CONCLUSION AND EPILOGUE.
When the doctor, policemen, and prisoner had left the island, Ellison
went up to his own house. Though it only wanted a few minutes of
sunrise, the lamp was still burning in the sitting room. He pushed open
the door and walked in. To his surprise Esther stood before him. She did
not look into his face, but waited with downcast eyes for him to speak.
He gazed at her for a moment, and then led her to a chair.
"Esther," he said, kneeling beside her, "can you ever forgive me?"
"Forgive you what?" she asked, almost in a whisper.
"For the lie I told you. The lie that was the beginning of all this
misery."
"I forgive you. I had forgotten all about it. Now let me go. It is
daylight, and I must get away before anyone sees me."
"Go away? What do you mean? Where are you going to?"
"I don't know--I don't care. But it must be somewhere where no one will
know my name. You will find everything in order here, and Mrs. Fenwick
knows all your wants. The boy is asleep in the room there. You will not
let him even learn the story of my shame, will you?"
He put his arm around her waist, but she put it off with a little
shiver.
"No! You must not do that now."
"Why not? In God's name, why not?"
"Because of what has happened to-night. I am the cause of it all. I know
you cannot forgive me now; but oh, some day, for the child's sake, you
may not think so hardly of me."
He moved on to the sofa and tried to hold her, but she fell on her knees
at his feet and burst into a storm of passionate weeping.
"Esther, you are deceiving yourself. I have nothing to forgive. I love
you as fondly now--nay, I am wrong, I love you more fondly now than
ever. Fortunately I heard all that man said to you. I heard you refuse
and repulse him. It was then that I interfered. You are as much my own
true wife as you ever were. I love you still, and, as God hears me, I
have never doubted you, not for one single moment."
"You have never doubted me?"
"Never, so help me God!"
He took her in his arms and kissed her tears away. She did not repulse
him this time, but clung to him like one returned from the dead.
"Oh, my husband! my husband!" was all that she could say. "Now that I
know you love me still, I can bear anything. Tell me, Cuthbert, all that
has happened? Don't spare me."
Without more ado he told her everything--who Murkard really was; how
Merton had cherished such a deadly hatred of him; the loss of the pearl;
Merton's return to the island, and all the events connected with that
fatal night. With the exception of the murder he told her everything.
When he had finished, she said;
"And Murkard--where is he? My thanks are due to him."
"He will never receive them, dearest. He is dead."
"Dead!" she cried, in horrified amazement. "Oh, this is too horrible!
How did he die?"
"Merton killed him in the store."
Her head dropped on to her hands, and again she sat white and trembling.
"A thief and a murderer, and what did he want to make me?"
"Hush, hush! you must never think of that again; it could not have
been. You are the mother of my boy, and I am not afraid for you."
"But, Cuthbert, you don't know all; you don't know how he fascinated me.
I seemed to have no will at all when he was talking to me. When he
looked into my eyes I had to do his bidding. I was very wicked and weak
to listen to him; but try how I would to escape I could not get away."
"He will fascinate no more women; he is safely under lock and key by
this time. Now you must go to bed, and try to sleep, or you will be
seriously ill after all this excitement. And think what that will mean
for me."
She stooped and kissed his forehead, and then, struggling with her
tears, departed to her room. Ellison went out into the cool veranda. The
sun was just rising above the horizon, and already the Kanaka cook was
bustling in and out of his kitchen preparing breakfast for the hands as
if nothing out of the ordinary had happened. Ellison descended the steps
and went across to the store. With a feeling of intense awe he opened
the door and passed in. Removing the blanket that covered the figure
lying so stiff and cold upon the floor, he stood and looked down at the
face he had grown to love so well. Poor Murkard, and yet rather happy,
happy Murkard in his last great act of self-sacrifice. As he looked
down at him his own sin rose before him in all its shame. Then by the
dead body of his friend, who had given his life for him, he registered a
solemn vow that never again would he yield to temptation. He had
suffered bitterly for this one mistake, and now the whole future should
be spent in endeavouring to make amends for it. He re-drew the blanket
and left the store.
Shortly after breakfast a hand came to tell him that a police-officer
desired to see him. He went out and asked the slim young official his
business.
"I have been sent across, Mr. Ellison, to see you regarding the prisoner
we removed from here last night on a charge of murder."
"Well, what about him?"
"He is dead--drowned."
