CHAPTER XX.

THE DEMONSTRATION.

And thus it came to pass that the chief characters of this story found

themselves in Ballybay again on its closing day, on exactly the same

spot as they were on the day when it opened.

The Land League demonstration was not prepared with any particular care

or organization, the Irish people being still, even in the matter of

political demonstration, in a state of childish immaturity. It turned

out to be better so, for the spontaneous inventiveness of the moment

suggested a programme far more dramatic and picturesque than could have

occurred to the mind of the most ingenious political stage-manager. The

platform had been erected on the spot where the cabin had stood which

the son of the Gombeen man had overthrown so many years ago. The field

now was laid in grass, which, before the demonstration waved long and

green; but as the hours went on and the thousands of feet passed over

it, the grass was all crushed and torn. There were half a dozen

bands--two of them dressed in the showy uniform which descends from the

pictures of Robert Emmet in the dock--and they played continuously and

for the most part discordantly. There were also many banners, there was

a long procession of men on horseback, and the heads of the horses were

covered with green boughs. Green, indeed, was everywhere; there were

green banners, green scarves, green neck-ties, and the greater part of

the men displayed the green ticket of the Tenant League in their hats.

The air of the crowd was in no way serious, the whole affair was rather

like a _fete_ than a grave political demonstration. The multitudes, too,

had the absence of self-control which characterizes popular

demonstrations; their feelings seemed to express themselves without

thought or premeditation, speech overflowed rather than fell from their

lips. The result was that the cheering was continuous; now it was the

arrival of a band; then the erect walk of a sturdy contingent from a

distant point; sometimes it was simply the exchange of a look, that,

though mute, spoke volumes, between the people in the procession and

those on the sidepaths, that brought forth a wild cheer, in short the

temper of the crowd was bright and electrical--the mood for unusual

ideas and passionate scenes.

The good humor was hearty rather than inventive or articulate, but one

man had had the genius to invent a comic device. This was a very wild

creature, half beggar, half laborer, the last of a rapidly dying class

in Ireland. He had got hold of a wretched nag of whom the knacker had

been defrauded for many years and seated on this in fantastic dress he

cudgelled it unmercifully, amid screams of laughter, for around its neck

was a placard with the words, "Dead Landlordism."

About two o'clock, there was seen making a desperate attempt to

penetrate through this teeming, densely-packed, and noisy multitude, a

stout figure, with a face ugly, irregular, good-humored. He was dressed

in a long and dull-colored and almost shabby ulster. His hat was as

rough as if it had been brushed the wrong way, and he wore a suit of

tweed that was now very old, but that even in its earliest days would

have been scorned by the poorest shopman of the town with any

pretensions to respectability, and the trousers were short and painfully

bagged at the knees. But the divine light of genius shone from the brown

eyes and the ample forehead. The enthusiasm of the multitude now knew no

bounds. There was first a strange stillness, then, when the word seemed

to have passed with a strange and lightning-like rapidity from mouth to

mouth, there burst forth a great cheer, and it was known that Isaac Butt

had come.

But even the Irish leader was destined to play a subordinate part in the

proceedings of this strange day. It was a local speaker that stirred the

hearts of the people to the uttermost, for he told the story of the

eviction of the Widow Cunningham, of the death of her husband, the exile

of her son, the shame of her daughter.

While he was speaking some one cried, "She'll have her own agin," and

then a few of the young fellows disappeared from the platform. In the

course of half-an-hour they returned. They ascended the platform, and

after a while, and another pause, a strange and audible thrill passed

through the multitude; and then there were passed in almost a hoarse

whisper the words, "The Widow Cunningham." And she it was; acting on the

hint of the speaker, she had been taken from the workhouse; and she was

brought back to her old farm again and to the site of her shattered

homestead and broken life. The multitude cheered themselves hoarse;

hundreds rushed to the platform to seize her by the hand; a few women

threw their arms around her neck, and wept and laughed. Finally, the

enthusiasm could not be controlled, and, in spite of the entreaties of

the political leaders and of the priests, a knot of young men caught the

poor old creature up, and carried her around the field in triumph; the

crowd everywhere swaying backwards and forwards, divided between the

effort to make a way for the strange procession and the desire to catch

sight of the old woman. Probably few of the people there could

understand the strange effect which this sight had upon them; but their

instincts guided them aright in the enthusiasm with which they hailed

this visible token of a bad and terrible and irrevocable past.

And how was it with the chief actor in the scene? Five years of life in

a workhouse had left no trace of the handsome, long-haired, and

passionate woman who had cursed the destroyer of her house and her

children with wild vehemence, and had resisted the assault of the

Crowbar Brigade with murderous energy. She was now simply a feeble old

woman, with scanty grey hair; the light had died out of her eyes; and

there was nothing left in them now but weariness and pain; her cheeks

were sunk and were dreadfully discolored; in short, she was a poor,

feeble, old woman, with broken spirits and dulled brain. The revenge for

which she had longed and prayed had come at last; but it had come too

late.

She went through the whole scene with curious and unconscious gaze, as

of one passing through a waking dream, and the only sign she gave of

understanding anything that was going on was that she gave a weak and

weary little smile when the people cried out to her enthusiastically,

"Bravo, Widow Cunningham!"--a smile as spectral as the state of things

of which she was the relic. She was very wearied and almost fainting

when she was brought back to the platform; and then she said, in a voice

that was a little louder than a whisper, and with a strange wistfulness

in her eyes, "I'd like a cup of tay."

But there was no tea to be had, and the thoughtless good-nature of the

day helped to precipitate the tragedy which the equally thoughtless

enthusiasm had begun. A dozen flasks were produced; a tumbler was taken

from the table, and a large quantity of whiskey was poured down her

throat. She became feeble, and the rays of intelligence almost

disappeared from her face.

At last, as the evening fell, the crowd dispersed; the old pauper was

left by the men who had brought her to the platform, and there were but

a couple of women more watchful than the rest to take care of her. They

tried to bring her home, but she showed a strange kind of obstinacy, and

refused for a long time to move. When she was got to make a stir she

seemed most unwilling to go in the direction of the workhouse, she would

give no reason--for indeed she seemed either unable or unwilling to

speak at all, but with the silent obstinacy of an animal she tried to go

in an opposite direction. At last the two women thought it wisest to

humor her, and let her go where she wished. By this time night had

completely fallen, and in going down a dark boreen she managed to escape

from her companions altogether. They searched everywhere around, and at

last frightened, they went home for their husbands. A party of five

people--the husbands, the son of one of them, and the two women came

along the boreen, guided by the dim light of the farthing dip which is

the only light the Irish farmer has yet been able to use. After a long

search they came to a spot well known to all of them, and then the truth

burst suddenly upon them. One of the women had been at the funeral of

the Widow Cunningham's husband when she was a little girl, and

remembered the spot where he was buried. They all followed her there in

a strange anxiety, and their anticipations proved right. On the grave of

her husband they found the Widow Cunningham, and she was a corpse.

Donahoe's Magazine, Volume 15, No. 2, February 1886 · 第 2 / 4 章