Under the wide and starry sky

Dig the grave and let me lie;

Glad did I live and gladly die,

And I laid me down with a will.

This be the verse you grave for me:

Here he lies where he longed to be;

Home is the sailor, home from the sea,

And the hunter home from the hill.

XLV

KIPLING IN INDIA

In four lines of oft-quoted poetry Pope has declared that with words

the same rule holds that applies to fashion,--"Alike fantastic if too

new or old." Fashion changes, not only the fashions of millinery but

of literature also. When the world is tired of the brilliant wit of

Byron, it turns in relief to the contemplative verse of Wordsworth;

when Longfellow and Tennyson have had their artistic day and a

thousand imitators have produced romantic poetry, because

Most can raise the flowers now

For all have got the seed,--

then this same world turns with delight to the robust poetry of

Kipling. He has brought a new dish to the banquet of life, or at least

a new flavor has been given to the old.

Kipling is a man's poet, robust and virile. As a preface to one of his

stories he wrote:

Go stalk the red deer o'er the heather,

Ride, follow the fox, if you can!

But for pleasure and profit together

Allow me the hunting of man;--

and this joy in the hunting of man is what has made Kipling so

acceptable to men. Kipling has the defects of his virtues. There is a

certain brutality in his point of view. His beautiful _Recessional_ is

not the greater part of Kipling. His voice "is still for war." His

critics charge him with "Jingoism." One of the most brilliant parodies

of recent times is Watson's

Best by remembering God, say some,

We keep our high imperial lot--

Fortune, I think, has mainly come

When we forgot, when we forgot!

The greater influence of Kipling, both in his prose and poetry, is

contrary to the humanitarian spirit of the age. Le Gallienne has

said,--"As a writer Mr. Kipling is a delight; as an influence a

danger."

Mr. Kipling sprang into public notice because he had genius and

because he had a new world to reveal to a jaded public. Mr. E. Kay

Robinson was a friend and associate of Kipling when both were in the

land of mysteries, India. Mr. Robinson went to India in 1884 and soon

began to write verses over the signature of "K.R." Kipling was writing

ballads under the initials "R.K." The similarity of the signatures

attracted Kipling and he wrote to Robinson. They were afterwards

associated in newspaper work and became close friends. Robinson has

written about Kipling in India:

"My first sight of Kipling was at an uninteresting stage, when he was

a short, square, dark youth, who unfortunately wore spectacles instead

of eyeglasses and had an unlucky eye for color in the selection of his

clothes. He had a weakness apparently for brown cloth with just that

suggestion of ruddiness or purple in it which makes some browns so

curiously conspicuous. The charm of his manner, however, made you

forget what he looked like in half a minute....

"Among Kipling's early journalistic experiences was his involuntary

assumption 'for this occasion only' of the role of the fighting

editor. He was essentially a man of peace, and would always prefer

making an angry man laugh to fighting with him; but one day there

called at the office a very furious photographer. What the paper may

have said about him or his photographs has been forgotten, but never

will those who witnessed it forget the rough-and-tumble all over the

floor in which he and Kipling indulged. The libel, or whatever it was,

which had infuriated the photographer was not Kipling's work, but the

quarrel was forced upon him, and although he was handicapped by his

spectacles and smaller stature he made a very fine draw of it, and

then the photographer--who, it may be remarked, was very drunk--was

ejected. And Kipling wiped his glasses and buttoned his collar.

"That trick of wiping his spectacles is one which Kipling indulged

more frequently than any man I have ever met, for the simple reason

that he was always laughing; and when you laugh till you nearly cry

your spectacles get misty. Kipling, shaking all over with laughter,

and wiping his spectacles at the same time with his handkerchief, is

the picture which always comes to mind as most characteristic of him

in the old days."

With regard to Kipling's minute and exact knowledge of details Mr.

Robinson has this to say:

"To learn to write as soldiers think, he spent long hours loafing with

the genuine article. He watched them at work and at play and at prayer

from the points of view of all his confidants--the combatant officer,

the doctor, the chaplain, the drill sergeant, and the private himself.