"Drowned!" cried Ellison. "What do you mean? When was he drowned?"
"Crossing the straits last night. We'd got him halfway across; my mate
pulling, the prisoner sitting amidships, the doctor and myself astern.
Suddenly he gave a yell, jumped up, and threw himself overboard before
we could stop him. There and then he sank, for his hands were handcuffed
behind him, you see; and--well, we've not set eyes on him since, and I
don't suppose we're likely to until his body's washed up."
"Good gracious!"
For a few seconds Ellison was so stunned by this intelligence that he
could hardly think, and yet when he did come to think it out he could
not help seeing that even in this Fate had been very good to him. Except
for the fact that he had killed Murkard, he had no desire for Merton's
death, and as it was now, even that result had been achieved. Merton
would trouble nobody again. He had gone to hear his verdict at a higher
court than that presided over by any Queensland judge, and Ellison could
not but own that it was as well. He thanked the police-officer for his
intelligence, and went in to tell Esther. She received the news calmly
enough. Indeed, it seemed as if she were almost beyond being surprised
at anything.
"We seem bereft of everything," she said at length; "friends, as well as
enemies."
"But we still have each other, and we have the little one asleep in
there. Does that count for something, dear?"
"It counts for everything," she said, and softly kissed his hands.
EPILOGUE.
Eighteen months or so ago I happened to be in Tahiti, the capital of the
Society Group. I had business in Papeete, and, while walking on the
beautiful Broom Road one day, who should I chance upon but Ellison and
his wife, picknicking among the palms. We walked down to the town
together and dined in company. Afterwards I was invited to a trading
schooner lying in the harbour.
"A beautiful boat," I remarked to her owner, when I had gained the deck.
"Why, she's more like a Royal Cowes Yacht Squadron craft than a simple
South Sea trader."
"It is our home, you see," he answered. "The pearling station, after
Murkard's death, grew distasteful to us, and as I was fortunate enough
to be able to sell it to great advantage, I bought this boat. Since then
we have made it our home, and our life is spent cruising about these
lovely seas. It suits my wife and the boy admirably, and for that
reason, of course, it suits me. Won't you come and see our son?"
I followed him down the companion into the prettiest little cuddy it has
ever been my good fortune to behold. Two large and beautifully fitted
up cabins led off it, and in a corner of one of them hung a cradle. Mrs.
Ellison conducted us to it, and drew aside the curtain, disclosing the
tiny occupant asleep.
"What a really beautiful child!" I cried, in an outburst of sincere
admiration, "and pray what may be his name?"
"Murkard," said the father quietly, and without another remark led me
back on deck again.
The name, and the tone in which it was uttered, puzzled me very
considerably. But I was destined to be enlightened later on.
That night, when we sat under the awning on deck, smoking, and watching
the lights of Papeete glittering ashore, and only the gentle gurgle of
the water rising and falling alongside disturbed our talk, Ellison told
me the story I have here told you.
When he had finished I felt constrained to say:
"With a little alteration of names and places, what a good book it would
make."
"Wouldn't it," he answered seriously. "But my life's far too full of
other interests now to write it."
"Will you let me try my hand on it?" I asked eagerly.
"If you like. But before you do it you must promise me two things."
"What are they?"
"That you will do my wife and Murkard justice."
"Oh, yes! I'll promise that and more with pleasure. And the other?"
"That you'll let me down as lightly as possible."
"I'll promise that also."
"Very good then; go ahead."
I set to work, and in due time the book was written. The next time I met
him was in Levuka, Fiji. The schooner was leaving for the Carolines the
following morning, and I went on board to wish them God speed. Just as I
was pushing off from the gangway on my return to the shore, Ellison, who
with his wife alongside him was leaning on the taff-rail, called out:
"Oh, I say! what about your book, my friend?"
"It is finished."
"Hearty congratulations. I wish you all good luck with it. And pray what
do you intend its name to be?"
"That's a difficult question to answer off-hand; but, all things
considered, I think the most appropriate title would be _The Marriage of
Esther_."
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way in which the Dutch novelist has developed his theme and wrought out
one of the most impressive stories of the period.... It belongs to the
small class of novels which one can not afford to neglect."--_San
Francisco Chronicle._
"Maarten Maartens stands head and shoulders above the average novelist
of the day in intellectual subtlety and imaginative power."--_Boston
Beacon._
_GOD'S FOOL._ By MAARTEN MAARTENS. 12mo. Cloth, $1.50.
