CHAPTER XVII

As it is the custom of those connected with the world of the circus to

eat, sleep, have their whole being, as it were, within the environment

of the show, to the total exclusion of hotels, boarding-houses, or

outside lodgings of any sort, he found on his arrival at his destination

the entire company assembled in what was known as the "living-tent,"

chatting, laughing, reading, playing games, and killing time generally

whilst waiting for the call to the "dining-tent," and this gave him an

opportunity to meet all the persons connected with the "case," from the

"chevalier" himself to the Brazilian coffee planter who was "backing"

the show.

He found this latter individual a somewhat sullen and taciturn man of

middle age, who had more the appearance of an Austrian than a Brazilian,

and with a swinging gait and an uprightness of bearing which were not to

be misunderstood.

"Humph! Known military training," was Cleek's mental comment as soon as

he saw the man walk. "Got it in Germany, too; I know that peculiar

'swing.' What's his little game, I wonder? And what's a Brazilian doing

in the army of the Kaiser? And, having been in it, what's he doing

dropping into this line--backing a circus, and travelling with it like a

Bohemian?"

But although these thoughts interested him, he did not put them into

words nor take anybody into his confidence regarding them.

As for the other members of the company, he found "the indifferent

rider," known as Signor Antonio Martinelli, an undoubted Irishman of

about thirty years of age, extremely handsome, but with a certain

"shiftiness" of the eye which was far from inspiring confidence, and

with a trick of the tongue which suggested that his baptismal

certificate probably bore the name of Anthony Martin. He found, too,

that all he had heard regarding the youth and beauty of the chevalier's

second wife was quite correct, and although she devoted herself a great

deal to the Brazilian coffee planter and the Irish-Italian "Martinelli,"

she had a way of looking over at her middle-aged spouse, without his

knowledge, that left no doubt in Cleek's mind regarding the real state

of her feelings towards the man. And last, but not least by any means,

he found the chevalier himself a frank, open-minded, open-hearted,

lovable man who ought not, in the natural order of things, to have an

enemy in the world. Despite his high-falutin' _nom de théâtre_, he was

Belgian--a big, soft-hearted, easy-going, unsuspicious fellow, who

worshipped his wife, adored his children, and loved every creature of

the animal world.

How well that love was returned, Cleek saw when he went with him to that

part of the building where his animals were kept, and watched them

"nose" his hand or lick his cheek whenever the opportunity offered. But

Nero, the lion, was perhaps the greatest surprise of all, for so tame,

so docile, so little feared was the animal, that its cage-door was open,

and they found one of the attendants squatting cross-legged inside and

playing with it as though it were a kitten.

"There he is, doctor," said the chevalier, waving his hand towards the

beast. "Ah, I will not believe that it was anything but an accident,

sir. He loved my boy. He would hurt no one that is kind to him. Fetch

him out, Tom, and let the doctor see him at close quarters."

Despite all these assurances of the animal's docility, Cleek could not

but remember what the creature had done, and, in consequence, did not

feel quite at ease when it came lumbering out of the cage with the

attendant and ranged up alongside of him, rubbing its huge head against

the chevalier's arm after the manner of an affectionate cat.

"Don't be frightened, sir," said Tom, noticing this. "Nothing more'n a

big dog, sir. Had the care of him for eight years, I have--haven't I,

chevalier?--and never a growl or scratch out of him. No 'smile' for your

old Tom, is there, Nero, boy, eh? No fear! Ain't a thing as anybody does

with him, sir, that I wouldn't do off-hand and feel quite safe."

"Even to putting your head in his mouth?" queried Cleek.

"Lord yes!" returned the man, with a laugh. "That's nothing. Done it

many a day. Look here!" With that he pulled the massive jaws apart, and,

bending down, laid his head within them. The lion stood perfectly

passive, and did not offer to close his mouth until it was again empty.

It was then that Cleek remembered and glanced round at young Scarmelli.

"He never 'smiles' for any but the chevalier and his son, I believe you

said," he remarked. "I wonder if the chevalier himself would be as safe

if he were to make a feint of doing that?" For the chevalier, like most

of the other performers, had not changed his dress after the matinee,

since the evening performance was soon to begin; and if, as Cleek had an

idea, that the matter of costume and make-up had anything to do with the

mystery of the thing, here, surely, was a chance to learn.

