jabberwock let the children get off

her back, and asked the Man in the Moon if he would please get from his

closet some cheese. “Why!” said Robbie, “I didn’t know there was really

any cheese up in the moon!”

“Then,” said the Jabberwock, “why did you ask for it?”

“For a joke,” said Robbie.

“Well, here now,” said the Man in the Moon, “eat your cheese.”

“Why, how nice!” said Alice, as she took a large bite out of the cheese.

“I think it would be nice to live up in the moon altogether, though I am

afraid Mamma would not let us.”

“Well, I suppose she wouldn’t,” said the Jabberwock. After they had had

some cheese they went down again.

“Oh, thank you,” said Rosy, as they got down to the earth. “Jabberwock, I

think you are the loveliest creature in the world—except Mamma!”

“Oh,” said Alice, “I wish you would stay with us a few days—I suppose you

will if we ask you to.”

“Yes,” said Jabberwock, “I would love to. Should you like to see my baby?

It is a sweet little thing.”

She led them to a hole in a tree, where they saw the tiniest little baby

Jabberwock you ever saw.

“What a cunning little thing!” said Rosy; “but has it not got any fur on?”

“No,” said Jabberwock; “but still it is pretty, is it not?”

“Of course it is,” said Rosy.

“But come,” said Alice, “this is the time Mamma wanted us to be home.”

“Is it?” said the Jabberwock. “Well, I will come.” So away they went.

Written by MARY CONSTANCE DU BOIS

(at the age of 5 years and 10 months).

* * * * *

We acknowledge with thanks the receipt of pleasant letters from the

following young friends: Frank Taylor, Harry Armstrong, Katie P. Peabody,

Alice Conway, Robert A. Provan, Fay Taylor, Pussy and Leuce, Josie Irwin,

Agnes F. Conwell, W. H., Allmond McKay Griggs, Hugh P. Yiemann, Katie,

Dorothea Nimzer, Anna Wetmore, Edith M., H. L. M., “Venus,” Celia Loeb,

Francis E. L., Florence E. Gaffield, Marion S. Dumont, Lee A. Miller, M.

C. H., Evelyn Knight, Pansy, Luckett & Miriam I., F. W. Horninghouse,

Hattie Frost, Emily E. Warner, “Alice, Annie, Gracie, Florence, Jessie,

Marion,” “Three Rebels,” K., H. S. M., Bessie Maud Bowsher, Jerry

Richter, Walter S. H., Nettie Rychen, Allan C. Rowe, May Singleton,

Philip A. M., William B. Judson, Minnie W., C. E. Lankford, Ida E., Annie

B. Sargent, Nellie P. Clark, Alex. D., Helen W., J. Henry Warren, F. W.

Lodge, Grace Coburn, Harriet F. Lightfoot, Edith S. Clark, Fred B. W.,

Sadie Furman, Ellen S. Congdon, Gertrude, Emily Belton, Grace Vandever,

Helen Crane, Alex. Evans, Kate Morris, Belle B. Anderson, Mabel B., M. B.

P., Mabel Carrington, Cora L. Witherspoon, Gertrude M., Eugene Kell, C.

G. Elmore, Willie Pettigrew, Willie J. Spear, Jeannette G., Jessamine C.,

Albert L. Scoullar, Albertie Russell, George Emerson, Helen A. Polsley,

Ed. H. B., Elizabeth Butler and Elizabeth Wright, P. N. S., Ethel Grey,

Rebecca K. Allison, Burton P. Thoms, Amy H., Florence Rawson Greer,

Stella A. Goodell, S. W. Bridgham, Jenny Wren, Anna L. L., R. E. B.,

Maude F. Helen, W. M., Mary Weller, Buddie Holt, Daisey Higham, Sadie,

Lyra and Silvia, M. G. Waring, E. H. Smalley, Annetta Reese, Anna May

Peaslee, Florence Langton, Bessie P., Howard Butcher, Jr.

* * * * *

MR. CULMER BARNES contributes to the “Letter-box” this month a timely

picture:

[Illustration: “JUST MY LUCK! LAST WINTER ’TWAS STRAW HATS ALL THE TIME,

AND NOW I GET NOTHIN’ BUT FUR GOODS!”]

THE RIDDLE-BOX.

ANSWERS TO PUZZLES IN THE JULY NUMBER.