"Throughout there is an epigrammatic force which would make palatable a
less interesting story of human lives or one less deftly told."--_London
Saturday Review._
"Perfectly easy, graceful, humorous.... The author's skill in
character-drawing is undeniable."--_London Chronicle._
"A remarkable work."--_New York Times._
"Maarten Maartens has secured a firm footing in the eddies of current
literature.... Pathos deepens into tragedy in the thrilling story of
'God's Fool.'"--_Philadelphia Ledger._
"Its preface alone stamps the author as one of the leading English
novelists of to-day."--_Boston Daily Advertiser._
"The story is wonderfully brilliant.... The interest never lags; the
style is realistic and intense; and there is a constantly underlying
current of subtle humor.... It is, in short, a book which no student of
modern literature should fail to read."--_Boston Times._
"A story of remarkable interest and point."--_New York Observer._
_JOOST AVELINGH._ By MAARTEN MAARTENS. 12mo. Cloth, $1.50.
"So unmistakably good as to induce the hope that an acquaintance with
the Dutch literature of fiction may soon become more general among
us."--_London Morning Post._
"In scarcely any of the sensational novels of the day will the reader
find more nature or more human nature."--_London Standard._
"A novel of a very high type. At once strongly realistic and powerfully
idealistic."--_London Literary World._
"Full of local color and rich in quaint phraseology and
suggestion."--_London Telegraph._
"Maarten Maartens is a capital story-teller."--_Pall Mall Gazette._
"Our English writers of fiction will have to look to their
laurels."--_Birmingham Daily Post._
_MANY INVENTIONS._ By RUDYARD KIPLING. Containing fourteen stories,
several of which are now published for the first time, and two
poems. 12mo, 427 pages. Cloth, $1.50.
"The reader turns from its pages with the conviction that the author has
no superior to-day in animated narrative and virility of style. He
remains master of a power in which none of his contemporaries approach
him--the ability to select out of countless details the few vital ones
which create the finished picture. He knows how, with a phrase or a
word, to make you see his characters as he sees them, to make you feel
the full meaning of a dramatic situation."--_New York Tribune._
"'Many Inventions' will confirm Mr. Kipling's reputation.... We would
cite with pleasure sentences from almost every page, and extract
incidents from almost every story. But to what end? Here is the
completest book that Mr. Kipling has yet given us in workmanship, the
weightiest and most humane in breadth of view."--_Pall Mall Gazette._
"Mr. Kipling's powers as a story-teller are evidently not diminishing.
We advise everybody to buy 'Many Inventions,' and to profit by some of
the best entertainment that modern fiction has to offer."--_New York
Sun._
"'Many Inventions' will be welcomed wherever the English language is
spoken.... Every one of the stories bears the imprint of a master who
conjures up incident as if by magic, and who portrays character,
scenery, and feeling with an ease which is only exceeded by the boldness
of force."--_Boston Globe._
"The book will get and hold the closest attention of the
reader."--_American Bookseller._
"Mr. Rudyard Kipling's place in the world of letters is unique. He sits
quite aloof and alone, the incomparable and inimitable master of the
exquisitely fine art of short-story writing. Mr. Robert Louis Stevenson
has perhaps written several tales which match the run of Mr. Kipling's
work, but the best of Mr. Kipling's tales are matchless, and his latest
collection, 'Many Inventions,' contains several such."--_Philadelphia
Press._
"Of late essays in fiction the work of Kipling can be compared to only
three--Blackmore's 'Lorna Doone,' Stevenson's marvelous sketch of Villon
in the 'New Arabian Nights,' and Thomas Hardy's 'Tess of the
D'Urbervilles.'... It is probably owing to this extreme care that 'Many
Inventions' is undoubtedly Mr. Kipling's best book."--_Chicago Post._
"Mr. Kipling's style is too well known to American readers to require
introduction, but it can scarcely be amiss to say there is not a story
in this collection that does not more than repay a perusal of them
all."--_Baltimore American._
"As a writer of short stories Rudyard Kipling is a genius. He has had
imitators, but they have not been successful in dimming the luster of
his achievements by contrast.... 'Many Inventions' is the title. And
they are inventions--entirely original in incident, ingenious in plot,
and startling by their boldness and force."--_Rochester Herald._
"How clever he is! This must always be the first thought on reading such
a collection of Kipling's stories. Here is art--art of the most
consummate sort. Compared with this, the stories of our brightest young
writers become commonplace."--_New York Evangelist._
"Taking the group as a whole, it may be said that the execution is up to
his best in the past, while two or three sketches surpass in rounded
strength and vividness of imagination anything else he has
done."--_Hartford Courant._
"Fifteen more extraordinary sketches, without a tinge of sensationalism,
it would be hard to find.... Every one has an individuality of its own
which fascinates the reader."--_Boston Times._
_A JOURNEY IN OTHER WORLDS. A Romance of the Future._ By JOHN JACOB
ASTOR. With 9 full-page Illustrations by Dan Beard. 12mo. Cloth,
$1.50.
