I.

For more than a week my pen has lain untouched. I have written nothing

for seven whole days, not even a letter. Except during one or two bouts

of illness, such a thing never happened in my life before. In my life;

the life, that is, which had to be supported by anxious toil; the life

which was not lived for living's sake, as all life should be, but under

the goad of fear. The earning of money should be a means to an end; for

more than thirty years--I began to support myself at sixteen--I had to

regard it as the end itself.

I could imagine that my old penholder feels reproachfully towards me. Has

it not served me well? Why do I, in my happiness, let it lie there

neglected, gathering dust? The same penholder that has lain against my

forefinger day after day, for--how many years? Twenty, at least; I

remember buying it at a shop in Tottenham Court Road. By the same token

I bought that day a paper-weight, which cost me a whole shilling--an

extravagance which made me tremble. The penholder shone with its new

varnish, now it is plain brown wood from end to end. On my forefinger it

has made a callosity.

Old companion, yet old enemy! How many a time have I taken it up,

loathing the necessity, heavy in head and heart, my hand shaking, my eyes

sick-dazzled! How I dreaded the white page I had to foul with ink! Above

all, on days such as this, when the blue eyes of Spring laughed from

between rosy clouds, when the sunlight shimmered upon my table and made

me long, long all but to madness, for the scent of the flowering earth,

for the green of hillside larches, for the singing of the skylark above

the downs. There was a time--it seems further away than childhood--when

I took up my pen with eagerness; if my hand trembled it was with hope.

But a hope that fooled me, for never a page of my writing deserved to

live. I can say that now without bitterness. It was youthful error, and

only the force of circumstance prolonged it. The world has done me no

injustice; thank Heaven I have grown wise enough not to rail at it for

this! And why should any man who writes, even if he write things

immortal, nurse anger at the world's neglect? Who asked him to publish?

Who promised him a hearing? Who has broken faith with him? If my

shoemaker turn me out an excellent pair of boots, and I, in some mood of

cantankerous unreason, throw them back upon his hands, the man has just

cause of complaint. But your poem, your novel, who bargained with you

for it? If it is honest journeywork, yet lacks purchasers, at most you

may call yourself a hapless tradesman. If it come from on high, with

what decency do you fret and fume because it is not paid for in heavy

cash? For the work of man's mind there is one test, and one alone, the

judgment of generations yet unborn. If you have written a great book,

the world to come will know of it. But you don't care for posthumous

glory. You want to enjoy fame in a comfortable armchair. Ah, that is

quite another thing. Have the courage of your desire. Admit yourself a

merchant, and protest to gods and men that the merchandise you offer is

of better quality than much which sells for a high price. You may be

right, and indeed it is hard upon you that Fashion does not turn to your

stall.

The Private Papers of Henry Ryecroft · 第 5 / 112 题