"Make a feint of it? Certainly I will, doctor," the chevalier replied.

"But why a feint? Why not the actual thing?"

"No, please--at least, not until I have seen how the beast is likely to

take it. Just put your head down close to his muzzle, chevalier. Go

slow, please, and keep your head at a safe distance."

The chevalier obeyed. Bringing his head down until it was on a level

with the animal's own, he opened the ponderous jaws. The beast was as

passive as before; and, finding no trace of the coming of the mysterious

and dreaded "smile," he laid his face between the double row of gleaming

teeth, held it there a moment, and then withdrew it uninjured. Cleek

took his chin between his thumb and forefinger and pinched it hard. What

he had just witnessed would seem to refute the idea of either costume or

make-up having any bearing upon the case.

"Did you do that to-day at the matinee performance, chevalier?" he

hazarded, after a moment's thoughtfulness.

"Oh, yes," he replied. "It was not my plan to do so, however. I alter my

performance constantly to give variety. To-day I had arranged for my

little son to do the trick; but somehow--Ah! I am a foolish man,

monsieur; I have odd fancies, odd whims, sometimes odd fears,

since--since that awful night. Something came over me at the last

moment, just as my boy came into the cage to perform the trick I changed

my mind. I would not let him do it. I thrust him aside and did the trick

myself."

"Oho!" said Cleek. "Will the boy do it to-night, then, chevalier?"

"Perhaps," he made reply. "He is still dressed for it. Look, here he

comes now, monsieur, and my wife, and some of our good friends with him.

Ah, they are so interested, they are anxious to hear what report you

make upon Nero's condition."

Cleek glanced round. Several members of the company were advancing

towards them from the "living-tent." In the lead was the boy, a little

fellow of about twelve years of age, fancifully dressed in tights and

tunic. By his side was his stepmother, looking pale and anxious. But

although both Signor Martinelli and the Brazilian coffee planter came to

the edge of the tent and looked out, it was observable that they

immediately withdrew, and allowed the rest of the party to proceed

without them.

"Dearest, I have just heard from Tom that you and the doctor are

experimenting with Nero," said the chevalier's wife, as she came up with

the others and joined him. "Oh, do be careful, do! Much as I like the

animal, doctor, I shall never feel safe until my husband parts with it

or gives up that ghastly 'trick.'"

"My dearest, my dearest, how absurdly you talk!" interrupted her

husband. "You know well that without that my act would be commonplace,

that no manager would want either it or me. And how, pray, should we

live if that were to happen?"

"There would always be my salary; we could make that do."

"As if I would consent to live upon your earnings and add nothing

myself! No, no! I shall never do that--never. It is not as though that

foolish dream of long ago had come true, and I might hope one day to

retire. I am of the circus, and of it I shall always remain."

"I wish you might not; I wish the dream might come true, even yet," she

made reply. "Why shouldn't it? Wilder ones have come true for other

people; why should they not for you?"

Before her husband could make any response to this, the whole trend of

the conversation was altered by the boy.

"Father," he said, "am I to do the trick to-night? Señor Sperati says it

is silly of me to sit about all dressed and ready if I am to do nothing,

like a little super, instead of a performer and an artist."

"Oh, but that is not kind of the señor to say that," his father replied,

soothing his ruffled feelings. "You are an artist, of course; never

super--no, never. But if you shall do the trick or not, I cannot say. It

will depend, as it did at the matinee. If I feel it is right, you shall

do it; but if I feel it is wrong, then it must be no. You see, doctor,"

catching Cleek's eye, "what a little enthusiast he is, and with how

little fear."

"Yes, I do see, chevalier; but I wonder if he would be willing to humour

me in something? As he is not afraid, I've an odd fancy to see how he'd

go about the thing. Would you mind letting him make the feint you

yourself made a few minutes ago? Only, I must insist that in this

instance it be nothing more than a feint, chevalier. Don't let him go

too near at the time of doing it. Don't let him open the lion's jaws

with his own hands. You do that. Do you mind?"

"Of a certainty not, monsieur. Gustave, show the good doctor how you go

about it when papa lets you do the trick. But you are not really to do

it just yet, only to bend the head near to Nero's mouth. Now then, come,

see."

As he spoke he divided the lion's jaws and signalled the child to bend.

