He gained the name of “Jemmy Twitcher,” through a curious circumstance.

Wilkes and Sandwich had once been friends, but the former having composed

a scurrilous and disloyal poem, the latter was so incensed as to procure

a copy and read it aloud, in the House of Lords. Just at this juncture

the “Beggar’s Opera” was being acted, and when Macheath exclaimed: “But

that Jemmy Twitcher should peach, I own surprises me,” the chief part of

the audience, who were partisans of “Wilkes, and Liberty,” burst into

a round of applause, applying the passage to Lord Sandwich, who never

afterwards lost the _soubriquet_.

There are many passages in his life which compel us to agree with his

constant censor Horace Walpole, when he says: “Bishop Warburton is at

this moment reinstating Mr. Pitt’s name in the dedication of a Book

of Sermons, which he had expunged for Sandwich’s. This nobleman is an

agreeable companion, but one whose moral character, does not exactly

fit him to be the patron of sermons.” But Mr. Cradock (and none knew

him better) in his most amusing reminiscences, tells us, whatever his

errors may have been, Lord Sandwich was most severe in the observance of

decorous language, and behaviour, under his roof. No oath, or profligate

word, was ever uttered at his table. The same authority states, that in

political life he underwent many persecutions, and bore daily insults,

and misrepresentations with the courage of a stoic, without stooping to

retaliation. “Others,” says Mr. Cradock, “received emoluments, but Lord

Sandwich retired without any remuneration, for his services.” His public

career lasted for more than half a century, when he made Hinchingbrook

his chief abode. He spoke French and Italian fluently, was acquainted

with the German, and Spanish languages, and had a smattering of the

oriental tongues.

In the midst of all his hospitality, he was very frugal in his own

living, and was much beloved by his dependants, not forgetting Omai the

Otaheitan, and the faithful black servant, Jemmy, who lies buried in

Brompton Churchyard, and a characteristic little sketch of whom still

exists. An amusing incident occurred respecting the latter, which is

worth recording. It seems that on one occasion, the day after some

dramatic representation had taken place at Hinchingbrook, Lord Sandwich

enquired at breakfast of a gentleman who was proverbial for cavilling,

and finding fault, whether he had been satisfied with the performance.

The visitor answered in the affirmative, but in so hesitating a manner,

that Lord Sandwich insisted on knowing the fault. “So slight, my Lord,

scarcely worth alluding to.” “The easier remedied next time.” “Well,

it only struck me, that the coloured servant in the piece was not

sufficiently blackened.” The noble host rose silently and rang the bell:

enter Jemmy. “Jemmy,” says his master, “this gentleman says you are not

black enough.” “I bery sorry, my Lord, I be as God Almighty made me.”

Miss Burney, in her youth, saw Lord Sandwich, and thus describes him:

“He is a tall stout man, and looks as furrowed and weatherbeaten as

any sailor in the Navy; and, like most of the old set of that brave

tribe, he has the marks of good nature, and joviality in every feature.”

Another contemporary gives him this character: “Slow, not wearisome, a

man of sense, rather than of talent; good-natured, and reliable as to

promises. His house was filled with rank, beauty and talent, and every

one felt at ease there. The patron of musicians, the soul of the Catch

Club [he might have added a proficient on the kettledrum], although

deficient in ear, and knowledge of harmony.” He had an engaging manner in

private life, which put every one at their ease, although he occasionally

tried his friends’ patience by a playful bantering, or what Mr. Cradock

calls badgering, such as; “Ladies, here is Cradock says, a man cannot

be punctual unless he wears a wig.” “No, my Lord, I said a man may be

punctual, but his hair dresser may be late, and make him so.”

He dressed well, and looked “noble,” but he had a shambling unequal gait.

When in Paris he took dancing lessons, and, bidding his master good-bye,

told him if he came to London, he would willingly recommend or serve

him. “Ah, milor,” said the man, “pray do not say _I_ taught you to dance.”

Lord Sandwich retained his faculties almost to the end, and spoke with

great clearness and precision, of all the remarkable public events, of

which he had been a witness, in his stirring life. He was an F.R.S., a

Governor of the Charterhouse, the eldest of the elder Brothers of the

Trinity House, and the oldest General in the army.

