CHAPTER XV

SAH-LUMA SINGS.

As they left the garden the night fell, or appeared to fall, with

almost startling suddenness, and at the same time, in swift defiance of

the darkness, Sah-luma's palace was illuminated from end to end by

thousands of colored lamps, all apparently lit at once by a single

flash of electricity. A magnificent repast was spread for the Laureate

and his guest, in a lofty, richly frescoed banqueting-hall,--a repast

voluptuous enough to satisfy the most ardent votary that ever followed

the doctrines of Epicurus. Wonderful dainties and still more wonderful

wines were served in princely profusion--and while the strangely met

and sympathetically united friends ate and drank, delicious music was

played on stringed instruments by unseen performers. When, at

intervals, these pleasing sounds ceased, Sah-luma's conversation,

brilliant, witty, refined, and sparkling with light anecdote and

lighter jest, replaced with admirable sufficiency, the left-off

harmonies,--and Theos, keenly alive to the sensuous enemy of his own

emotions, felt that he had never before enjoyed such an astonishing,

delightful, and altogether fairy-like feast. Its only fault was that it

came to an end too soon, he thought, when, the last course of fruit and

sweet comfits being removed, he rose reluctantly from the glittering

board, and prepared to accompany his host, as agreed, to the presence

of the King.

In a very short time, so bewilderingly short as to seem a mere

breathing-space,--he found himself passing through the broad avenues

and crowded thoroughfares of Al-Kyris on his way to the Royal abode. He

occupied a place in Sah-luma's chariot,--a gilded car, shaped somewhat

like the curved half of a shell, deeply hollowed, and set on two high

wheels that as they rolled made scarcely any sound; there was no seat,

and both he and Sah-luma stood erect, the latter using all the force of

his slender brown hands to control the spirited prancing of the pair of

jet-black steeds which, harnessed tandem-wise to the light-vehicle,

seemed more than once disposed to break loose into furious gallop

regardless of their master's curbing rein.

The full moon was rising gradually in a sky as densely violet as purple

pansy-leaves--but her mellow lustre was almost put to shame by the

brilliancy of the streets, which were lit up on both sides by

vari-colored lamps that diffused a peculiar, intense yet soft radiance,

produced, as Sah-luma explained, from stored-up electricity. On the

twelve tall Towers of the Sacred Temple shone twelve large, revolving

stars, that as they turned emitted vivid flashes of blue, green, and

amber flame like light-house signals seen from ships veering

shorewards,--and the reflections thus cast on the mosaic pavement,

mingling with the paler beams of the moon, gave a weird and most

fantastic effect to the scene. Straight ahead, a blazing arch raised

like a bent bow against heaven, and having in its centre the word

ZEPHORANIM,

written in scintillating letters of fire, indicated to all beholders

the name and abode of the powerful Monarch under whose dominion,

according to Sah-luma, Al-Kyris had reached its present height of

wealth and prosperity.

Theos looked everywhere about him, seeing yet scarcely realizing the

wonders on which he gazed,--leaning one arm on the burnished edge of

the car, he glanced now and then up at the dusky skies growing thick

with swarming worlds, and meditated dreamily whether it might not be

within the range of possibility to be lifted with Sah-luma, chariot,

steeds and all into that beautiful, fathomless empyrean, and drive

among planets as though they were flowers, reining in at last before

some great golden gate, which unbarred should open into a lustrous

Glory-Land fairer than all fair regions ever pictured!

How like a god Sah-luma looked, he mused! ... his eyes resting tenderly

on the light, glittering form he was never weary of contemplating.

Could there be a more perfect head than that dark one crowned with

myrtle? ... could there be a more dazzling existence than that enjoyed

by this child of happy fortune, this royal Laureate of a mighty King?

How many poets starving in garrets and waiting for a hearing, would not

curse their unlucky destinies when comparing themselves with such a

Prince of Poesy, each word of whose utterance was treasured and

enshrined in the hearts of a grateful and admiring people!

