SIR THOMAS HANMER: PREFACE TO EDITION OF SHAKESPEARE. 1744.

What the Publick is here to expect is a true and correct Edition of

_Shakespear_’s works cleared from the corruptions with which they have

hitherto abounded. One of the great Admirers of this incomparable Author

hath made it the amusement of his leisure hours for many years past to

look over his writings with a careful eye, to note the obscurities and

absurdities introduced into the text, and according to the best of his

judgment to restore the genuine sense and purity of it. In this he

proposed nothing to himself but his private satisfaction in making his own

copy as perfect as he could: but as the emendations multiplied upon his

hands, other Gentlemen equally fond of the Author desired to see them, and

some were so kind as to give their assistance by communicating their

observations and conjectures upon difficult passages which had occurred to

them. Thus by degrees the work growing more considerable than was at first

expected, they who had the opportunity of looking into it, too partial

perhaps in their judgment, thought it worth being made publick; and he,

who hath with difficulty yielded to their perswasions, is far from

desiring to reflect upon the late Editors for the omissions and defects

which they left to be supplied by others who should follow them in the

same province. On the contrary, he thinks the world much obliged to them

for the progress they made in weeding out so great a number of blunders

and mistakes as they have done, and probably he who hath carried on the

work might never have thought of such an undertaking if he had not found a

considerable part so done to his hands.

From what causes it proceeded that the works of this Author in the first

publication of them were more injured and abused than perhaps any that

ever pass’d the Press, hath been sufficiently explained in the Preface to

Mr. _Pope_’s Edition which is here subjoined, and there needs no more to

be said upon that subject. This only the Reader is desired to bear in

mind, that as the corruptions are more numerous and of a grosser kind than

can well be conceived but by those who have looked nearly into them; so in

the correcting them this rule hath been most strictly observed, not to

give a loose to fancy, or indulge a licentious spirit of criticism, as if

it were fit for any one to presume to judge what _Shakespear_ ought to

have written, instead of endeavouring to discover truly and retrieve what

he did write: and so great caution hath been used in this respect, that no

alterations have been made but what the sense necessarily required, what

the measure of the verse often helped to point out, and what the

similitude of words in the false reading and in the true, generally

speaking, appeared very well to justify.

Most of those passages are here thrown to the bottom of the page and

rejected as spurious, which were stigmatized as such in Mr. _Pope_’s

Edition; and it were to be wished that more had then undergone the same

sentence. The promoter of the present Edition hath ventured to discard but

few more upon his own judgment, the most considerable of which is that

wretched piece of ribaldry in King _Henry V._ put into the mouths of the

_French_ Princess and an old Gentlewoman, improper enough as it is all in

_French_ and not intelligible to an _English_ audience, and yet that

perhaps is the best thing that can be said of it. There can be no doubt

but a great deal more of that low stuff which disgraces the works of this

great Author, was foisted in by the Players after his death, to please the

vulgar audiences by which they subsisted: and though some of the poor

witticisms and conceits must be supposed to have fallen from his pen, yet

as he hath put them generally into the mouths of low and ignorant people,

so it is to be remember’d that he wrote for the Stage, rude and unpolished

as it then was; and the vicious taste of the age must stand condemned for

them, since he hath left upon record a signal proof how much he despised

them. In his Play of _The Merchant of Venice_ a Clown is introduced

quibbling in a miserable manner, upon which one who bears the character of

a man of sense makes the following reflection: _How every fool can play

upon a word! I think the best grace of wit will shortly turn into silence,

and discourse grow commendable in none but parrots._ He could hardly have

found stronger words to express his indignation at those false pretences

to wit then in vogue; and therefore though such trash is frequently

interspersed in his writings, it would be unjust to cast it as an

imputation upon his taste and judgment and character as a Writer.

There being many words in _Shakespear_ which are grown out of use and

obsolete, and many borrowed from other languages which are not enough

naturalized or known among us, a Glossary is added at the end of the work,

for the explanation of all those terms which have hitherto been so many

stumbling-blocks to the generality of Readers; and where there is any

obscurity in the text not arising from the words but from a reference to

some antiquated customs now forgotten, or other causes of that kind, a

note is put at the bottom of the page to clear up the difficulty.

With these several helps if that rich vein of sense which runs through the

works of this Author can be retrieved in every part and brought to appear

in its true light, and if it may be hoped without presumption that this is

here effected; they who love and admire him will receive a new pleasure,

and all probably will be more ready to join in doing him justice, who does

great honour to his country as a rare and perhaps a singular Genius: one

who hath attained an high degree of perfection in those two great branches

of Poetry, Tragedy and Comedy, different as they are in their natures from

each other; and who may be said without partiality to have equalled, if

not excelled, in both kinds, the best writers of any age or country who

have thought it glory enough to distinguish themselves in either.

Since therefore other nations have taken care to dignify the works of

their most celebrated Poets with the fairest impressions beautified with

the ornaments of sculpture, well may our _Shakespear_ be thought to

deserve no less consideration: and as a fresh acknowledgment hath lately

been paid to his merit, and a high regard to his name and memory, by

erecting his Statue at a publick expence; so it is desired that this new

Edition of his works, which hath cost some attention and care, may be

looked upon as another small monument designed and dedicated to his

honour.

Eighteenth Century Essays on Shakespeare · 第 18 / 112 题