In 1740, he married Judith, third daughter of Charles, Viscount Fane, of

Basildon, Berks. The marriage was unhappy, and they were separated for

several years before her death. Their children were: John, who succeeded

him, Edward, William Augustus, and one daughter, Mary. Lord Sandwich died

at his house in Hertford Street, Mayfair, in 1792.

_Edward, First Earl of Sandwich_:

BY SIR PETER LELY.

FULL LENGTH.

(In the Robes of the Garter.)

_Mariana, Queen Regent of Spain_:

BY SEBASTIAN HERRERA.

FULL LENGTH.

(Seated. In a Religious Habit, the Widow’s Weeds worn in Spain.)

Born, 1631. Died, 1696.—The eldest daughter of Ferdinand III., Emperor of

Germany, by the daughter of Philip III., King of Spain. Married Philip

IV., in 1649. On her arrival in Spain, as a youthful bride, Mariana’s

deportment had to undergo severe discipline, from the strict etiquette

of the court, and the stern dignity of her royal husband, whom she

shocked by the exuberance of her animal spirits, and above all, her

immoderate laughter at the sallies of the Court Fool. When admonished on

one occasion, she excused herself by saying it was out of her power to

restrain her merriment, and that the Jester must be removed, or she must

laugh on. Mariana was remarkable for the extravagance and tawdriness of

her dress, as may be seen in the portraits by Velasquez. Her chief beauty

consisted in her magnificent hair, which she disfigured by dressing it,

in an outrageous manner, with feathers, flowers, and love knots. At a

period when rouge was much worn, the immoderate use of it, made her

“brick-dust cheeks” a ridiculous object, and altogether, says Stirling:

“She is far more interesting wearing the widow’s weeds, in which she sate

to Carreno, and Herrera, than in the butterfly garb in which she flaunts

on the canvas of Velasquez.” She was as inferior to her predecessor,

Isabelle de Bourbon, Philip’s first wife, in qualities of mind, as in

graces of person. She became a widow; and Regent of the Kingdom, on the

accession of her son Charles II., in 1665.

Mariana divided her confidence, between her confessor, a German Jesuit,

and a gentleman of her household, Valenzuela by name. He was remarkably

handsome; and the Queen Mother made a marriage between him, and one of

her German ladies, which established him in her Palace, where he became

her chief confidant, and was admitted to her apartments at all hours,

his wife being generally present, to avoid scandal. Mariana’s faction was

strongly opposed by Don John of Austria, the late King’s natural son, (by

the beautiful actress, Maria Calderona.) He was handsome, intellectual,

and accomplished, and in military genius alone, was he inferior to his

namesake, the hero of Lepanto. His father loved him dearly, but the

Queen had contrived to estrange them, some little time before Philip’s

death. The ups and downs of the struggle between Don John, and Mariana

were never ending: now her star appeared in the ascendant, then the

evil repute of her confessor, his inefficiency in business, and the

overbearing insolence of Valenzuela, brought down the influence of the

Regent to a low ebb. Now at open variance with her husband’s son, now

consenting with a bad grace to his participation in the Government, and

then procuring for him an office at some distance from Madrid, so as to

be rid of his immediate presence.

Don John ruled well, and held a little Court at Saragossa, but he and the

Regent were always at variance, and so disgusted were the people with

her government, and that of her favourites, that many clamoured for Don

John, while some went so far as to say he was the rightful heir, and that

Mariana’s and Maria Calderona’s infants, had been changed.

Whether from motives of patriotism or ambition, Don John worked steadily

to undermine the Regent’s power, and the vanity and ostentation of

Valenzuela contributed unconsciously to the same end. He was generally

supposed to be a spy, and was called the Queen’s “Duendo.”[1] At

tournaments he wore the Queen Mother’s colours of black and silver, with

many ostentatious mottos, which seemed to insinuate the high favour, in

which he stood with that Royal Lady. One day, when the Court were hunting

near the Escurial, the King shot at a stag, and wounded Valenzuela in

the thigh, whereat Queen Mariana shrieked, and fell senseless. On this

“hint” many spake, especially Don John, and his party, who told the King

plainly, that he and Spain were not only governed by the Regent, but

by her paramour. The King went to Buen Retiro, and denied himself to

his mother, who was desired to leave Madrid; Valenzuela was arrested,

his wife and children shut up in a convent, and the “handsome, vain,

well-dressed courtier, with his fine curling locks, who had considered

many of the nobles of Spain beneath his notice,” was sent off to the

Philippine Islands. Don John came into power, and Mariana had a small

Court, which was little better than a prison, at Aranjuez, where Madame

d’Aulnoy visited her. She was dressed in the manner of this portrait,

served on the bended knee, and waited on by a hideous little dwarf,

clothed in gold and silver brocade. Don John’s government was no

sinecure; cabals were rife, and he died so suddenly that it was currently

reported that he had been poisoned, at Mariana’s instigation. Be that as

it may, no sooner was the death of Don John announced, than the King went

off to his mother, in person, and insisted on her return to Madrid.

