185. _Pastime of Pleasure._ “Cap. i., 4to, 1555” (Farmer).

_Pageants._ “Amongst ‘the things which Mayster More wrote in his youth for

his pastime’ prefixed to his _Workes_, 1557, Fol.” (Farmer).

_a very liberal Writer._ See Daniel Webb’s _Remarks on the Beauties of

Poetry_, 1762, pp. 120, 121.

This passage, to “classical standard” (foot of p. 186), was added in the

second edition.

_See, what a grace._ _Hamlet_, iii. 4. 55.

_the words of a better Critick._ Hurd, _Marks of Imitation_, 1757, p. 24.

186. _Testament of Creseide._ “Printed amongst the works of Chaucer, but

really written by _Robert Henderson_, or _Henryson_, according to other

authorities” (Farmer). It was never _ascribed_ to Chaucer, not even in

Thynne’s edition.

_Fairy Queen._ “It is observable that _Hyperion_ is used by Spenser with

the same error in quantity” (Farmer).

_Upton._ _Critical Observations_, pp. 230, 231. _Much Ado_, iii. 2. 11.

_Theophilus Cibber_ (1703-1758), the actor, put his name on the title page

of the _Lives of the Poets_ (five vols., 1753), which was mainly the work

of Robert Shiels (died 1753); see Johnson’s _Life of Hammond, ad init._,

and Boswell, ed. Birkbeck Hill, iii. 29-31. For the reference to the

_Arcadia_, see “Cibber’s” _Lives_, i. 83.

_Ames_, Joseph (1689-1759), author of _Typographical Antiquities_, 1749.

187. _Lydgate._ Farmer has a long note here on the versification of

Lydgate and Chaucer. “Let me here,” he says, “make an observation for the

benefit of the next editor of Chaucer. Mr. Urry, probably misled by his

predecessor Speght, was determined, Procrustes-like, to force every line

in the _Canterbury Tales_ to the same standard; but a precise number of

syllables was not the object of our old poets,” etc.

_Hurd._ This quotation, which Farmer added in the second edition, is from

Hurd’s Notes to Horace’s _Epistolae ad Pisones et Augustum_, 1757, vol.

i., p. 214. Cf. also his _Discourse on Poetical Imitation_, pp. 125 and

132, and the _Marks of Imitation_, p. 74. The passage in which the “one

imitation is fastened on our Poet” occurs in the _Marks of Imitation_, pp.

19, 20. Cf. note on p. 170.

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