CHAPTER IX.

CONFESSIONS OF A COLUMBUS.

The Cause of my Cruise--No Work--The Atlantic Greyhound--Irish

Ship--Irish Doctor--Irish Visitors--Queenstown--A

Surprise--Fiddles--Edward Lloyd--Lib--Chess--The Syren--The

American Pilot--Real and Ideal--Red Tape--Bribery--Liberty--The

Floating Flower Show--The Bouquet--A Bath and a Bishop--"Beastly

Healthy"--Entertainment for Shipwrecked

Sailors--Passengers--Superstition.

AMERICA IN A HURRY--Harry Columbus Furniss--The Inky

Inquisition--First Impressions--Trilby--Tempting

Offers--Kidnapped--Major Pond--Sarony--Ice--James B.

Brown--Fire!--An Explanation.

WASHINGTON--Mr. French of Nowhere--Sold--Interviewed--The Sporting

Editor--Hot Stuff--The Capitol--Congress--House of

Representatives--The Page Boys--The Agent--Filibuster--The

"Reccard"--A Pandemonium--Interviewing the President.

CHICAGO--The Windy City--Blowers--Niagara--Water and Wood--Darkness

to Light--My Vis-a-Vis--Mr. Punch--My Driver--It Grows upon

Me--Inspiration--Harnessing Niagara--The Three Sisters--Incline

Railway--Captain Webb.

[Illustration]

TRAVELLING--Tickets--Thirst--Sancho Panza--Proclaimed States--"The

Amurrican Gurl"--A Lady Interviewer--The English Girl--A Hair

Restorer--Twelfth Night Club Reception at a Ladies' Club--The Great

Presidential Election--Sound Money _v._ Free

Silver--Slumland--Detective O'Flaherty.

I never felt better in my life, but my friends all assured me that I

looked ill. If I wasn't ill, I ought to be. I must be overworked and

break down. I had "burnt the candle at both ends and in the middle as

well," and it was a duty I owed to humanity to collapse. For years I

had done the work of three men with the constitution of one, so one day

it came to pass that I was forced by my friends into the consulting-room

of a celebrated physician, labelled "Ill. To be returned to Dead Letter

Office, or to be sent by foreign mail to some distant land, or to be

cremated on the spot," anything but to leave me free to return to my mad

disease, the worst mania of all--the mania for work.

My good physician stripped me, pommelled me, stethoscoped me, made me

say "99" when he had squeezed all the breath out of me (why "99"? Why

not "98" or "4"?--he was testing internal rebellion), flashed a

reflector under my eyes, seized a drumstick and hammered me under my

knee-joints, sat upon me literally and figuratively, and told me to give

up all food, drink, pleasure, and work for two months, which I did. My

balance at the bankers' and my balance on the scales were both reduced

considerably. I lost a good many pounds in weight and money.

* * * * *

[Illustration]

My friends all assured me that I looked well, but I never felt so ill in

all my life. If I was not ill, I ought to be. I tried to work, but broke

down. I was idle in the mornings, in the evenings, and in the middle of

the day as well, and it was a duty I owed to my doctor to collapse. So

one day I forced myself into his consulting-room before a hundred

patients waiting their turn, labelled "Well again." I pushed him into

his chair, pommelled him 99 times, flashed my cane under his eyes,

seized the poker and hammered him under his knee-joints, and told him I

would get him six months' hard labour if he did not pronounce me

sound,--he did.

"You only want a tonic now, my dear fellow--a sea-trip!"

"A _Teutonic_," I replied _Majestic_ally. "The very thing--sails

to-morrow--a new berth--I'll be born again under a White Star--_au

revoir_!"

"Your prescription!" he called after me. "Take it, and if you value your

life act up to it to the letter."

It contained two words and no hieroglyphics. Those two words were--"No

Work!"

How I acted up to it the following pages will show.

* * * * *

[Illustration: AN ATLANTIC "GREYHOUND."]

In strong contrast to the crowd and bustle at leaving in the afternoon

is the quietude late in the evening. Many promenade up and down the

beautiful deck under the electrically-lighted roof, and gaze upon the

lights of many craft flitting to and fro in the gentle breeze like

will-o'-the-wisps, postponing retiring, as they are not yet accustomed

to the vibration of the Atlantic greyhound, which trembles underneath

them as if, like the real greyhound in full cry after a hare, it is

literally straining every muscle to beat the record from the Old World

to the New.

