1. Its original force is _upon_, or _on_.

2. It is applied to place, time, or causation. Of these three, when

treating of a geographical question, we need only consider the first

with any minuteness.

3. Ἐπὶ, when used locally, means with the genitive (_a_) _on_ or _at_,

and (_b_) motion _towards_ a place or thing. With the dative (_a_) _on_

or _at_, and (_b_) _by_ or _near_. With the accusative (_a_) _towards_,

and (_b_) ‘extension in space over an object, as well with verbs of

rest as of motion.’ Of this sense examples are quoted in πλεῖν ἐπὶ

οἴνοπα πόντον for verbs of motion, and ἐπ’ ἐννέα κεῖτο πέλεθρα for

verbs of rest. Both are from Homer, in Il. vii. 83, and Od. xi. 577.

The Homeric ἐπὶ δεξιὰ and ἐπ’ ἀριστερὰ are also quoted as examples of

this last-named sense. But in Od. v. 277, if the meaning be _on_ the

left, it is plainly quite beyond these definitions: for so far from

being an object extended over space, the star is, as it appears on the

left, a luminous point, and nothing more. It was an extension over

space, such as the eye has from a window over a prospect; but then

that space is the space which lies over-against the star; so that if

the space be on the left, the star must be looking towards the left

indeed, but for that very reason set on the right. The difference here

is most important in connection with the sense of the preposition. If

ἐπ’ ἀριστερὰ means _on_ the left, it is only on a single point of the

left; if it means towards or over-against the right, it means towards

or over-against the whole right. Now, the former of these senses is, I

contend, utterly out of keeping with the whole Homeric use of ἐπὶ as

a preposition governing the accusative: while the latter is quite in

keeping with it.

~_Force of ἐπὶ with ἀριστερά._~

The idea of motion, physical or metaphysical, in some one or other of

its modifications, appears to inhere essentially in the Homeric use

of ἐπὶ with the accusative. In the great majority of instances, it is

used with a verb of motion, which places the matter beyond all doubt.

In almost all other instances, either the motion of a body, or some

covering of space where there is no motion, are obviously involved.

Thus the Zephyr (κελάδει[666]) whistles ἐπὶ οἴνοπα πόντον. A hero, or

a bevy of maidens, may shout ἐπὶ μακρόν[667]. The rim of a basket is

covered with a plating of gold, χρυσῷ δ’ ἐπὶ χείλεα κεκράαντο: that

is, the gold is drawn over it[668]. Achilles looks[669] ἐπὶ οἴνοπα

πόντον. The sun appears to mortals ἐπὶ ζείδωρον ἄρουραν[670]. Here we

should apparently understand ‘spread,’ or some equivalent word. We have

‘animals as many as are born’ ἐπὶ γαῖαν[671]. Or, again, we have ‘may

his glory be’ (spread) ἐπὶ ζείδωρον ἄρουραν[672]. Again: ἐπὶ δηρὸν δέ

μοι αἰὼν ἔσσεται is, ‘I shall live long[673].’ And Achilles seated

himself θῖν’ ἐφ’ ἁλὸς πολιῆς[674]. A dragon with a purple back is[675]

ἐπὶ νῶτα δάφοινος. The shoulders of Thersites, compressed against his

chest, are, ἐπὶ στῆθος συνοχωκότε[676]. The horses of Admetus stand

even with the rod across their backs[677], σταφύλῃ ἐπὶ νῶτον ἐΐσας. I

have not confined these examples to merely local cases, because a more

varied illustration, I think, here enlarges our means of judgment.

In every case, it appears, we may assert that extension, whether in

time or space, is implied; and the proper word to construe ἐπὶ (except

with certain verbs of motion, as, ‘he fell on,’ and the like) will be

over, along, across, or over-against. Further, we have in Il. vi. 400,

according to one reading, the preposition ἐπὶ combined with the verb

ἔχειν, and governing the accusative. Andromache appears,

[666] Od. ii. 421.

[667] Od. vi. 117. Il. v. 101.

[668] Od. iv. 132.

[669] Il. i. 350.

[670] Od. iii. 3.

[671] Od. iv. 417.

[672] Od. vii. 332.

