CHAPTER V

The Lesser, Black, Blue, and Golden Birds of Paradise

Now I have told you about two very beautiful Birds of Paradise, and

in this chapter I shall tell you about some others; at least I shall

try to tell you what they are like, because not so very much is known

about their habits, what they do, or how they live. That is because

they live in such wild parts of the world, in such deep, dense forests,

and on such high, steep hills. Not many travellers have been into

these out-of-the-way places, and those that have gone there, instead

of trying to watch them and find out all about them--which would have

been so interesting--have shot at them with their guns whenever they

have seen them, and have either killed them or driven them away. It is

not by killing birds or by driving them away that you can find out much

about their habits.

It would be much better if these travellers were to take a good pair of

glasses and were to sit down in the forests or on the hills and watch

the birds through the glasses whenever they saw them; for with a good

pair of glasses one can watch birds even when they do not come very

near to one. Then we should know something about them, and the more we

know about a bird or any other living creature the more interesting it

becomes for us. One cannot be _very_ interested in something that one

knows nothing about, but as one begins to know even a little about it,

it begins to get interesting directly. But then, why is it that the

travellers who go out to these countries take guns with them instead

of glasses, and shoot the birds--as well as other animals--instead of

watching them? That is a question which I cannot answer. All I can tell

you is that it is as I say, and I am afraid the wicked little demon has

something to do with it. But now we must get on, and first we come to

the Lesser Bird of Paradise.

The Lesser Bird of Paradise is something like the Great Bird of

Paradise, only it is not quite so handsome and not nearly so

big--which, of course, is what you would expect from its name. Where

the Great Bird of Paradise is brown the lesser one is brown too, but

it is a lighter brown, not such a nice, rich, coffee-coloured one as

the other, and, on the breast, this brown colour does not change into

a blackish-violet or a browny-purple as you know it does in the

Great Bird of Paradise--it is brown there just the same. On the back,

though, the Lesser Bird of Paradise is all yellow, so that here, if you

remember, it has the advantage; but then the long plumes on each side

under the wings are not _so_ long as in the Great Bird of Paradise,

and they have only just a tinge of orange in them, instead of being of

the beautiful golden-orange colour that _his_ ones are. The tips of

them, too, are white instead of mauvy-brown, and the two funny feathers

in the tail are much shorter than the Great Bird of Paradise's funny

feathers.

[Illustration: THE LESSER BIRD OF PARADISE]

But although the Lesser Bird of Paradise is not such a beautiful bird

as the Great Bird of Paradise is, still it is a very beautiful bird

indeed--what Bird of Paradise is not?--and as it is commoner than the

other Birds of Paradise and easier to get, it is the one that is most

often killed and put into the hats that the women with the frozen

hearts wear; which is why I want you to jump up and throw your arms

round your mother's neck and make her promise never, never to wear a

hat that has a Lesser Bird of Paradise in it.

And now, what would you say to a Black Bird of Paradise? For there is

one--yes, and such a splendid bird. "Oh, but," you will say, "if he

is black he cannot be so _very_ beautiful, for he cannot be of all

sorts of beautiful colours like the other ones." But have you not heard

of a black diamond? That is black, but _in_ its blackness all sorts

of wonderful colours are lying asleep, and sometimes they wake up and

flash out of it, as the sun's rays do out of a dark, stormy cloud, and

then they go back into it again and are lost, as the sun's rays are

lost when the sun goes in. Yes, they are asleep, those colours, and

whilst they are asleep the diamond is really black, but when they wake

up and begin to gleam and flash, and sparkle, and shoot about, then it

is not a _black_ diamond any more, although we may call it so.

And there may be a dark, deep cavern, so dark and so deep that you

would be quite afraid to go into it, especially at night. But some

gipsies, who were not afraid, have gone into it and have lighted a

fire, and the flames leap up and glimmer through the smoke, and then

sink for a moment and shoot up again, and fall on the sides and roof

of the cavern, and make a deep glow in its mouth, and flicker on the

leaves of the trees outside, and send out long tongues of flame that

make a red light in the air and lick the darkness off everything that

they touch. That cavern _was_ dark and black before the fire was

lighted in it, and when the fire goes out it will be dark and black

again, but it is not dark and black just now, whilst the red fire is

burning.