NUMERICAL ENIGMA. “Our country! In her intercourse with foreign nations,

may she always be in the right; but our country, right or wrong.”

_Stephen Decatur._

CUBE. 1 to 2, mother; 2 to 6, repose; 5 to 6, needle; 1 to 5, Marion; 3

to 4, eating; 4 to 8, greedy; 7 to 8, nimbly; 3 to 7, ensign; 1 to 3,

mite; 2 to 4, rung; 6 to 8, easy; 5 to 7, noon.

ANAGRAMS. 1. Don Quixote. 2. Oliver Twist. 3. The Virginians. 4. Guy

Mannering. 5. Old Curiosity Shop. 6. Uncle Tom’s Cabin. 7. The Woman

in White. 8. The Last Days of Pompeii. 9. The Vicar of Wakefield. 10.

Quentin Durward.

PI. “Angling may be said to be so like the mathematics that it can never

be fully learnt.”

_Izaak Walton._

METAMORPHOSES. 1. Cow; row, rot, rat. 2. Hard; harm, farm, form, fort,

sort, soft. 3. Left; lest, vest, vast, east. 4. Hit; nit, not, now, low.

5. Long; lone, lose, lost, lest, west.

RHOMBOIDS. I. Across: 1. Venom. 2. Damon. 3. Bales. 4. Resin. 5. Strop.

II. Across. 1. Nabob. 2. Mason. 3. Danes. 4. Remit. 5. Donor.—CHARADE.

Par-son-age.

ZIGZAG. Independence Day. Cross-words: 1. Ivy. 2. aNt. 3. liD. 4. fEd. 5.

Put. 6. nEd. 7. paN. 8. aDd. 9. End. 10. aNd. 11. roC. 12. lEd. 13. Dig.

14. mAy. 15. laY.

HOUR-GLASS. Centrals, straw-hats; from 1 to 2, saltwater; from 3 to 4,

stopwatch. Cross-words: 1. Spinsters. 2. Apitpat. 3 Largo. 4. Tap. 5. W.

6. Aha. 7. Trait. 8. Centime. 9. Handsomer.

TO OUR PUZZLERS: In sending answers to puzzles, sign only your initials

or use a short assumed name; but if you send a complete list of answers

you may sign your full name. Answers should be addressed to ST. NICHOLAS

“Riddle-box,” care of THE CENTURY CO., 33 East Seventeenth street, New

York City.

ANSWERS TO ALL THE PUZZLES IN THE MAY NUMBER were received, before May

20, from Maud E. Palmer—Annette Fiske—Philip S. Fiske—“B. L. Z. Bub, No.

1”—Maggie T. Turrill—Paul Reese—San Anselmo Valley—Arthur and Bertie

Knox—“Betsy Trotwood”—B. L. Z. Bub, No. 2—“May and 79”—Sallie Viles—The

Melvilles—Blithedale—Mamie R.—Madge and the Dominie—Carrie S. Seaver and

Alice M. Young—The Spencers—“Francesca”—“Clifford and Coco”—Bertha Z.

Gerhard—“Sisters Twain”—“R. U. Pert”—“Hazel, Laurel, and Olive”—“Theo.

Ther.”

ANSWERS TO PUZZLES TO THE MAY NUMBER were received, before May 20, from

M. L. B., 1—M. S. Dumont, 1—W. B. R.—M. L. D. and others, 2—Pelham, 1—Two

Fs., 5—The Peraults—C. D. Mason, 1—“Miss Ouri,” 5—“Tigers,” 2—Stella

Mendel, 1—Johnny, 1—Dixie, 1—“Tigers,” 1—Maud F., 1—Lucy Jones, 1—J.

Schlussel, 1—Laura G. Levy, 9—Buttercup and Daisy, 1—Helena Hellwig,

2—Madge Fursman, 1—Florence Althaus, 7—Thyrza Thornton, 5—C. S. H.,

2—Mrs. Sippi, 5—Mary, Jennie and Mother, 6—Grace Cameron, 2—Effie K.

