Possibly of English early 17th-century work. Its texture is typical of
a development in pillow-lace-making later than that of the lower edge
of "merletti a piombini" in Pl. II. fig. 3.
FIG. 11.--JAMES II. WEARING A JABOT AND CUFFS OF RAISED NEEDLEPOINT
LACE.
By RILEY. National Portrait Gallery. About 1685.
FIG. 12.--JABOT OF NEEDLEPOINT LACE WORKED PARTLY IN RELIEF, AND
USUALLY KNOWN AS "GROS POINT DE VENISE."
Middle of 17th century. Conventional scrolling stems with off-shooting
pseudo-blossoms and leafs are specially characteristic.
(_Figs._ 8 _and_ 11, _photo by Emery Walker_.)]
[Illustration: PLATE IV.