Or it may be a dark night, very dark and stormy, so dark that it is

difficult for people who are out in it to find their way, whilst people

who only look out of the window, say that it is a pitch-dark night. But

now the rain is beginning to fall, and it comes down faster and faster,

and there is a muttering in the dull sky, and, all at once, a flash of

lightning leaps out of the darkness, cutting it as though with a red,

jagged knife, and for an instant it is day, and you see the leaves on

the trees, and the rain-drops falling through the air, and the fields

with haystacks standing in them, or rivers winding through them, and

the distant hills, and the line where the earth meets the heavens.

Then, all in a moment--almost before you can say "Oh," and quite before

the great clap of thunder that follows the lightning-flash--it is

night--deep, dark, black night--again. The night in which there is a

storm like that is a dark night, but it is not dark when the lightning

is leaping and flashing.

It is the same with this Black Bird of Paradise. At first when you

look at him, all his plumage is of a deep, dark, velvety black, a

lovely black, a beautiful, smooth, glossy black, a black that seems

almost to gleam and to sparkle as if it were jewellery--black velvet

jewellery you may call it, very handsome, very beautiful indeed. Still

it is black, but all at once all the colours that have lain asleep in

it--blues and greens, and bluey-greens and greeny-blues, and purples

and indigos, and wonderful bronzy reflections--wake up together,

and flash out of it like the sparkles out of the diamond, like the

tongues of fire out of the black cavern, like the lightning out of the

dark night. There they all are, flashing and leaping about, meeting

and mingling, then shooting apart, playing little games with each

other, till all at once they fall asleep again, and there is only the

smooth, glossy black, the deep, jetty black, the shining, gleaming,

satiny-velvety black, the black velvet, black satin jewellery. That

is what a Black Bird of Paradise is like, like a black diamond, like

a cavern with a fire lighted in it, like a dark night with flashes of

lightning.

But now I will tell you a little more about his appearance, for this

that I have told you is only just to give you an idea of how that

wonderful material, from which Dame Nature with her scissors cuts out

all her children (for all things that are alive are the children of

Dame Nature), can be black, and yet have all sorts of colours in it at

the same time.

First, you must know--so as not to make any mistake--that this "Black

Bird of Paradise" has another name--indeed he has two other names, but

one of them is in Latin, so we won't bother about that. There are some

birds that have no English names, and when we come to them we will

have to call them by their Latin ones--but as long as a bird has an

English name we will never trouble our heads about what its Latin name

may be, not we, any more than the bird itself does, and no bird that

has an English name ever thinks about what its name is in Latin--in

fact I really do not believe that it knows. An English name is enough

for _any_ bird, if only it is so _fortunate_ as to have one. Now this

bird is so fortunate as to have two English names--the Black Bird of

Paradise, that you know about--which is what the English people who

live in its own country call it--and the Superb Bird of Paradise,

which is what naturalists at home in England call it. The _Superb_

Bird of Paradise! Just fancy having a name like that! Supposing a

gentleman--some friend of your father and mother, who calls sometimes

at the house--were to be called the superb Mr. Jones or the superb Mr.

Robinson! Only he would have to be very much more handsome than he is

at all likely to be, before he would deserve a name like _that_.

Well, the two most wonderful things about the Superb or Black Bird of

Paradise--after his marvellous black plumage, that has all sorts of

colours lying asleep in it--are two wonderful ornaments that he has,

one on his head and one on his breast. The one on his head is the most

wonderful. It is a sort of crest--at least I think that is the best

name for it. Some people, I know, call it a shield, but then that is

what they call the other wonderful thing on the breast too; so, if they

call that a shield, I think they should call this a helmet, for it is

a helmet, and not a shield, that soldiers wear on the head. _I_ shall

call it a crest, but it is one of the most extraordinary crests that

any bird ever had. It is like a pair of black velvet lappets, so long

that they go all down the back and reach half-an-inch beyond the tips

of the wings. But at the back of the head, where this crest begins,

the two lappets meet, and they are joined together for a little way

before they begin to go apart. I tell you what will give you an idea

of the shape of this crest. Have you ever seen a pair of trousers

that have been washed, and are hanging out on a clothes-line to dry,

with the legs very wide apart, so wide they look as if they had been

stretched?--I don't know if they really have. Of course you have seen

such a thing. Well, that will give you an idea--mind, that is _all_

I can say--of what this wonderful crest that is worn by the Black

Bird of Paradise is like. The legs of the trousers are the two lappets,

from where they are divided from each other, and, farther up, they

join and become all one, just as the legs of a pair of trousers _do_.

