CHAPTER I

Note: Images of the original pages are available through

Internet Archive. See

https://archive.org/details/auntoliveinbohem00mooriala

AUNT OLIVE IN BOHEMIA

by

LESLIE MOORE

Author of "The Cloak of Convention" and

"The Notch in the Stick"

Hodder & Stoughton

New York

George H. Doran Company

Copyright, 1913

by George H. Doran Company

TO

MY MOTHER

CONTENTS

CHAPTER PAGE

I. THE BEGINNING OF THE FAIRY TALE 11

II. ANCIENT HISTORY 19

III. THE LADY OF THE BLUE DRESS 28

IV. THE COURTYARD 40

V. IN BOHEMIA 51

VI. THE FAUN IN THE GARDEN 58

VII. THE SIX ARTISTS OF THE COURTYARD 63

VIII. A MAN'S CONSCIENCE 71

IX. VISITORS 85

X. THE CASA DI CORLEONE 93

XI. A MEETING 104

XII. PRINCESS PIPPA AWAKES 118

XIII. AT THE WORLD'S END 136

XIV. VARIOUS MATTERS 150

XV. A QUESTION OF COLOUR 161

XVI. THE LADY OF THE BLUE DRESS AGAIN 168

XVII. THE DUCHESSA ENTERS A KINGDOM 176

XVIII. BARNABAS SCHEMES WITH CUPID 181

XIX. THE INTERFERENCE OF A FAIRY GODMOTHER 188

XX. THE HEART OF NATURE 204

XXI. THE RING OF EROS 212

XXII. AN OLD MAN IN A GARDEN 218

XXIII. ANDREW MCANDREW 233

XXIV. THE CRUELTY OF THE FATES 238

XXV. IN YORKSHIRE 250

XXVI. PIPPA'S MOTHER 259

XXVII. MICHAEL MAKES MUSIC 279

XXVIII. THE PEACE OF THE RIVER 284

XXIX. SOME TWISTED THREADS 287

XXX. KNOTS UNTIED 292

XXXI. THE TUNE OF LOVE 299

XXXII. A WEDDING DAY 304

XXXIII. A GIFT FROM THE DEAD 308

XXXIV. THE MUSIC OF TWO COURTYARDS 313

AUNT OLIVE IN

BOHEMIA

CHAPTER I

THE BEGINNING OF THE FAIRY TALE

Once upon a time, as the fairy tales have it, there was a certain

country town. It was a sleepy little town, where few things happened.

It was like a dog grown old and lazy with basking in the sun,

undisturbed by motor-cars and modern rush. An occasional event like

a fly, and as small and insignificant as that insect, would settle

momentarily upon it. For an instant it would be roused, shake itself,

and promptly go to sleep again.

The houses in the town were all alike--small, detached, and built of

red brick. They were named after the shrubs and trees that grew in

their gardens. There was the Myrtles, the Hawthorns, the Laurels, the

Yews, the Poplars, and many others.

One May morning, when the flowers on the laburnum trees were hanging

in a shower of golden rain, and the pink and white blossoms of the

hawthorn bushes were filling the air with a sweet and sickly scent,

a single cab, drawn by a horse as sleepy as the town to which it

belonged, drove up the small, clean street, and turned in at the gate

marked the Poplars.

Two small children with satchels on their backs paused to peep up the

drive. They saw two black boxes being hoisted by the driver on to the

roof of the cab. There was nothing, one would think, of vital interest

in the sight, but it proved more attractive than the thought of lesson

books and school-room benches. They remained to gaze.

In a couple of moments a woman came through the front door. She was

clad in a black cashmere dress of ample folds, partly hidden by a

blade satin jacket, with large, loose sleeves. A wide, white linen

collar adorned with a small black velvet bow surrounded her neck; a

mushroom-shaped hat, also black, was tied by broad strings beneath her

chin. In one hand she held a large and tightly rolled umbrella, in the

other was a black satin bag drawn up by a cord. It bulged in a knobby

fashion. It had evidently been stuffed to the extent of its capacities.

The woman spoke to the driver, then got into the cab. He climbed to the

box, flicked his whip, turned the horse's head, and drove once again

through the gate.

The children scuttled to one side, and the cab drove up the street.

Its occupant sat upright within it, clutching tightly at the umbrella

and the black satin bag. Little thrills of happiness were running

through her. The May wind blowing through the window fanned her face,

bringing with it great puffs of scent from the hawthorn bushes.

Sunshine sparkled on the roofs of the houses, birds were singing in the

gardens past which she drove. It was a day alive with gladness, warm

with the breath of spring, fresh with the sense of youth. And the woman

within the cab, whose heart, in spite of her sixty years, was as young

as the heart of a child, participated in the gladness.

She watched the people in the streets walking leisurely in the

sunshine. She saw the shops with the tradesmen standing idle in the

doorways. At the fishmonger's only there was a little air of bustle,

where a maid in a neat print had run in to buy a couple of soles for

lunch.

The woman pulled out her watch--a huge affair in solid gold, attached

to a black hair chain. For a moment she glanced at it anxiously, then

returned it to its place with a little sigh of relief. The horse still

trotted on its slow unhurried way. More shops were passed, then more

houses. Finally the cab drew up with a little jerk.

The driver got down and opened the cab door.

"Here we are, ma'am; and twenty minutes to spare. I'll call a porter."

While the boxes were being taken from the cab Miss Mason opened the

black satin bag. From it she extracted a ten-shilling piece.

The boxes were wheeled towards the platform.