Talboys, 8—“Yum Yum,” 1—Pepper and Maria, 12—Papa and Daisy, 1—Ned

Mitchell, 5—Emma W. and Katie B. Knight, 2—T. L. and L. Cozzens, 1—Lucy

M. Bradley, 12—Lizzie Wainman, 1—Geo. H. English, 1—“Chrysanthemum,”

1—Mary P. Fan, 1—“Jack Sprat and Pa,” 6—H. and L., 9—Clarence Brothers,

1—L. Reeves, 9—Eugene Kell, 1—No Name, N. Y., 9—W. R. M., 11—Bertha H.,

12—“Rags and Tags,” 1—Nellie and Reggie, n—S. B. Bissell, 8—“Avis” and

Grace Davenport, 10—“Mohawk Valley”—“Rasco,” 2—S. L. Meeks, 9—Belle

Murdock, 12—No Name, Chicago, 10—B. B. Y., 11—“The Girls, Mabel, John,

and Chickadee,” 11—R. B. C., 2—Original Puzzle Club, 10—“Geo. M. Ebry,”

2—Harrison Allen, Jr., 1—R. Lloyd, 1—“Blank” and Ulysees, 12—Dash,

12—Francis W. Islip, 12—Eleanor, Maude, Louise, Bertie and Nanno Peart,

7—Ida and Edith Swanwick, 8—Geo. S. Seymour, 8—Lulu May, 11—Frank M.

Crispen, 1—Puzzled Family in Paris, 8—Esther Reid, Merton House, 1.

CHARADE.

My dear, this _whole_ I send to you,

A token of my friendship true;

I trust you’ll _first_ it,—hold it fast,

And prize it if but for my _last_.

“MYRTLE GREEN.”

OCTAGON.

1. A gentle blow. 2. The Christian name of the heroine of a novel by

Theodore Winthrop. 3. To bleach. 4. The herb wolf’s-bane. 5. Pertaining

to the bile. 6. A fruit which was said to make strangers who ate of it

forget their native land. 7. Musical syllables.

EDWARD ROBERT B.

GREEK CROSS.

. . . .

. . . .

. . . .

. . . * * * * . . .

. . . * * * * . . .

. . . * * * * . . .

. . . .

. . . .

. . . .

I. UPPER SQUARE: 1. Proportion. 2. To affirm. 3. Familiar beverages. 4.

Formerly.

II. LEFT-HAND SQUARE: 1. Rent. 2. A Hebrew measure. 3. Fabrics of a

certain kind. 4. Formerly.

III. CENTRAL SQUARE: 1. Formerly. 2. A large bird of South America. 3.

Bodies of water. 4. Labor.

IV. RIGHT-HAND SQUARE: 1. Labor. 2. Surface. 3. Abode. 4. A feminine name.

V. LOWER SQUARE: 1. Labor. 2. A feminine name. 3. To break suddenly. 4.

Retained.

MURRAY AND PERCY.

INVERTED PYRAMIDS.

I. Across: 1. Eloquence. 2. To eat into. 3. Part of a cat’s foot. 4. In

eloquence.

Downward: 1. In Troy. 2. A musical note. 3. Skill. 4. An implement. 5. A

lyric poem. 6. A musical note. 7. In Troy.

II. Across: 1. Pertaining to the craft of Freemasons. 2. A wooden shoe.

3. To cut the grass from. 4. In ceramic.

Downward: 1. In ceramic. 2. Similar to. 3. A boy’s nickname. 4. A

hautboy. 5. At this moment. 6. A pronoun. 7. In ceramic.

“LOU C. LEE.”

ILLUSTRATED CENTRAL ACROSTICS.

[Illustration]

All of the cross-words of the above central acrostic are grouped around

the central picture, and answer to the following definitions.

1 (nine letters). A contrivance useful in winter. 2 (nine letters). A

swift-flying insect. 3 (seven letters). A young fowl. 4 (five letters).

Familiar objects in rural districts. 5 (three letters). A winged animal.

6 (three letters). Consumed. 7 (five letters). Useful to fishermen. 8

(seven letters). An animal.

The central letters of the words described will spell the name of a

great Athenian philosopher, and the central picture will suggest what is

usually associated with his last moments.

AN EGYPTIAN PUZZLE.

[Illustration]

x

. x .

. . x . .

. . . x . . .

. . . . x . . . .

. . . . . x . . . . .

The above Egyptian puzzle is an illustrated pyramid, as the diagram in

the lower left-hand corner indicates. When rightly guessed, the central

letters (indicated by crosses) will spell the name of a famous statue

that is said to emit sounds like those of a harp as the sun rises. The

illustrations answer to the following definitions.