This was Fame indeed, . . Fame at its utmost best,--and Theos sighed

once or twice restlessly as he inwardly reflected how poor and

unsatisfying were his own poetical powers, and how totally unfitted he

was to cope with a rival so vastly his superior. Not that he by any

means desired to cross swords with Sah-luma in a duel of song,-that was

an idea that never entered his mind; he was simply conscious of a

certain humiliated feeling,--an impression that it' he would be a poet

at all, he must go back to the very first beginning of the art and

re-learn all he had ever known, or thought he knew.

Many strange and complex emotions were at work within him, . . emotions

which he could neither control nor analyze,--and though he felt himself

fully alive,--alive to his very finger-tips, he was ever and anon aware

of a curious sensation like that experienced by a suddenly startled

somnambulist, who, just on the point of awaking, hesitates reluctantly

on the threshold of dreamland, unwilling to leave one realm of shadows

for another more seeming true, yet equally transient. Entangled in

perplexed reveries he scarcely noticed the brilliant crowds of people

that were flocking hither and thither through the streets, many of whom

recognizing Sah-luma waved their hands or shouted some gay word of

greeting,--he saw, as it were without seeing. The whirling pageant

around him was both real and unreal,--there was always a deep sense of

mystery that hung like a cloud over his mind,--a cloud that no

resolution of his could lift,--and often he caught himself dimly

speculating as to what lay BEHIND that cloud. Something, he felt

sure,--something that like the clew to an intricate problem, would

explain much that was now altogether incomprehensible,--moreover he

remorsefully realized that he had formerly known that clew and had

foolishly lost it, but how he could not tell.

His gaze wandered from the figure of Sah-luma to that of the attendant

harp-bearer who, perched on a narrow foothold on the back of the

chariot, held his master's golden instrument aloft as though it were a

flag of song,--the signal of a poet's triumph, destined to float above

the world forever!

Just then the equipage--arrived at the Kings palace. Turning the

horses' heads with a sharp jerk so that the mettlesome creatures almost

sprang erect on their haunches, Sah-luma drove them swiftly into a

spacious courtyard, lined with soldiers in full armor, and brilliantly

illuminated, where two gigantic stone Sphinxes, with lit stars ablaze

between their enormous brows, guarded a flight of steps that led up to

what seemed to be an endless avenue of white marble columns. Here

slaves in gorgeous attire rushed forward, and seizing the prancing

coursers by the bridle rein, held them fast while the Laureate and his

companion alighted. As they did so, a mighty and resounding clash of

weapons struck the tesselated pavement,--every soldier flung his drawn

sword on the ground and doffed his helmet, and the cry of

"HAIL, SAH-LUMA!"

rose in one brief, mellow, manly shout that echoed vibratingly through

the heated air. Sah-luma meanwhile ascended half-way up the steps, and

there turning round, smiled and bowed with an exquisite grace and

infinite condescension,--and again Theos gazed at him yearningly,

lovingly, and somewhat enviously too. What a picture he made standing

between the great frowning sculptured Sphinxes! ... contrasted with

those cold and solemn visages of stone he looked like a dazzling

butterfly or stray bird of paradise. His white garb glistened at every

point with gems, and from his shoulders, where it was fastened with

large sapphire elasps, depended a long mantle of cloth of gold,

bordered thickly with swansdown,--this he held up negligently in one

hand as ho remained for a moment in full view of the assembled

soldiery, graciously acknowledging their enthusiastic greetings, . .

then with easy and unhasting tread he mounted the rest of the stairway,

followed by Theos and his harp-bearer, and passed into the immense

outer entrance hall of the Royal Palace, known, as he explained to his

guest, as the Hall of the Two Thousand Columns.

Here among the massively carved pillars which looked like straight,

tall, frosted trunks of trees, were assembled hundreds of men young and

old,--evident aristocrats and nobles of high degree, to judge from the

magnificence of their costumes, while in and out their brilliant ranks

glided little pages in crimson and blue,--black slaves, semi-nude or

clothed in vivid colors,--court officials with jewelled badges and

insignias of authority,--military guards clad in steel armor and

carrying short, drawn scimetars,--all talking, laughing, gesticulating

and elbowing one another as they moved to and fro,--and so thickly were

they pressed together that at first sight it seemed impossible to

penetrate through so dense a crowd: but no sooner did Sah-luma appear,

than they all fell back in orderly rows, thus making an open

avenue-like space for his admittance.