What a difference has taken place since those "good old days" of those

good old wooden ships, with their good old slow passages and their good

old uncomfortable berths! Now the state cabin is an apartment perfectly

ventilated, gorgeously furnished, equipped with every modern

improvement, and electrically lighted; the switches close to the bed

(not berth) enable one to turn the light on or off at will. The

ever-watchful attendant comes in, wishes me good-night, after folding my

clothes, and departs. Leaving the incandescent light burning over my

head, I open the book dealing with the wonders of America which I have

taken from the well-stocked library, and read of great Americans, from

Washington to the man who has brought this very light to such

perfection, turning over page after page of well-nigh incredible

description of the country which has raised the system of "booming" to a

high art, till my brain reels with an Arabian Nightish flavour of

exaggeration, and turning off the electric current, I am gradually

lulled to sleep by the rhythmical vibrations of the steamer, the sole

reminder that I am in reality sleeping upon a ship and about to enjoy a

thorough week's rest.

I awoke from the dreams in which I had pictured myself a veritable

Columbus, and drawing aside the blind of my porthole, I looked out into

the morning light, and was, perhaps, for a second surprised to see land.

"Sandy Hook already! Can it be?" Well, hardly, just at present. Though

who can tell but that in another fifty years it may be possible in the

time? It is in reality the "Ould Counthry," and we are nearing

Queenstown.

There is a good muster at breakfast, and everyone is smiling, having had

at least one good night's rest on the voyage. The waters skirting the

Irish coast sometimes outdo the fury of the broad Atlantic, and are

generally just as troubled and combatant as the fiery political elements

on the little island; but so far we have had a perfect passage, and the

beautiful bay of Queenstown looks more charming than ever as the engines

stop for a short period before their five days' incessant activity to

follow.

Not only the ship, but the doctor, comes from the Emerald Isle. Who

crossing the Atlantic does not know the witty Dr.----? "Ah, shure, me

darlin', and isn't it himself that's a broth av a bhoy?" And so he is,

simply bubbling over with humour and good-nature. Presiding at one end

of the long table, I have to pass him as I leave the saloon. Having

sketched Irish scenery and Irish character in my youth, I am not tempted

to open my forbidden sketch-book; but somehow or other I find myself

making a rapid sketch of the Doctor as he rises from his seat at the end

of the table to wish the "top of the mornin'" to a lady who sits on his

right. My excuse is to send it to his friend, my doctor in London. Then,

without thinking, I sketch in a few other passengers, and instinctively

make a note of the surroundings. I confess I am already guilty of

breaking my pledge! And, therefore, make my escape on deck.

The huge steamer seems to act as a sort of magnet on the small fry of

the harbour, for they rush out to her from the land in all their sorts

and sizes, in a desperate race for supremacy. Prominent among this fleet

is a long, ungainly rowing-boat propelled by a tough Hibernian, and

seated in the stern are his women folk, surrounded by baskets, who, in

strong Milesian vernacular, urge the rower on in his endeavours to reach

the ship first. Looked down upon them from your floating tower, they

strongly resemble a swarm of centipedes. Harder and harder pull the

"bhoys," and louder and louder comes the haranguing of the females as

they approach us. I have my eye on the lady in the stern of the first

boat. She is fair, fat, and forty, possessed of really massive

proportions, most powerful lungs, and a true Irish physiognomy--a cast

of countenance in which it always strikes me that Nature had originally

forgotten the nasal organ, and then returning to complete the work had

taken between finger and thumb a piece of flesh and pinched it, thus

forming the nose rather high up on the face, while the waste of material

below goes to make the upper lip.

[Illustration: THE SALOON OF THE _TEUTONIC_. THE FIRST MORNING AT

BREAKFAST.]

The puller of the stroke oar is probably her husband, two others are

wielded evidently by her two sons, and the bow is taken by her strapping

daughter. One of her arms encircles the merchandise she intends to

dispose of on board our vessel, while the other vigorously helps to

propel the oar held by her brawny husband. All the while she is urging

on her crew in her native language, with what may be commands,

exhortations, or even blessings, but sounding to the unaccustomed Saxon

ear very much like curses, which chase one another out of her capacious

mouth with a rapidity unequalled by even an irritated monkey at the Zoo.

[Illustration: AT QUEENSTOWN--A REMINISCENCE.]

Their lumbering craft is the first to touch the side of the _Teutonic_.

Standing up in the boat, the good old lady exerts her vocal powers on

the crew on the lower deck, with the result that a rope fully fifty feet

long is thrown in her direction, having a loop on the end of it, by

which she is lassoed. With an agility only acquired after years of

practice, she adjusts the loop rapidly round her, and calls on the crew

to hoist away. The boat heels over to one side as she vigorously pushes

herself away from it, and souse the old dame goes up to her waist in the

water; the good-natured sailors give an extra jerk, and up she comes,

with baskets tied round her waist, and her feet acting as fenders

against the side of the ship. Fortunately the _Teutonic_ is bulky enough

to resist heeling over under this extra weight on the starboard side.