Only, of course, I need hardly tell you that a crest of beautiful,

black, velvety feathers, glossed with bronze and purple, has a far more

_elegant_ appearance than a pair of trousers hanging out to dry, though

it may have just a _little_ the same shape.

[Illustration: KING BIRD OF PARADISE]

Now I think you will agree with me that this crest is a wonderful

thing, even when it is only lying down along the neck and body of the

bird. But what would you say when you saw the Black Bird of Paradise

lift it right up above its head?--which is what he does, you may be

sure, when he wants to show off before the hen bird, who has no crest

on _her_ head nor shield on her breast, and whose black feathers, I

am afraid, are not nearly so glossy and velvety, and have no colours

lying asleep in them and ready to wake up all of a sudden. Ah, you

would think the Black Bird of Paradise a wonderful, wonderful bird

if you were to see him bowing politely to his hen and lifting up his

wonderful, wonderful crest to her.

But I told you this bird had a shield too, and when he lifts up his

crest over his head, he shoots out his shield in front of his breast,

at the same time, and this shield is something of the same shape as

the crest or helmet, only smaller, and always of a lovely bluey-green

colour, with a glossy sheen upon it that is just like that upon satin.

Yes, _always_, for the colours that go to sleep in the other parts of

the Black Bird of Paradise's plumage, keep wide awake in the shield on

its breast, or, if you ever do catch them napping, it is only just for

a single instant, and then out they flash again, wider awake than ever.

So now, if you were to say--as I am sure you would say--that the Black

Bird of Paradise was a wonderful, wonderful bird, even if you were to

see him with only his crest lifted up, what, ah, _what_ would you say

if you were to see him with his crest lifted up and his shield shot out

at the same time? Why, I think that then you could not say less than

that he was a wonderful, wonderful, _wonderful_ bird--three wonderfuls

instead of only two. And indeed you would be right.

Yes, he is a wonder, is the Black Bird of Paradise, though I must

tell you that he has not any of those long, silky feathers that hang

down like cascades and shoot up like fountains, from the sides of

those other Birds of Paradise I have been telling you about. And he

has no long "funny feathers" in his tail either. You see he cannot

have everything, and his crest and shield are instead of those. They

are not quite so beautiful, perhaps, but I think they are still more

wonderful. Even when his crest--his helmet--is laid down and his shield

is not stuck out, the Black Bird of Paradise is a wonder, but when he

raises the one up and shoots the other out, both at the same time,

and says to the hen, "Look at me!" and all the colours that have been

asleep in the helmet, or awake in the shield, gleam and flash and

sparkle together, ah, _then_ he is a wonder of wonders.

Then, do you think he is a bird that ought to be killed and killed

and killed, only to have those beautiful, bronzy-black crests, and

satiny-green, gleaming shields of his set in hats where they soon get

dull and dusty, and where he can never raise them up or shoot them out

or pay proper attention to them--because he is dead, dead, dead? Is

he to be killed and killed till he is gone for ever, and there is not

one more beautiful Black Bird of Paradise in the whole world? Oh no,

no, no; it ought not to be so--it must not, it _shall_ not--because

you will prevent it--yes, you. You will turn to your mother now, this

minute, if she is there, if she is reading this to you, or, if not, you

will run to her--oh, so quickly, so quickly--and ask her, beg her--keep

on asking and asking, begging and begging her to promise--till she

_has_ promised--never, _never_ to buy a hat that has a beautiful Black

Bird of Paradise in it.

Now, as I have said that the Black Bird of Paradise is such a

very wonderful bird--as I have even called him a "wonder of

wonders"--perhaps you will think that there is no other Bird of

Paradise quite so wonderful as he is. Well, I do not wonder at your

thinking so; and, do you know, whilst I was describing him to you and

telling you how wonderful he was, I thought so too. But I had forgotten

the Blue Bird of Paradise.

The Blue Bird of Paradise is quite as wonderful as the Black one.

Perhaps--but mind I only say perhaps--he is even a little more

wonderful. To begin with, blue is a very uncommon colour for a Bird

of Paradise to be of. None of the Birds of Paradise that I have told

you about have feathers that are really blue. There are blue lights, I

know, in some of their feathers, especially on the head, but still they

are not quite blue. You could hardly call them blue feathers, for there

is a green light or a purple light as well as a blue light in them,

which makes them bluey-green or greeny purple, or, at any rate, green

or purple _and_ blue, not just blue by itself. And then, as you know,

sometimes all those lights go to sleep and then the feathers are black.

