Queen, wife of Cymbeline. Cym. I. i.
Queen, wife of Richard II. R2. II. i.
Quickly, Mrs.
1H4. II. iv;
2H4. II. i;
H5. II. i;
MWW. I. iv.
Quince. MND. I. ii.
Quintus. TA. I. i.
Rambures. H5. III. vii.
Ratcliff, Sir Richard. R3. III. iii.
Regan. Lear I. i.
Reignier, Duke of Anjou. 1H6. I. ii.
Reynaldo. Hml. II. i.
Richard II, King. R2. I. i.
Richard II, Queen to. R2. II. i.
Richard III, King (at first Gloucester).
3H6. I. i;
R3. I. i.
Richard, Duke of York, son of Edward IV. R3. II. iv.
Richard Plantagenet, Duke of York.
1H6. II. iv;
2H6. I. i;
3H6. I. i.
Richard Plantagenet, son of preceding.
2H6*;
3H6. I. i.
Richmond, Earl of, later Henry VII.
3H6*;
R3. V. iii.
Rivers, Lord.
3H6. IV. iv;
R3. I. iii.
Robin. MWW. I. iii.
Robin Goodfellow. MND. II. i.
Roderigo. Oth. I. i.
Roman, a.
Cor. IV. iii.
_See_ Citizens.
Romeo. R&J. I. i.
Rosalind. AYLI. I. ii.
Rosaline. LLL. II. i.
Rosencrantz. Hml. II. ii.
Ross. Mcb. I. ii.
Ross, Lord. R2. II. i.
Rotherham, Thomas. Archbishop of York. R3. II. iv.
Rousillon, Count. _See_ Bertram.
Rousillon, Countess. AWEW. I. i.
Rugby, John. MWW. I. iv.
Rumour. 2H4. Ind.
Rutland, Edmund, Earl of. 3H6. I. iii.
Sailors:
Hml. IV. vi;
Oth. I. iii;
Per. III. i.
Salanio. Merch. I. i.
Salarino. Merch. I. i.
Salerio. Merch. III. ii.
Salisbury, Earl of.
H5. IV. iii;
1H6. I. iv.
Salisbury, Earl of. 2H6. I. i.
Salisbury, Earl of. John III. i.
Salisbury, Earl of. R2. II. iv.
Sampson. R&J. I. i.
Sandys, William (Lord). H8. I. iii.
Saturninus. TA. I. i.
Say, Lord. 2H6. IV. iv.
Scales, Lord. 2H6. IV. v.
Scarus. A&C. III. x.
Scout. 1H6. V. ii.
Scribe. H8. II. iv.
Scrivener. R3. III. vi.
Scroop, Lord. H5. II. ii.
Scroop, Richard, Archbishop of York.
1H4. IV. iv;
2H4. I. iii.
Scroop, Sir Stephen. R2. III. ii.
Sea-Captain (Lieut.).
2H6. IV. i;
TwN. I. ii.
Sebastian. Tmp. I. i.
Sebastian. TwN. II. i.
Secretary. H8. I i.
Seleucus. A&C. V. ii.
Sempronius. TA.*
Sempronius. Tim. III. iii.
Senators,
Roman.
Cor. I. i;
Cym. III. vii;
Venetian. Oth. I. iii;
Athenian. Tim. II. i;
Coriolanian. Cor. I. ii.
Sentinels. 1H6. II. i.
Sentry. A&C. IV. ix.
Sergeant. 1H6. II. i;
(at arms) H8. I. i.
Servants:
A&C. II. vii;
Hml. IV. vi;
1H4. II. iii;
2H4. I. ii;
H8. I. iv;
JC. II. ii;
Lear III. vii;
Mcb. III. i;
Meas. II. ii;
Merch. III. i;
Per. III. ii;
R2. II. ii;
TofS. IV. i;
Tim. I. ii;
T&C. III. i;
TwN. III. iv;
WT. II. iii.
Servilius. Tim. III. ii.
Servingmen:
Cor. IV. v;
1H6. I. iii;
2H6. II. iv;
Merch. I. ii;
TofS. Ind.
Seyton. Mcb. V. iii.
Sexton. MAdo. I. i.
Sextus Pompeius. A&C. II. i.
Shadow. 2H4. III. ii.
Shallow, Justice.
2H4. III. ii;
MWW. I. i.
Shepherd. 1H6. V. iv.
Shepherd, Old. WT. III. iii.
Sheriff.
1H4. II. iv;
2H6. II. iv;
R3. V. i.
Shrewsbury, Talbot, Earl of. 1H6. I. iv.
Shylock. Merch. I. iii.
Sicilius Leonatus, a ghost. Cym. V. iv.
Sicinius Velutus. Cor. I. i.
Silence. 2H4. III. ii.
Silius. A&C. III. i.
Silvia. TGV. II. i.
Silvius. AYLI. II. iv.
Simonides, King of Pentapolis. Per. II. ii.
Simpcox. 2H6. II. i.
Simpcox's wife. 2H6. II. i.
Simple, Peter. MWW. I. i.
Siward. Mcb. V. iv.
Siward, young. Mcb. V. vii.
Slender, Abraham. MWW. I. i.
Sly, Christopher. TofS. Ind.
Smith. 2H6. IV. ii.
Snare. 2H4. II. i.
Snout. MND. I. ii.
Snug. MND. I. ii.
Soldiers:
A&C. III. vii;
AWEW. IV. i;
Cor. I. iv;
H5. IV. iv;
1H6. II. i;
2H6. IV. vi;
3H6. IV. viii;
JC. IV. ii;
Mcb. V. iv;
Tim. V. iv;
T&C. V. ix.
Solinus, Duke of Ephesus. CofE. I. i.
Somerset, Duke of.
1H6. II. iv;
2H6. I. i.
Somerset, Duke of. 3H6. IV. i.
Somerville, Sir John. 3H6. V. i.
Son that hath killed his father. 3H6. II. v.
Soothsayers.
A&C. I. ii;
Cym. IV. ii;
JC. I. ii.
Southwell, John. 2H6. I. iv.
Speed. TGV. I. i.
Spirits. 2H6. I. iv.
Spring (Ver). LLL. V. ii.
Stafford, Lord. 3H6.*
Stafford, Sir Humphrey. 2H6. IV. ii.
Stafford, William. 2H6. IV. ii.
Stanley, Lord, Earl of Derby. R3. I. iii.
Stanley, Sir John. 2H6. II. iv.
Stanley, Sir William. 3H6. IV. v.*
Starveling. MND. I. ii.
Stephano. Merch.*
Stephano. Tmp. II. ii.
Steward. AWEW. I. iii.
Strangers. Tim. III. ii.
Strato. JC. V. v.
Suffolk, Earl and Duke of.
1H6. II. iv;
2H6. I. i.
Suffolk, Duke of. H8. II. ii.
Surrey, Earl of. 2H4.*
Surrey, Earl of. R2. IV. i.
Surrey, Earl of. R3. V. iii.
Surrey, Lord. H8. III. ii.
Surveyor. H8. I. ii.
Tailor. TofS. IV. ii.
Talbot, Earl of Shrewsbury. 1H6. I. iv.
Talbot, John. 1H6. I. iv.
Tamora, Queen of Goths. TA. I. i.
Taurus. A&C. III. viii.
Thaisa. Per. II. ii.
Thaliard. Per. I. i.
Thersites. T&C. II. i.
Theseus. MND. I. i.
Thieves. 1H4. II. ii.
Thisbe. MND. V. i.
Thomas, Friar. Meas. I. iii.
Thurio. TGV. II. iv.
Thyreus (Thidias). A&C. III. xii.
Timandra. Tim. IV. iii.
Time (chorus). WT. IV. i.
Timon. Tim. I. i.
Titania. MND. II. i.
Titinius. JC. IV. iii.
Titus. Tim. III. iv.
Titus Andronicus. TA. I. i.
Titus Lartius. Cor. I. i.
Touchstone. AYLI. I. ii.
Townsmen of St. Albans. 2H6. II. i.
Tranio. TofS. I. i.
Travellers. 1H4. II. ii.
Travers. 2H4. I. i.
Trebonius. JC. II. i.
Tressel. R3. I. iii.*
Tribunes, Roman:
Cym. III. vii;
TA. I. i.
Trinculo. Tmp. II. ii.
Troilus. T&C. I. i.
Tubal. Merch. III. i.
Tullus Aufidius. Cor. I. ii.
Tutor. 3H6. I. iii.
Tybalt. R&J. I. i.
Tyrrel, Sir James. R3. IV. ii.
Ulysses. T&C. I. iii.
Ursula. MAdo. II. i.
Urswick, Christopher. R3. IV. v.
Valentine. TwN. I. iv.
Valentine. TGV. I. i.
Valentine. TA.*
Valeria. Cor. I. iii.
Varrius. A&C. II. i.
Varro, servant. Tim. II. ii.
Varro. JC. IV. iii.
Vaughan, Sir Thomas. R3. III. iii.
Vaux. 2H6. III. ii.
Vaux, Sir Nicholas. H8. II. i.
Venice, Duke of. Merch. IV. i.
Venice, Duke of. Oth. I. iii.
Ventidius. A&C. III. i.
Ventidius. Tim. I. ii.
Verges. MAdo. III. iii.
Vernon. 1H6. II. iv.
Vernon, Sir Richard. 1H4. IV. i.
Vincentio. TofS. IV. v.
Vincentio, Duke. Meas. I. i.
Vintner. 1H4. II. iv.
Viola. TwN. I. ii.
Violenta. AWEW. III. v.
Virgilia. Cor. I. iii.
Volsce, a. Cor. IV. iii.