She is shipped like a bale of goods, and is immediately engaged in

discharging some more of her loquacity in directing the acrobatic

performances of her daughter, who is the next to ascend.

This scene caused much laughter, and I was induced to make a sketch of

the lady's acrobatic performance.

The other maritime vendors are hauled up in similar unceremonious

fashion, and they take possession of both decks. The pretty daughter of

Erin lays out with no little artistic taste her bog-oak ornaments, and

'Arry (for the _genus_ cad is to be encountered even on board such

aristocratic ships as these) attempts to be rampantly facetious at her

expense. But the damsel with the unkempt auburn locks flowing about her

comely face, lit up by a pair of blue Irish eyes under their dark

lashes, takes the cad's vulgarity together with his money, like the pill

with the jam, giving in return the valueless pieces of carved wood,

until her little stock is exhausted and a good morning's work is done.

[Illustration: BOG-OAK SOUVENIRS.]

On the lower deck trade is brisker. The emigrants (principally by this

line Scandinavians, in their picturesque peasant dress, the Germans of

course preferring to go by their own line, the North German Lloyd) are

fitting on Tam o' Shanters of the crudest colours, scarves of hues that

would cause the steamer's danger signals to turn pale, and eatables of

all descriptions--I ought to say of all the worst descriptions.

Unhealthy-looking cakes in which the currants are as scarce as Loyalists

in the part of the country in which they are made, tinned meats and

fruits that look suspiciously like condemned provisions or unsavoury

salvage; in fact the only really genuine article of diet was that

contained in the milk-pails. I may here remark that these alien steerage

passengers don't really care for wholesome food. Nothing could be better

than the excellent food prepared by the ship's steward, but these

emigrants prefer to bring with them provisions that beggar description.

All the time the Irish purveyors are emptying their baskets and filling

their pockets, and rowing back to the shore enriched and delighted;

their brothers and sisters are flowing up the gangway in a continual

stream, with weeping eyes and breaking hearts at the thought of leaving

their country perhaps for ever; and as soon as they are all on board,

together with the mails, which have come overland to Queenstown, we up

anchor, steam past Fastnet Rock, and soon the Old World is out of sight

behind us.

But all this is a thing of the past. Ladies are not now pulled up on to

the deck, nor is the promenade turned into a miniature Irish fair. When

last the boat stopped as usual in Queenstown bay I sadly missed the

familiar scene, and having nothing better to do I went on shore. As a

number of us strolled off the tender on which the mails were to return I

noticed two men in ordinary dress standing some distance off, looking on

at the scene. They were both fine specimens of humanity, each of them

about six feet high. "Detectives," I whispered to one of my friends. And

as we approached these gentlemen, I said to one of them, "Looking for

anyone this morning?"

"Not for you, Mr. Furniss."

Considering I had never been in Queenstown in my life, that I had never

been in the grip of these "sleuth-hounds" of the police, I must admit

that the British detective is not so stupid as we generally imagine, for

no doubt these men knew by telegraph the name of everybody on board and

amused themselves by placing us as I had amused myself by placing them.

The Captain generally has some voyager under his special care, and my

vis-a-vis, his protegee upon this trip, was a most charming and

delightful young lady on her way to rejoin her family in the Far West.

The skipper's seat is vacant at breakfast time, and should the weather

be rough, at the other meals also. If the elements are very boisterous,

the "fiddles" are screwed on to the tables, and on them a lively tune

is played by the jingling glasses and rattling cutlery to the erratic

beating of the Atlantic wave. The Captain's right and left hand

neighbours are exempt from the use of these appliances, and the small

area caused by this is the only space in the yards and yards of table

unencumbered by the "fiddles." The Captain scorns the aid of such

mechanical contrivances, and chatters away unconcerned, gracefully

balancing his soup-plate in his hands the while. I followed his example

as one to the manner born, but had I not been a bit of an amateur

conjuror I am afraid that I should not have been so successful. The

Captain challenged me, however, to make a sketch with the same ease as I

ate my dinner--and again I was forced to break my pledge!

[Illustration: THE CAPTAIN'S TABLE.]

It was amusing to listen to the petty jealousies and the little

grumblings of those not satisfied with their lot at table. One lady

stated as an excuse for having her meals in her cabin that her

neighbour, a bagman--or "drummer," as Americans would call him--made a

noise with his mouth while eating; and another lady elected to dine in

her stateroom in solitude because in the saloon she had her back to a

Bishop instead of her face!