He walked slowly, with proudly-assured mien and a confident

smile,--bowing right and left in response to the respectful salutations

he received from all assembled,--many persons glanced inquisitively at

Theos, but as he was the Laureate's companion he was saluted with

nearly equal courtesy. The old critic Zabastes, squeezing his lean,

bent body from out the throng, hobbled after Sah-luma at some little

distance behind the harp-bearer, muttering to himself as he went, and

bestowing many a side-leer and malicious grin on those among his

acquaintance whom he here and there recognized. Theos noted his

behavior with a vague sense of amusement,--the man took such evident

delight in his own ill-humor, and seemed to be so thoroughly convinced

that his opinion on all affairs was the only one worth having.

"Thou must check thy tongue today, Zabastes!" said a handsome youth in

dazzling blue and silver, who, just then detaching himself from the

crowd, laid a hand on the Critic's arm and laughed as he spoke--"I

doubt me much whether the King is in humor for thy grim fooling! His

Majesty hath been seriously discomposed since his return from the royal

tiger-hunt this morning, notwithstanding that his unerring spear slew

two goodly and most furious animals. He is wondrous sullen,-and only

the divine Sah-luma is skilled in the art of soothing his troubled

spirit. Therefore,--if thou hast aught of crabbed or cantankerous to

urge against thy master's genius, thou hadst best reserve it for

another time, lest thy withered head roll on the market-place with as

little reverence as a dried gourd flung from a fruiterer's stall!"

"I thank thee for thy warning, young jackanapes!" retorted Zabastes,

pausing in his walk and leaning on his staff while he peered with his

small, black, bad-tempered eyes at the speaker-"Thou art methinks

somewhat over well-informed for a little lacquey! What knowest thou of

His Majesty's humors? Hast been his fly-i'-the-ear or cast-off

sandal-string? I pray thee extend not thy range of learning beyond the

proper temperature of the bath, and the choice of rare unguents for thy

skin-greater knowledge than this would injure the tender texture of thy

fragile brain! Pah!"--and Zabastes sniffed the air in disgust--"Thou

hast a most vile odor of jessamine about thee! ... I would thou wert

clean of perfumes and less tawdry in attire!"

Chuckling hoarsely he ambled onward, and chancing to, catch the

wondering backward glance of Pheos, he made expressive signs with his

fingers in derision of Sah-luma's sweeping mantle, which now, allowed

to fall to its full length, trailed along the marble floor with a rich,

rustling sound, the varied light sparkling on it at every point and

making it look like a veritable shower of gold.

On through the seemingly endless colonnades they passed, till they came

to a huge double door formed of two glittering, colossed winged figures

holding enormous uplifted shields. Here stood a personage clad in a

silver coat-of-mail, so motionless that at first he appeared to be part

of the door, .. but at the approach of Sah-luma he stirred into life

and action, and touching a spring beside him, the arms of the twin

colossi moved, the great double shields were slowly lowered, and the

portals slid asunder noiselessly, thus displaying the sumptuous

splendor of the Royal Presence-Chamber.

It was a spacious and lofty saloon, completely lined with gilded

columns, between which hung numerous golden lamps having long, pointed,

amber pendants, that flashed down a million sparkles as of sunlight on

the magnificent mosaic floor beneath. On the walls were rich tapestries

storied with voluptuous scenes of love as well as ghastly glimpses of

warfare, ... and languishing beauties reposing in the arms of their

lovers, or listening to the songs of passion, were depicted side by

side with warriors dead on the field of battle, or struggling hand to

hand in grim and bleeding conflict. The corners of this wonderful

apartment were decked with all sorts of flags and weapons, and in the

middle of the painted ceiling was suspended a huge bird with the spread

wings of an eagle and the head of an owl, that held in its curved

talons a superb girandole formed of a hundred extended swords, each

bare blade having at its point a bright lamp in the shape of a star,

while the clustered hilts composed the centre.

