VII

I was very sure that the old Master was hard at work about

something,--he is always very busy with something,--but I mean something

particular.

Whether it was a question of history or of cosmogony, or whether he was

handling a test-tube or a blow-pipe; what he was about I did not feel

sure; but I took it for granted that it was some crucial question or

other he was at work on, some point bearing on the thought of the time.

For the Master, I have observed, is pretty sagacious in striking for the

points where his work will be like to tell. We all know that class of

scientific laborers to whom all facts are alike nourishing mental food,

and who seem to exercise no choice whatever, provided only they can get

hold of these same indiscriminate facts in quantity sufficient. They

browse on them, as the animal to which they would not like to be

compared browses on his thistles. But the Master knows the movement of

the age he belongs to; and if he seems to be busy with what looks like

a small piece of trivial experimenting, one may feel pretty sure that he

knows what he is about, and that his minute operations are looking to a

result that will help him towards attaining his great end in life,--an

insight, so far as his faculties and opportunities will allow, into that

order of things which he believes he can study with some prospect of

taking in its significance.

I became so anxious to know what particular matter he was busy with,

that I had to call upon him to satisfy my curiosity. It was with a

little trepidation that I knocked at his door. I felt a good deal as

one might have felt on disturbing an alchemist at his work, at the very

moment, it might be, when he was about to make projection.

--Come in!--said the Master in his grave, massive tones.

I passed through the library with him into a little room evidently

devoted to his experiments.

--You have come just at the right moment,--he said.--Your eyes are

better than mine. I have been looking at this flask, and I should like

to have you look at it.

It was a small matrass, as one of the elder chemists would have called

it, containing a fluid, and hermetically sealed. He held it up at the

window; perhaps you remember the physician holding a flask to the light

in Gerard Douw's “Femme hydropique”; I thought of that fine figure as I

looked at him. Look!--said he,--is it clear or cloudy?

--You need not ask me that,--I answered. It is very plainly turbid. I

should think that some sediment had been shaken up in it. What is it,

Elixir Vitae or Aurum potabile?

--Something that means more than alchemy ever did! Boiled just three

hours, and as clear as a bell until within the last few days; since then

has been clouding up.

--I began to form a pretty shrewd guess at the meaning of all this,

and to think I knew very nearly what was coming next. I was right in

my conjecture. The Master broke off the sealed end of his little flask,

took out a small portion of the fluid on a glass rod, and placed it on a

slip of glass in the usual way for a microscopic examination.

--One thousand diameters,--he said, as he placed it on the stage of the

microscope.--We shall find signs of life, of course.--He bent over the

instrument and looked but an instant.

--There they are!--he exclaimed,--look in.

The Poet at the Breakfast-Table · 第 34 / 54 题