It was my good fortune to meet on board that most genial and gifted of

men, "England's greatest tenor," Mr. Edward Lloyd, who under the

management of that equally genial and energetic impresario, Mr. Vert,

was on his way to charm the ears of our cousins on the other side. Then

we had one of the greatest favourites in the sporting world, who was

popping over, as he had been continually doing from his earliest youth,

to look after his estates in his native country. From the Captain down

to the under stokers he had been with all a familiar figure for many

years, and he had a pleasant word and a shake of the hands for

everybody. He could give you the straight tip for the Derby, was a fund

of information anent the latest weights for the big handicaps, and on

our arrival in the States it was with general satisfaction that we

learnt that one of his horses had won a race while its owner was

crossing the "Herring Pond."

We had yet another celebrity on board in the person of the bright little

Italian whose clever caricatures, especially those of Newmarket and

Newmarket celebrities, so delight us in the pages of _Vanity Fair_ over

the _nom de crayon_ "Lib." I think he caused us as much amusement as his

sketches, caricaturing everybody on board, not even excepting himself,

whom he most truthfully depicted as a common or barn owl. Or was it I

who drew him as the owl? I forget. But I do know that he looked

uncommonly like one as a rule, for he used to lie wrapped in his

Inverness upon a deck chair, his face only visible, with pallid cheeks

and distended eyes, and I did more than one caricature of him for his

fair admirers. That was on the rough days, for like a great many

foreigners, and English people too for the matter of that, he was a bad

sailor. Fortunately for me, I am a hardened sailor, and as such cannot

feel the amount of consideration I should otherwise do for those less

lucky than myself.

When the weather was calm I used to notice my Italian friend seated,

surrounded by the ladies, with an air of triumph and a smile upon his

intelligent visage. He was having his revenge! When he was not

sketching, he was playing chess with the Captain.

Now this commander was a captain from the top of his head to the soles

of his feet. A stern disciplinarian, erect, handsome, uncommunicative,

not a better officer ever stood on the bridge of an Atlantic or any

other liner. He had a contempt for the "Herring Pond," and manipulated

one of these floating hotels with as much ease as one would handle a toy

boat. "When a navigator's duty's to be done," he was _par excellence_ a

modern Caesar, but despite his sternness he had a sense of humour, and

his unbending moments struck one with an emphasised surprise.

[Illustration: NOT UP IN A BALLOON.]

He could not bear a bore. Those fussy landlubbers who are always tapping

the barometers, asking questions of every member of the crew, testing,

sounding, and finding fault with the weather chart, had better steer

clear of the worthy Captain, as with hands thrust deep in his pockets he

strides from one end of the deck to the other during the course of his

constitutional. It is on record that one of these fussy individuals,

edging up to a well-known Captain as he was going on to the bridge when

a mist was gathering, and the siren was about to blow as customary when

entering on an Atlantic fog, remarked:

"Captain, Captain, can't you see that it is quite clear overhead?"

The Captain turned on his heel to ascend to the bridge, and scornfully

rejoined:

"Yes, sir, yes, sir; but can't you see that I am not navigating a

balloon?"

On one occasion the Captain had been through a terribly stormy afternoon

and night, and had not quitted his post on the bridge for one minute,

the weather being awful. Fogs, icebergs, and the elements all combined

to make it a most anxious time for the one man in charge of the valuable

vessel and her cargo of 1,700 souls, and during the whole period the

unflinching skipper had not tasted a mouthful of food. The Captain's

boy, feeling for his master, had from time to time endeavoured with some

succulent morsel to make him break his long fast; but the firm face of

the Captain was set, his eyes were fixed straight ahead, and his ears

were deaf to the lad's appeal. It was breakfast time when the boy once

more ventured to ask the Captain if he could bring him something to eat.

This time he got an answer.

"Yes," growled the Captain, "bring me two larks' livers on toast!"

These Atlantic Captains of the older school were a hardened and humorous

lot of navigators, and many a story of their eccentricity survives them:

one in particular of an old Captain seeing the terror of the junior

officer during that nervous ordeal of treading the bridge for the first

time with him. This particular old salt, after a painful silence, turned

on the young man and said, "I like you. I'm very much impressed by you.

I've heard a lot about you--in fact, my dear sir, I should like to have

your photograph. You skip down and get it."

The nervous and delighted youth rushed off to his cabin, and informed

his brother officers of the compliment the old man had just paid him. He

was in luck's way, and running gaily up on to the bridge, presented his

photograph, blushing modestly, to the old salt.

"'Umph! Got a pin with you?"

"Ye--es, sir."

"Ah, see! I pin you up on the canvas here. I can look at you there and

admire you. You can go, sir; your photograph is just as valuable as you

appear to be on the bridge. Good morning."

