IV

The Pasha sat down on the divan and lighted a cigarette. Almost

immediately the nightingale stopped singing. For a few moments

Zümbül Agha's steps could be heard outside. Then it became very

still. The Pasha did not like it. Look which way he would he could

not help seeing the chest--or listening. He got up and went into the

big room, where he turned on the water of the fountain. The falling

drops made company for him, and kept him from looking for lost

reflections. But they presently made him think of what Hélène had

said about them. He went out to the porch and sat down on the steps.

In front of him the pines lifted their great dark canopies against

the stars. Other stars twinkled between the trunks, far below, where

the shore lights of the Bosphorus were. It was so still that water

sounds came faintly up to him, and every now and then he could even

hear nightingales on the European side. Another nightingale began

singing in his own woods--the nightingale that had told him what to

do, he said to himself. What other things the nightingales had sung

to him, years ago! And how long the pines had listened there, still

strong and green and rugged and alive, while he, and how many before

him, sat under them for a little while and then went away!

Presently he heard steps on the drive and Shaban came, carrying

something dark in his hand.

"What is that?" asked the Pasha, as Shaban held it out.

"A pistol, my Pasha. Zümbül Agha told me you wanted it."

The Pasha laughed curtly.

"Zümbül made a mistake. What I want is a shovel, or a couple of

them. Can you find such a thing without asking anyone?"

"Yes, my Pasha," replied the Albanian promptly, laying the revolver

on the steps and disappearing again. And it was not long before he

was back with the desired implements.

"We must dig a hole, somewhere, Shaban," said his master in a low

voice. "It must be in a place where people are not likely to go, but

not too far from the kiosque."

Shaban immediately started toward the trees at the back of the house.

The Pasha followed him silently into a path that wound through the

wood. A nightingale began to sing again, very near them--the

nightingale, thought the Pasha.

"He is telling us where to go," he said.

Shaban permitted himself a low laugh.

"I think he is telling his mistress where to go. However, we will go

too." And they did, bearing away to one side of the path till they

came to the foot of a tall cypress.

"This will do," said the Pasha, "if the roots are not in the way."

Without a word Shaban began to dig. The Pasha took the other spade.

To the simple Albanian it was nothing out of the ordinary. What was

extraordinary was that his master was able to keep it up, soft as the

loam was under the trees. The most difficult thing about it was that

they could not see what they were doing, except by the light of an

occasional match. But at last the Pasha judged the ragged excavation

of sufficient depth. Then he led the way back to the kiosque.

They found Zümbül Agha in the little room, sitting on the sofa with a

pistol in either hand.

"I thought I told you not to come back!" exclaimed the Pasha sternly.

"Yes," faltered the old eunuch, "but I was afraid something might

happen to you. So I waited below the pines. And when you went away

into the woods with Shaban, I came here to watch." He lifted a

revolver significantly. "I found the other one on the steps."

"Very well," said the Pasha at length, more kindly. He even found it

in him at that moment to be amused at the picture the black man made,

in his sedate frock coat, with his two weapons. And Zümbül Agha

found no less to look at in the appearance of his master's clothes.

"But now there is no need for you to watch any longer," added the

latter. "If you want to watch, do it at the bottom of the hill.

Don't let any one come up here."

"On my head," said the eunuch. He saw that Shaban, as usual, was

trusted more than he. But it was not for him to protest against the

ingratitude of masters. He salaamed and backed out of the room.

When he was gone the Pasha turned to Shaban:

"This box, Shaban--you see this box? It has become a trouble to us,

and I am going to take it out there."

The Albanian nodded gravely. He took hold of one of the handles, to

judge the weight of the chest. He lifted his eyebrows.

"Can you help me put it on my back?" he asked.

"Don't try to do that, Shaban. We will carry it together." The

Pasha took hold of the other handle. When they got as far as the

outer door he let down his end. It was not light. "Wait a minute,

Shaban. Let us shut up the kiosque, so that no one will notice

anything." He went back to blow out the candles. Then he thought of

the fountain. He caught a play of broken images in the pool as he

turned off the water. When he had put out the lights and had groped

his way to the door he found that Shaban was already gone with the

chest. A last drop of water made a strange echo behind him in the

dark kiosque. He locked the door and hurried after Shaban, who had

succeeded in getting the chest on his back. Nor would Shaban let the

Pasha help him till they came to the edge of the wood. There,

carrying the chest between them, they stumbled through the trees to

the place that was ready.

"Now we must be careful," said the Pasha. "It might slip or get

stuck."

"But are you going to bury the box too?" demanded Shaban, for the

first time showing surprise.

"Yes," answered the Pasha. And he added: "It is the box I want to

get rid of."

"It is a pity," remarked Shaban regretfully. "It is a very good box.

However, you know. Now then!"

There was a scraping and a muffled thud, followed by a fall of earth

and small stones on wood. The Pasha wondered if he would hear

anything else. But first one and then another nightingale began to

fill the night air with their April madness.

"Ah, there are two of them," remarked Shaban. "She will take the one

that says the sweetest things to her."

The Pasha's reply was to throw a spadeful of earth on the chest.

Shaban joined him with such vigour that the hole was very soon full.

"We are old, my Pasha, but we are good for something yet," said

Shaban. "I will hide the shovels here in the bushes," he added, "and

early in the morning I will come again, before any of those lazy

gardeners are up, and fix it so that no one will ever know."

There at least was a person of whom one could be sure! The Pasha

realised that gratefully, as they walked back through the park. He

did not feel like talking, but at least he felt the satisfaction of

having done what he had decided to do. He remembered Zümbül Agha as

they neared the bottom of the hill. The eunuch had not taken his

commission more seriously than it had been given, however, or he

preferred not to be seen. Perhaps he wanted to reconnoitre again on

top of the hill.

"I don't think I will go in just yet," said the Pasha, as they

crossed the bridge into the lower garden. "I am rather dirty. And I

would like to rest a little under the chestnut trees. Would you get

me an overcoat please, Shaban, and a brush of some kind? And you

might bring me a coffee, too."

How tired he was! And what a short time it was, yet what an

eternity, since he last dropped into one of those wicker chairs! He

felt for his cigarettes. As he did so he discovered something else

in his pocket, something small and hard that at first he did not

recognise. Then he remembered the key--the key.... He suddenly

tossed it into the pool beside him. It made a sharp little splash,

which was reëchoed by the dripping basins. He got up and felt in the

ivy for the handle that shut off the water. At the end of the garden

the Bosphorus lapped softly in the dark. Far away, up in the wood,

the nightingales were singing.

Masterpieces of Adventure—Oriental Stories · 第 13 / 28 题