Charles II. had just married his second wife, an alliance which Mariana

had supported from the beginning. But she did not long survive; shortly

after the Peace of Ryswick, died Mariana of Austria, Queen Mother of

Spain; her death was supposed to have been hastened by her reluctance to

consult the physicians, although her health had been failing for some

time past.

This interesting portrait, together with that of her son, King Charles

II., was presented by the Queen Mother, then Regent, to Edward, first

Earl of Sandwich, when Ambassador, to the Court of Madrid, in 1666.

[1] Wizard or Familiar.

_Barbara, Duchess of Cleveland_:

BY SIR PETER LELY.

FULL-LENGTH.

(Seated, leaning on a Table, resting her Head on her Hand.

Wears a White Satin Dress, trimmed with Blue, and Pearls.)

Born, 1640. Died, 1709.—The only child of William Villiers, Viscount

Grandison, by Mary, third daughter of the first, and sister and

co-heiress of the second Viscount Bayning.

Lord Grandison, of whom Clarendon gives an exalted character for

piety, loyalty, and valour; died in 1643, at Oxford, (of a wound which

he had received a few weeks before, at the siege of Bristol), leaving

a widow of 18, who five years afterwards, was re-married to Charles

Villiers, Earl of Anglesey, cousin-german to her first husband. She

did not long survive, and at her death, left her beautiful daughter to

the stepfather’s care. It was under Lord Anglesey’s roof, that Barbara

passed her early years, and we hear of her, on her first arrival in

London, dressed in “a plain and countrified manner,” but this fashion

was soon changed for the last “mode” of the town, and her surpassing

beauty made her the object of general admiration. At the age of 16,

the precocious coquette had already captivated Philip Stanhope, second

Earl of Chesterfield, a young widower, who had just returned from his

travels, and succeeded to his title, and property—“a beauty, a wit, a

duellist,” and according to Swift, “the greatest knave in England.”

His correspondence with Barbara, and her confidante and cousin, Lady

Anne Hamilton (which was found in the Library of Bath House, in 1869),

breathes the most ardent passion, which did not however, interfere with

his being called three times in Church, the same year, with the daughter

of Lord Fairfax, (who subsequently married George, Duke of Buckingham).

So early in life had Barbara embarked in a career of guilt, and artifice,

that in spite of her liaison with Chesterfield, she threw her spells to

such purpose round Master Roger Palmer, student of the Middle Temple,

second son of Sir James Palmer, of Hayes, Middlesex, that the misguided

youth married her in spite of the paternal prohibition. But the young

wife did not break off her connection with her former lover, and not long

after her marriage, she writes to Chesterfield, in a most affectionate

manner, speaking of her recovery from the small-pox, and alluding to

“Mounseer’s” (Mr. Palmer) jealousy, and how “he is resolved never to

bring me to towne again.” Lord Chesterfield, in consequence of killing

a young man in a duel, was compelled to fly the country, and he took

refuge at Paris, at the Court of the Queen Mother (Henrietta Maria),

and afterwards joined the English King, at Breda, where he solicited,

and received the royal pardon, and returned to England with Charles on

his restoration: all the time he was on the continent, keeping up his

correspondence with his adored Barbara.

There exists great difference of opinion, as to the date of the first

meeting between the King, and Mistress Palmer, but there seems little

doubt that the favourite’s reign began on Charles’s eventful day, the

29th of May, 1660. Mr. Palmer, now a member of Parliament, had a house in

King Street, Westminster, close to the Palace, as also to the lodgings

of the Earl of Sandwich, whose housekeeper, “Sarah,” supplied his

lordship’s cousin, and daily visitor, Mr. Pepys, with abundant gossip.