The Captain of the ship I was on had his chessmen pegged, and holes in

the board into which to place them, so that despite any oscillations of

the ship they would remain in their places; but the unfortunate part of

the business was that although he could provide sea-legs for his

chessmen it was more than he could do for his opponent, and it was as

good as a play to see Signor "Lib" hiding from the Captain when the

weather was not all it might be, and he in consequence felt anything but

well. One mate after another would be despatched with the strictest

orders from the Captain to search for the cheerless chessite; but after

a time the Captain's patience would be exhausted, his strident voice

could be heard calling upon the caricaturist to come forth and show

himself, and eventually he might be seen _en route_ to his cabin with

the box of chessmen under one arm and his opponent under the other.

[Illustration: CHESS.]

I was cruel enough on more than one occasion to follow them and witness

the sequel.

"Your move, now--your move!"

"Ah, Captain! I do veel zo ill! Ze ship it do go up and down, up and

down, until I do not know vich is ze bishop and vich is ze queen!"

"Nonsense, sir, nonsense! Your move--look sharp, and I'll soon have you

mated!"

The poor artist _did_ move, and quickly too, but it was to the outside

of the cabin!

The Captain was triumphant at table, telling us of his victory, but his

poor opponent could only point to his untouched plate and to the waves

dashing against the portholes, and with that shrug of the shoulders, so

suggestive to witness but so difficult to describe, would thus in dumb

show explain the cause of his defeat.

I remember well on one beautiful afternoon, the sky bright and the sea

calm, just before the pilot came on board when we were nearing the

States, Signor Prosperi (for that was his name) came up to me, his face

the very embodiment of triumph:

"Ah, I have beaten ze Captain at last--_but ze sea is smooth_!"

On the outward voyage, as I said before, we had a host in Mr. Edward

Lloyd, but he was under contract not to warble until a certain day which

had been fixed in New York, and no doubt his presence had a deterrent

effect upon the amateur talent, with the exception of one lady, who came

up to Mr. Lloyd and said:

"You really _must_ sing;--you really _must_!"

"I am very sorry, madam, but I really can't--I am not my own master in

this matter."

"Oh, but you must," she rejoined. "I have promised that if you will

sing, _I_ will!"

An American who had "made his pile," as the Yankees say, remarked to the

hard-worked vocalist:

"I think, sir, that as you are endowed with such a beautiful voice you

ought by it to benefit such a deserving entertainment as this."

"Certainly," replied the world-famed tenor. "My fee for singing is fifty

guineas, and I will be pleased to oblige the company if you will pay a

cheque for that amount into the sailors' fund."

[Illustration: MR. LLOYD AND THE LADY. "IF YOU WILL SING, _I_ WILL!"]

And, in my opinion, a right good answer too. These middle-men and their

wives and daughters are always pestering professional men to give their

services to charities for nothing, but in cases like the one I have just

cited they take very good care that they do not unloosen their own

purse-strings to help the cause along and equalise the obligation.

However the concert took place, and I, unable to resist the flattering

request to "do something," and not being prohibited from taking part--as

Mr. Lloyd was--made several sketches, just to keep my hand in, and they

were raffled for.

All goes well and smoothly on the voyage until one night you are

awakened by a harsh, grating, shrieking sound. You start from your

slumbers, and for a moment imagine that in reality you are in the

interior of some fearsome ocean monster, who is bellowing either in rage

or fear, for the sound is unique in its wild hideousness, half a screech

and half a wail, aggressive and yet mournful. Your ears have just

recovered from the first shock when they are assaulted by another, and

yet another, at intervals of about a minute. It is the voice of the

siren. Was ever a more inappropriate name bestowed upon the steam

whistle of an Atlantic liner? It conveys to me the news that we are

passing through an Atlantic fog, and I defy anyone, be they in the most

perfect ship, under the safest of commanders, to feel comfortable in

such circumstances. The siren still wails, and like Ulysses and his

companions I feel very much inclined to stuff my ears with wax. Indeed,

peering out of my porthole through the mist, I almost seem to see the

figures of the mythological voyager and his companions carved in ice, no

doubt beguiled by the treacherous music of the siren. These are in

reality our main terrors, the icebergs.

[Illustration: THE AMERICAN PILOT--IDEAL.]

It is a relief when we have left them behind and evaded the clutches of

the demon fog, and the fresh breeze and the glorious sun lend a new

beauty to the sparkling water, showing us in the distance white specks

skimming over the waves like gulls, the first sign that we are

approaching land--the white gleaming wings of the pilot yachts.

[Illustration: THE AMERICAN PILOT--REAL.]