[673] Il. ix. 415.

[674] Il. i. 350.

[675] Il. ii. 308.

[676] Ibid. 318.

[677] Ibid. 765.

παῖδ’ ἐπὶ κόλπον ἔχουσ’ ἀταλάφρονα.

The recent editions read κόλπῳ: I suppose because the accusative cannot

properly give the meaning _upon_ her breast. But we do not require that

meaning. The sense seems to be, that Andromache was holding her infant

_against_ her breast; that is, the infant was held to it by her hands

from the opposite side. The idea of an infant _on_ her breast is quite

unsuited to a figure declared to be in motion. But the sense may also

be, stretched over or across her breast. Thus we always have extension

involved in ἐπὶ with the accusative, whether in range of view or sound,

steps of a gradual process, actual motion, pressure towards a point

which is initial motion, or extension over space. But the Homeric use

of ἐπὶ with the accusative will nowhere, I think, be found applicable

to the inactive, motionless position of a luminous point simply as

perceived in space. And if so, it cannot be allowable to construe ἐπ’

ἀριστερὰ χειρὸς ἔχων, having (Arctus) _on_ his left hand.

The nearest parallel that I have found to the phrase in Od. v. 277, is

the direction given by Idomeneus to Meriones, who had asked him (Il.

xiii. 307) at what point he would like to enter the line of battle.

Idomeneus, after giving his reasons, concludes with this injunction:

νῶϊν δ’ ὧδ’ ἐπ’ ἀριστέρ’ ἔχε στρατοῦ.

In the Odyssey, the order is to keep Arctus ἐπ’ ἀριστερὰ χειρός. Here

it is to keep Idomeneus (and Meriones himself, who preceded him), ἐπ’

ἀριστερὰ στρατοῦ. The parallel is not complete, because in the latter

case the object of the verb moves; in the former it does not move.

Let us, however, consider the meaning of the latter passage, which is

indisputable. It is ‘hold or keep us,’ not on the left, but ‘towards,

looking and moving towards, the left of the army.’ Probably then they

were coming from its right. Therefore, if for the moment we waive the

question of motion, the order of Calypso was to keep Arctus looking

towards the left of the ship: and accordingly Arctus was to look from

its right.

We must, I apprehend, seek the key to the general meaning of this

phrase from considering that idea of motion involved in the ordinary

manifestation of omens, which appears to be the basis of the

phrase itself. Now, it seems to be the essential and very peculiar

characteristic of this phrase in Homer, and of the sister phrases

ἐπιδέξια (whether written in one word or in two) and ἐνδέξια, that they

very commonly imply a position different from that which they seem

at first sight to suggest. For that which goes towards the left is

naturally understood to go from the right, and _vice versâ_.

‘To’ and not ‘on’ is the essential characteristic of the Homeric ἐπὶ

with the accusative. Accordingly, where ἐπὶ is so used with the words

δεξιὰ or ἀριστερὰ, we may often understand an original position of the

person or thing intended, generally opposite to the point or quarter

expressed. In such a case as εὗρεν ... μάχης ἐπ’ ἀριστερὰ we should

join ἐπ’ ἀριστερὰ with the subject of εὗρεν, and not with its object.

Not A found B on the left, but A (coming) towards the left found B

(there). Again, in Il. xiii. 675, νηῶν ἐπ’ ἀριστερὰ should, I submit,

be construed _towards_ the left, or in the direction of the left.

Now, while there is not a single passage in Homer that refuses to bear

a construction founded on these principles, an examination of a variety

of passages will, I believe, supply us with instances to show, that

there is no other consistent mode of rendering the phrases ἀστράπτειν

ἐπιδέξια; ἐέργειν ἐπ’ ἀριστερά; οἰνοχόειν, αἰτεῖν, δεικνύναι, ἐνδέξια;

ἀριστερὸς ὄρνις, δεξιὸν ἐρώδιον, and others.