With the navy, with every branch of sport, and with natural history,

he has never wearied in seeking to learn all that man may learn at

first-hand, or the very best second-hand, at any rate.... But most

wonderful was his insight into the strangely mixed manners of life and

thought of the natives of India. He knew them all through their

horizontal divisions of rank and their vertical sections of caste;

their ramifications of race and blood; their antagonisms and blendings

of creed; their hereditary strains of calling or handicraft. Show him

a native, and he would tell you his rank, caste, race, origin,

habitat, creed, and calling. He would speak to the man in his own

fashion, using familiar, homely figures, which brightened the other's

surprised eyes with recognition of brotherhood and opened a straight

way into his confidence. In two minutes the man--perhaps a wild hawk

from the Afghan hills--would be pouring out into the ear of this

sahib, with heaven-sent knowledge and sympathy, the weird tale of the

blood feud and litigation, the border fray, and the usurer's iniquity,

which had driven him so far afield as Lahore from Bajaur. To Kipling

even the most suspected and suspicious of classes, the religious

mendicants, would open their mouths freely.

"By the road thick with the dust of camels and thousands of cattle and

goats, which winds from Lahore Fort to the River Ravi, there are

walled caravanserais the distant smell of which more than suffices for

most of the Europeans who pass, but sitting with the travelers in the

reeking inside Kipling heard weird tales and gathered much knowledge.

Under a spreading peepul tree overhanging a well by the same road

squatted daily a ring of almost naked fakirs, smeared with ashes, who

scowled at the European driving by; but for Kipling there was, when he

wished it, an opening in the squatting circle and much to be learned

from the unsavory talkers. That is how Kipling's finished

word-pictures take the lifelike aspect of instantaneous photographs."

XLVI

BENJAMIN FRANKLIN RUNS AWAY

Benjamin Franklin had so many strong qualities, was eminent in so many

lines of endeavor, that we do not always include him among the

literary men of America. However, his _Autobiography_ is a

masterpiece. In sincerity and simplicity it is unsurpassed. This is

all the more remarkable because it was written at a time when ornate

writing was the fashion. A man's style is the outgrowth of his nature,

and it is a striking comment upon the robust quality of Franklin's

mind that his style has the simplicity of the Bible, or _Pilgrim's

Progress_.

The following account, taken from his _Autobiography_, begins just

after he has landed in New York, a boy of seventeen who has run away

from home because he felt that his brother was not treating him

fairly:

My inclinations for the sea were by this time worn out, or I might now

have gratified them. But, having a trade, and supposing myself a

pretty good workman, I offered my service to the printer in the place,

old Mr. William Bradford, who had been the first printer in

Pennsylvania, but removed from thence upon the quarrel of George

Keith. He could give me no employment, having little to do and help

enough already; but, says he, "My son at Philadelphia has lately lost

his principal hand, Aquilla Rose, by death; if you go thither I

believe he may employ you." Philadelphia was a hundred miles farther;

I set out, however, in a boat for Amboy, leaving my chest and things

to follow me round by sea.

[Illustration: BENJAMIN FRANKLIN

From a portrait by Duplessis]

In crossing the bay we met with a squall that tore our rotten sails to

pieces, prevented our getting into the Kill, and drove us upon Long

Island. In our way, a drunken Dutchman, who was a passenger too, fell

overboard. When he was sinking, I reached through the water to his

shock pate, and drew him up so that we got him in again. His ducking

sobered him a little, and he went to sleep, taking first out of his

pocket a book, which he desired I would dry for him. It proved to be

my old favorite author, Bunyan's _Pilgrim's Progress_, in Dutch,

finely printed on good paper, with copper cuts, a dress better than I

had ever seen it wear in its own language. I have since found that it

has been translated into most of the languages of Europe, and suppose

it has been more generally than any other book, except, perhaps, the

Bible. Honest John was the first that I know of who mixed narration

and dialogue; a method of writing very engaging to the reader, who in

the most interesting parts finds himself, as it were, brought into the

company and present at the discourse. Defoe in his _Crusoe_, his _Moll

Flanders_, _Religious Courtship_, _Family Instructor_, and other

pieces, has imitated it with success, and Richardson has done the same

in his _Pamela_, etc.