Signals are exchanged, and one of these boats comes nearer and nearer to

us, tacking to perfection. Through our glasses we already seem to see

the stalwart figure of the pilot standing in the stern. On his brow he

wears a storm-defying cap, the badge of the warrior of the waves; the

loose shirt, the top boots, and the weather-beaten jacket all combine to

make up a picturesque figure, and I sketched what seemed to me to be the

figure of the man who was coming on board to guide us to the Hook of

Sandy. As the little vessel approaches us the intervening sail hides

from my view the figure of the one man I want to see. A boat is lowered

from the side of the pilot boat, into which two sailors descend. Who on

earth is this who steps in after them and takes the rudder lines? He

sports a top hat, kid gloves, and patent shoes. Is he a commercial

traveller? He looks it. He is rowed to the side of the steamer, and then

the fun begins. A rope ladder is lowered from the deck, which is

immediately clutched by one of the oarsmen in the boat, and this

commonplace commercial scrambles towards it. Just then a wave breaks

over him, and more like a drowned excursionist than an American pilot

this little man is hauled on board.

I think a great deal of the Atlantic, but I am sorely disappointed with

the American pilot.

The Americans pride themselves upon their independence, and surely a

more independent race never existed. The brow-beaten Britisher is not

long in finding this out, and in my case it was most clearly

demonstrated to me at the first stoppage of the steamer after leaving

Queenstown. After our headlong race across the broad Atlantic, after

every nut and screw in the vessel has been strained to save every

particle of time, and every moment watched and calculated, here at the

mouth of the Hudson, in sight of the colossal statue of Liberty, we are

kept waiting under a broiling sun on a beautiful day for an

unconscionable time whilst forsooth the health officer or his

subordinate is enjoying his lunch. Fancy 1,700 foreigners being kept

waiting because a paid official--paid by the shipowners of

England--wishes to satisfy his selfish greediness!

I watched for this gentleman as he crawled on board, having come across

eventually from his riparian villa. There were no apologies (Americans

never apologise). I don't know the gentleman's name, but here I show you

his face. His check I have described already.

Now that I have touched on America itself, I wish it to be understood

that it is not my intention to look out for and comment upon the faults

of our American cousins, but rather in describing my all too brief

visits to a charming people in a charming country to deal with their

merits. But it is proverbial that first impressions are everything, and

the first I received of official America, in the person of this

particular individual, was the only instance I saw which would not

compare favourably with the red-tapeism of our own country. And I must

say, from what I was told even by Americans themselves, that the worst

side of their countrymen is to be seen where the official department is

concerned, and to illustrate this I shall still stick to the official

(or his representative, whichever it was) that I have just been

describing.

[Illustration: THE HEALTH OFFICER COMES ON BOARD.]

The ship which followed that in which I came over brought from England

some persons who were at the time the talk of American society. They had

been connected with some gigantic scandal, and the interviewers,

scenting copy from afar, were ready to spring upon them. Of course, it

was known that it was to the interest of the reporters (and they were

only doing their duty) to get on board at Sandy Hook, and to frustrate

them a special steamer was sent down with instructions to the captain of

the liner that no one was to accompany the officer of health on board.

The medical officer came in his tug with the whole batch of reporters,

and declared that he would not permit the vessel to proceed into port

unless his friends were allowed on board. The almighty dollar had

polluted officialism, and disclosed to the incoming strangers that the

huge statue of Liberty before them, which held on high the torch of

advancement and enlightenment, was really a snare and a delusion, at any

rate as far as red-tapeism was concerned.

And so I arrived after a week's thorough rest, with my sketch-book full!

I could not help breaking my pledge; it was my first trip across the

Atlantic, and everything was therefore new and interesting. In fact, so

was all I saw in the States, and my pencil was always busy. I was

looking forward to a genuine rest on my return journey, but it happened

to be in the crowded season, and the ship was so full I was asked, as a

particular favour to "a very distinguished cleric," to share my cabin

with him.

[Illustration: JUST IN TIME!]

The departure of an Atlantic liner has a great attraction on both sides

of the "Herring Pond," but there is a difference. Passengers leaving

England are surrounded with cheap and vulgar literature, newspapers,

guide-books, sticks, and umbrellas. Leaving America, the liner is turned

into a floating flower show. Most beautiful bouquets labelled with the

names of the lady passengers are on view in the saloon. Just as the last

gangway is drawn on to the shore, amid cries of "Clear away!" we hear

suddenly "Hold hard!" There is a commotion. Someone has not yet arrived;

we lean over the side of the ship to see who is coming. Perhaps it is an

important emissary of the Government, or even the President himself. We

all push forward; the stalwart New York police keep back the crowd; the

crew of the good ship _Majestic_ hold the gangway in its place as the

centre of attraction trips gaily up it. It is a diminutive nigger

messenger from a florist's, with a huge bouquet of flowers. I imagine I

see my own name on the label, so I modestly seclude myself in my own

cabin, whence I only emerge after we have passed Bartholdi's colossal

figure, just to have one last peep at the country in which I have stored

up such pleasant memories.