1. A letter. 2. A precious stone. 3. An animal. 4. Tropical fruit. 5. An

animal. 6. A native of a certain Egyptian city.

RIMLESS WHEELS.

8 1 2

. . .

. . .

7 . . 9 . . 3

. . .

. . .

6 5 4

I. From 1 to 9, the Christian name of an English queen; from 2 to 9, a

famous river; from 3 to 9, a cupola; from 4 to 9, the name of a large

lake; from 5 to 9, to scale; from 6 to 9, magnitude; from 7 to 9, the

margin; from 8 to 9, a number.

The letters represented by the figures from 1 to 8 spell the name of a

Danish author who died August 4, 1875.

II. From 1 to 9, part of a watch; from 2 to 9, qualified; from 3 to 9,

matured; from 4 to 9, uncommon; from 5 to 9, 43,560 square feet; from 6

to 9, to stare; from 7 to 9, to incite; from 8 to 9, a specimen.

The letters represented by the figures from 1 to 8 spell the name of a

famous American who died August 14, 1870.

HONORA N.

DIAMOND.

1. In telephone. 2. One of the smaller sails on a ship. 3. A small but

famous country. 4. A Spanish nobleman. 5. A favorite. 6. Era. 7. In

telephone.

“ŒDIPUS.”

DOUBLE ACROSTIC.

In each of the following sentences a word is concealed, the definition

to which is given in the same sentence. When rightly selected and placed

one below the other in the order here given, the primals and finals will

each form the name of a distinguished poet who was born in August. The

cross-words are all of the same length.

1. It is hard, in essays, to avoid assurance.

2. Mary has gone to Salem; Bell is home, and the latter will adorn the

book she is composing.

3. In an oration, a legate gave the detail of reasons for making it.

4. Clare hears a little rumor that there will be a recital this evening.

5. This incident I call the same as that in the other story.

6. On Mount Carmel I temporized with one of the friars.

7. When I look now in glyphs, I feel their beauty understandingly.

CYRIL DEANE.

CUBE.

1 . . . . . . 2

. . . .

. . . .

5 . . . . . . 6 .

. . . .

. . . .

. . . .

. 3 . . . . . . 4

. . . .

. . . .

7 . . . . . . 8

From 1 to 2, royal; from 2 to 4, a long-tailed species of hawk, found in

Europe; from 3 to 4, a dealer in precious stones; from 1 to 3, eternal;

from 5 to 6, a two-masted vessel; from 6 to 8, becoming circular; from

7 to 8, a method of securing a good draught in chimneys; from 5 to 7,

the name of one of the three persons thrown into the fiery furnace of

Nebuchadnezzar; from 1 to 5, the flower-deluce; from 2 to 6, an affected

cast of countenance; from 4 to 8, a kind of seaweed; from 3 to 7, to

scourge.

“ROSE MADDER.”

BEHEADINGS.

1. Behead withered and leave part of the head. 2. Behead dry and leave

to free from. 3. Behead flexible and leave a demon. 4. Behead to sulk

and leave to unfold. 5. Behead surrounded by and leave in the center of.

6. Behead joyful and leave a young boy. 7. Behead an ornament worn by

Jewish priests and leave an edge. 8. Behead a short piece of iron and

leave to be ill. 9. Behead the fraction of an ounce and leave an ancient

instrument of war. 10. Behead a character in the play of “Othello” and

leave gone.

The words described are of equal length. The beheaded letters, read in

the order here given, will spell the name of one of Washington Irving’s

earliest works.

“FRANCESCO AND CO.”

ZIGZAG.

Each of the words described contains the same number of letters, and the

zigzag, beginning at the upper left-hand letter, will spell an important

event that occurred on August 5, 1856.

CROSS-WORDS: 1. Certain. 2. An exhibition. 3. Merriment. 4. Festivity.

5. To satisfy. 6. To strike. 7. A minute particle. 8. Formerly. 9.

Recent. 10. Half. 11. Nationality. 12. Pain. 13. Dry. 14. Capable. 15.

An elevation. 16. To engage. 17. Hearty. 18. To salute. 19. Want. 20.

Notion. 21. To cook slowly. 22. To twist.

“KATASHAW.”

St. Nicholas, Vol. 13, No. 10, August 1886 · 第 5 / 5 章