Voltimand. Hml. I. ii.
Volumnia. Cor. I. iii.
Volumnius. JC. V. v.
Wall, MND. V. i.
Warders. 1H6. I. iii.
Wart. 2H4. III. ii.
Warwick (Beauchamp), Earl of.
2H4. III. i;
H5. IV. viii;
1H6. II. iv.
Warwick (Nevil), Earl of.
2H6. I. i;
3H6. I. i.
Watchmen:
Cor. V. ii;
3H6. IV. iii;
MAdo. III. iii;
R&J. V. iii.
Westminster, Abbot of. R2. IV. i.
Westmoreland, Earl of.
1H4. I. i;
2H4. IV. i;
H5. I. ii.
Westmoreland, Earl of. 3H6. I. i.
Whitmore, Walter. 2H6. IV. i.
Widow. TofS. V. ii.
Widow, of Florence. AWEW. III. v.
William. AYLI. V. i.
Williams. H5. IV. i.
Willoughby, Lord. R2. II. i.
Winchester, Bishop of.
1H6. I. i;
2H6. I. i.
Winchester (Gardiner), Bishop of. H8. V. i.
Witches. Mcb. I. i.
Wolsey, Cardinal. H8. I. i.
Woodville. 1H6. I. iii.
Worcester, Earl of. 1H4. I. iii.
York, Archbishop of. _See_ Rotherham and Scroop.
York, Duchess of. R2. V. ii.
York, Duchess of. R3. II. ii.
York, Duke of. H5. IV. iii.
York, Duke of. _See_ Richard.
York, Duke of. _See_ Richard, son of Edward IV.
York, Edmund Langley, Duke of. R2. II. i.
Young Marcius. Cor. V. iii.
Appendix C
INDEX OF THE SONGS IN SHAKESPEARE'S PLAYS
[Page Heading: Index of Songs]
The first lines are given. In a few cases it is doubtful whether the
verses were sung or spoken.
A cup of wine that's brisk and fine, 2H4. V. iii.
And let me the canakin clink, clink; Oth. II. iii.
And will he not come again? Hml. IV. v.
An old hare hoar, R&J. II. iv.
Be merry, be merry, my wife has all; 2H4. V. iii.
Blow, blow, thou winter wind. AYLI. II. vii.
By gis, and by Saint Charity, Hml. IV. v.
Come away, come away, Mcb. III. v.
Come away, come away, death, TN. II. iv.
Come, thou monarch of the vine, A&C. II. vii.
Come unto these yellow sands, Tmp. I. ii.
Do me right, 2H4. V. iii.
Do nothing but eat, and make good cheer, 2H4. V. iii.
Farewell, master; farewell, farewell! Tmp. II. iii.
Fear no more the heat o' the sun, Cym. IV. ii.
Fie on sinful fantasy! MWW. V. v.
Fill the cup, and let it come; 2H4. V. iii.
Flout 'em and scout 'em. Tmp. III. ii.
Fools had ne'er less grace in a year; Lear I. iv.
For bonny sweet Robin is all my joy. Hml. IV. v.
Full fathom five thy father lies; Tmp. I. ii.
Get you hence, for I must go. WT. IV. iv.
Hark, hark! the lark at heaven's gate sings, Cym. II. iii.
He that has and a little tiny wit,-- Lear. III. ii.
Honour, riches, marriage-blessing, Tmp. IV. i.
How should I your true love know. Hml. IV. v.
I am gone, sir, TN. IV. ii.
If it do come to pass, AYLI. II. vi.
In youth, when I did love, did love, Hml. V. i.
I shall no more to sea, to sea, Tmp. II. ii.
It was a lover and his lass, AYLI. V. iii.
Jog, jog on, the foot-path way, WT. IV. iii.
King Stephen was and a worthy peer, Oth. II. iii.
Lawn as white as driven snow; WT. IV. iv.
Love, love, nothing but love, still more! T&C. III. i.
No more dams I'll make for fish; Tmp, II. ii.
No more, thou thunder-master, show. Cym. V. iv.
Oh mistress mine, where are you roaming? TN. II. iii.
On the ground, MND. IV. i.
Orpheus with his lute made trees. (Fletcher?) H8. III. i.
Over hill, over dale, MND. II. i.
Pardon, goddess of the night, MAdo. V. iv.
Round about the cauldron go; Mcb. IV. i.
Sigh no more, ladies, sigh no more, MAdo. II. iii.
Take, O, take those lips away, Meas. IV. i.
Tell me where is fancy bred, Merch. III. ii.
The god of love, MAdo. V. ii.
The master, the swabber, the boatswain, and I, Tmp. II. ii.
The ousel cock so black of hue, MND. III. ii.
The poor soul sat sighing by a sycamore tree, Oth. IV. iii.
They bore him barefac'd on the bier; Hml. IV. v.
To-morrow is Saint Valentine's day, Hml. IV. v.
To shallow rivers, to whose falls. MWW. III. i.
Under the greenwood tree, AYLI. II. vi.
Was this fair face the cause, quoth she, AWEW. I. iii.
Wedding is great Juno's crown. AYLI. V. iv.
What shall he have that killed the deer? AYLI. IV. ii.
When daffodils begin to peer, WT. IV. i.
When daisies pied and violets blue. LLL. V. ii.
When that I was and a little tiny boy, TN. V. i.
Where the bee sucks, there suck I. Tmp. V. i.
While you here do snoring lie, Tmp. II. i.
Who doth ambition shun, AYLI. II. vi.
Who is Silvia? What is she, TGV. IV. iii.
Will you buy any tape, WT. IV. iv.
You spotted snakes with double tongue, MND. II. ii.
Appendix D
BIBLIOGRAPHY
[Page Heading: Bibliography]
This Bibliography is arranged in divisions corresponding to the chapters
of this volume. It aims to include those books most important for the
student, and to furnish guidance for those interested in more
specialized fields of study.
The following are the chief general bibliographies:
Shakespeare Bibliography, by William Jaggard, Stratford-on-Avon, 1911.
This is the most important and useful attempt that has yet been made
toward a complete bibliography of works in the English language; but it
is far from being exhaustive or accurate.
Catalogue of the Barton Collection of the Boston Public Library, part i,
Shakespeare's Works and Shakesperiana, 1878-1888. Probably the best
bibliography up to the date of its publication.
Jahrbuch der deutschen Shakespeare-Gesellschaft. Weimar, 1865-. The
bibliographies, with indexes, issued in this annual provide the best
bibliography of all recent Shakespearean literature in all languages.
They include references to periodicals and to book reviews.
The Cambridge History of English Literature, vol. v, chaps. viii-xii.
Cambridge, 1910. The best recent short selected bibliography.
Other useful bibliographical aids are: the article on Shakespeare
Encycl. Brit., Eleventh ed., 1911; the British Museum Catalogue of
Printed Books, 1897; the Catalogue of the Lenox Library, New York, 1880;
and the Index to the Shakespeare Memorial Library, Birmingham, 1900.
CHAPTER I
SHAKESPEARE'S ENGLAND AND LONDON
See bibliographies in the Cambridge Modern History, vol. iii, chap. x,
and the Cambridge History of English Literature, vol. v, chap. xiv. The
two most accessible and important works on the subject are: William
Harrison's _Description of Britaine and England_, in Holinshed's
Chronicle, 1577, reprinted in the Shaks. Soc. Publ. 1877-1888, in the
Scott Library, 1899, and in Everyman's Library; and John Stow's _Survey
of London_, 1st ed., 1598, reprinted in Everyman's Library. J. D.
Wilson's _Life in Shakespeare's England_ (Cambridge, 1911) is an
excellent anthology drawn from Elizabethan publications.
The following list includes only more important and more recent books.
Aiken, L. Memoirs of the Court of James I. 2d ed., 1822.
Ashton, J. Humour, Wit, and Society in the Seventeenth Century. 1883.
Besant, Sir W. London. 1892.
---- London in the Times of the Tudors. 1908.
Creighton, M. The Age of Elizabeth. 1892.
Creizenach, W. Geschichte des neueren Dramas, Halle, 1893. See vol. iv,
part i, book iii, Religios-sittliche und politisch-soziale Anschauungen
der Theaterdichter.
Douce, F. Illustrations of Shakespeare and of Ancient Manners. 1839.
An English Garner. New ed., 1903. See vols.: Social England Illustrated;
Tudor Tracts, 1532-1582; Stuart Tracts, 1603-1693.
Froude, J. A. History of England from the Fall of Wolsey to the Defeat
of the Armada. 1856-1870. Reprinted in Everyman's Library.
Gildersleeve, V. Government Regulation of the Elizabethan Drama. New
York, 1908.
Hall, H. Society in the Elizabethan Age. 4th ed., 1901.
Jusserand, J. J. Histoire litteraire du peuple Anglais. Paris, 1904.
English trans., 1909. See especially vol. ii, book v, chap. i.
Lee, S. Stratford-on-Avon from the Earliest Times to the Death of
Shakespeare. 1907.
---- An Account of Shakespeare's England, a survey of social life and
conditions in the Elizabethan age (in preparation).
Nicholls, J. The Progresses and Processions of Queen Elizabeth. New ed.,
3 vols., 1823.
---- The Progresses, Processions, and Festivities of King James I. 4
vols., 1828.
Stephenson, H. T. Shakespeare's London. New York, 1905.
---- The Elizabethan People. New York, 1910.
Strutt, J. Sports and Pastimes of the People of England. 1801. New ed.,
1903.
Thompson, E. N. S. The Controversy between the Puritans and the Stage.
Yale Studies in English, vol. xx. New York, 1903.