I do not think there is any Bird of Paradise except the Blue Bird of

Paradise whose feathers are really and truly blue, and I am quite sure

that there is no other one--at least that we know of--which has so much

blue about it, that you would think of it as a blue bird, or that has

blue feather-fountains--those wonderful long silky plumes that grow out

of each side under the wings.

That is what is most wonderful in the Blue Bird of Paradise. There is

no other Bird of Paradise that can sit under a blue fountain or look

out of a blue sunset. But the plumes of the Blue Bird of Paradise are

not so long as those of the Great or the Lesser Bird of Paradise, and

when he spreads them out they go more on each side of him than up over

his head, and, for this reason, I think, he looks more as if he was

looking out of a sunset than sitting under a fountain. You have seen

a beautiful sunset often; there will be blue in it somewhere, cool,

lovely lakes or bays, or long, stretching inlets, of the loveliest,

purest, most delicate blue. But the clouds that float in those bays

and lakes like islands, or that shut them in and make their shores,

like great burning continents, are not blue, but rosy red or fiery

crimson or molten gold or golden-crimson flame. That, at least, is what

the brightest ones are like, those that are gathered nearest round

the sun. Now, if they could keep all their brightness and glowingness

and be blue instead of rose or crimson or gold, then it would be a

blue sunset; and that is what the sunset is like that the Blue Bird

of Paradise looks out of, when he spreads out his plumes, just as the

sunset that the Red Bird of Paradise looks out of, when _he_ spreads

out _his_ plumes, is like a red sunset--only of feathers, of course.

One is a blue feather-sunset, and the other a red feather-sunset.

And how soft those feathers are, those wonderful, blue sunset-feathers

of the wonderful Blue Bird of Paradise. Oh, I cannot tell you how

softly they droop down over his breast, or how softly--how _very_

softly--each feather touches the other one, upon it. How softly, I

wonder--for I know you will want me to say. As softly as a snowflake

falls upon snow? Oh, more softly than that. As softly as two gossamers

are blown together in the air? Still more softly, even. As softly,

then, as your mother kisses you when you are asleep, and she does not

wish to wake you? Yes, I think it is as softly, or almost as softly, as

that. Those are two of the very softest kisses--when your mother kisses

you when you are asleep, so as not to wake you, and when the soft blue

feathers of the plumes on each side of a Blue Bird of Paradise, meet

and kiss each other on its breast.

Now that is all I am going to tell you about the front part of the

Blue Bird of Paradise--for those wonderful blue feathers that grow on

each side become the front part of him when he spreads them out. You

see, they open out like two fans, with the handles turned towards each

other, and meet together on the breast and above the head, so as to

make one large fan or screen. Of course there is something behind this

screen, and through it peeps the head of the bird, which is very pretty

too. But you don't look at his head, you don't seem to see it. All

you see or look at are those beautiful, beautiful plumes, that lovely

screen, that wonderful soft blue feather-sunset.

As for the back part of this wonderful Blue Bird of Paradise, well,

that is blue too, most of it--a handsome blue, a lovely blue, a

gleaming, shining, glossy, satiny blue that looks darker when you see

it from one side, and lighter when you see it from another, and which

gleams and glints and is very resplendent (which is a word your mother

will explain to you) however you look at it. Oh, a glorious blue, a

magnificent blue, but not _such_ a blue as the blue of those soft

lovely feathers that spread out on each side and curl over and meet and

kiss each other so softly, on the breast. And the head and neck of the

Blue Bird of Paradise (for sometimes he puts them behind the screen,

and then they are the back part of him) are of a soft velvet brown

that, as you look at it, becomes a soft velvet-claret-magenta colour

(which your mother knows all about and will explain to you), and in his

tail there are two long "funny feathers" that hang down from the bough

he is sitting on, and--and _now_ you must try to imagine him. _When_

you have imagined him--or before you have, if you are not able to--you

must make your mother promise--now what? You know, of course. You must

make her promise _never_ to wear a hat with a Blue Bird of Paradise's

feathers in it.

Now we come to the Golden or Six-shafted Bird of Paradise, who lives

just in one part of New Guinea--that long part at the north that goes

out into the sea, and which we call a peninsula; you have only to

look at the map and you will see it. Now I think of it, the Superb

or Black Bird of Paradise--or shall we say the Superb Black Bird of

Paradise?--lives there too, so I daresay they sometimes see each other.

