III. HISTORICAL DIRECTORY OF THE MARBLES REPRODUCED IN THIS COLLECTION.

_Frontispiece._ Terminal bust of Pericles, after an original by

Cresilas. Approximate date, 440-430 B. C. In the British Museum, London.

1. _Bust of Zeus Otricoli._ Considered by Brunn and others a copy from a

head of the statue by Phidias. Later critics do not agree with this

opinion, and Furtw[:a]ngler calls the head a Praxitelean development of the

type of Zeus created in the time of Myron. Now in the Vatican Gallery,

Rome.

2. _Athena Giustiniana_ (_Minerva Medica_). Considered by Furtw[:a]ngler a

copy, after Euphranor, of a statue dedicated below the Capitol, called

Minerva Catuliana, set up by A. Lutatius Catulus. The [ae]gis and sphinx

are copyist's additions. Found in the gardens of the convent of S. Maria

sopra Minerva, Rome. Both arms are restored. Now in the Vatican Gallery,

Rome.

3. _Horsemen from the Parthenon Frieze._ The frieze of the Parthenon is

part of the decorative scheme of the marble temple of Athena, built

during the age of Pericles (480-430 B. C.) on the Acropolis, Athens, and

decorated under the direction of Phidias. The frieze consisted of a

series of panels or slabs, about 3 ft. 4 in. in height, and was set on

the outer wall of the cella. Being lighted from below, the lower portion

is cut in low relief (1-1/4 in.) and the upper parts in high relief

(2-1/4 in.). The panel of the Horsemen is one of the Elgin Marbles,

removed by Lord Elgin from the Parthenon in 1801-1802, and now in the

British Museum, London.

4. _Bust of Hera._ Considered by Murray a copy after Polyclitus.

Regarded by Furtw[:a]ngler as a "Roman creation based on a Praxitelean

model." Catalogued in Hare's "Walks in Rome" as a probable copy after

Alcamenes. In the Ludovisi Villa, Rome.

5. _The Apoxyomenos._. A marble copy of the original bronze statue by

Lysippus, who flourished in the 4th century B. C. According to Pliny the

original was brought from Greece to Rome by Agrippa to adorn the public

baths. This copy was found in 1849 in the Trastevere, Rome, and is now

in the Vatican Gallery.

6. _Head of the Apollo Belvedere._ According to Gardner, a marble copy

(Roman) of a bronze original of the Hellenistic Age (320-100 B. C.).

Some (Winter and Furtw[:a]ngler) have assigned the original to Leochares, a

sculptor of the 4th century, and others to Calamis, in the 5th century.

This copy was found in the 16th century at Antium, and was purchased by

Pope Julius II. for the Belvedere Palace. Now in the Vatican Gallery,

Rome.

7. _Demeter_ (_Ceres_) Considered by Furtw[:a]ngler a copy from an original

by Agoracritus, who was a pupil of Phidias, and whose works are closely

allied to those of Alcamenes. By the same authority the statue is called

the Nemesis. In the Vatican Gallery, Rome.

8. _The Faun of Praxiteles._ A copy of the original statue by

Praxiteles, which was in the street of the Tripods, Athens. In the

Capitol Museum, Rome.

9. _Sophocles._ Referred to by Collignon as a faithful copy of the

bronze statue raised by Lycurgus. Found at Terracina in 1838, and now in

the Lateran Museum, Rome.

10. _Ares Seated._ Considered by Furtw[:a]ngler and others a copy on a

reduced scale of a colossal statue by Scopas. The little god Eros is the

copyist's addition. Found in the portico of Octavia, and restored by

Bernini. Now in the Ludovisi Villa, Rome.

11. _Head of the Olympian Hermes._ An undisputed original work of

Praxiteles, dating from the middle of the 4th century B. C. It was in

the Her[ae]um (or Temple of Hera) at Olympia, and was discovered by German

excavators, May 8, 1877. Now in the museum at Olympia, Greece.

12. _The Discobolus_, a copy from an original by Myron, one of the last

masters of the "severe style," whose career culminated 465-450 B. C. In

the Lancelotti Palace, Rome.

13. _The Aphrodite of Melos (The Venus of Milo)._ Formerly attributed to

the period of transition between Phidias and Praxiteles, but assigned by

late critics to the Hellenistic Age (320-100 B. C.). Believed by

Furtw[:a]ngler to be based on a work by Scopas, with considerable

modification of the original. Found in 1820 on the island of Melos at

the entrance of the Greek Archipelago. Purchased by the French

government for 6000 francs, and now in the Louvre, Paris.

14. _Orpheus and Eurydice._ One of several copies of an original

bas-relief referred by Collignon to the second half of 5th century B. C.

In the Albani Villa, Rome.

15. _Nike (The Winged Victory)._ A marble statue believed to have been

set up by Demetrius Poliorcetes to celebrate a naval victory in 306 B.

C. Found in 1863 by the French consul on the island of Samothrace. Now

in the Louvre, Paris.

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