Traill, H. D. Social England. 3d ed., 1904. See vols. iii and iv.
Wakeman, H. O. The Church and the Puritans, 1570-1660. New ed., 1902.
Wheatley, H. B. London Past and Present. 3 vols. 1891.
CHAPTER II
BIOGRAPHICAL FACTS AND TRADITIONS
Halliwell-Phillipps, J. O. Outlines of the Life of Shakespeare. 2 vols.
7th ed., 1887. Later eds. are reprints. With illustrations, facsimiles,
and a full collection of documents.
Lambert, D. H. Shakespeare Documents. (Published originally as Cartae
Shakespeareanae, 1904.) A chronological catalogue of extant evidence.
Lee, Sidney. A Life of William Shakespeare, London and New York, 1898.
New and revised ed., 1909.
---- Shakespeare in Oral Tradition, Chap. III in Shakespeare and the
Modern Stage, 1906.
The preceding are the most important books, but the following are useful
in various ways: William Shakespeare. K. Elze. Halle, 1876. Eng. trans,
by L. D. Schmitz, 1888. A Chronicle History of the Life and Works of
Shakspere. F. G. Fleay. London, 1886. Shakespeare's Marriage. J. W.
Gray. 1905. Shakespeare's Family. C. C. Stopes. 1901. Shakespeare's
Warwickshire Contemporaries. C. C. Stopes. 1907. New Shakespeare
Discoveries. C. W. Wallace. Harper's Magazine, March, 1910. Catalogues
of the books, manuscripts, works of art, antiquities, and relics at
present exhibited in Shakespeare's birthplace, Stratford-on-Avon, 1910.
For discussion of portraits of Shakespeare, see Portraits of
Shakespeare, J. P. Norris, Philadelphia, 1885; M. R. Spielmann in
Stratford-Town Shakespeare, vol. x; and in Encycl. Brit., 11th ed.,
article on Shakespeare. On a Portrait of Shakespeare in the Shakespeare
Memorial at Stratford-on-Avon, L. Cust, Proc. Soc. Antiq., 1895.
See also Sources of Traditional Material, Appendix A, p. 225.
CHAPTER III
SHAKESPEARE'S READING
Shakespeare's Books: A dissertation on Shakespeare's reading and the
immediate sources of his works. By H. R. D. Anders. Berlin, 1904. The
best book on the subject.
Shakespeare's Studies, T. S. Baynes, 1893.
Shakespeare's Holinshed. Ed. W. G. Boswell-Stone. 1896. New ed., 1907. A
reprint of the passages in Holinshed's Chronicles which Shakespeare
used.
Shakespeare's Plutarch. Ed. W. W. Skeat. 1875.
The English Novel in the Time of Shakespeare. J. J. Jusserand, trans. E.
Lee. 1890.
The Shakespeare Classics, gen. ed. L. Gollancz (in progress, 1907-),
reprints the chief sources of the plays: Lodge's Rosalynde, Greene's
Pandosto, Brooke's Romeo and Juliet, the Chronicle History of King Leir,
The Taming of a Shrew, The Sources and Analogues of A Mid-summer-Night's
Dream, Shakespeare's Plutarch. Most of these, with other valuable
material, are found also in W. C. Hazlitt's revision of Collier's
Shakespeare Library. 6 vols. 1875 (out of print).
Many translations which Shakespeare may have known are included in the
long series of the Tudor Translations, ed. W. E. Henley and Charles
Whibley (mostly out of print).
For drama see Bibliography, chap. vi; for contemporary literature see
bibliography in Cambridge History of English Literature; or any short
manual, as Saintsbury's Elizabethan Literature, or Seccombe and Allen's
Age of Shakespeare. 2 vols.
CHAPTER IV
CHRONOLOGY AND DEVELOPMENT
The first thorough attempt to determine the chronology of Shakespeare's
plays was made in Malone's "Attempt to ascertain the order in which the
plays attributed to Shakespeare were written," published in Steevens's
edition of 1778. His final conclusions on the subject are to be found in
the preliminary volumes of the 1821 Variorum. Since then, discussions of
chronology and development have appeared in almost every edition of
Shakespeare's Works and in many volumes discussing his life and art.
(See Bibliography for Chaps. II and VIII.) The following are the most
important contributions to the general question of the chronology.
Hertzberg, W. G. Preface to Cymbeline in Ulrici's ed. of Schlegel and
Tieck's trans. of Shakespeare, 1871.
---- Metrisches, grammatisches, chronologisches zu Shakespeares Dramen.
Jahrbuch, xiii, 1878.
Fleay, F. G. Shakspere Manual, 1878.
New Shakspere Society. Publications for 1874 contain Fleay's tests as
originally proposed with discussions by Furnivall, Ingram, et al.
Publications for 1877-9 contain F. S. Pulling's essay on The
Speech-ending test, p. 457.
Ingram, J. K. On the weak endings of Shakspere with some account of the
verse-tests in general. N. S. S. Publ. 1874.
Koenig, G. Der Vers in Shaksperes Dramen. Quellen und Forschungen vol.
61, 1888. The fullest presentation of numerical results for various
verse tests.
Furnivall, F. J. Preface to the Leopold Shakespeare, 1876.
Hales, J. W. The Succession of Shakespeare's plays. 1874.
Stokes, H. P. Attempt to determine the chronological order of
Shakespeare's plays, 1878.
CHAPTER V
THE ELIZABETHAN DRAMA
Full bibliographies of both plays and critical works are to be found in
Schelling's Elizabethan Drama and in the Cambridge History of English
Literature, vols. v and vi.
1. EDITIONS OF PLAYS
Convenient collections, often with valuable introductions and notes,
are: Dodsley's Old English Plays, ed. W. C. Hazlitt, 15 vols.,
1874-1876; Manly's Pre-Shaksperean Drama, 2 vols., Boston; Neilson's
Chief Elizabethan Dramatists, Boston, 1911 (30 plays in one volume); the
Mermaid Series of the Old Dramatists (4 or 5 plays by one author in each
vol.); the Belles Lettres Edition (with excellent bibliographies),
Boston; Masterpieces of the English Drama, New York; Temple Dramatists.
Valuable reprints of old plays and documents are found in the following
series now in progress: The Tudor Facsimile Texts, ed. J. S. Farmer, 43
vols., 1907; Materialien zur Kunde des aelteren englischen Dramas, ed. W.
Bang, Louvain, 1902; Publications of the Malone Society, 1906.
Collected editions of the chief dramatists include those of Greene,
Peele, Webster, Ford, Beaumont and Fletcher, and Shirley, ed. by
Alexander Dyce; of Middleton, Marston, Marlowe, and Webster, by A. H.
Bullen, and the more recent editions from the Clarendon Press,--Greene,
ed. J. Churton Collins; Kyd, by F. S. Boas; Lyly, by W. Bond; Nash, by
McKerrow; Marlowe, by Tucker Brooke. Massinger and Jonson exist only in
the early nineteenth-century editions of Gifford. There are also recent
editions of Beaumont and Fletcher by A. R. Waller, Cambridge, and by A.
H. Bullen _et al._ (in progress), and an edition of Chapman by T.
Parrott.
2. CRITICAL AND HISTORICAL
Die Geschichte des neueren Dramas. W. Creizenach (in progress). Halle,
1893-. This is the standard history of the modern drama, vol. iv dealing
in a masterly fashion with the Shakespearean period. There is no English
translation.
History of English Dramatic Literature to the Death of Queen Anne. A. W.
Ward. 2d ed. 3 vols. 1899.
Elizabethan Drama. F. E. Schelling. 2 vols. Boston, 1902. This contains
valuable bibliographies and a finding list for the plays.
The Mediaeval Stage. E. K. Chambers. 2 vols. Oxford, 1903. Authoritative
for the pre-Elizabethan drama, with valuable bibliography and
appendices.
A Bibliographical Chronicle of the English Drama. F. G. Fleay.
1559-1642. A work of great value to scholars, but not of much service to
the general reader.
Other works less comprehensive in scope, but dealing with special
aspects or divisions of the drama, are: Tragedy, A. H. Thorndike,
Boston, 1908; Shakespeare and his Predecessors, F. S. Boas, 1896; Tudor
Drama, C. F. Tucker Brooke, Boston, 1912.
Special treatises which have also been drawn upon for this chapter are:
F. E. Schelling's English Chronicle Play, New York, 1902; A. H.
Thorndike's Influence of Beaumont and Fletcher on Shakspere, Lemcke and
Buechner, N. Y., 1901; and Hamlet and the Revenge Plays, Publ. Mod.
Lang. Assn., 1902; E. E. Stoll's John Webster, 1905; F. H. Ristine's
English Tragi-Comedy, 1910; Reyher's Les Masques Anglais, Paris, 1909;
W. W. Greg's Pastoral Poetry and Pastoral Drama, 1906.
CHAPTER VI
THE ELIZABETHAN THEATER
None of the books here listed gives a comprehensive account of the
theater. Greg's admirable edition of Henslowe's Diary, Fleay's
researches, and Murray's supplements to them are all valuable for
students. The account of the stage and the method of performance given
in this chapter are based in part on Albright. During the last ten years
there has been much controversy on this subject; and those interested
should consult the bibliographies in the Shakespeare Jahrbuch under
Albright, Brodmeier, Archer, Chambers, Corbin, Lawrence, Reynolds,
Wegener. For contemporary documents, see the Bibliography to chap, x,
vol. vi, of the Cambridge History of English Literature.
Albright, V. E. The Shakespearian Stage. New York, 1909.
Archer, W. The Elizabethan Stage. Quarterly Review, April, 1908.