[Illustration: "A FLOATING FLOWER SHOW."]

By this time the bouquets of the flower show had been transferred to the

cabins of their owners. I may mention, by the way, that the cynical lady

on board, who wore a solitary bunch of faded violets in her dress,

informed me that most of the ladies paid for the bouquets themselves,

and had them sent on board with their names attached. I don't wish to

seem egotistical, but I know that when I went back to my own cabin I

found the greatest difficulty in forcing the door open. There was a huge

bundle of something or other pressing against it. A fragrant scent was

wafted through the opening, which sent a thrill through me. It must be

the big bouquet! I gave one final shove, burst the door open, and

discovered the bouquet to be a bishop, who was scenting his handkerchief

at the time with otto of roses. It was worth the journey to America to

have the honour of sharing a cabin with a bishop on the return journey.

But what a contrast between us! What a theme for W. S. Gilbert! _Punch_

and the pulpit rocked together in the cradle of the deep!

When I first came on board I made arrangements at once with the bath

steward, and, being rather an early bird, I fixed my time to be called

at seven o'clock. When I retired to the cabin I found the worthy bishop

(he is now Lord Primate of Ireland) looking plaintively at his berth.

Like all on board it was roomy and comfortable, but probably Sir Edward

Harland had not taken the portly prelate (who, by the way, is almost a

neighbour of his) as a gauge for the size of the berths. Mine was, if

anything, a trifle larger, so I respectfully invited the bishop to

change with me.

[Illustration: THE BATH STEWARD AND THE BISHOP. "YOUR TIME, SIR! YOUR

TIME!"]

I was awakened next morning by assault and battery being committed on

the poor bishop, of which I was the innocent cause. An athletic-looking

man, with a white jacket, and sleeves rolled up to his elbows, was

shaking the very life out of my clerical friend and shouting "Seven

o'clock! Your time, sir! Seven o'clock! Your time!" The bishop looked

something like a criminal sentenced to death must do when the hangman

awakes him on the fatal morning, and I had to explain to the bath

steward that we had changed berths, and that in future No. 2 was to be

awakened instead of No. 1.

Perhaps it is not generally known that suicide is nearly as prevalent as

_mal de mer_ amongst these Americans who are rushing over for a few

weeks' repose. They work at such a fearful rate, slaves to that

insatiable god the almighty dollar, that eventually they either have to

fly to a lunatic asylum or an Atlantic liner. After a day or two on the

latter the calm and repose and the vast sea around them prove too much

of an antidote; the overtaxed brain gives way, and overboard they go.

An Englishman is too fond of exercise to allow high pressure to get the

better of him in this way, and the difference between English and

American people on these liners is most marked. Directly an American

family comes on board they select places for their deck chairs, which,

except for meals, they never leave. From early morning until late at

night, much to the astonishment of the Americans, the English

passengers--men, women, and children--pace the deck as if it were a

go-as-you-please contest for immense prizes. Being a good sailor but a

bad sleeper, I think I fairly qualified for first prize. Morning, noon,

and night, round and round those magnificent decks I went, to the

disgust and envy of those who could not move off their deck chairs, and

who loathed the very sight of me.

[Illustration: AMERICANS AND ENGLISH ON DECK.]

It so happened that together with a few other privileged passengers I

dined a little later than the rest, so I had an opportunity of observing

the weak ones suffering on deck whilst others were struggling with their

meals below, and I promenaded round that deck, battling with the

elements to get an extra edge on my excellent appetite. I remember that

when passing some ladies on my way down to dinner, they feebly

endeavouring to eat a biscuit or two and drink a glass of champagne, one

turned her pallid face to another and murmured, "I _am_ so glad that

energetic little man has been obliged to give in at last!"

They ought to have seen me at the table half-an-hour afterwards, that's

all!

That reminds me of my friend poor Alfred Cellier, who was wintering in

the South once at the same time as we were there for my wife's health. I

was returning from a meet one day, hot and mud-bespattered, when I met

the talented musician walking feebly along in the sun with his furs on.

He called to me to stop, which I did, and his dreamy, good-natured face

assumed a most malevolent expression as he hissed at me, "I hate you! I

hate you! _You look so beastly healthy._"

Even on board ship the American still clings to his iced water, but some

think it is time to train for the European habit of taking wine at

dinner. I noticed a Westerner who with his wife was sitting down for

probably the first time to _table d'hote_. He took up the wine list, and

went right through the sherries, hocks, clarets, champagnes, and even

liqueurs. Now at the end of the wine lists on these vessels there is

appended a list of various mineral waters. The names of these (or was it

the price?) seemed to take the fancy of the American. "I guess this

_Hunyadi Janos_ sounds well--I calculate if you put a bottle of that on

ice it'll do us just right."