Officers in full uniform were ranged on both sides of the room, and a

number of other men richly attired stood about, conversing with each

other in low tones, ... but though Theos took in all these details

rapidly at a glance, his gaze soon became fixed on the glittering

Pavilion that occupied the furthest end of the saloon, where on a

massive throne of ivory and silver sat the chief object of attraction,

... Zephoranim the King. The steps of the royal dais were strewn

ankle-deep with flowers, ... . on either hand a bronze lion lay

couchant, ... . and four gigantic black statues of men supported the

monarch's gold-fringed canopy, their uplifted arms being decked with

innumerable rows of large and small pearls. The King's features were

not just then visible--he was leaning back in an indolent attitude,

resting on his elbow, and half covering his face with one hand. The

individual in the silver coat-of-mail whispered something in Sah-luma's

ear either by way of warning or advice, and then advanced, prostrating

himself before the dais and touching the ground humbly with his

forehead and hands. The King stirred slightly, but did not alter his

position, ... he was evidently wrapped in a deep and seemingly

unpleasant reverie.

"Dread my lord.... !" began the Herald-in-Waiting. A movement of

decided impatience on the part of the monarch caused him to stop short.

"By my soul!" said a rich, strong voice that made itself distinctly

audible throughout the spacious hall--"Thou art ever shivering on the

edge of thy duty when thou shouldst plunge boldly into the midst

thereof! How long wilt mouth thy words? ... Canst never speak plain?"

"Most potent sovereign!" went on the stammering herald--"Sah-luma waits

thy royal pleasure!"

"Sah-luma!" and the monarch sprang erect, his eyes flashing fire--"Nay,

that HE should wait, bodes ill for thee, thou knave! How darest thou

bid him wait?--Entreat him hither with all gentleness, as befits mine

equal in the realm!"

As he thus spoke, Theos was able to observe him more attentively;

indeed it seemed as though a sudden and impressive pause had occurred

in the action of a drama in order to allow him as spectator, to

thoroughly master the meaning of one special scene. Therefore he took

the opportunity offered, and, looking full at Zephoranim, thought he

had never beheld so magnificent a man. Of stately height and herculean

build, he was most truly royal in outward bearing,--though a

physiognomist judging him from the expression of his countenance would

at once have given him all the worst vices of a reckless voluptuary and

utterly selfish sensualist. His straight, low brows indicated brute

force rather than intellect,--his eyes, full, dark, and brilliant, had

in them a suggestion of something sinister and cruel, despite their

fine clearness and lustre, while the heavy lines of his mouth, only

partly concealed by a short, thick black beard, plainly betokened that

the monarch's tendencies were by no means toward the strict and narrow

paths of virtue.

Nevertheless he was a splendid specimen of the human animal at its best

physical development, and his attire, which was a mixture of the

civilized and savage, suited him as it certainly would not have suited

any less stalwart frame. His tunic was of the deepest purple broidered

with gold,--his vest of pale amber silk was thrown open so as to

display to the greatest advantage his broad muscular chest and throat

glittering all over with gems,--and he wore, flung loosely across his

left shoulder, a superb leopard skin, just kept in place by a clasp of

diamonds. His feet were shod with gold-colored sandals,--his arms were

bare and lavishly decked with jewelled armlets,--his rough, dark hair

was tossed carelessly about his brow, whereon a circlet of gold studded

with large rubies glittered in the light,--from his belt hung a great

sheathed sword, together with all manner of hunting implements,--and

beside him, on a velvet-covered stand, lay a short sceptre, having at

its tip one huge egg-shaped pearl set in sapphires.

Noting the grand poise of his figure, and the statuesque grace of his

attitude, a strange, hazy, far-off memory began to urge itself on

Theos's mind,--a memory that with every second grew more painfully

distinct, ... HE HAD SEEN ZEPHORANIM BEFORE! Where, he could not

tell,--but he was as positive of it as that he himself lived! ... and

this inward conviction was accompanied by a certain undefinable

dread,--a vague terror and foreboding, though he knew no actual cause

for fear.