When we drew near the island we found it was at a place where there

could be no landing, there being a great surf on the stony beach. So

we dropped anchor, and swung round toward the shore. Some people came

down to the water edge and hallooed to us, as we did to them; but the

wind was so high and the surf so loud that we could not hear so as to

understand each other. There were canoes on the shore, and we made

signs, and hallooed that they should fetch us, but they either did not

understand us or thought it impracticable, so they went away, and

night coming on, we had no remedy but to wait till the wind should

abate. In the meantime, the boatman and I concluded to sleep if we

could, and so crowded into the scuttle with the Dutchman, who was

still wet, and the spray beating over the head of our boat leaked

through to us, so that we were almost as wet as he. In this manner we

lay all night, with very little rest; but the wind abating the next

day, we made a shift to reach Amboy before night, having been thirty

hours on the water, without victuals, or any drink but a bottle of

filthy rum, the water we sailed on being salt.

In the evening I found myself very feverish, and went in to bed; but,

having read somewhere that cold water, drunk plentifully, was good for

a fever, I followed the prescription, sweat plentifully most of the

night, my fever left me, and in the morning, crossing the ferry, I

proceeded on my journey on foot, having fifty miles to Burlington,

where I was told I should find boats that would carry me the rest of

the way to Philadelphia.

It rained very hard all the day. I was thoroughly soaked, and by noon

a good deal tired, so I stopped at a poor inn, where I stayed all

night, beginning now to wish that I had never left home. I cut so

miserable a figure, too, that I found, by the questions asked me, I

was suspected to be some runaway servant and in danger of being taken

up on that suspicion. However, I proceeded the next day, and got in

the evening to an inn, within eight or ten miles of Burlington, kept

by one Dr. Brown. He entered into conversation with me while I took

some refreshment, and finding I had read a little, became very

sociable and friendly. Our acquaintance continued as long as he lived.

He had been, I imagine, an itinerant doctor, for there was no town in

England, or country in Europe, of which he could not give a very

particular account. He had some letters, and was ingenious, but much

of an unbeliever, and wickedly undertook, some years after, to

travesty the Bible in doggerel verse, as Cotton had done Virgil. By

this means he set many of the facts in a very ridiculous light, and

might have hurt weak minds if his work had been published; but it

never was.

At his house I lay that night, and the next morning reached

Burlington, but had the mortification to find that the regular boats

were gone a little before my coming, and no other expected to go

before Tuesday, this being Saturday; wherefore I returned to an old

woman in the town of whom I had bought gingerbread to eat on the

water, and asked her advice. She invited me to lodge at her house till

a passage by water should offer; and, being tired with my foot

traveling, I accepted the invitation. She, understanding I was a

printer, would have had me stay at that town and follow my business,

being ignorant of the stock necessary to begin with. She was very

hospitable, gave me a dinner of ox cheek with great good will,

accepting only of a pot of ale in return; and I thought myself fixed

till Tuesday should come. However, walking in the evening by the side

of the river, a boat came by, which I found was going toward

Philadelphia, with several people in her. They took me in, and, as

there was no wind, we rowed all the way, and about midnight, not

having yet seen the city, some of the company were confident we must

have passed it, and would row no farther. The others knew not where we

were, so we put toward the shore, got into a creek, and landed near an

old fence, with the rails of which we made a fire, the night being

cold, in October, and there we remained till daylight. Then one of the

company knew the place to be Cooper's Creek, a little above

Philadelphia, which we saw as soon as we got out of the creek, and

arrived there about eight or nine o'clock on the Sunday morning, and

landed at the Market Street wharf.