And although in some of these phrases the idea of motion is actually

included, while the motion of omens was the original groundwork of them

all, yet, as frequently happens, the effect remains when the cause has

disappeared. A bird called δεξιὸς is one moving ἐπὶ δεξιά; and this,

according to the law of omens, is _usually_ a bird from the left moving

towards the right. And thus, by analogy, a star ἐπ’ ἀριστερὰ is a star

on the right not moving but looking towards the left. Once more, when

we recollect that ἐπ’ ἀριστερὰ habitually or very frequently means on

the right as well as moving towards the left, it is not difficult to

conceive so easy and simple a modification of this sense as brings it

to being on the right, while also looking, instead of moving, towards

the left. Lightning, which had appeared on the right, would I apprehend

be ἀστραπὴ ἐπ’ ἀριστερά: Ἀρκτὸς ἐπ’ ἀριστερὰ would be ‘Arctus on the

right;’ and the introduction of the word ἔχειν cannot surely reverse

the signification.

In later Greek, the expressions ἐνδέξια and ἐπιδέξια, with ἐπαριστερὰ,

which seems to be the counterpart of both, the preposition ἐπὶ

sometimes being divided from and sometimes united with its case, appear

to be equivalent to our English phrases ‘on the right,’ and ‘on the

left.’ But not so in Homer.

~_Illustrated from Il._ ii. 353. _Od._ xxi. 141.~

Let us now examine various places of the poems, where ἐνδέξια and

ἐπὶ δεξιὰ (single or combined) cannot mean on the right, but may be

rendered either (1) from the left, or (2) towards the right. Thus we

have, Il. ii. 353,

ἀστράπτων ἐπιδέξι’, ἐναίσιμα σήματα φαίνων.

This means lightning on and from the left, so that the lightning

passes, or seems to pass, towards the right. The analogy of this

case to that of the star is very close; because it is rarely that

lightning gives the semblance of motion: and this expression precisely

exemplifies the observation, that these phrases often really imply a

position of the subject exactly opposite to that which at first sight

would be supposed.

Again, when Antinous bids the Suitors rise in turn for the trial of the

bow, he says, Od. xxi. 141,

ὄρνυσθ’ ἑξείης ἐπιδέξια, πάντες ἑταῖροι·

and he goes to explain himself beyond dispute, by referring to the

order observed by the cupbearer at the feast;

ἀρξάμενοι τοῦ χώρου, ὅθεν τέ περ οἰνοχοεύει. (142)

His meaning evidently is, Rise up, beginning on or from the left.

~_From Il._ i. 597. vii. 238. xii. 239, 249.~

The practice of the cupbearer is stated with respect to Vulcan, Il. i.

597:

αὐτὰρ ὁ τοῖς ἄλλοισι θεοῖς ἐνδέξια πᾶσιν

ᾠνοχόει.

So the κήρυξ (Il. vii. 183) goes round ἐνδέξια with the lots for the

chieftains to draw. The beggar[678] in making his round follows the

supreme law of luck, and goes ἐνδέξια. And as this meaning seems to be

established, we must give the same sense, in Il. ix. 236, to ἐνδέξια

σήματα φαίνων ἀστράπτει, as to the ἐνδέξια in Il. ii. 353, namely, that

Jupiter displayed celestial signs on the left.

[678] Od. xvii. 365.

Again, Hector boasts of his proficiency in moving his shield so as to

cover his person, Il. vii. 238,

οἶδ’ ἐπὶ δεξιὰ, οἶδ’ ἐπ’ ἀριστερὰ νωμῆσαι βῶν.

We should translate this probably without much thought ‘to the right

and to the left.’ But when we consider what sense is required by the

idea to be conveyed, it is evident that ἐπὶ δεξιὰ means, from the left

side of his person towards the right, and ἐπ’ ἀριστερὰ from the right

side of his person towards the left. That is to say, the first position

before and during the motion, in each case, is at the side opposite to

that indicated by the adjectives respectively.

Again, in a well known passage (Il. xii. 239.) Hector tells Polydamas

that he cares not for omens, be they good or bad;

εἴτ’ ἐπὶ δεξί’ ἴωσι πρὸς Ἠῶ τ’ Ἠέλιόν τε,

εἴτ’ ἐπ’ ἀριστερὰ τοίγε, ποτὶ ζόφον ἠερόεντα.