He had however no time to analyze his emotion,--for just then the

Herald-in-Waiting, having performed a backward evolution from the

throne to the threshold of the audience-chamber, beckoned impatiently

to Sah-luma, who at once stepped forward, bidding Theos keep close

behind him. The harp-bearer followed, . . and thus all three approached

the dais where the King still stood erect, awaiting them. Zabastes the

Critic glided in also, almost unnoticed, and joined a group of

courtiers at the furthest end of the long, gorgeously lighted room,

while at sight of the Laureate the assembled officers saluted, and all

conversation ceased. At the foot of the throne Sah-luma paused, but

made no obeisance,--raising his glorious eyes to the monarch's face he

smiled,--and Theos beheld with amazement, that here it was not the Poet

who reverenced the King, but the King who reverenced the Poet!

What a strange state of things! he thought,--especially when the mighty

Zephoranim actually descended three steps of his flower-strewn dais,

and grasping Sah-luma's hands raised them to his lips with all the

humility of a splendid savage paying homage to his intellectual

conqueror! It was a scene Theos was destined never to forget, and he

gazed upon it as one gazes on a magnificently painted picture, wherein

two central figures fascinate and most profoundly impress the

beholder's imagination. He heard, with a vague sense of mingled

pleasure and sadness, the deep, mellow tones of the monarch's voice

vibrating through the silence, ... .

"Welcome, my Sah-luma!--Welcome at all times, but chiefly welcome when

the heart is weighted by care! I have thought of thee all day, believe

me! ... aye, since early dawn, when on my way to the chase I heard in

the depths of the forest a happy nightingale singing, and deemed thy

voice had taken bird-shape and followed me! And that I sent for thee in

haste, blame me not!--as well blame the desert athirst for rain, or the

hungry heart agape for love to come and fill it!" Here his restless eye

flashed on Theos, who stood quietly behind Sah-luma, passive, yet

expectant of he knew not what.

"Whom hast thou there? ... A friend?" This as Sah-luma apparently

explained something in a low tone, ... "He is welcome also for thy

sake"--and he extended one hand, on which a great ruby signet burned

like a red star, to Theos, who, bending over it, kissed it with the

grave courtesy he fancied due to kings. Zephoranim appeared

good-naturedly surprised at this action, and eyed him somewhat

scrutinizingly as he said: "Thou art not of Sah-luma's divine calling

assuredly, fair sir, else thou wouldst hardly stoop to a mere crowned

head like mine! Soldiers and statesmen may bend the knee to their

chosen rulers, but to whom shall poets bend? They, who with arrowy

lines cause thrones to totter and fall,--they, who with deathless

utterance brand with infamy or hallow with honor the most potent names

of kings and emperors,--they by whom alone a nation lives in the annals

of the future,--what homage do such elect gods owe to the passing

holders of one or more earthly sceptres? Thou art too humble, methinks,

for the minstrel-vocation,--dost call thyself a Minstrel? or a student

of the art of song?"

Theos looked up, his eyes resting full on the monarch's countenance, as

he replied in low, clear tones:

"Most noble Zephoranim, I am no minstrel! ... nor do I deserve to be

called even a student of that high, sweet music-wisdom in which

Sah-luma alone excels! All I dare hope for is that I may learn of him

in some small degree the lessons he has mastered, that at some future

time I may approach as nearly to his genius as a common flower on earth

can approach to a fixed star in the furthest blue of heaven!"

Sah-luma smiled and gave him a pleased, appreciative

glance,--Zephoranim regarded him somewhat curiously.

"By my faith, thou'rt a modest and gentle disciple of Poesy!" he

said--"We receive thee gladly to our court as suits Sah-luma's pleasure

and our own! Stand thee near thy friend and master, and listen to the

melody of his matchless voice,--thou shalt hear therein the mysteries

of many things unravelled, and chiefly the mystery of love, in which

all other passions centre and have power."