"An interesting and cleverly devised book.... No lack of imagination....
Shows a skillful and wide acquaintance with scientific facts."--_New
York Herald._
"The author speculates cleverly and daringly on the scientific advance
of the earth, and he revels in the physical luxuriance of Jupiter; but
he also lets his imagination travel through spiritual realms, and
evidently delights in mystic speculation quite as much as in scientific
investigation. If he is a follower of Jules Verne, he has not forgotten
also to study the philosophers."--_New York Tribune._
"A beautiful example of typographical art and the bookmaker's skill....
To appreciate the story one must read it."--_New York Commercial
Advertiser._
"The date of the events narrated in this book is supposed to be 2000
A.D. The inhabitants of North America have increased mightily in numbers
and power and knowledge. It is an age of marvelous scientific
attainments. Flying machines have long been in common use, and finally a
new power is discovered called 'apergy,' the reverse of gravitation, by
which people are able to fly off into space in any direction, and at
what speed they please."--_New York Sun._
"The scientific romance by John Jacob Astor is more than likely to
secure a distinct popular success, and achieve widespread vogue both as
an amusing and interesting story, and a thoughtful endeavor to prophesy
some of the triumphs which science is destined to win by the year 2000.
The book has been written with a purpose, and that a higher one than the
mere spinning of a highly imaginative yarn. Mr. Astor has been engaged
upon the book for over two years, and has brought to bear upon it a
great deal of hard work in the way of scientific research, of which he
has been very fond ever since he entered Harvard. It is admirably
illustrated by Dan Beard."--_Mail and Express._
"Mr. Astor has himself almost all the qualities imaginable for making
the science of astronomy popular. He knows the learned maps of the
astrologers. He knows the work of Copernicus. He has made calculations
and observations. He is enthusiastic, and the spectacular does not
frighten him."--_New York Times._
"The work will remind the reader very much of Jules Verne in its general
plan of using scientific facts and speculation as a skeleton on which to
hang the romantic adventures of the central figures, who have all the
daring ingenuity and luck of Mr. Verne's heroes. Mr. Astor uses history
to point out what in his opinion science may be expected to accomplish.
It is a romance with a purpose."--_Chicago Inter-Ocean._
"The romance contains many new and striking developments of the
possibilities of science hereafter to be explored, but the volume is
intensely interesting, both as a product of imagination and an
illustration of the ingenious and original application of
science."--_Rochester Herald._
_BENEFITS FORGOT._ By WOLCOTT BALESTIER, author of "Reffey," "A
Common Story," etc. 12mo. Cloth, $1.50.
"A credit to American literature and a monument to the memory of the
author."--_Boston Beacon._
"The author places his reader at the very pulse of the human machine
when that machine is throbbing most tumultuously."--_London Chronicle._
"The author manages a difficult scene in a masterly way, and his style
is brilliant and finished."--_Buffalo Courier._
"An ambitious work.... The author's style is clear and graceful."--_New
York Times._
"Mr. Balestier has done some excellent literary work, but we have no
hesitation in pronouncing this, his latest work, by far his
best."--_Boston Advertiser._
_DUFFELS._ By EDWARD EGGLESTON, author of "The Faith Doctor,"
"Roxy," "The Hoosier Schoolmaster," etc. 12mo. Cloth, $1.25.
"A collection of stories each of which is thoroughly characteristic of
Dr. Eggleston at his best."--_Baltimore American._
"Destined to become very popular. The stories are of infinite variety.