Brodmeier, C. Die Shakespeare-Buehne nach der alten Buehnenanweisungen.
Weimar, 1904.
Chambers, E. K. The Stage of the Globe. Stratford Ed. Shakespeare's
Works, vol. x.
Collier, J. P. Memoirs of the Principal Actors in the Plays of
Shakespeare. Shaks. Soc., 1846.
Feuillerat, A. Documents relating to the Office of the Revels in the
time of Queen Elizabeth. Louvain, 1908.
Fleay, F. G. A Chronicle History of the London Stage. 1890.
---- A Biographical Chronicle of the English Drama, 1559-1642. 2 vols.,
1891.
Gildersleeve, V. Government Regulation of the Elizabethan Theater. New
York, 1908.
Greg, W. W., ed. Henslowe's Diary, 2 parts. London, 1907-1908.
---- Henslowe Papers. 1907.
Lawrence, W. J. The Elizabethan Playhouse and other studies. Stratford.
1912.
Mantzius, R. A History of Theatrical Art in Ancient and Modern Times.
1904. Cf. vol. iii.
Murray, J. T. English Dramatic Companies, 1558-1642. 1910.
Ordish, T. F. Early London Theaters. 1894.
Rendle, W. Old Southwark and its People. 1878.
Reynolds, G. F. Some Principles of Elizabethan Staging. Reprinted from
Modern Philology. Chicago, 1905.
---- What we know of the Elizabethan Stage, Modern Philology, July,
1911. With bibliography of recent discussions.
Wallace, C. W. The Children of the Chapel at Blackfriars, 1597-1603.
Univ. of Nebraska, 1908.
---- Evolution of the English drama up to Shakespeare: with a history of
the first Blackfriars theatre. Stechert. 1912.
These two volumes contain some newly discovered material, but their
discussions of theatrical history are not valuable.
Wegener, R. Die Buehneneinrichtung des Shakespeareschen Theaters nach der
zeitgenoessischen Dramen. Halle, 1907.
CHAPTER VII
HISTORY OF THE TEXT
1. COMPLETE EDITIONS
_In one volume._
The Globe Edition, ed. W. G. Clark and W. Aldis Wright 1864.
The 'Oxford' Edition, ed. W. J. Craig. Oxford, 1904.
The 'Cambridge Poets' Edition, ed. with introductions to each play, ed.
W. A. Neilson. Boston, 1906 (the text used in the Tudor Shakespeare).
_Annotated Library Editions._
The Cambridge Shakespeare, ed. W. Aldis Wright. 9 vols. 1863-1866. 2d
ed., 1891-1893. The text known as the Cambridge text is very near to
that of the Globe ed., and these have been generally used in recent
editions.
A new Variorum Edition, ed. H. Howard Furness and H. H. Furness, Jr. (in
progress). Philadelphia, 1871. This ed. prints (latterly) the First
Folio text with exhaustive variants and annotations. The appendices
supply much illustrative matter. The following plays have appeared:
Romeo and Juliet, Macbeth (2d ed.), Hamlet (2 vols.), Lear, Othello,
Merchant of Venice, As You Like It, The Tempest, A Midsummer-Night's
Dream, A Winter's Tale, Much Ado About Nothing, Twelfth Night, Love's
Labour's Lost, Antony and Cleopatra, Richard III, Julius Caesar.
The Arden Shakespeare, general ed. W. J. Craig, in progress, 1899. Publ.
in the U. S. without special title by Bobbs-Merrill Co., Indianapolis.
The Eversley Edition, ed. by C. H. Herford. 10 vols., 1901-1907.
Among other recent editions are the Rolfe ed., 40 vols., 1871, revised
1896; Temple, ed. I. Gollancz, 40 vols., 1894, 1895; First Folio, ed. C.
Porter and H. Clarke (following and defending the text of the First
Folio). New York, 1903; Caxton, general ed. S. Lee, 1910.
_Historical Editions._
The most valuable is the Third Variorum, Boswell and Malone, 21 vols.,
1821. The other principal editions are discussed in this volume, and
include: Rowe, 1709, 1714; Pope, 1723-1725; Theobald, 1733; Hanmer,
1744; Warburton, 1747; Johnson, 1765; Steevens (20 plays), 1766; Capell,
1768; Steevens (and Johnson), 1773; Malone, 1790; Reed (Steevens and
Johnson), 1st Variorum, 1803; 2d Variorum, 1813; Knight, 1838-1842,
second ed., 1842-1844; Hudson, 1851-1856; Delius, 1854-1861; Dyce, 1857,
second ed., 1864-1867; White, 1857-1860, second ed., 1859-1865.
2. FACSIMILE REPRINTS
For a discussion of conditions of publication of early editions, see A.
W. Pollard's Shakespeare's Folios and Quartos. 1909.
The First Folio, With introd. by Sidney Lee. Oxford, 1902.
The First, Second, Third, and Fourth Folios. Methuen, 1904-1910.
The First Folio, reprint, L. Booth, 1869.
The First Folio, in reduced facsimile, J. O. Halliwell-Phillipps, 1876.
Very small type.
Quarto Facsimiles. E. W. Ashbee. 48 vols. 1862-1871.
Quarto Facsimiles reproduced by photographic process, J. W. Griggs,
under the superintendence of F. J. Furnivall. 43 vols. 1883-1889.
Shakespeare's Poems and Pericles, with introduction by Sidney Lee. 5
vols. Oxford, 1905.
3. GLOSSARIES, GRAMMARS, ETC.
The standard concordance is Bartlett's _New and Complete Concordance_,
1894. The standard dictionary and one of the great monuments of
Shakespeare scholarship is Alexander Schmidt's _Shakespeare-Lexikon_. 2
vols. Berlin, 1894, 1895. 3d ed., 1902. This contains valuable
appendices on syntax. The most recent brief glossary is C. T. Onion's
_Shakespeare Glossary_. Oxford, 1911. It makes partial use of the
valuable material in the New English Dictionary. The best grammar in
English, though now somewhat out of date, is F. A. Abbott's
_Shakespearian Grammar_, 1869, often reprinted.
The following are also of value:
Cunliffe, R. J. A New Shakespearean Dictionary. 1910.
Dyce, A. A Glossary to the Works of Shakespeare. 1867. Revised by H.
Littledale, 1902.
Ellis, A. J. On Early English Pronunciation, with especial reference to
Shakspere and Chaucer. 5 parts. E. E. T. S., 1869-1889.
Franz, W. Shakespeare-Grammatik. 2 parts. Halle, 1898-1900. 2d ed.,
Heidelberg, 1905. No English translation.
Vietor, W. A Shakespeare Phonology, Marburg and London, 1906.
CHAPTER VIII
QUESTIONS OF AUTHENTICITY
1. THE DOUBTFUL PLAYS
The Shakespeare Apocrypha. Ed. C. F. T. Brooke. Oxford, 1908. This
contains texts of fourteen of the plays discussed in this chapter.
Pseudo-Shakespearean Plays. Ed. K. Warnke and L. Proescholdt. 5 vols.
Halle, 1883, 1888. Contains only 5 plays.
The Two Noble Kinsmen. Ed. H. Littledale. New Shaks. Soc. Publ., 1876.
Doubtful Plays of William Shakespeare. Ed. M. Moltke. Leipsig, 1869.
Contains 6 plays.
A good bibliography for the critical matter on these plays is to be
found in the Cambridge History of English Literature, vol. v, pp.
442-444. As to Cardenio, connected with Double Falsehood, see Bradford,
G., Jr., Mod. Lang. Notes, February, 1910.
2. FORGERIES
Ingleby, C. M. The Shakespeare Fabrications. 1859. A complete review of
the Collier forgeries, with bibliography.
Ireland, W. H. Confessions containing the particulars of his fabrication
of the Shakespeare manuscripts. 1808.
Malone, E. Inquiry into the Authenticity (of the Ireland Ms.). 1796.
Law, E. Some Supposed Shakespeare Forgeries. 1911.
Wheatley, H. B. Notes on the life of John Payne Collier. 1884. Gives a
list and account of the spurious documents.
3. THE BACON CONTROVERSY
Allen, C. Notes on the Bacon-Shakespeare question. Boston, 1900. An
account of Shakespeare's legal phrases.
Bacon, Delia. The Philosophy of the Plays of Shakespeare Unfolded. 1857.
Bacon, Francis. Life and Letters. Ed. J. Spedding. 7 vols. 1861-1872.
Beeching, H. C. William Shakespeare: Player, Play maker and Poet. A
reply to Mr. George Greenwood. 1908.
Bompas, G. C. The Problem of Shakespeare's Plays. 1902.
Booth, W. S. Some Acrostic Signatures of Francis Bacon. Boston, 1909.
Donnelly, I. The Great Cryptogram. 2 vols. Chicago, 1887.
Fiske, John. Forty Years of Bacon-Shakespeare Folly. Atlantic Monthly,
1897; reprinted in Century of Science, 1899.
Gallup, E. W. The Bi-literal Cypher of Francis Bacon.
Greenwood, G. G. The Shakespeare Problem restated. Lane, 1908.
---- In re Shakespeare Beeching _v._ Greenwood. Lane, 1909.
Lang, A. Shakespeare, Bacon, and the Great Unknown. 1912.
Pott, Mrs. H. Did Francis Bacon write Shakespeare? Chicago, 1891.
Robertson, J. M. The Baconian heresy, 1913.
Wyman, W. H. Bibliography of the Shakespeare-Baconian controversy.
Cincinnati, 1884. Continued in Shakespeariana. Philadelphia.