Re-ascending the steps of the dais, he flung himself indolently back in

his throne,--whereupon two pages brought a magnificent chair of inlaid

ivory and placed it near the foot of the dais at his right hand. In

this Sah-luma seated himself, the pages arranging his golden mantle

around him in shining, picturesque folds,--while Theos, withdrawing

slightly into the background, stood leaning against a piece of tapestry

on which the dead figure of a man was depicted lying prone on the sward

with a great wound in his heart, and a bird of prey hovering above him

expectant of its grim repast. Kneeling on one knee close to Sah-luma,

the harp-bearer put the harp in tune, and swept his fingers lightly

over the strings,--then came a pause. A clear, small bell chimed

sweetly on the stillness, and the King, raising himself a little,

signed to a black slave who carried a tall silver wand emblematic of

some office.

"Let the women enter!" he commanded--"Speak but Sah-luma's name and

they will gather like waves rising to the moon,--but bid them be silent

as they come, lest they disturb thoughts more lasting than their

loveliness."

This with a significant glance toward the Laureate, who, sunk in his

ivory chair, seemed rapt in meditation.

His beautiful face had grown grave, . . even sad, ... he played idly

with the ornaments at his belt, ... and his eyes had a drowsy yet

ardent light within them, as they flashed now and then from under the

shade of his long curling lashes. The slave departed on his errand ...

and Zabastes edging himself out from the hushed and attentive throng of

nobles stood as it were in the foreground of the picture, his thin lips

twisted into a sneer, and his lean hands grasping his staff viciously

as though he longed to strike somebody down with it.

A moment or so passed, and then the slave returned, his silver rod

uplifted, marshalling in a lovely double procession of white-veiled

female figures that came gliding along as noiselessly as fair ghosts

from forgotten tombs, each one carrying a garland of flowers. They

floated, rather than walked, up to the royal dais, and there prostrated

themselves two by two before the King, whose fiery glance rested upon

them more carelessly than tenderly,--and as they rose, they threw back

their veils, displaying to full view such exquisite faces, such

languishing, brilliant eyes, such snow-white necks and arms, such

graceful voluptuous forms, that Theos caught at the tapestry near him

in reeling dazzlement of sight and sense, and wondered how Sah-luma

seated tranquilly in the reflective attitude he had assumed, could

maintain so unmoved and indifferent a demeanor.

Indifferent he was, however, even when the unveiled fair ones, turning

from the King to the Poet, laid all their garlands at his feet,--he

scarcely noticed the piled-up flowers, and still less the lovely

donors, who, retiring modestly backwards, took their places on low

silken divans, provided for their accommodation, in a semicircle round

the throne. Again a silence ensued,--Sah-luma was evidently centred

like a spider in a web of his own thought-weaving,--and his attendant

gently swept the strings of the harp again to recall his wandering

fancies. Suddenly he looked up, . . his eyes were sombre, and a musing

trouble shadowed the brightness of his face.

"Strange it is, O King"--he said in low, suppressed tones that had in

them a quiver of pathetic sweetness,--"Strange it is that to-night the

soul of my singing dwells on sorrow! Like a stray bird flying 'mid

falling leaves, or a ship drifting out from sunlight to storm, so does

my fancy soar among drear, flitting images evolved from the downfall of

kingdoms,--and I seem to behold in the distance the far-off shadow of

Death..."

"Talk not of death!" interrupted the King loudly and in haste,--"'Tis a

raven note that hath been croaked in mine ears too often and too

harshly already! What! ... hast thou been met by the mad Khosrul who

lately sprang on me, even as a famished wolf on prey, and grasping my

bridle-rein bade me prepare to die! 'Twas an ill jest, and one not to

be lightly forgiven! 'Prepare to die, O Zephoranim?' he cried--'For thy

time of reckoning is come!' By my soul!" and the monarch broke into a

boisterous laugh--"Had he bade me prepare live 'twould have been more

to the purpose! But yon frantic graybeard prates of naught but death,

... 'twere well he should be silenced." And as he spoke, he frowned,

his hand involuntarily playing with the jewelled hilt of his sword.