He obeyed. Very slowly the little head drooped nearer to the gaping,

full-fanged mouth, very slowly and very carefully, for Cleek's hand was

on the boy's shoulder, Cleek's eyes were on the lion's face. The huge

brute was as meek and as undisturbed as before, and there was actual

kindness in its fixed eyes. But of a sudden, when the child's head was

on a level with those gaping jaws, the lips curled backward in a ghastly

parody of a smile, a weird, uncanny sound whizzed through the bared

teeth, the passive body bulked as with a shock, and Cleek had just time

to snatch the boy back when the great jaws struck together with a snap

that would have splintered a skull of iron had they closed upon it.

The hideous and mysterious "smile" had come again, and, brief though it

was, its passing found the boy's sister lying on the ground in a dead

faint, the boy's stepmother cowering back, with covered eyes and shrill,

affrighted screams, and the boy's father leaning, shaken and white,

against the empty case and nursing a bleeding hand.

In an instant the whole place was in an uproar. "It smiled again! It

smiled again!" ran in broken gasps from lip to lip; but through it all

Cleek stood there, clutching the frightened child close to him, but not

saying one word, not making one sound. Across the dark arena came a rush

of running footsteps, and presently Señor Sperati came panting up,

breathless and pale with excitement.

"What's the matter? What's wrong?" he cried. "Is it the lion again? Is

the boy killed? Speak up!"

"No," said Cleek very quietly, "nor will he be. The father will do the

trick to-night, not the son. We've had a fright and a lesson, that's

all." And, putting the sobbing child from him, he caught young

Scarmelli's arm and hurried him away. "Take me somewhere that we can

talk in safety," he said. "We are on the threshold of the end,

Scarmelli, and I want your help."

"Oh, Mr. Cleek, have you any idea--any clue?"

"Yes, more than a clue. I know how, but I have not yet discovered why.

Now, if you know, tell me what did the chevalier mean, what did his wife

mean, when they spoke of a dream that might have come true, but didn't?

Do you know? Have you any idea? Or, if you have not, do you think your

fiancée has?"

"Why, yes," he made reply. "Zelie has told me about it often. It is of a

fortune that was promised and never materialized. Oh, such a long time

ago, when he was quite a young man, the chevalier saved the life of a

very great man, a Prussian nobleman of great wealth. He was profuse in

his thanks and his promises, that nobleman; swore that he would make him

independent for life, and all that sort of thing."

"And didn't?"

"No, he didn't. After a dozen letters promising the chevalier things

that almost turned his head, the man dropped him entirely. In the midst

of his dreams of wealth a letter came from the old skinflint's steward

enclosing him the sum of six hundred marks, and telling him that as his

master had come to the conclusion that wealth would be more of a curse

than a blessing to a man of his class and station, he had thought better

of his rash promise. He begged to tender the enclosed as a proper and

sufficient reward for the service rendered, and 'should not trouble the

young man any further.' Of course, the chevalier didn't reply. Who

would, after having been promised wealth, education, everything one had

confessed that one most desired? Being young, high-spirited, and

bitterly, bitterly disappointed, the chevalier bundled the six hundred

marks back without a single word, and that was the last he ever heard of

the Baron von Steinheid from that day to this."

"The Baron von Steinheid?" repeated Cleek, pulling himself up as though

he had trodden upon something. "Do you mean to say that the man whose

life he saved--Scarmelli--tell me something: Does it happen by any

chance that the 'Chevalier di Roma's' real name is Peter Janssen

Pullaine?"

"Yes," said Scarmelli, in reply. "That is his name. Why?"

"Nothing, but that it solves the riddle, and--the lion has smiled for

the last time! No, don't ask me any questions; there isn't time to

explain. Get me as quickly as you can to the place where we left Mr.

Narkom's motor. Will this way lead me out? Thanks! Get back to the

others, and look for me again in two hours' time; and--Scarmelli!"

"Yes, sir?"

"One last word--don't let that boy get out of your sight for one

instant, and don't, no matter at what cost, let the chevalier do his

turn to-night before I get back. Good-bye for a time. I'm off."

Then he moved like a fleetly-passing shadow round the angle of the

building, and two minutes later he was with Narkom in the red limousine.

"To the German embassy as fast as we can fly," he said as he scrambled

in. "I've something to tell you about that lion's smile, Mr. Narkom, and

I'll tell it while we're on the wing."

Cleek: the Man of the Forty Faces · 第 17 / 35 章