REFLECTIONS UPON THE REAL MR. BELLOC

But I have said enough to justify incidentally my habitual avoidance

of the arts of controversy. I cannot inflate myself in this fashion.

I cannot do the counter to this attitude. I was born and I shall die

“familiar.” What seems to make Mr. Belloc feel brave and happy would

make me feel sick. On this he has presumed overmuch. There are limits

to my notorious gentleness and modesty, and they have been reached

by Mr. Belloc in these articles. His skill is undeniable; no other

writer could better his unpremeditated condescension, his apparently

inadvertent insults. And yet the facts beneath all this insolent

posturing are quite well known and easily verifiable. I cannot imagine

whom it is intended to deceive for any length of time.

Mr. Belloc is a man four years my junior, and his academic career was

briefer and not more brilliant than mine. Since he came down from

Oxford to the world of London thirty years ago, he has done no original

historical work of any distinction. He has been a popular writer as

I have been a popular writer, and he is no more if no less a scholar

than I am. There has been much incidental and inconsequent brightness

in his discursive career--funny verses and stories, an amusing rather

than a serious period in Parliament, much pamphleteering, lecturing

and speaking; he has been active and erratic; now he would be

urging on an anti-Semitic campaign; now, in association with Horatio

Bottomley, attempting to hound Masterman, his old friend and rival,

out of politics; the war made him the most confident of military

“experts,” and he has done quite a number of clever revivifications

of this or that historical event. That is his record. It gives him

a respectable position in the republic of letters, in which also

my position is respectable. No doubt he has every right and very

considerable qualifications for the criticism of such a popular work

as my _Outline_. But there is nothing in his career and nothing in his

quality to justify this pose of erudition and insolent superiority

he assumes towards me, and which he has made an integral part of his

attack. He has assumed it entirely in relation to this controversy. He

has thrown ordinary courtesy and good manners to the winds because only

in that way can he hope for a controversial advantage over me.

Mr. Belloc objects to "The outline of history" · 第 11 / 42 题