"Aye,--death is an unpleasing suggestion!" suddenly said Zabastes, who

had gradually moved up nearer and nearer till he made one of the group

immediately round Sah-luma--"'Tis a word that should never be mentioned

in the presence of Kings! Yet, . . notwithstanding the incivility of

the statement, . . it is most certain that His Most Potent Majesty as

well as His Majesty's Most Potent Laureate, MUST..DIE.. !" And he

accompanied the words "must..die..." with two decisive taps of his

staff, smacking his withered lips meanwhile as though he tasted

something peculiarly savory.

"And thou also, Zabastes!" retorted the King with a dark smile,

jestingly drawing his sword and pointing it full at him,--then, as the

old Critic shrank slightly at the gleam of the bare steel, replacing it

dashingly in its sheath,--"Thou also! ... and thine ashes shall be cast

to the four winds of heaven as suits thy vocation, while those of thy

master and thy master's King lie honorably urned in porphyry and gold!"

Zabastes bowed with a sort of mock humility.

"It may be so, most mighty Zephoranim," he returned

composedly--"Nevertheless ashes are always ashes,--and the scattering

of them is but a question of time! For urns of gold and porphyry do but

excite the cupidity of the vulgar-minded, and the ashes therein sealed,

whether of King or Poet, stand as little chance of reverent handling by

future generations as those of many lesser men. And 'tis doubtful

whether the winds will know any difference in the scent or quality of

the various pinches of human dust tossed on their sweeping

circles,--for the substance of a man reduced to earth-atoms is always

the same,--and not a grain of him can prove whether he was once a

Monarch crowned, a Minstrel pampered, or a Critic contemned!"

And he chuckled, as one having the best of the argument. The King

deigned no answer, but turned his eyes again on Sah-luma, who still sat

pensively silent.

"How long wilt thou be mute, my singing-emperor?" he demanded

gently--"Canst thou not improvise a canticle of love even in the midst

of thy soul's sudden sadness?"

At this, Sah-luma roused himself,--signing to his attendant he took the

harp from him, and resting it lightly on one knee, passed his hands

over it once or twice, half musingly, half doubtfully. A ripple of

music answered his delicate touch,--music as soft as the evening wind

murmuring among willows. Another instant and his voice thrilled on the

silence,--a voice wonderful, far-reaching, mellow, and luscious as with

suppressed tears, containing within it a passion that pierced to the

heart of the listener, and a divine fullness such as surely was never

before heard in human tones!

Theos leaned forward breathlessly, his pulses beating with unwonted

rapidity, . . what.. WHAT was it that Sah-luma sang? ... A Love-song!

in those caressing vowel-sounds which composed the language of

Al-Kyris, . . a love-song, burning as strong wine, tender as the murmur

of the sea on mellow, moon-entranced evenings,--an arrowy shaft of

rhyme tipped with fire and meant to strike home to the core of feeling

and there inflict delicious wounds! ... but, as each well-chosen word

echoed harmoniously on his ears, Theos shrank back shuddering in every

limb, . . a black, frozen numbness seemed to pervade his being, an

awful, maddening terror possessed his brain and he felt as though he

were suddenly thrown into a vast, dark chaos where no light should ever

shine! For Sah-luma's song was HIS song! ... HIS OWN, HIS VERY OWN! ...

He knew it well? He had written it long ago in the hey-day of his youth

when he had fancied all the world was waiting to be set to the music of

his inspiration, . . he recognized every fancy, . . every couplet..

every rhyme! ... The delicate glowing ballad was HIS, . . HIS ALONE!

... and Sah-luma had no right to it! He, Theos, was the Poet, . . not

this royally favored Laureate who had stolen his deas and filched his

jewels of thought...aye! and he would tell him so to his face! ... he

would speak! ... he would cry aloud his claims in the presence of the

King and demand instant justice! ... .

He strove for utterance,--his voice was gone! ... his lips were

moveless as the lips of a stone image! Stricken absolutely mute, but

with his sense of hearing quickened to an almost painful acuteness, he

stood erect and motionless,--rage and fear contending in his heart,

enduring the torture of a truly terrific mystery of mind-despair, . .

forced, in spite of himself, to listen passively to the love-thoughts

of his own dead Past revived anew in his Rival's singing!

Ardath: The Story of a Dead Self · 第 6 / 23 章