I have been the more particular in this description of my journey, and

shall be so of my first entry into that city, that you may in your

mind compare such unlikely beginnings with the figure I have since

made there. I was in my working dress, my best clothes being to come

round by sea. I was dirty from my journey; my pockets were stuffed out

with shirts and stockings, and I knew no soul, nor where to look for

lodging. I was fatigued with traveling, rowing, and want of rest; I

was very hungry, and my whole stock of cash consisted of a Dutch

dollar and about a shilling in copper. The latter I gave the people

of the boat for my passage, who at first refused it, on account of my

rowing; but I insisted on their taking it, a man being sometimes more

generous when he has but a little money than when he has plenty,

perhaps through fear of being thought to have but little.

Then I walked up the street, gazing about, till near the market house

I met a boy with bread. I had made many a meal on bread, and,

inquiring where he got it, I went immediately to the baker's he

directed me to, in Second Street, and asked for biscuit, intending

such as we had in Boston; but they, it seems, were not made in

Philadelphia. Then I asked for a threepenny loaf, and was told they

had none such. So not considering or knowing the difference of money

and the greater cheapness, nor the names of his bread, I bade him give

me threepenny worth of any sort. He gave me, accordingly, three great

puffy rolls. I was surprised at the quantity, but took it, and, having

no room in my pockets, walked off with a roll under each arm, and

eating the other. Thus I went up Market Street as far as Fourth

Street, passing by the door of Mr. Read, my future wife's father; when

she, standing at the door, saw me, and thought I made, as I certainly

did, a most awkward, ridiculous appearance. Then I turned and went

down Chestnut Street and part of Walnut Street, eating my roll all the

way, and, coming round, found myself again on Market Street wharf,

near the boat I came in, to which I went for a draught of the river

water; and, being filled with one of my rolls, gave the other two to a

woman and her child that came down the river in the boat with us, and

were waiting to go farther.

Thus refreshed, I walked again up the street, which by this time had

many clean-dressed people in it, who were all walking the same way. I

joined them, and was thereby led into the great meetinghouse of the

Quakers near the market. I sat down among them, and, after looking

round awhile and hearing nothing said, being very drowsy through labor

and want of rest the preceding night, I fell fast asleep, and

continued so till the meeting broke up, when one was kind enough to

rouse me. This was, therefore, the first house I was in, or slept in,

in Philadelphia.

Walking down again toward the river, and looking in the faces of

people, I met a young Quaker man, whose countenance I liked, and,

accosting him, requested he would tell me where a stranger could get

lodging. We were then near the sign of the Three Mariners. "Here,"

says he, "is one place that entertains strangers, but it is not a

reputable house; if thee wilt walk with me I'll show thee a better."

He brought me to the Crooked Billet, in Water Street. Here I got a

dinner, and while I was eating it several sly questions were asked me,

as it seemed to be suspected from my youth and appearance that I might

be some runaway.

After dinner my sleepiness returned, and, being shown to a bed, I lay

down without undressing and slept till six in the evening, was called

to supper, went to bed again very early, and slept soundly till next

morning. Then I made myself as tidy as I could, and went to Andrew

Bradford the printer's. I found in the shop the old man, his father,

whom I had seen in New York, and who, traveling on horseback, had got

to Philadelphia before me. He introduced me to his son, who received

me civilly, and gave me a breakfast, but told me he did not at present

want a hand, being lately supplied with one; but there was another

printer in town, lately set up, one Keimer, who, perhaps, might employ

me; if not, I should be welcome to lodge at his house, and he would

give me a little work to do now and then till fuller business should

offer.