Perhaps they call on each other, for, you see, they are both of them

distinguished. One is superb and the other golden, and when two people

are like that they do not mind calling upon one another. You see,

neither of them can be hurt by it then. A _superb_ person may call

upon even a _golden_ person, and yet feel quite well after it, and it

will not do a _golden_ person any harm at all to call upon a _superb_

person. So, if birds are like people, I feel sure that sometimes the

Golden and the Superb Bird of Paradise call upon each other.

Now you will want to know why this Bird of Paradise is called both the

Golden and the Six-shafted Bird of Paradise. Well, he is called the

Golden Bird of Paradise because he has lovely golden feathers on his

throat and breast, and he is called the Six-shafted Bird of Paradise

because six little arrows--for that is what they look like--seem to

have been shot into his head, three on each side--arrows, you know, are

sometimes called shafts. These little shafts or arrows are six inches

long--almost as long as the bird itself--and bend right back over

his body, as far as to the tail. Of course each of them is really a

feather--an arrow that is all feather--but it is a "funny feather" with

only the quill, which is very thin and slender, till quite the end,

where there is just a little oval piece of the soft web--the part that

looks really like a feather--left upon it. That is what makes them look

like arrows. But is it not curious that the "funny feathers" of _this_

Bird of Paradise are in his head instead of in his tail? I think it

must be because Dame Nature wanted to make him a little different.

Of course you will see at once that six feathers like that--to say

nothing of his wonderful golden breast--make the Six-shafted (or

Golden) Bird of Paradise quite as remarkable as the Black or the Blue,

or any of the other, Birds of Paradise. Whether it makes him _more_

remarkable, that I really can't say. _You_ must make up your mind about

that. The fact is, _all_ the Birds of Paradise are remarkable. I am

sure if they were all together in one place, and you were to say out

loud that any one of them was the _most_ remarkable, all the other ones

would be very much offended.

But now, besides his six little shafts or arrows and the beautiful

golden feathers on his throat and breast--they are very large, I must

tell you, those feathers, and sometimes they look green and blue

as well as golden--this Bird of Paradise has two immense tufts of

beautiful, soft, silky feathers on each side of the breast. So large

each tuft is, that when he lifts them both up--as of course he can

do--they almost hide him altogether. Then on the back of his head he

has a band of feathers, so wonderfully bright that they do not seem

to be feathers at all. They look more like jewels--yes, jewels. It is

as if some magician had taken the sheen and shining light out of the

emerald and topaz, and put them on that bird's head, and told them

to stay there. Then on his forehead, just above the beak--as if all

this were not enough--there is a patch, quite a large patch, of pure

white feathers that shine like satin. Really I think you might

almost say that this Bird of Paradise was _the_ most wonderful of all

the Birds of Paradise. But take care, do not say it out loud or you

will offend _all_ the others. Only I forgot, they are not here. Well,

then, you _may_ say it out loud, if you really think so. I do wish I

could have got this bird's picture, but as he would not give it me, you

must look at the picture of the Golden-winged Bird of Paradise instead.

_He_ is a very handsome bird, too--very much brighter than he looks.

[Illustration: GOLDEN-WINGED BIRD OF PARADISE]

Well, this makes the sixth Bird of Paradise which I have been able

to tell you something about--I mean about their appearance, for very

little else is known about them. But, do you know, there are some forty

or fifty different kinds, and, of course, if I were to describe them

all, or anything like all (which, however, I should not be able to do),

this little book would become quite a big book, and there would be no

room in it for any other kinds of beautiful birds. So I won't describe

any more Birds of Paradise, but I will just say something, before

getting on to the other beautiful birds, about Birds of Paradise and

beautiful birds in general. That means about most Birds of Paradise and

most other beautiful birds. When we talk about things in general, or

people in general, we mean most things or most people. But that must be

in another chapter, for this one has been quite long enough, and so

we must end it. Oh, but wait a minute. Really, I was quite forgetting.

First you must get your mother to promise never to buy a hat in which

there are any feathers belonging to the Golden or Six-shafted Bird of

Paradise. Yes, and never to wear it either, even if she did not buy it,

but had it given to her. Of course your father might give your mother a

hat, but if he were to give her one of that sort, he would have to take

it back to the shop and change it for another.

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