THE WHITE SHADOW
The trail this time was short. To Curlie's heightened imagination it
seemed but a moment before he stood shoulder to shoulder with the
dark-eyed French girl, staring at a scene such as no white person ever
before witnessed.
"We are too late." It seemed to Curlie that the girl said this, not with
lips, but with heart beats.
That the words were true he did not doubt, for at that very moment the
white blade of a long knife flashed. It entered the heart of the black
goat. The creature quivered, then lay still, quite dead, while the red
blood flowed free.
The scene they witnessed that night will remain with them long as life
shall last. It was the blood covenant of the blacks and was for war.
It was over before their hearts had ceased their wild beating. Then, in
dead silence, with not a drum beat, not a whisper, the natives filed away
into the forest.
"We must follow," said Dot. "For Haiti, and her kindly, innocent people,
we must follow. The sacrifice has been made. But the torch of war must
not be lit."
"We must not follow." The tone of Mona, the black woman, was firm. "If we
follow we will be surprised and killed. There is another way. They go to
Deception Bay where the ship is and where are many rifles and much
ammunition. There is another trail. We will take it. It goes to the top
of a very steep cliff. There we may look down upon them. After that we
will think of a way."
"She is right," Curlie said to the girl. To the native woman he said,
"Lead on. We will follow."
After that, for a half hour they followed the black woman through such an
intricate maze of rocks, cliffs, vines and bushes as neither of them had
ever known before. Through it all the old black woman never faltered. In
the end, after a final breathless climb of a hundred feet, they found
themselves looking down upon a scene of matchless beauty. Riding high the
moon painted on a glassy sea a path of gold. Rock-ribbed, a narrow bay
lay before them. And close in, almost beneath them, lay a large,
full-rigged schooner.
For a time they lay there side by side, the boy, the girl, and the aged
black woman. Straining their eyes, listening with all their ears, they
strove to learn all that they might of this little revolution that might
grow into an affair of grave consequence.
To their waiting ears there came at last a series of low bumping sounds,
as of someone moving heavy objects across a floor.
"They are shifting the cargo. Getting ready to unload, perhaps to-night,"
Mona's words came short and quick.
"But look!" said Dot a moment later. "A boat."
"Rifles in cases," said Mona.
"On such a moonlight night, would they dare?"
"It is a deserted spot. The goat has been sacrificed. The terrible work
must be begun."
"Then," said Curlie, "we are too late."
As the full meaning of all this came to Dot she felt herself stifled with
emotion. Rifles and ammunition would be unloaded. Somewhere there would
be an attack. Peaceful, happy people would be driven from their homes.
"Perhaps," she told herself, "it will be our village. Perhaps our home,
our most beautiful home where the pink roses bloom in the garden and the
nightingale sings in the cool of the evening."
The thing seemed impossible. The air about her was so still, the bay so
placid. Haiti had been so peaceful. And yet the history of Haiti is a
story of many revolutions.
"This little beginning may be part of a terrible affair," she told
herself. She recalled the stories she had read of those remote days when
Napoleon tried with 20,000 picked soldiers to subdue these people and had
failed.
"There are seven hundred Marines on the island," she told herself. "But
what are they against so many? This--this terrible schooner will be
everywhere, in all the little bays, lurking about with rifles and
ammunition to sell for gain and at the cost of many human lives."
Suddenly a desperate measure suggested itself to her. She recalled the
incident of a few nights before when, by shooting an arrow made into a
pitch-pine torch, Curlie had burned a cord and loosed the black goat.
Curlie's bow and arrows were at this moment close by his side. Near at
hand was a dwarf pine. It would furnish the pitch. In the center of that
boat lying down there in the bay stacked round the mast was a pile of
sleeping mats. Inch thick affairs of palm fiber they were and dry as
tinder.
The schooner lay almost directly beneath them, an easy shot.
"One flaming arrow in that pile of sleeping mats and the boat will be in
flames." She said these words aloud without really willing it.
"And the ship carries much powder," said Mona gripping Dot's arm until it
hurt. "It is the way. He, the young man, must shoot the arrow. He must
shoot at once. See! I will gather the rosin."
She endeavored to spring to her feet but Dot pulled her back.
"I--I--Wait. Wait one moment," Dot implored. "Those are bad men. Perhaps
they do not deserve to live, but--"
"They do not deserve it." The native woman's tone was bitter. "That white
man who owns that ship sold the rifle that killed my father in a needless
revolution before the Americans came. He does not deserve to live."
"Wait," said Curlie touching the girl's arm lightly. "There is no need
for haste. They are unloading rifles. Those long boxes could contain
nothing else. The ammunition remains on board. Without it they can do
nothing. I will be back," he took a long breath, "very soon."
The next instant he was lost in the shadows. He did not for a moment
doubt the wisdom and justice of the aged black woman's plan. His only
thought was for the safety of the daring girl who was willing to risk so
much for a country that was not her own.