CHAPTER IX
SHAKESPEARE SINCE 1616
1. THE SEVENTEENTH AND EIGHTEENTH CENTURIES
The Shakespeare Allusion Books. Ed. J. Munro. 2 vols. This reprints
references to Shakespeare before 1700.
Eighteenth Century Essays on Shakespeare. Ed. D. Nichol Smith. Glasgow.
Contains Rowe's, Pope's, Theobald's, Johnson's prefaces, Farmer's essay
on Shakespeare's learning, Morgann's essay on Falstaff, etc.
Shakespearian Wars. T. R. Lounsbury. i. Shakespeare as a Dramatic
Artist, ii. Shakespeare and Voltaire. 2 vols. Yale Univ., 1901.
First Editors of Shakespeare or The Text of Shakespeare (Pope and
Theobald). T. R. Lounsbury. 1906.
Shakespeare en France sous l'ancien regime. J. J. Jusserand. Paris.
1898. Eng. trans. London, 1899.
Considerable matter in the following volumes from the Clarendon Press
bears on the early criticism of Shakespeare: Elizabethan Critical
Essays, ed. Gregory Smith, 2 vols.; Seventeenth Century Critical Essays,
ed. J. E. Spingarn, 3 vols.; Dryden's Essays, ed. W. P. Ker, 2 vols.
2. THE NINETEENTH AND TWENTIETH CENTURIES
Baker, G. P. The Development of Shakespeare as a Dramatist. Macmillan,
1907.
Boas, F. S. Shakespeare and his Predecessors. 1895.
Bradley, A. C. Shakespearean Tragedy. Macmillan, 1904.
---- Oxford Lectures on Poetry. Macmillan, 1909.
Brandes, G. William Shakespeare. Copenhagen, 1896. Eng. trans. 2 vols.,
1898.
Coleridge, S. T. Notes and Lectures on Shakespeare, etc. 2 vols. 1849.
Reprinted in Everyman's Library, the New Universal Library, and Bohn's
Library.
Collins, J. C. Studies in Shakespeare. 1904.
Dowden, E. Shakspeare: His Mind and Art. 1874.
---- A Shakspere Primer. 1877.
---- Introduction to Shakespeare. 1893.
Elze, K. William Shakespeare. Halle, 1876. Eng. trans., 1888.
Goethe. Wilhelm Meister, book IV, chaps. 13-16, contains an analysis of
Hamlet.
---- Wahrheit und Dichtung, and Eckermann's Reports of Goethe's
conversations contain references. An essay "Shakespeare und kein Ende"
appears in his collected works.
Hazlitt, W. Characters of Shakespeare's plays, 1817. Reprinted in
Everyman's Library, New Universal Library, Bohn's Library.
Heine, Heinrich. Shakespeare's Maidens and Women, in Works. Eng. trans.
Heinemann, 1851.
Jameson, Mrs. Shakespeare's Heroines. Temple Classics.
Kreyssig, F. S. T. Vorlesungen ueber Shakespeare. 2 vols. 3d ed. Berlin,
1876.
Lamb, Charles. On Some of the Old Actors (Essays of Elia). Reprinted in
Everyman's Library.
---- On the Tragedies of Shakespeare (Misc. essays). Reprinted in Temple
Classics.
Lee, Sidney. Shakespeare and the Modern Stage. 1906.
Lessing, G. E. Laokooen, and Dramatic Notes. Eng. trans., Bohn's
Library.
MacCallum, M. W. Shakespeare's Roman Plays and their Background. 1910.
Martin, Lady (Helen Faucit). On Some of Shakespeare's Female Characters.
1885.
Matthews, Brander. Shakespeare as a Playwright. In preparation.
Moulton, R. G. Shakespeare as a Dramatic Artist. Oxford, 1885.
---- The Moral System of Shakespeare. 1903.
Raleigh, W. Shakespeare (English Men of Letters). 1907.
Schlegel, A. W. von. Lectures on Dramatic Art and Literature. Reprinted
in Bohn's Library.
Swinburne, A. C. A Study of Shakespeare. 1880.
Thorndike, A. H. The Influence of Beaumont and Fletcher on Shakespeare.
Lemcke and Buechner, N. Y., 1901.
Wendell, B. William Shakspere. 1894.
White, R. G. Studies in Shakespeare. 9th ed. 1896.
---- Shakespeare's Scholar. 1854.
Important critical and interpretative aids will also be found in the
bibliographies for earlier chapters, as in the complete editions of
Shakespeare's works, in histories of literature and the drama, or in
special studies, as Anders's Shakespeare's Books, and Madden's Diary of
Master William Silence.
For a handy bibliography of studies of botany, folk-lore, law, medicine,
the supernatural in Shakespeare, etc., see the Cambridge History of
English Literature, vol. v, pp. 450, 451, to which may be added Freytag,
G., Technique of the Drama, Eng. trans. 1891; Matthew, B., A Study of
the Drama, 1910; Arnold, M. E., Soliloquies of Shakespeare, New York,
1911; Fansler, H. E., Evolution of Technic in Elizabethan Tragedy, 1914;
Archer, W., Play Making, 1912.
In the New Variorum Furness gives a summary of the interpretation and
criticism for each play; but he is often quite neglectful of recent
tendencies in criticism.
3. STAGE HISTORY
The standard work for the English stage is _Some Account of the English
Stage, from the Restoration in 1660 to 1830_, by J. Genest, 10 vols.,
Bath, 1832. There is no authoritative history of the stage since 1832.
Information in regard to the Shakespearean plays may be had in the lives
of the actors, as Colley Cibber's Apology; Davies's Memoirs of Garrick,
1790; Murphy's Life of Garrick, 1801; Boaden's Memoirs of Mrs. Siddons,
1827, and Memoirs of Kemble, 1825; Cumberland's Memoir, 1806; Boaden's
Memoirs of Mrs. Inchbald; Private Correspondence of David Garrick,
1831-1832; Cooke's Memoirs of Charles Macklin, 1808; Macready's
Reminiscences, 1878; Archer's Life of Macready, 1890; Molloy's Life of
Edmund Kean, 1888; Winter's Life and Art of Edwin Booth, 1893;
Brereton's Life of Sir Henry Irving, London, 1908.
Baker, H. B. The London Stage, 1576-1903. 1904.
Brown, J. S. A History of the New York Stage, 1732-1901. 3 vols. New
York, 1903.
Doran, J. Their Majesties' Servants. 1888. Ed. R. W. Lowe.
Dunlap, W. A History of the American Theater. 1832.
Fitzgerald, P. A New History of the English Stage. 2 vols. London, 1882.
Hazlitt, W. A View of the English Stage. 1818.
Home, R. H. New Spirit of the Age. 1884.
Lowe, R. W. Thomas Betterton, New York, 1891.
Lowe, R. W. Bibliographical Account of English Dramatic Literature.
1888.
Phelps, W. M., and Forbes Robertson, J. Life and Works of Samuel Phelps.
London, 1886.
Seilhamer, G. O. A History of the American Theater, 3 vols.
Philadelphia, 1891.
4. SHAKESPEARE ON THE CONTINENT
A good selected bibliography is to be found in the Cambridge History of
English Literature, vol. v, pp. 456-472, and a full bibliography
annually in the Shakespeare Jahrbuch. Only a few of the most important
titles are given here, including some already noted.
Boehtling, A. R. A. Goethe und Shakespeare. Leipzig, 1909.
Burckhardt, C. A. H. Das Repertoire des Weimarischen Theaters unter
Goethes Leitung. Hamburg, 1901.
Chateaubriand, F. R. de. Shakespeare. 1801.
Cohn, A. Shakespeare in Germany in the Sixteenth and Seventeenth
Centuries. Berlin, 1865.
Creizenach, W. Die Schauspiele der englischen Komoedianten. Stuttgart,
1889.
Delius, N. Saemmtliche Werke, Kritische Ausgabe. 1854-1861. 5th ed.,
1882.
Elze, K. William Shakespeare. Halle, 1876.
Genee, R. Geschichte der Shakespeareschen Dramen in Deutschland.
Leipzig, 1870.
Guizot, F. De Shakespeare et de la Poesie dramatique. Paris, 1822.
Heine, H. Shakespeares Maedchen und Frauen, in saemmtliche Werke. vol. v,
1839. Eng. trans., 1895.
Hugo, F. V. [OE]uvres completes de Shakespeare, traduites. 18 vols.
Paris, 1856-1867.
Hugo, Victor. Cromwell, Preface. Paris, 1827.
---- William Shakespeare. Paris, 1864.
Jusserand, J. J. Shakespeare en France sous l'ancien regime. Paris,
1898. Eng. trans. London, 1899.
Koeppel, E. Studien ueber Shakespeare's Wirkung auf zeitgenoessische
Dramatiker. Louvain, 1905.
Kreyssig, F. Vorlesungen ueber Shakespeare und seine Werke. 1858. 3d ed.,
1877.
Lee, Sidney. Shakespeare in France. In Shakespeare and the Modern Stage.
Lessing, G. E. Hamburgische Dramaturgie. Nos. 12, 15, 73. 1767, 1768.
Lounsbury, T. R. Shakespeare and Voltaire. 1902.
Mezieres, A. Shakespeare, ses [oe]uvres et ses critiques. Paris, 1860.
Renan, E. Caliban, Suite de la Tempete. Paris, 1878.
Schlegel, A. W. Ueber dramatische Kunst und Literatur. Heidelberg,
1809-1811.
---- Shakespeare's Dramatische Werke, uebersetzt. 1797-1810. Neue
Ausgabe, ergaenzt und erlaeutert von L. Tieck. 9 vols. 1825, 1880-1883.