The far-famed diary abounds in anecdotes of Barbara, praises of her

beauty, alternating with blame of her conduct, but every word shewing the

fascination she exercised over the writer. The Earl of Anglesey died in

1660-61: and about the same time a daughter was born to Mistress Palmer,

which was the occasion of much scandal. [Roger Palmer was now raised to

the title of Earl of Castlemaine, and Baron Limerick]. In 1662 Charles

II. married Catherine of Braganza, but “Sarah” informed Pepys, that the

King supped every night in the week preceding his nuptials, with Lady

Castlemaine: “Likewise, when the whole street was aglow with bonfires,

the night of the Queen’s arrival, there was no fire at my lady’s door.”

On the birth of a second child a dreadful altercation took place between

the husband, and wife, but the feud was ostensibly a religious one, for

Lord Castlemaine, who had lately embraced the Roman Catholic faith,

caused the infant to be baptized by a Popish Priest. Madam was furious,

and, as usual, victorious in her struggles, and a few days afterwards

“Charles” was re-baptized by a Protestant Minister, in the presence of

his godfathers, the King, Lord Oxford, &c. Shortly after this event,

Lady Castlemaine left her lord, carrying with her all her plate, and

valuables. “They say,” writes Pepys, “that his Lordship is gone to

France, to enter a Monastery.”

On the appointment of the Ladies of the Bedchamber to the Queen, Lady

Sandwich was justified in her fear, “that the King would still keep in,

with Lady Castlemaine.” A great commotion occurred, in the old Palace

of Hampton Court. The Queen had never mentioned the favourite’s name;

therefore Charles hoped she was ignorant of her rival’s existence; but

when the list of the proposed Ladies of the Bedchamber, was submitted

to her Majesty, Catherine deliberately pricked out the name of my Lady

Castlemaine, which much disturbed her husband. By the King’s command,

Lord Clarendon, sorely against his inclination, waited on Her Majesty,

to try and induce her to cancel her refusal, but the Queen “was much

discontented with her husband,” and declared that rather than submit

to the insult, she would desire to return to her own country. Lady

Castlemaine through an artifice however, approached her Royal mistress,

and kissed her hand; who, on discovering the trick, fell into a swoon,

and was carried from the apartment. The King was furious; the Queen for

a while appeared inflexible, but Charles gained his point in the end,

for after some time had elapsed, Barbara’s appointment was confirmed,

and from that time forth, the Queen, by some strange persuasion, or

obedience to the King’s orders, treated her rival with familiarity, and

confidence; “was,” says Pepys, “merry with her in public, and in private

used nobody more friendly.” But then, according to the same authority,

“the Queen is a most good lady, and takes all, with the greatest meekness

that may be.”

The syren seems indeed to have bewitched every one, Dryden himself did

not disdain to write a poem in her honour. On one occasion the Countess

had a violent altercation, with “la belle Stewart,” Maid of Honour, who

had excited her jealousy, and the King, taking part against her, the

imperious lady walked off to her uncle’s at Richmond, whither Charles

soon followed her, on pretence of hunting, but really to ask pardon.

Not long after, however, Pepys saw her on horseback, with the King, the

Queen, Mistress Stewart, etc.; but he thought the King looked coldly on

her, “and when she had to ’light, nobody pressed to take her down, but

her own gentleman, and she looked, though handsome, mighty out of humour,

and had a yellow plume in her hat.” A report reached the Queen’s ears,

that Barbara had turned Papist, but though a zealot in her religion,

Catherine “did not much like it, as she did not believe it was done for

conscience sake.” Perhaps her Majesty agreed, with the learned Divine who

said that “if the Church of Rome had got no more by Lady Castlemaine,

than the Church of England had lost, the matter was not much.”

A curious, and unpleasant adventure befell Lady Castlemaine, in the Park,

returning from a visit to the Duchess of York at St. James’s Palace,

attended only by her maid, and a little page. She was accosted by three

gentlemen in masks, who upbraided her in the strongest language, and

reminded her that the mistress of Edward IV. had died of starvation, on a

dunghill, abandoned by all the world. The infuriated and terrified beauty

no sooner reached home, than she swooned; the King ran to the rescue,

ordered the gates of the Park to be shut, but it was too late—several

arrests were made, but no discovery ensued.