Apart from the question, whether the sense of right and left is

suitable to this passage at all, and assuming it to be so, the meaning

is _from the left_ for ἐπὶ δεξιὰ and _from the right_ for ἐπ’ ἀριστερὰ,

on their way in each case to the opposite quarter.

Again, the portent which had drawn forth the observation of Hector was,

(Il. xii. 219,)

αἰετὸς ὑψιπέτης, ἐπ’ ἀριστερὰ λαὸν ἐέργων,

namely, an eagle appearing on the right and then moving towards the

left. Now ἐέργω is not properly a verb of motion; and yet we see that

ἐέργειν ἐπ’ ἀριστερὰ means to close the army in from the right; that is

to say, the eagle, which does the act ἐπ’ ἀριστερὰ, is itself on the

right.

There were in fact three things, which originally might, and commonly

would, be included in each of these phrases. For example, in ἐπ’

ἀριστερὰ,

1. Appearance at a particular point on the right;

2. Motion from that point towards the left;

3. Rest at another point on the left.

Of these the second named indicates the first and principal intention

of the word; but when it passes to a second intention or derivative

sense, it may include either the first point, or the third, or both.

In the later Greek it appears rather to indicate the point of rest;

but in the Homeric phrases of the corresponding word δεξιὸς, οἰνοχοεῖν

ἐνδέξια, δεικνύναι ἐνδέξια, αἰτεῖν ἐνδέξια, ἀστραπτεῖν ἐπὶ δεξιὰ,

ἐέργειν ἐπ’ ἀριστερὰ, the starting-point, and not the resting-point,

is the one brought into view. It is the commencement of the motion, in

every one of these cases, which is indicated by the phrase, and not its

close.

Being engaged upon this subject, I shall not scruple to examine one

or two remaining passages, which may assist in its more thorough

elucidation.

~_From Il._ xxiii. 335-7.~

I therefore ask particular attention to the passage in the Twenty-third

Book of the Iliad, where Nestor instructs his son concerning his

management in the chariot-race. On either side of a dry trunk upon the

plain, there lay two white stones (xxiii. 329). They formed the goal,

round which the chariots were to be driven, the charioteer keeping them

on his left hand. The pith of the advice of Nestor is, that his son

is to make a short and close turn round them, so as to have a chance

of winning, in spite of the slowness of his team. The directions are

(335-7):

αὐτὸς δὲ κλινθῆναι ἐϋπλέκτῳ ἐνὶ δίφρῳ

ἦκ’ ἐπ’ ἀριστερὰ τοῖϊν· ἀτὰρ τὸν δεξιὸν ἵππον

κένσαι ὁμοκλήσας, εἶξαί τέ οἱ ἡνία χερσίν.

It is clear from the last line and a half that the goal was to be on

his left hand. But what is the meaning of κλινθῆναι ἐπ’ ἀριστερὰ τοῖϊν?

Nothing can be more scientific than the precept. The horses are to make

a sharp turn: the impetus in the driver’s body might throw him forward

if he were not prepared: he is to do what every rider in a circus now

does, to lean inwards; and that is expressed by leaning ἐπ’ ἀριστερὰ,

of the goal--for τοῖϊν must, I apprehend, be understood to agree with

the dual λᾶε (329), and not the plural ἵππους (334); particularly

because the word ἵππος is repeated immediately after it. The meaning

then is, that he is desired to lean to the left of the goal, while all

the time he keeps on its right. We should under the same circumstances

say, ‘Lean gently towards the right side of the goal, as you are about

to turn round it.’ He, meaning the same thing, says, ‘Lean towards the

left; that is, lean _from the right_, or while keeping on the right,

of the object named. Now this I take to be exactly the sense of Od.

v. 277. Ulysses was bid to sail, having the Great Bear placed on his

right, but looking from his right, and towards his left, as every star

looks towards the quarter opposite to that in which it is itself seen.

He is to have the star _e dextrâ_, because from that point it looks _ad

sinistram_. It looks across him towards his left, just as Antilochus

was to lean in the direction across the goal towards its left.

The whole of this interpretation without doubt depends upon the word

τοῖϊν; and I do not presume to say that it is necessarily, under

grammatical rules, to be understood of the goal, and not of the horses.