Revised by Ulrici, 1867-1871, by Grandl, 1897-1899, by H. Conrad, 1905.
Stendhal (Henri Bergh) Racine et Shakespeare. Paris, 1823.
Taine, H. Histoire de la litterature anglaise. Paris, 1844. Eng. trans.,
rev. ed., 1873.
Ten Brink, B. Shakespeare. Strassburg, 1893.
Tolstoi, L. N. Shakespeare. 1906.
Ward, A. W. History of English Dramatic Literature. vol. i, pp. 534
ff.
Index
[Page Heading: Index]
_Adversaria_, 45.
_AEsop's Fables_, 52.
_AEthiopica_ of Heliodorus, 56.
Albright, V. E., 116, 122.
_Alchemist_, 33, 95, 105.
Alden, R. M., 48, 88.
Alleyn, Edward, 117, 119, 120.
_All for Love_, 169.
_All's Well that Ends Well_, 52, 57, 73, 74, 82, 174.
_Amores_, 53.
_Amphitruo_, 54.
_Andria_, 96.
_Antonio's Revenge_, 106.
_Antony and Cleopatra_, 75, 82, 105, 142, 169, 196, 197.
_Apollonius of Tyre_, 60.
_Apologie for Actors_, 156.
_Apolonius and Silla_, 58.
_Appius and Virginia_, 98.
_Arcadia_, 61.
Archbishop of Canterbury, 136.
_Arden of Feversham_, 109, 161, 162.
Ariosto, 57, 58, 95.
Aristophanes, 91, 104.
_Arraignment of Paris_, 161.
Aspley, William, 143.
_As You Like It_, 46, 52, 57, 62, 68, 73, 80, 113, 127, 136, 174.
Aubrey, John, 38, 39, 43, 44.
Autographs, facsimiles of, 36.
Bacon, Delia, 163.
Bacon, Francis, 2, 13, 16, 61, 163-166, 191, 192.
Bacon, Matthew, 26.
"Baconians," 163-166.
Bandello, 57, 58.
Bankside, 7, 117, 120.
Barnay, L., 184.
Barnes, Barnabe, 61.
_Barons' Wars_, 62.
Barrie, J. M., 177.
_Bartholomew Fair_, 105.
_Batman upon Bartholome_, 64.
Beaumont and Fletcher, 64, 91, 109, 110, 112, 113, 168.
Beaumont, Francis, 31, 110.
_See_ Beaumont and Fletcher.
Belleforest, 57.
Beeston, Christopher, 29, 39.
Betterton, Thomas, 43, 130, 169, 174.
_Bevis of Hampton_, 59.
Bible, the, 1, 64.
Bidford, 40, 41.
_Bi-Literal Cypher of Francis Bacon_, 164.
_Biron_, 108.
_Birth of Merlin_, 161.
Blackfriars,
property in, 26;
theater, 12, 26, 32, 118, 120, 159.
Blount, Edward, 143.
Boccaccio, 57, 96.
Booth, Barton, 174.
Booth, Edwin, 176, 177.
Booth, Junius Brutus, 176.
Boswell, J., 152.
Bowdler, T., 153.
Bradley, A. C., 5, 181.
_Broken Heart_, 112.
Brome, R., 112.
Brooke, Arthur, 60.
Buckinghamshire, Duke of, 44.
Burbage, Cuthbert, 32, 117, 118, 119.
Burbage, James, 117.
Burbage, Richard, 24, 29, 32, 34, 44, 117, 118, 119, 124, 130.
_Bussy d'Ambois_, 108.
Byron, Lord, 191.
Caesar, Julius 55, 124.
_Cambridge Shakespeare_, 153, 154, 155.
_Cambyses_, 63, 92, 98.
Capell, Edward, 151, 161.
_Cardenio_, 160.
Cartwright, W., 112.
_Catiline_, 33, 108.
Caxton, 60.
_Chambers' Journal_, 163.
Chandos portrait, 38.
_Changeling_, 111.
Chapman, George, 31, 56, 91, 103, 105, 108.
Chaucer, 31, 53, 60.
Chettle, Henry, 22, 23, 103, 107.
Cibber, Colley, 130, 169, 174.
Cibber, Mrs., 174.
Cicero, 52.
Cinthio, Giraldi, 57, 58.
_City Madam_, 112.
Clark, W. G., 154.
Clive, Mrs., 174.
Cockpit theater, 39, 118.
Coleridge, S. T., 159, 175, 179, 180, 182.
_Colin Clout_, 61.
Collier, J. P., 153, 163.
Collins, Francis, 35.
Combe, John, 25, 26, 40.
Combe, William, 25.
_Comedy of Errors_, 54, 68, 74, 78, 95.
Condell Henry, 29, 32, 35, 142, 157.
_Confessio Amantis_, 60.
Congreve, William, 111.
Constable, Henry, 61.
_Contention of York and Lancaster_, 161.
_Coriolanus_, 52, 82, 169.
Corneille, 182.
_Cornelia_, 99.
Covent Garden theater, 118.
Craig, W. J., 154.
Curtain theater, 117, 122.
Cushman, Charlotte, 176.
_Cymbeline_, 57, 63, 68, 73, 110, 169, 174.
Daniel, Samuel, 61, 62, 113.
D'Avenant, Sir William, 43, 44, 45, 112, 168.
Davies, Rev. R., 41.
_Decameron_, 57.
Dekker, T., 31, 103, 104, 105, 109, 111.
_De la Litterature_, 185.
Delius, N., 153, 154, 172.
Dennis, John, 177.
_De proprietatibus rerum_, 64.
De Quincey, T., 159.
Derby's men, 120.
Devrients, the, 184.
De Witt drawing of Swan theater, 120, 121.
_Diana_ of Montemayor, 58.
Diderot, D., 184.
_Discovery of Guiana_, 64.
_Distichs of Cato_, 52.
Donnelly, I., 164.
_Double Falsehood_, 160, 162.
Dowdall, John, 42.
Dowden, E., 84, 181.
Downes, John, 43.
_Downfall and Death of Huntington_, 103.
Drake, Sir F., 96.
Drayton, Michael, 40, 61.
Droeshout, Martin, 37, 38 n.
Drummond, W., 46.
Drury Lane theater, 118, 175.
Dryden, John, 111, 168, 169, 170, 182, 190, 192.
Ducis, J. F., 185.
_Dunciad_, 149.
Dyce, A., 153, 155, 161, 172.
Dyke, John, 29.
Earl of Leicester's men, 119, 120.
Earl of Worcester's men, 119.
Eden's _History of Travayle_, 64.
_Edward III_, 161, 162.
Edwards, Richard, 60.
Edwards, T., 150.
Elizabeth, Queen, 1, 2, 9, 10, 11, 32, 79, 119, 133.
Ellesmere, Lord, 163.
Ely Palace portrait, 37, 38 n.
_English Dramatic Poets_, 38.
_English Traveller_, quoted, 133.
_Epicene_, 95.
_Essay of Dramatic Poesie_, 168.
Essex, Earl of, 68, 124.
_Euphues_, 62.
Euripides, 90, 91.
Evans, Sir Hugh, 51.
_Everyman in His Humour_, 39, 103.
Fables in Shakespeare, 52.
Fabyan's _Chronicles_, 63.
_Faerie Queen_, 61.
_Fair Em_, 161.
_Fair Quarrel_, 111.
_Faithful Shepherdess_, 113.
_Fasti_, 53.
Faucit, Helen, 176.
Field, Richard, 23.
First Folio, 167;
described, 141-143;
facsimile of title-page, 143;
introductory matter in, _see_ APPENDIX A.
Fisher Quarto, 141 n.
Fleay, F. G., 72 n, 172.
Fletcher, John, 9, 91, 110, 111, 112, 113, 114, 168, 177, 191;
collaboration on _Two Noble Kinsman_, 159, 160.
_See_ Beaumont and Fletcher.
Fletcher, Lawrence, 32.
Florio, John, 57.
_See_ Montaigne.
Flower, Mrs. Charles, 37.
Folios, Second, Third, Fourth, 145, 157.
Ford, John, 91, 109, 112, 113.
Forman, Dr. Simon, 68.
Forrest, Edwin, 176.
Fortune theater, 11, 117, 119, 121, 122;
diagram of, 123.
Foxe, John, _Book of Martyrs_, 63.
_Friar Bacon and Friar Bungay_, 97.
Fuller, Thomas, 38.
Fulman, Rev. W., 41.
Furness, H. H., 144, 154, 159.
Galileo, 191.
Gallup, Mrs., 164.
_Gammer Gurton's Needle_, 94.
Garrick Club bust, 38.
Garrick, David, 130, 173, 174, 175, 176, 177.
Gascoigne, George, 5, 58, 63.
Gervinus, 180.
_Gesta Romanorum_, 57.
Getley, Walter, 25.
Gildon, C., 146.
Goethe, 179, 180, 183, 190.
_Globe Shakespeare_, 154.
Globe theater, 11, 117, 118, 119, 120, 121, 124, 177.
Glover, J., 154.
Golding, Arthur, 53.
_Gorboduc_, 98.
Gottsched, J. C., 182.
Gower, 31.
Grafton's _Chronicles_, 63.
_Great Cryptogram_, 164.
Greene, Robert, 62, 63, 90, 96, 97, 101, 102, 158;
attack on S., 20-23.
_Greene's Funeralls_, 21, 22.
Greene's _Groatsworth of Wit_, 20-22.
Greg, W. W., 140 n.
Gresham, Sir Thomas, 10.
Grey, Z., 150.
Guarini, G. B., 113.
Guizot, F., 185.
_Guy of Warwick_, 59.