All are pleasing, even fascinating, studies of the character, lives, and
manners of the periods with which they deal."--_Philadelphia Item._
_THE FAITH DOCTOR._ By EDWARD EGGLESTON, author of "The Hoosier
Schoolmaster," "The Circuit Rider," etc. 12mo. Cloth, $1.50.
"One of _the_ novels of the decade."--_Rochester Union and Advertiser._
"The author of 'The Hoosier Schoolmaster' has enhanced his reputation by
this beautiful and touching study of the character of a girl to love
whom proved a liberal education to both of her admirers."--_London
Athenaeum._
"'The Faith Doctor' is worth reading for its style, its wit, and its
humor, and not less, we may add, for its pathos."--_London Spectator._
"Much skill is shown by the author in making these 'fads' the basis of a
novel of great interest.... One who tries to keep in the current of good
novel-reading must certainly find time to read 'The Faith
Doctor.'"--_Buffalo Commercial._
_"LA BELLA" AND OTHERS._ By EGERTON CASTLE, author of
"Consequences." Paper, 50 cents; cloth, $1.00.
"The stories will be welcomed with a sense of refreshing pungency by
readers who have been cloyed by a too long succession of insipid
sweetness and familiar incident."--_London Athenaeum._
"The author is gifted with a lively fancy, and the clever plots he has
devised gain greatly in interest, thanks to the unfamiliar surroundings
in which the action for the most part takes place."--_London Literary
World._
"Eight stories, all exhibiting notable originality in conception and
mastery of art, the first two illustrating them best. They add a
dramatic power that makes them masterpieces. Both belong to the period
when fencing was most skillful, and illustrate its practice."--_Boston
Globe._
_THE THREE MUSKETEERS._ By ALEXANDRE DUMAS. An _edition de luxe_
(limited to 750 copies), with 250 Illustrations by Maurice Leloir.
In two volumes. Royal 8vo. Buckram, with specially designed cover.
$12.00.
By arrangement with the French publishers. Messrs. D. Appleton & Company
have secured the American rights for this, the finest edition of Dumas's
immortal romance which has been published. The illustrations are
carefully printed from the original blocks, and this edition therefore
has an unapproachable distinction in point of pictorial quality.
The translation has been scrupulously revised, and every effort has been
made to present a perfect edition of Dumas's masterpiece.
[Illustration]
"Such a book lends itself to the draughtsman's art, and both requires
and rewards decoration. But it must be decoration of the best; and it
has waited long. At length, however--I have it before me now--an edition
has been prepared which should satisfy both the lovers of black and
white and the lovers of picturesque fiction.... It is scarcely too much
to say that were Alexandre Dumas alive to-day, to see this latest form
of his greatest work--first published exactly fifty years ago--he who
loved the sumptuous with an almost tropical fervor, and built a grand
theater for the production of his own dramas, would weep tears of joy
over his offspring."--STANLEY J. WEYMAN, in _The Book Buyer_.
_PAUL AND VIRGINIA._ By BERNARDIN DE SAINT-PIERRE. With a
Biographical Sketch, and numerous Illustrations by Maurice Leloir.
8vo. Cloth, gilt top, uniform with "Picciola," "The Story of
Colette," and "An Attic Philosopher in Paris." $1.50.
It is believed that this standard edition of "Paul and Virginia" with
Leloir's charming illustrations will prove a most acceptable addition to
the series of illustrated foreign classics in which D. Appleton & Co.
have published "The Story of Colette," "An Attic Philosopher in Paris,"
and "Picciola." No more sympathetic illustrator than Leloir could be
found, and his treatment of this masterpiece of French literature
invests it with a peculiar value.
_PICCIOLA._ By X. B. SAINTINE. With 130 Illustrations by J. F.
GUELDRY. 8vo. Cloth, gilt top, $1.50.
"Saintine's 'Picciola,' the pathetic tale of the prisoner who raised a
flower between the cracks of the flagging of his dungeon, has passed
definitely into the list of classic books.... It has never been more
beautifully housed than in this edition, with its fine typography,
binding, and sympathetic illustrations."--_Philadelphia Telegraph._
"The binding is both unique and tasteful, and the book commends itself
strongly as one that should meet with general favor in the season of
gift-making."--_Boston Saturday Evening Gazette._
"Most beautiful in its clear type, cream-laid paper, many attractive
illustrations, and holiday binding."--_New York Observer._
_AN ATTIC PHILOSOPHER IN PARIS; or, A Peep at the World from a
Garret._ Being the Journal of a Happy Man. By EMILE SOUVESTRE. With
numerous Illustrations. 8vo. Cloth, gilt top, $1.50.