But it is the more natural construction: and Homer often reverts merely

by this demonstrative pronoun, without further indication, to a subject

which he has only named some time back[679].

[679] So τήν δε, Il. i. 127, and particularly τὴν in Il. i. 389,

meaning Chryseis, who has not been named since v. 372.

But if grammar leave that question in any degree open, I apprehend

that physical considerations must decide it. It is impossible for the

driver to lean to the left of his horses as they are rounding the goal.

To the left of his chariot he may lean, as he stands upon it: but to

their left he cannot, for they are considerably in advance of him;

and in order to make the turn at all, they must, at each point of the

curve, which is a curve to the left, be much further along the curve,

and consequently much further to the left, than he can possibly be. It

would be a parallel case, if there were two riders round a circus, one

following the other, and the rider of the after horse were told to lean

to the right of the fore horse. Therefore the word τοῖϊν can, I submit,

only refer to the two stones, which form the goal.

~_From Il._ ii. 526.~

A line in the Greek Catalogue will enable us to carry the question

still further. In Il. ii. 517, after the two Bœotian contingents, come

the Phocians: and the Poet says, ver. 526,

Βοιωτῶν δ’ ἔμπλην ἐπ’ ἀριστερὰ θωρήσσοντο.

I see that this is translated even by Voss ‘on the left.’ Now is not

this contrary to all likelihood? Was not all propitious movement with

Homer from left to right? Has not this been proved by the cases of the

Immortals, the Omens, the Cupbearer, the Beggar, and the Herald? Is it

likely, or is it even conceivable, that Homer should depart from this

principle in his order of the army? Surely the meaning is this: Having

fixed for himself geographically the order of his contingents, he has

likewise to state their order of array upon the field; and accordingly

by this line he informs us, that the Phocians, who were the second

of the races he mentions, stood ἐπ’ ἀριστερὰ of the Bœotians: he of

course means us to understand that the Abantes, the third race, were

ἐπ’ ἀριστερὰ of the Locrians, and so on through the whole: or in other

words, that he informs us he does not forget to follow, amidst the

multitudinous detail of the Catalogue, the established, the religious,

and the propitious order of enumeration, namely, the order which begins

from the left, and moves towards the right.

Thus we must in this place translate ἐπ’ ἀριστερὰ ‘towards, that is,

looking towards the left of the Bœotians;’ or ‘looking to the Bœotians

on their left,’ i. e. of the Phocians; the Phocians being, whichever

construction we adopt, on the right, actually on the right, not the

left of the Bœotians. The real force of the expression probably is

this: that the Bœotians, having taken their ground, the Phocians came

up and took theirs next to them on their right.

~_Application to Od._ v. 277.~

Now this case is precisely in point for Od. v. 277: because θωρήσσεσθαι

is not properly a verb of motion: and in all likelihood it may be

relied on independently of further details from Homer, because it

brings the matter to an easy test, through the certainty which we may

well entertain, that Homer would have the order of his army begin from

left to right, like every other duly and auspiciously constituted order.

There is, however, another interpretation proposed as follows: they,

the Phocians, took ground next (ἔμπλην) to the Bœotians on the left, i.

e. of the army; the two together, as it were, forming its left wing. To

this construction there seem to be conclusive objections:

1. Why should Homer tell us that the Bœotians and Phocians together

constituted a division of the army, when he tells us nothing similar

respecting any of the twenty-six contingents that remain? Neither of

these races were particularly distinguished either politically or in

arms.

2. It appears clear that the Bœotians and Phocians did not together

form a division of the army: for, in the Thirteenth Book, the Bœotians

fight in company with the Athenians or Ionians, the Locrians, Phthians,

and Epeans, but not with the Phocians. Il. xiii. 685, 6.

3. Neither did the Bœotians belong to the left wing of the army at all:

for they are found defending the centre of the ships against Hector

and the Trojans, with the two Ajaxes in their front. Il. xiii. 314-16,

674-84, 685, 700; 701, 2; 719, 20.

4. There is nowhere the smallest sign, that the Greek army was divided

into wings and centre at all.