Hakluyt, Richard, 64.
Hall, John, 25, 34.
Hall, Susanna, 25, 34.
Hall, William, 35, 42.
Halliwell-Phillipps, J. O., 153, 181.
Hall's _Union of Lancaster and York_, 63, 101.
_Hamburgische Dramaturgie_, 182.
_Hamlet_, 43, 45, 47, 49, 54, 63, 73, 75, 81, 87, 100, 106, 107, 119,
135, 136, 137, 145, 169, 184, 185.
_Hamlet_, the lost, 100, 106, 107.
Hanmer, Sir T., 149, 150.
Harness, W., 153.
Harsnett's _Popish Impostures_, 62.
Hart, J. C., 163.
Hazlitt, William, 175, 179, 180.
Heath, B., 150.
_Hecatommithi_, 58.
Heliodorus, 56.
Heminge, John, 29, 32, 35, 142, 157.
Henderson, J., 175.
_1 Henry IV_, 30, 62, 73, 137.
_2 Henry IV_, 30, 62, 69.
_Henry V_, 52, 56, 63, 68, 79, 135, 136, 149.
_1 Henry VI_, 63, 77, 102, 120, 141, 157.
_2 Henry VI_, 52, 54, 63, 77, 99, 102, 141, 157, 161.
_3 Henry VI_, 21, 63, 77, 99, 102, 157, 161, 169.
_Henry VIII_, 34, 63, 74, 124, 157, 160, 162.
Henry VIII, 10, 11, 43, 79.
Henryson, Robert, 60.
Henslowe, P., 117, 119.
Herder, J. G., 183.
_Hero and Leander_, 62.
Heyes Quarto, 141 n.
Heywood, Thomas, 31, 95, 105, 111, 131;
quoted in publishing, 132-134, 135, 156.
_History of English Dramatic Poetry_, 163.
_Hoffman_, 107.
Hollar, W., 120.
Hollinshed's _Chronicles_, 63, 65, 101.
Homer, 56, 96, 187, 194.
_Honest Whore_, 105.
Hooker, Richard, 2, 61.
Hope theater, 117, 119.
Horace, 51, 54.
_Horestes_, 98.
Hugo, F. V., 185.
Hugo, Victor, 185.
Hunsdon's men, 120.
_Huon of Bordeaux_, 59.
Ibsen, H., 177.
_If you know not me you know nobodie_, quoted, 133, 134.
Ingram, J. K., 72 n.
Ireland, W. H., 162, 163.
Irving, Sir Henry, 176.
Jacob, E., 161.
Jaggard, Isaac, 143.
Jaggard, William, 140 n, 143, 156.
James I, 9, 12, 32, 44, 69, 119, 120.
_James IV_, 98.
Janssen, Gerard, 37.
_Jocasta_, 98.
Johnson, Samuel, 150, 151, 152, 178, 179, 182.
John, King, 78.
Jonson, Ben, 13, 29, 30, 31, 33, 39, 40, 45, 46, 50, 63, 91, 95, 103,
105, 107, 108, 109, 111, 112, 114, 131, 182, 190;
eulogy of S., 167, 168.
Jordan's _Collections_, 162.
Jordan, Mrs., 175.
_Julius Caesar_, 81, 105, 108, 169, 182.
Jusserand, J. J., 185.
Juvenal, 54.
Kean, Edmund, 175.
Kemble, J. P., 162, 175.
Kempe, Will., 24.
Kendrick, 152.
Kesselstadt, death-mask, 38.
_Kind-Heart's Dream_, 22.
_King and No King_, 109.
_King Cophetua and the Beggar Maid_, 59.
_King John_, 30, 52, 63, 78, 141, 161.
King's men, 120.
Kipling, Rudyard, 51.
Kirkman's _Drolls_, 120.
Knight, Charles, 153, 154.
_Knight's Tale_, 60.
Koenig, G., 72 n, 75.
Kyd, Thomas, 63, 90, 98, 99, 100, 101, 102, 105, 106, 107, 158, 167.
Lacy, John, 39.
Lamb, Charles, 159, 175, 179.
Langbaine, G., 38.
La Place's translation, 184.
_Lear_, 47, 49, 61, 62, 63, 75, 81, 85, 99, 114, 135, 140, 140 n, 169.
Lee, Sidney, 181.
_Legend of Good Women_, 60.
Leicester, Earl of, 5, 119.
Lessing, G. E., 182.
Le Tourneur, P., 184, 185.
Lily's Grammar, 51, 54.
Littledale, H., 159.
_Lives of eminent men_, 38.
Livy, 55, 60.
_Locrine_, 100, 157, 158.
Lodge, Thomas, 62.
_Londinopolis_, 120.
London, described, 6-12.
_London Prodigal_, 157, 158.
Lope de Vega, 95.
Lord Admiral's men, 119, 120.
Lord Chamberlain's men, 120.
_Lover's Complaint, A_, 62, 156.
_Love's Labour's Lost_, 29, 30, 51, 52, 74, 78, 88, 97, 137, 156, 189.
_Love's Labour's Won_, 30.
Lowin, John, 43, 130.
Lucan, 55.
Lucian, 56.
_Lucrece_, 23, 29, 30, 53, 54, 62, 87, 131.
Lucy, Sir T., 41.
Lyly, John, 63, 90, 95, 96, 97, 102, 113, 167.
_Macbeth_, 68, 74, 75, 81, 99, 169, 174, 183, 185.
Macklin, C., 175.
Macready, W., 176.
_Maid's Tragedy_, 109.
_Malcontent_, 104;
quoted, 134.
Malone, Edmund, 152, 163, 172.
Malory, Sir T., 96.
Mannering, Arthur, 26.
Manningham, John, 44.
Mantuan's _Eclogues_, 52.
Marlowe, Christopher, 13, 16, 62, 63, 68, 72, 90, 98, 99, 101, 102, 104,
105, 106, 158, 167, 177.
Marlowe, Julia, 176.
Marston, J., 103, 104, 106, 107, 134.
Mason, J. M., 152.
_Masque of the Inner Temple and Gray's Inn_, 160.
Massinger, Philip, 91, 92, 111, 112, 168.
Matthews, Sir T., 165.
_Measure for Measure_, 58, 63, 82, 83, 104.
_Memoirs of Edward Alleyn_, 163.
Mennes, Sir John, 41.
_Menaechmi_, 54.
_Merchant of Venice_, 30, 57, 58, 80, 85, 99, 137, 140 n, 174, 184.
Meres, Francis, _Palladis Tamia_, 27, 68.
_Merry Devil of Edmonton_, 161.
_Merry Wives of Windsor_, 51, 58, 60, 73, 80, 95, 135, 136, 140 n, 169.
_Messalina_, 120, 121, 122.
_Metamorphoses_, 53.
Mezieres, A., 185.
Middleton, Sir Hugh, 10.
Middleton, T., 103, 104, 107, 109.
_Midsummer Night's Dream_, 30, 40, 53, 58, 59, 60, 61, 73, 80, 97, 124,
137, 140 n, 184.
Milton, John, 114, 168, 194.
Miracle plays, 5, 93.
_Miseries of Enforced Marriage_, 159.
_Misfortunes of Arthur_, 98.
Moliere, 91, 95.
Montagu, Mrs. Elizabeth, 178.
Montaigne, 56.
Montemayor, George of, 58.
Morality plays, 93, 94.
More, Sir Thomas, life of, 17.
Morgann, M., 179.
_Mother Bombie_, 95, 97.
Mountjoy, Christopher, 27.
_Much Ado About Nothing_, 51, 57, 80, 137, 148, 174.
_Mucedorus_, 103, 161.
Munday, A., 95, 103.
Music, Shakespeare in, 186.
Neidig, W. J., 140 n.
Neilson Text, 154.
Newcastle, Duchess of, 168.
Newington Butts theater, 120.
_New Variorum_, 144, 154.
_New Way to Pay Old Debts_, 112.
_Nice Wanton_, 92.
North, Sir Thomas, 56.
_See_ Plutarch.
_Oldcastle, Sir John_, 140 n.
_Old Fortunatus_, 103.
Oldys, William, 45.
_Othello_, 58, 64, 75, 81, 85, 99, 114, 169, 170, 184, 185, 195.
Otway, T., 169.
Ovid, 53, 60, 65, 87, 96.
_Oxford Shakespeare_, 154.
_Painful Adventures of Pericles_, 159.
Painter's _Palace of Pleasure_, 57, 61.
Palmer, J., 175.
_Palladis Tamia_, 29, 30, 68.
_Pandosto_, 62.
_Passionate Pilgrim_, 30, 156.
_Pastor Fido_, 113.
Pavier, T., 140 n.
_Pecorone, Il._, 58.
Peele, George, 63, 90, 113, 158.
_Pericles_, 60, 75, 83, 114, 135, 136, 140, 140 n, 145, 148, 151, 157, 158.
Persius, 54.
Petrarch, 58.
Phelps, S., 176.
_Philaster_, 109, 110, 113.
Philip, Augustus, 29, 32.
Phillips, Edward, 38.
_Philosophy of the Plays of S._, 163.
_Ph[oe]nix and the Turtle_, 156.
_Piacevoli Notti_, 58.
Plautus, 54, 93, 95.
_Pleasant Dialogues and Dramas_, 133.
Pliny, 55, 64.
Plume, Archdeacon, 41.
_Plutarch's Lives_, 52, 55, 56.
_Poetaster_, 104.
Pollard, A. W., 140 n.
Pope, Alexander, 144, 147, 148, 149, 158.
Pope, Thomas, 29.
Preston, T., 63.
Pritchard, Mrs., 174.