XLVII

WASHINGTON IRVING

Washington Irving may be called the father of American literature. It

is true he is not the first writer who flourished on American soil,

but in point of accomplishment he is the first literary man to impress

himself upon the readers of the two continents. And what a sweet,

beautiful soul he is! The only rival he has is Franklin, and Franklin

is not a literary man, though he produced a literary masterpiece in

his _Autobiography_. The test of a great piece of literature is, In a

hundred years can it be bought in a new edition for ten cents? The New

Testament can be bought for ten cents, so can the _Autobiography_, and

the _Sketch Book_. These emerge from the sea of mediocrity of early

American life. They abide while the works of the Michael Wigglesworths

and Anne Bradstreets can be found only in the collections of the

fortunate book-lover.

The early settlers believed in the virtue of large families. It is

well, for otherwise Franklin and Irving would have been lost to

American life. Franklin was the youngest son in a family of seventeen

children, there were two girls younger (Benjamin was the eighth child

of the second wife), and Irving was the eighth son and last child in

a family of eleven children. It is not hard to account for Irving's

first name. Nowadays when you meet a boy named Dewey or Garfield it is

not difficult to guess the boy's age. Irving was born in 1783; the air

was laden with the praises of the great American leader. "Washington's

work is ended," said the mother, "and the child shall be named after

him." Several years after this when Washington, as President, was in

New York, Lizzie, the Scotch servant of the Irving family, followed

the great man into a shop and said, "Please, your honor, here's a

bairn was named after you." Washington placed his hand on the lad's

head and gave him a fatherly blessing.

Like Lowell and Bryant, Irving was first devoted to the law, but his

devotion was not of the quality that consumes. He soon strayed into

pleasanter paths. In January, 1807, appeared the first number of

_Salmagundi_, a humorous periodical which caused a great deal of

curiosity as to the authors, whose witty articles appeared

anonymously. Two years later came the droll _History of New York by

Diedrich Knickerbocker_, a book in which according to Scott were to be

seen traces of the wit of Swift. Scott said that he used to read it

aloud to his wife and guests until "our sides were absolutely sore

with laughing."

Before this work had appeared, Irving lost in three consecutive years

three persons who would have rejoiced the most in his success,--his

father, "the tenderest and best of sisters, a woman of whom a brother

might be proud," and his sweetheart, Matilda Hoffman. She was a rare

and beautiful maiden who had kindled in the heart of Irving a passion

which survived her death until he himself passed away an old man. When

he died his friends found her miniature and a lock of fair hair,

together with the part of a manuscript written for a lady who had

asked Irving why he had never married. Describing Miss Hoffman he

says:

"The more I saw her, the more I had reason to admire her. Her mind

seemed to unfold itself leaf by leaf, and every time to discover new

sweetness. Nobody knew her so well as I, for she was generally

silent.... Never did I meet with more intuitive rectitude of mind,

more delicacy, more exquisite propriety in word, thought, and action

than in this young creature. Her brilliant little sister used to say

that 'people began by admiring her, but ended by loving Matilda.' For

my part I idolized her." Irving then continues by giving a long

account of his efforts to succeed in his literary and legal work with

a view of earning a place in life so as to enable him to marry. "In

the midst of this struggle and anxiety she fell into a consumption. I

cannot tell you what I suffered.... I saw her fade rapidly away,

beautiful, and more beautiful, and more angelic to the very last. I

was often by her bedside, and when her mind wandered she would talk to

me with a sweet, natural, and affecting eloquence that was

overpowering. I saw more of the beauty of her mind in that delirious

state than I ever had before.... I was by her when she died, and was

the last she ever looked upon.... She was but seventeen."

So poignant was the grief of Irving that for thirty years after her

death he did not like any one to mention her name to him. One day he

was visiting her father when one of her nieces, taking some music from

a drawer, brought with it a piece of embroidery. "Washington," said

Mr. Hoffman, "this was poor Matilda's work." The effect was

instantaneous. The light-hearted conversationalist of a moment before

became silent and soon left the house. When in _Bracebridge Hall_ he

writes,--"I have loved as I never again shall love in this world--I

have been loved as I shall never again be loved,"--is he not thinking

of the fair Matilda? And in a note-book we find,--"She died in the

beauty of her youth, and in my memory she will ever be young and

beautiful."

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