5. The order of the Catalogue is a geographical order, and not that

of a military arrangement. Therefore it was requisite for Homer to

tell us how the troops were arranged in the Review. This he has

effected by telling us that the Phocians, the second of his tribes,

drew up on the right of the Bœotians: which we have only to consider

tacitly repeated all through, and the order is thus both complete and

propitious. But, according to the other construction, the Poet begins

with an arrangement by wings, of which we hear nowhere else: and then

he forthwith forgets and abandons it.

6. I do not think ἐπ’ ἀριστερὰ can be construed to the left of the

army. The army has nowhere been named. The phrases ἐπὶ δεξιὰ and ἐπ’

ἀριστερὰ require us to have a subject clearly in view. It is frequently

named, as in ἐπ’ ἀριστερὰ μάχης. When it is connected with omens, it

means to the west, and ἐπιδέξια the reverse. Again, οἰνοχοεῖν ἐπιδέξια

is to begin pouring wine from the left, and towards the right end of

the rank whom the cupbearer may be serving. The ‘army’ has not been

mentioned since the reassembling in v. 207.

These objections appear to me fatal to the construction now under our

view. They do not indeed touch the question whether ἐπ’ ἀριστερὰ should

be interpreted on the left, or (on the right and) towards the left.

That must, I think, be decided by the general principles of augury duly

applied to order and enumeration.

On the whole, then, I contend that it is wrong to construe Od. v.

277, ‘to sail with Arctus _on_ his left hand.’ It would be much more

nearly right, and would, in fact, convey the meaning, though not in

a grammatical manner, if we construed it ‘to sail with Arctus on

his right hand.’ But the manner of construing it, grammatically and

accurately, as I submit, is this: ‘to sail with Arctus looking towards

the left (of his hand, or his left hand);’ that is to say, looking

_from his right_. And generally, that the proper mode of construing ἐπ’

ἀριστερὰ and ἐπὶ δεξιὰ in Homer is, _towards_ the left, _towards_ the

right; or, conversely, _from_ the right, _from_ the left.

This meaning is in exact accordance with the North-eastern, and is

entirely opposed to the North-western, hypothesis. And I venture to

believe that, itself established by sufficient evidence from other

passages in the poems, it enables us to give a meaning substantially,

though perhaps not minutely self-consistent, though of course one not

based upon the true configuration of the earth’s surface as it is now

ascertained, to every passage in Homer which relates to the Outer

Geography of the Odyssey.

Both ἐπ’ ἀριστερὰ and ἐπ’ ἀριστερὰ χειρὸς are used repeatedly in the

Hymn to Mercury[680]. One of the passages resembles in its form that

of the eagle, Il. xii. 219. It is this:

[680] Hymn. Merc. 153. Cf. 418, 424, 499.

κεῖτο, χέλυν ἐρατὴν ἐπ’ ἀριστερὰ χειρὸς ἐέργων.

And probably the basis of the idea is the same. The really correct

Greek expression for ‘on the left hand’ I take to be χειρὸς ἐξ

ἀριστερᾶς, which is used by Euripides[681].

[681] Hecuba 1127.

~_Sense altered in later Greek._~

But in the later Greek the idea of the point of arrival prevailed over

that of the point of departure: and, conventionally at least, the

ἐπιδέξια, with its equivalent ἐνδέξια, came to mean simply ‘on the

right,’ and ἐπ’ ἀριστερὰ, ‘on the left.’ It is worth notice, that we

have a like ambiguous use in English of the word _towards_. Sometimes

towards the left means being on the left: sometimes it means moving

from the right in the direction of the left: and a room ‘towards the

south’ means one with its windows on the north, looking out over

the south, like as the star Arctus looks out towards the left of

Ulysses[682].

[682] I have observed that δεξιὸς ὄρνις means a bird flying from the

left towards the right, and ἀριστερὸς ὄρνις, the reverse. Here however

the force of the epithet is derived from immediate connection with the

motion implied, and with the doctrine of omens: δεξιὸς ὦμος would of

course be the right shoulder, and δεξιή, as we have seen, may stand

alone to signify the right hand. And so in general with these words,

when used as epithets, apart from a preposition implying motion, and

from any relation to omens.

Studies on Homer and the Homeric Age, Vol. 3 of 3 I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer. · 第 56 / 85 题