In the year of the Plague, the Court being at Oxford, Lady Castlemaine

gave birth to a son, at Merton College. The lady and the King had high

words on the occasion of the Duke of Buckingham being sent to the Tower,

she speaking up boldly, in his behalf, Charles saying she was a jade

that meddled in matters she had nothing to do with; she retorting that

he was “a fool to suffer his business to be carried on by fools,” and so

forth. But before five days had elapsed the Duke was at liberty. Lady

Castlemaine was a determined enemy to Chancellor Clarendon, and she had

declared in the Queen’s chamber, she hoped to see his head upon a stake

to keep company with those of the Regicides, and there is no doubt she

was instrumental in procuring the downfall of the King’s “faithful and

able adviser.” Gambling was another vice in which Barbara indulged, and

Pepys tells us she won £15,000, one night, and lost £25,000 another. But

her favour was on the wane: she was libelled, and abused, and the King

was weary of her, and it was reported that he had given her large sums of

money and a fine house, (the residence of the Earls of Berkshire, on the

south-west corner of St. James’s Street,) merely to get rid of her. Yet

she still ruled him in many points, and she made great friends with the

Duke and Duchess of York, while one of her violent hatreds was against

the Duke of Ormond, Lord Lieutenant of Ireland, because he would not

confirm the grant of Phœnix Park, a house near Dublin, which the King

had promised her. Meeting him in one of the royal apartments, she fell

upon him with a torrent of abuse, and ended by expressing a hope that she

might live to see him hanged. His Grace replied with calm dignity, “he

was in no haste to shorten her days; all he wished was to live, to see

her old.”

In 1670, Barbara, Countess of Castlemaine, was created Baroness Nonsuch,

Countess of Southampton, and Duchess of Cleveland, in the Peerage of

England, with the Palace and Park of Nonsuch, in Surrey, and an enormous

increase of income: so that as far as pecuniary advantages went, the King

was still sufficiently under her spell, to comply with her exorbitant

demands. John Churchill, (afterwards the great Duke of Marlborough,)

when a Court Page attracted the attention of Barbara. She lavished gifts

upon him, procured him the post of Groom of the Bedchamber to the Duke

of York, and obtained his promotion in the army. But in later years when

her beauty had passed away, and her favour at Court, the man who had

risen by her influence, refused to speak a word in her behalf, respecting

the renewal of her ill-paid pension. The last grant made to the Duchess

of Cleveland, and to the Earl of Northumberland, for their lives, was

the Rangership of the honour, and manor of Hampton Court; but the lodge

in Bushy Park was not habitable. It was about this time, that Barbara

went to France, her name appearing as a liberal patroness to the Convent

of the Blue Nuns, in the Faubourg St. Antoine (where she had placed her

daughter Barbara), and other religious houses.

In 1678 occurred the episode, with the English Ambassador, to which we

have alluded in the notice of the Duke of Montagu, when Barbara on her

return from London, found that her own daughter, the Countess of Sussex,

had supplanted her, in the favour of that fickle nobleman. In 1694, she

was living in Arlington Street, Piccadilly, and received as a companion

a certain Madame De la Rivière, one of the daughters and co-heiresses of

Sir Roger Manley, Bart., a woman of no reputation, save as the authoress

of some inferior literary productions; who after a stormy friendship,

repaid her patroness’s hospitality by contriving a clandestine marriage

for her eldest son, the Duke of Southampton, with the daughter of Sir

William Pulteney, a match very much disapproved by his mother.

Lord Castlemaine died in 1705. After his separation from his wife, as

far back as 1662, his life was eventful; he travelled far, fought at

Solebay, was twice sent to the Tower, went as Ambassador to Rome, was the

author of several political pamphlets, and in fact “meddled a little in

everything around.” Four months after his death, his widow married the

celebrated “Beau” Feilding, the widower of two heiresses, viz., the only

daughter of Lord Carlingford, and the only daughter of the Marquis of

Clanricarde, widow of Viscount Muskerry, and of Robert Villiers, Viscount

Purbeck. Both ladies died without children, and the Beau at the time of

his marriage with Duchess Barbara, was a man of desperate fortune, and

character. He ill-treated his wife, who was most generous to him, and

would have divested her of all her property, had not her sons stood by

her. Fortunately, for her Grace, it was discovered that the Beau had

already, but a few days before his marriage with her, espoused a certain

Mary Wadsworth, who had been palmed off upon his credulity, as a widow of

enormous wealth. He was tried, and found guilty of bigamy, Barbara being

in court during the trial, and the marriage was pronounced null, and void.

Biographical Notices of the Portraits at Hinchingbrook · 第 8 / 10 段