"A suitable holiday gift for a friend who appreciates refined
literature."--_Boston Times._
"The influence of the book is wholly good. The volume is a particularly
handsome one."--_Philadelphia Telegraph._
"It is a classic. It has found an appropriate reliquary. Faithfully
translated, charmingly illustrated by Jean Claude with full-page
pictures, vignettes in the text, and head and tail pieces, printed in
graceful type on handsome paper, and bound with an art worthy of
Matthews, in half-cloth, ornamented on the cover, it is an exemplary
book, fit to be 'a treasure for aye.'"--_New York Times._
_THE STORY OF COLETTE._ A new large-paper edition. With 36
Illustrations. 8vo. Cloth, gilt top, $1.50.
"One of the handsomest of the books of fiction for the holiday
season."--_Philadelphia Bulletin._
"One of the gems of the season.... It is the story of the life of young
womanhood in France, dramatically told, with the light and shade and
coloring of the genuine artist, and is utterly free from that which mars
too many French novels. In its literary finish it is well-nigh perfect,
indicating the hand of the master."--_Boston Traveller._
_THE PYGMIES._ By A. DE QUATREFAGES, late Professor of Anthropology
at the Museum of Natural History, Paris. With numerous
Illustrations. 12mo. Cloth, $1.75.
In this interesting volume the author has gathered the results of
careful studies of the small black races of Africa, and he shows what
the pygmies of antiquity really were. The peculiar intellectual, moral,
and religious characteristics of these races are also described.
_WOMAN'S SHARE IN PRIMITIVE CULTURE._ By OTIS TUFTON MASON, A. M.,
Curator of the Department of Ethnology in the United States
National Museum. With numerous Illustrations. 12mo. Cloth, $1.75.
"A most interesting _resume_ of the revelations which science has made
concerning the habits of human beings in primitive times, and especially
as to the place, the duties, and the customs of women."--_Philadelphia
Inquirer._
"Mr. Mason's volume secures for woman her glory as a civilizer in the
past, and by no means denies her a glorious future."--_New York
Tribune._
_SCHOOLS AND MASTERS OF SCULPTURE._ By A. G. RADCLIFFE, author of
"Schools and Masters of Painting." With 35 full-page Illustrations.
12mo. Cloth, $3.00.
"The art lover will find in Miss Radcliffe's work a book of fascinating
interest, and a thoroughly painstaking and valuable addition to the
stock of knowledge which he may possess on the history of the noble art
of sculpture."--_Philadelphia Item._
"It would be difficult to name another work that would be so valuable to
the general reader on the same subject as this book."--_San Francisco
Bulletin._
"The work is free of all needless technicalities, and will be of intense
interest to every intelligent reader, while of inestimable value to the
student of art."--_Boston Home Journal._
_BY THE SAME AUTHOR._
_SCHOOLS AND MASTERS OF PAINTING._ With numerous Illustrations and
an Appendix on the Principal Galleries of Europe. New edition,
fully revised, and in part rewritten. 12mo. Cloth, $3.00; half
calf, $5.00.
"The volume is one of great practical utility, and may be used to
advantage as an artistic guide book by persons visiting the collections
of Italy, France, and Germany for the first time."--_New York Tribune._
New York: D. APPLETON & CO., 72 Fifth Avenue.
TRANSCRIBER'S NOTE:
Inconsistencies in the author's spelling, use of hyphens and other
punctuation have been retained as in the original publication.
Obvious typos and printer errors have been corrected without comment.
In addition to obvious errors, the following changes have been made:
Page 18: "renumerative" changed to "remunerative" in the phrase,
"... accept any renumerative post...."
Page 24: "colomn" changed to "column" in the phrase, "... thin
column of steam...."
Page 39: " , " changed to " . " in the phrase, "I had quite
forgotten. Sit down...."
Page 98: " ? " changed to " . " in the phrase, "... we don't know
how to let his daughter know."
Page 153: "relentness" changed to "relentless" in the phrase, "...
still the relentless march...."
Page 231: "to" changed to "too" in the phrase, "Ellison rose too,
and...."
Page 247: "that" changed to "than" in the phrase, "I love you more
fondly now than ever."