Prince's men, 119.
_Puritan, the_ 158.
_Puritan Widow_, 157.
_Putnam's Monthly_, 163.
Quartos, 135-140;
table of, 138, 139;
of apocryphal plays, 158.
_Queen's Arcadia_, 113.
Queen's Chapel boys, 118.
Queen's men, 119.
Quiney, Richard, 28.
Quiney, Thomas, son-in-law of S., 28.
Rabelais, 57.
Racine, 91, 182.
Raleigh, Sir Walter, 13, 16, 64.
_Ralph Royster Doyster_, 95.
_Rape of Lucrece_, quoted, 132.
_Recuyell of Troy_, 60.
Red Bull theater, 117, 120.
Reed, I., 152.
Rehan, Ada, 176.
_Return from Parnassus_, 30.
_Revenger's Tragedy_, 107.
_Richard II_, 29, 36, 52, 62, 79, 99, 106, 169.
_Richard III_, 36, 54, 63, 77, 99, 102, 135, 140, 154, 169.
Riche, Barnaby, 58, 61.
Ristori, Madame, 185.
Ritson, T., 152.
Roberts Quartos, 140 n, 141 n.
Robertson, Sir Forbes, 176.
Robin Hood, 159.
Robin Hood plays, 103.
_Romance of Yachting_, 163.
_Romeo and Juliet_, 30, 60, 73, 74, 77, 106, 135, 136, 137, 169, 174,
182, 183, 195.
_Romeus and Juliet_, 60.
Ronsard, 57.
_Rosalynde_, 62.
_Rosamond_, 62.
Rose theater, 117, 119, 120.
Rossi, 185.
Rowe, Nicholas, 42, 43, 45, 146, 147, 158, 172.
Rowley, W., 111.
_Roxana_, 120, 121.
Rutland, Earl of, 164.
Rymer, T., 170.
Sadler's Wells, 176.
Salisbury Court theater, 118.
Salvini, T., 185.
Sanazzaro, 96.
Schlegel, A. W., 180, 183.
Schmidt's _Lexicon_, 183.
Schroeder, F., 184.
Scott, Sir Walter, 191.
_Sejanus_, 33, 108.
Seneca, 54, 93, 99, 100, 105.
_Sententiae Pueriles_, 52.
Shakespeare, Anna, 18.
Shakespeare, Anne (Hathaway), 19.
Shakespeare, Edmund, 18.
Shakespeare, Gilbert, 18, 46.
Shakespeare, Hamnet, 20, 85.
Shakespeare, Joan, 18.
Shakespeare, John, 4, 5, 18, 24, 40, 41.
Shakespeare, Judith, 20, 35.
Shakespeare, Mary Arden, 18, 24, 35.
Shakespeare, Richard, 18.
Shakespeare, Susanna, 25, 34.
Shakespeare, William. _See_ CONTENTS.
Monument of, frontispiece;
facsimile autographs of, 36;
portrait of in First Folio, 143.
_Shakespeare and the Drama_, Schlegel's, 183.
_Shakespeare Restored_, 148.
Shakespeare Society, New, 160.
Shaw, G. B., 177.
Shelley, P. B. 191.
Sheridan, T., 162.
Shirley, James, 91, 92, 112, 113.
Shirley, Sir A., 164.
_Short View of Tragedy_, 170.
Siddons, Mrs. Sarah, 175, 177.
Sidney, Sir Philip, 13, 16, 61.
Simpson, R., 161.
Singer, S. W., 153.
_Sir Thomas More_, 161, 162.
_Sir Thomas Oldcastle_, 157, 158.
Slye, William, 29.
Smethwick, John, 143.
Smith, W. H., 163.
_Soliman and Perseda_, 100.
Somers, Sir George, 68.
_Sonnets_, 57, 58;
date of, 87, 156;
evidence of, 47-49;
personality in, 189, 190.
Sophocles, 184.
Sothern, Edward, 176.
Southampton, Earl of, 23, 47.
Southwell, T., 166.
Spalding, William, 159.
Spenser, Edmund, 2, 16, 61, 178.
_Spanish Tragedy_, 99, 100, 106, 107.
_Squire of Low Degree_, 59.
St. Paul's, 7, 8, 90, 118, 159.
Stael, Madame de, 185.
Stage, typical Shakespearean, illustration, 116.
Stationers' Company, 68, 135, 136.
Steevens, G., 151, 152.
Stowe, John, _Annals_, 63.
Strange's men, 120.
Stratford, described, 4, 6;
Shakespeare at, 18-35.
Sturley, Abraham, 28.
Suckling, Sir John, 112, 168.
_Supposoti, I_, 58, 95.
Surrey, Earl of, 13.
Swan theater, 117, 119, 120.
Tables of metrical tests, 71, 72;
of chronology of plays, 76;
of quarto editions, 138, 139.
_Tamburlaine_, 98.
_Taming of a Shrew_, 161.
_Taming of the Shrew_, 51, 58, 60, 63, 80, 85, 141, 184.
Taylor, Joseph, 43, 130.
_Tears of the Muses_, 61.
_Tempest, The_, 53, 57, 64, 68, 73, 74, 83, 110, 114, 169, 189.
Tennyson, A., 190.
Terence, 51, 54, 93, 95, 96.
Terry, Ellen, 176.
_Testament of Cressid_, 60.
Theater, in Shoreditch, 117, 118, 119, 120.
_Theatrum Poetarum_, 38
Theobald L., 148, 149, 150, 162.
Theocritus, 96.
_Thomas Lord Cromwell_, 157, 158.
Thorpe, Thomas, 47.
Tieck, L., 183.
_Timber_, 46.
_Timon of Athens_, 56, 157, 169.
_'Tis Pity She's a Whore_, 112.
_Titus Andronicus_, 30, 51, 53, 54, 77, 100, 140, 157, 158, 169.
Tourgenieff, 194.
Tourneur, C., 107, 112.
Troilus and Cressida, 56, 60, 82, 104, 114, 169.
_Troilus and Cressida_, (Chaucer's), 60.
_Troublesome Reign of King John_, 161.
_True Tragedy of Richard III_, 100.
_True Tragedy of Richard Duke of York_, 21, 161.
_Tudor Shakespeare_, 38 n, 154, 161.
_Twelfth Night_, 51, 56, 57, 58, 73, 80, 114, 120, 146, 174.
_Two Gentlemen of Verona_, 30, 58, 78, 98.
_Two Italian Gentlemen_, 95.
_Two Noble Kinsmen, The_, 34, 60, 110, 157, 159, 160, 162, 169.
Tyrwhitt, T., 152.
Udall, N., 95.
Ulrici, 180.
Upton, J., 150.
_Venus and Adonis_, 23, 29, 30, 53, 62, 87, 131.
Virgil, 53, 96.
_Volpone_, 33, 105.
Voltaire, 178, 184, 185.
_Vortigern_, 162.
Wagner, C., 152.
Walker, Henry, 26.
Walker, Sidney, 172.
Wallace, C. W., 26, 27.
Walton's _Lives_, 17.
Warburton, W., 150.
Ward, Rev. J., 40.
Ward, W. A., 172
Warner, Mrs., 176.
Watson, Thomas, 61.
Webster, John, 31, 91, 104, 107, 109, 111, 112.
Weever, John, 30.
Whetstone, George, 58, 60, 63.
_White Devil_ 31, 107.
White, R. G., 153, 172.
Wieland, 183.
_Wilhelm Meister_, 183.
Wilson, Robert, 94.
Winchester, Bishop of, 7.
_Winter's Tale_, 62, 85, 110, 174.
_Wise Woman of Hogsdon_, 95.
Wolsey, life of, 17.
_Woman Killed with Kindness_, 105.
Wood, Anthony, 43.
Wordsworth, 191.
_Worthies of England_, 38.
Wright, W. A., 154, 172.
Wyatt, Sir Thomas, 13.
Wycherley, W., 111.
_Yorkshire Tragedy_, 128, 140 n, 157, 158, 159.
Printed in the United States of America.
Transcriber's Endnotes
Corrections:
Page 41. Chapter II. "certains" corrected to _certain_.
"... contains certain notes made before 1688 by the ..."
Page 72. Table 2. "LINES" corrected to _LINE_.
"... ENDING WITHIN THE LINE ..."
Page 89. Chapter V. "comedy These" corrected to _comedy. These_.
"... of classical tragedy and comedy. These new forms ..."
Page 234. Appendix B. "St. Alban's" corrected to _St. Albans_.
"... Mayor of St. Albans. 2H6. II. i."
Page 265. Index entry. "Bi-Lateral" corrected to _Bi-Literal_.
"... Bi-Literal Cypher of Francis Bacon ..."
Page 268. Index Hamlet entry. "160" corrected to _106_.
"... 87, 100, 106, 107, 119 ..."
Re-sequenced Index entries:
First Folio, described, 141-143; facsimile of title-page, 143; 167;
introductory matter in, _see_ Appendix A.
Fletcher, John, 9, 91, 110, 111, 112, 113, 114; collaboration on
_Two Noble Kinsman_, 159, 160; 168, 177, 191. _See_ Beaumont and
Fletcher.
Florio, John. _See_ Montaigne, 57.
Greene, Robert, attack on S., 20-23: 62, 63, 90, 96, 97, 101, 102,
158.
Jonson, Ben, 13, 29, 30, 31, 33, 39, 40, 45, 46, 50, 63, 91, 95,
103, 105, 107, 108, 109, 111, 112, 114, 131; eulogy of S., 167, 168;
182, 190.
_Sonnets_, evidence of, 47-49; 57, 58; date of, 87, 156; personality
in, 189, 190.