FOOTNOTES:

[1] See, primarily, _Aesthetik_, iii. 479-581, and especially

525-581. There is much in _Aesthetik_, i. 219-306, and a good deal in

ii. 1-243, that bears on the subject. See also the section on Greek

religion in _Religionsphilosophie_, ii. 96-156, especially 131-6,

152-6; and the references to the death of Socrates in _Geschichte der

Philosophie_, ii. 81 ff., especially 102-5. The works so far cited

all consist of posthumous redactions of lecture-notes. Among works

published by Hegel himself, the early essay on 'Naturrecht' (_Werke_,

i. 386 ff.), and _Phaenomenologie d. Geistes_, 320-348, 527-542, deal

with or bear on _Greek_ tragedy. See also _Rechtsphilosophie_, 196,

note. There is a note on _Wallenstein_ in _Werke_, xvii. 411-4. These

references are to the second edition of the works cited, where there

are two editions.

[2] His theory of tragedy is connected with his view of the function

of negation in the universe. No statement therefore which ignores his

metaphysics and his philosophy of religion can be more than a

fragmentary account of that theory.

[3] I say 'might,' because Hegel himself in the _Phaenomenologie_

uses those very terms 'divine' and 'human law' in reference to the

_Antigone_.

[4] See Note at end of lecture.

[5] This interpretation of Hegel's 'abstract' is more or less

conjectural and doubtful.

[6] Hegel's meaning does not fully appear in the sentences here

condensed. The 'blessedness' comes from the sense of greatness or

beauty in the characters.

[7] Hegel himself expressly guards against this misconception.

[8] The same point may be put thus, in view of that dangerous word

'personality.' Our interest in Macbeth may be called interest in a

personality; but it is not an interest in some bare form of

self-consciousness, nor yet in a person in the legal sense, but in a

personality full of matter. This matter is not an ethical or

universal end, but it must in a sense be universal--human nature in a

particular form--or it would not excite the horror, sympathy, and

admiration it does excite. Nor, again, could it excite these feelings

if it were not composed largely of qualities on which we set a high

value.

[9] In relation to _both_ sides in the conflict (though it may not

need to negate life in both). For the ultimate agent in the

catastrophe is emphatically not the finite power of one side. It is

beyond both, and, at any rate in relation to them, boundless.

Oxford Lectures on Poetry · 第 38 / 74 题