OUR BOOKING-OFFICE.

(_By Mr. Punch's Staff of Learned Clerks._)

I confess that I did not foretell the present state of affairs, and I

refuse to believe anyone else who professes to have done so unless he

can produce his prophecy in writing. _Germany and England_ (MURRAY),

however, puts the late Professor J. A. CRAMB definitely among the few

and persistent prophets who should long ago have been very much more

honoured in their own country. The book is a _résumé_ of lectures

delivered in London in the early part of 1913, and it was first

published a few months ago. The present reprint proves the lecturer to

have been wiser before the event than many of us are even while the

event is happening. Had he lived to see "the day," he would certainly

have revised his incidental opinions of French competence and Russian

honesty, British resource, and the utility of the Territorial; he would

have willingly praised what he has somewhat hastily derided. His theme,

however, is not criticism of the Allies, but appraisement of Germany;

and his arguments, simply but eloquently expressed, should be very

closely regarded by those haphazard optimists who suppose this War to be

the personal prank of a braggart Kaiser, doomed to an immediate failure

for want of his subjects' support. I have devoured more pages of printed

matter since this trouble began than I care to think about, but from the

whole lot I have had less enlightenment than from this half-crown

volume; I have learnt exactly what is taking place--and why--from one

who, unhappily, died before any of the existing wars was declared.

Clearly the days of miracles are not yet dead.

* * * * *

No doubt you already know the work of Mr. H. F. PREVOST BATTERSBY

(FRANCIS PREVOST) in "another place," _i.e._, on the battlefield, where

as a war-correspondent he has proved himself a keen observer and an

accomplished master of style. But he can also write romances uncommonly

well. His latest, _The Lure of Romance_ (LANE), displays once more

exactly the qualities that have brought its author previous renown--an

appreciative eye and a ready pen for the dramatic and picturesque

aspects of a big fight. He knows exactly what a bullet sounds like as it

whistles over the head of the person to whom it was addressed; and as no

doubt many of us are taking an unusual interest in bullets just now

there should be a large public for a story that is so largely concerned

with them. On its own merits as a tale it is bustling and picturesque

enough. The scene of it is laid in a South American Republic (that

useful variant on Ruritania), and the plot deals with the rescue of the

charming daughters of a rapscallion President, threatened by local

revolutionaries. Naturally, therefore, there is some shooting--in the

American sense--all of which bears the sign of expert handling. The

affair ends with a really thrilling climax, in which _Doyne_, the

engineer and chief hero, confounds the politics of his enemies by

letting loose a reservoir upon them. This is great fun. Especially as

the contents of the reservoir, on its way down through a

mountain-jungle, brought along with it what Mr. BATTERSBY pleasantly

calls "clattering carapes of gigantic crabs." A truly gripping finish!

* * * * *

Illustration: THE PICNIC, SEPTEMBER, 1914.

_Anxious Mother._ "I HOPE WE'VE FORGOTTEN NOTHING, FRED?--SANDWICHES,

SPIRIT LAMP, SUGAR, TEA, MILK, JAM, AMMUNITION, KNIVES, FORKS, REPEATING

RIFLE, PICKLES, BARBED WIRE, &C., &C."

* * * * *

It would seem a far cry from the clash of armies to the romance of a

honeymoon spent on a raft _de luxe_ drifting lazily down a river of

Burma. That is the theme of _Love's Legend_ (CONSTABLE), by Mr. FIELDING

HALL, author of _The Soul of a People_. But there may be a war of sex

with sex scarcely less tragic than the wars of men with men (or brutes).

The author shows us an oldish husband--a civil servant--who surmounts,

with not too much indelicacy, the primary difficulty of his young wife's

ingenuousness in relation to the sacrament of marriage. But a further

and worse difficulty is waiting for him when he comes to deal with the

incompatibility of the sexes in the matter of moral standards. The

thing, of course, has been done once for all by LOUIS STEVENSON in

_Virginibus Puerisque_. But he did it in essay form; here we have the

piquancy of personal narrative and dialogue. Husband and wife in turn

are responsible for the story, each assuming a partial attitude towards

facts and opinions; or else it is one of his old friends (a source of

foolish jealousy to the wife) who takes up the tale without warning when

they meet at some riverside station. This means a pleasant variety of

styles, and there is a certain childlike freshness about the method by

which the husband adapts himself to his wife's intelligence, presenting

his more difficult arguments in the form of fairy-tales--a habit which

the author may, for all I know, have assimilated through intercourse

with the local native. All goes badly, and things began to threaten an

_impasse_, when one foggy night the raft is cut in two by a paddle-boat

and the pair get separated and nearly killed. They are so pleased to be

restored to one another alive that they tacitly agree to waive their

differences. It is perhaps rather a puerile _dénouement_, and not likely

to be very helpful to the newly-wedded public. There must be very few

couples who can count on having their elemental differences healed by

means of a collision between a honeymoon raft and a paddle-steamer on a

Burmese river. All the same I commend the book, for it has a charm of

manner that will appeal to all. As for its matter, half of it will seem

sound to you if you are a male, and most irritating if you are a female;

and the other way about with the other half. Personally, being a man, I

thought the woman wanted smacking.

* * * * *

Punch, or the London Charivari, Vol. 147, September 16, 1914 · 第 68 / 69 题