"If the plan fails, if they see the descending arrow and trace its
course," he told himself, "if they come storming up the cliff and block
our one way of escape, we are lost. I must find a second way down."
He was gone but ten minutes. To the waiting girl it seemed an hour.
"There is another way; very steep and dangerous," he said, "but a way of
escape I believe. Shall I shoot the arrow?"
"Shoot the arrow." Her eyes gleamed in the moonlight.
"They may discover us, may surround the rock. I am not afraid for myself,
but for you--"
"Shoot the arrow." He felt the warm pressure of her hand on his arm.
"Shoot the arrow," she repeated.
"They may guess the source of the arrow. Your home may be destroyed."
"Shoot the arrow." Her lips were close to his ear, her tone low and
tense.
"Here is the rosin." The black woman's hand trembled as she pressed a
sticky ball into his own.
Seizing an arrow he rolled it over and over in the sticky mass. Then,
with a sudden intake of breath he lighted a match. A moment later he
nocked his arrow to send it circling straight and true, down, down, down
to at last bury itself in the pile of dry mats.
All unseen by the workers on the schooner, a wisp of white smoke began
mounting to the sky. Then, with a suddenness that was startling, the
whole mass of mats burst out in red flame. Even then they did not see.
For a space of thirty seconds they worked on. When at last the smell of
smoke reached their nostrils and they turned to find themselves staring
into the flames, they acted according to their own natures.
A native seized a bucket of drinking water to dash it into the flames. It
might have been oil for all the good it did. The mats, baked as they had
been in the dry Haitian sunlight, were tinder. So too was the deck, the
mast and the rails of the schooner.
The schooner carried two dories. The one at her side was more than half
filled with heavy boxes of rifles. Two natives, in an attempt to lighten
this dory, over-balanced it. It filled and sank. All thought now was of
escape. Men poured from the cabin where they had been sleeping. Brown
men, red men, black men, men of every hue, they stormed madly about the
deck.
Two men, cooler than the rest, began launching the remaining dory.
One man, wilder than the rest and possessing no patience at all, leaped
into the sea.
"The White Shadow!" Mona screamed. "That man will perish!"
As if hearing her call, the man turned his face upward as he swam.
"It is the villain, the bad white man." Mona put her hands to her eyes.
"It is he, yet I cannot see him perish."
Without knowing why she did it, Dot followed her example. For a full
moment she remained with covered eyes. Then, suddenly realizing the peril
of their position, she uncovered her eyes and scrambled to her feet to
exclaim:
"Curlie! Mona! The ship will explode. We are in great danger! Back! Back!
We must get far back into the forest!"
Even with this warning Mona paused for a last look. The ship was all in
flames. The dory, with its human freight, was moving rapidly away. But
the swimming white man, where was he? Gone. Only where he had last been
seen, far below the surface, was a movement as of a white sheet.
"The White Shadow of the sea," said Mona as she turned to go racing away
after her friends.
They had beaten their way back into the brush for a distance of a hundred
rods when of a sudden, the very earth beneath them seemed torn in pieces.
So great was the explosion that they were thrown to the earth and fine
particles of debris were sprinkled over them.
"That," said Mona, "is the end of the revolution. And perhaps of all
revolutions. That heartless seller of arms will visit us no more."
Ten minutes later they were lying once more upon the rock, looking down.
All the overhanging bushes and palms had been blown away. The bay, a
silent, beautiful blue, lay beneath them. Only drifting fragments
remained to tell the story. A dory swamped near the farther shore told
that the crew had escaped.
"But what is that white thing over there?" Dot asked, pointing away to
the left.
"That," said Curlie after one good look, "is the White Shadow of the
sea."
"A shark!" Dot said in great surprise. "He must have been killed by the
explosion. But see! Was there ever one as large as he?"
The shark was indeed a monster; fully sixteen feet long, with all his
cruel teeth grinning he lay there a terrible thing.
"So you see, Mona," Dot said quietly, "it is as I have told you. Your
White Shadow was but one of God's living creatures, created beyond doubt
to do His will."
"What was that?" said Curlie suddenly springing to his feet. A twig had
snapped in the brush behind them. In an instant Curlie's flashlight
revealed an ugly, distorted black face. Quite as suddenly the face
vanished into the night.
"That," said Mona, "was Pluto, the bad black man, the bad white man's
friend."
"This affair," said Curlie, as they made their way down the rugged cliff
in the dark, "is not at an end. We have been seen. Who can tell what will
follow?"
"Very bad," said Mona.
That night, at a late hour, Curlie sat once more by the window that
looked out upon the garden at the chateau. He was alone. Dot, he hoped,
was fast asleep. Johnny was far away. For all that he was dreaming once
more of a life of peace in a garden of roses.
"Peace," he said at last, flinging his arms wide. "What chance is there
for peace with such a girl about? 'Shoot the arrow' she said, 'Shoot the
arrow!' and once more 'Shoot the arrow!'"
All the same in the end he found himself admiring the brown-eyed girl for
her rare courage.