"I've no change, ma'am," said the cabby.

"That's all right," said Miss Mason hurriedly.

The cabby stared. "You're very good, ma'am."

"It's all right," said Miss Mason again.

Ten shillings was a small amount to give a man who had driven her a

mile towards happiness. She followed the porter on to the platform.

"Victoria, second class," she said to the man at the ticket office.

"Return or single, ma'am?" he demanded.

"Single," said Miss Mason firmly.

She took the little piece of cardboard from him and thrust it up her

glove. She loved the feeling of it. It was her passport to freedom.

She watched the boxes being labelled. They were new boxes and hitherto

guiltless of station labels. When she had seen them firmly attached,

and had been solemnly assured by the porter that the paste was both

strong and adhesive, she turned her attention to the bookstall. After

a few moments' survey she moved away hurriedly. The pictures on the

covers of some of the books distressed her, especially one of a young

female with red hair and very insufficient orange attire. For a moment

Miss Mason blushed. But she forgot the objectionable book in looking

along the shiny rails in the direction from which the train must arrive.

The sudden ringing of a bell made her jump.

"Train's signalled, ma'am," said the porter. "She'll be here in five

minutes now."

"You'll be sure and put in my boxes," said Miss Mason.

"Sure, ma'am. Corner seat facing the engine, did you say?"

"Y-yes; a seat somewhere," stammered Miss Mason. The near approach of

the train was making her feel nervous.

"All right. I'll see to it. Second class I think you said."

There was a distant whistle; next, the panting as of some great beast,

and an engine with its tail of carriages steamed into sight. It drew up

slowly at the platform.

"Here y'are, ma'am. Carriage all to yourself. Boxes will be in the

front part of the train. Thank you kindly, ma'am. Anything I can get

for you? Paper or anything? Window up or down? Will put in the boxes

myself. Good morning, ma'am."

A tip proportionate to the fare Miss Mason had paid the cabby was

responsible for this burst of eloquence.

In spite of the porter's assurance that he would see to the boxes

himself, Miss Mason stood with her head through the carriage window

till she had seen them actually deposited in the guard's van. Then she

sat down in the corner of the carriage.

The porter reappeared.

"They're in, ma'am. You're off now."

There was a gentle vibration through the train, and the platform

began to recede. The one woman left on it--a stout woman who had been

seeing her daughter off on her way to service--waved a large white

pocket-handkerchief. Its fluttering was the last thing Miss Mason saw

as the train left the station.

She heaved a little sigh.

She found she was still clutching the large umbrella. She laid it now

upon the seat beside her. She was almost too excited to think of the

happiness before her. She hardly wanted to do so. It was almost too

overpowering. She would realize it by degrees. At the moment there were

a thousand trivial delights around her.

She examined the carriage in which she was seated. The number on the

door was seven hundred and seventy-seven. Miss Mason had a secret

partiality for certain numbers, seven being her favourite. She was

seven years old when she had her first silk frock. It was a blue and

white check frock, and her hair--Miss Mason at that time wore it in

two plaits--had been tied with blue ribbons. Seventeen had been, up

to date, the happiest year of her life. But more of that year anon.

At twenty-seven she had been allowed the entrance of Miss Stanhope's

library. At thirty-seven she had become the owner of a kitten. At

forty-seven Miss Stanhope had given her the watch she now wore. At

fifty-seven a favourite rose-tree had borne the most perfect flowers.

Trivial enough facts to form landmarks in a life, yet they formed

landmarks in Miss Mason's.

She again looked approvingly at the number. From it she turned to a

contemplation of the photographs which adorned the walls. They were

the usual kind of photographs found in railway carriages--seaside

promenades, ruined castles, lakes with mountains beyond. Miss Mason

read the names below them with interest. She looked at the gas-globe

in the roof of the carriage, with its black cover which could be drawn

over it if the passengers found the light troublesome. She looked at

the emergency cord which was to be pulled down to attract the attention

of the guard in case of accident. She noted that the penalty for its

improper use was five pounds. It seemed to Miss Mason a large sum to

pay merely for pulling a little piece of string. She wondered if anyone

had ever been bold enough to pull it without necessity.

After gazing at it for two minutes with a certain amount of awe, she

put her arm through the padded loop by the window, and looked out at

the scenery past which they were flying.

There were fields in which sheep and cows were solemnly munching the

fresh grass; there were hedges covered with the fairy snow of the

hawthorn blossoms; there were woods of larches, oaks, and beeches,

and among them the darker green of firs; there were streams rippling

golden-brown past meadow banks and clumps of rushes; there were

children swinging on gates and waving cap or handkerchief as the train

rushed by. She saw market carts and occasionally a dogcart on roads

running by the railway, and now and then a solitary cyclist, all going

at a snail's pace so it seemed compared with the rate at which she

herself was travelling. They passed houses with trimly-kept gardens

alive with flowers; cottages with strips of vegetable gardens where

from lines attached to posts stuck among the cabbages washing was hung

out to dry. The May breeze swung the clothing to and fro, ballooning

it momentarily to ridiculous shapes, fluttering red petticoats, white

tablecloths, and blue blouses, like the waving of coloured flags.

Again the joyous note of youth and gladness sounded in Miss Mason's

heart. She gave a queer little gruff laugh.

"Wonderful!" she thought. "Like the fairy tales I used to read when I

was little. Now I'm part of the fairy tale. Can hardly believe it. Yet

it's true."

Aunt Olive in Bohemia · 第 1 / 34 章