Sailors are superstitious. Some will, or used to, rob themselves of the

necessities of life to purchase a baby's "caul," and wear it around

their neck as a charm.

To sail out of harbour on a Friday was unheard of. In these days of

science, days in which steam has driven the old frigate-rigged sailing

ships from the seas, one would have thought that superstition would have

vanished with the old hulks, and that in the floating palaces crossing

the Atlantic, in which longshoremen take the place of old-time sea-dogs,

charms and omens would have lost their power. Yet sailor superstitions

are as hard to kill even in these gorgeous up-to-date liners as it is to

exterminate the rats in the hold or the cockroaches in the larder.

The last journey I made to America was in the favourite liner the

_Germanic_. I was chatting to one of the crew, an old salt, the day we

left Queenstown; he was looking out to sea; his brow was clouded, and he

shook his head mournfully.

"Are we in for a bad passage?" I asked.

"Don't know yet, sir; aren't seen all them on board yet. We had a

terrible passage the week afore last goin' East, but I expected it. We

'ad an Archbishop on board!"

I informed him that on the present journey we had two priests on board,

and two professional atheists--"so what kind of passage were we to

expect?"

After a moment's serious thought the mariner replied, "I think, sir, we

may reckon we shall have an average." And curious to relate we did.

The two Freethinkers who thus balanced the ecclesiastics were Messrs.

Foote and Watts, who were on a mission to America to induce Colonel

Robert G. Ingersoll to visit England.

The stranger in America, if he be a public man in his own country, is

treated like a suspected criminal. Every movement is watched, every

action reported, and as he passes from city to city a description and

report precedes him, and there is an eye, or rather a couple of dozen

eyes, to mark his coming and grow keener when he comes.

But he is watched by friends, not by detectives, and his actions are

reported in public prints, not in private ledgers. It is not the arm of

the law, but the hand of friendship, that shadows him, and those

stereotyped passports to friendship, letters of introduction from

friends at home, are as needless to introduce him as a life-preserver or

a Colt's revolver to protect him. He had better amuse himself while in

mid-ocean by presenting them to the porpoises that dive and splutter

round the ship, for the only object they will accomplish will be the

filling of his waste-paper basket on his return home.

[Illustration: AMERICAN INTERVIEWING--IMAGINARY.]

[Illustration: AMERICAN INTERVIEWING--REAL.]

Major Hospitality arrested me the moment I arrived, and handed me over

to the Inky Inquisition--eight gentlemen of the Press--who placed me on

the interviewer's rack at the demand of insatiable modern journalism. I

scraped through the ordeal as well as could be expected in the

circumstances, considering I hadn't yet acquired my land-legs. The

raging waves may roar their loudest, and the stormy winds may blow their

hardest, but they don't affect me. It is only when I find myself on

_terra firma_ once more that I feel any effects from an ocean trip. For

the benefit of those who are subject to _mal de mer_ I will disclose my

prescription to act as a reliable safeguard, and that is to mesmerise

yourself so that once on board no sensations seem to you strange or

unwonted. The only drawback is that I have not yet discovered how to

unmesmerise myself, although my theory worked splendidly when on board,

so that when I get on shore I feel as if I were still on the sea. I am

always ducking breakers, descending companion ladders, and I roll across

the street as if it were the deck of a liner. Every building I enter

seems to be rocking up and down, up and down, and as on the occasion I

refer to I sat before the knights of the quill to be cross-examined, I

felt as if I were in the cabin of a ship rather than in my own room at

the hotel, and that the books on the table were in reality fiddles to

keep the glasses and other things from falling off.

It is, therefore, not to be wondered at that the next day I find myself

described as "not a well man," although "his face is ruddy," and "his

blue eyes have a tired look and his hand is not so steady as it might

be." I would like to know whose hand would be steady if, after six days

of Atlantic travel, he was landed to find himself suddenly confronted

with eight talented gentlemen, cross-questioning him _ad lib._,

measuring the length of his foot, counting the buttons on his coat, and

the hairs on his head, and if, after his tiring journey, he happened to

yawn, looking to see whether he had false teeth or not!

And then to be handed a bad pen and worse paper, and have to draw

pictures in pen and ink, in the space of five minutes, for the eight

gentlemen who were watching to see "how it's done"! I have sketched

crowned heads on their thrones, bishops in their pulpits, thieves in

their dens, and beauties in their drawing-rooms; but I never felt such

nervousness as I did when I had to caricature myself on the occasion of

my first experience of American interviewing.

In my seeing America in a hurry, I addressed the reporters somewhat in

this fashion:

"I am not disappointed with anything I have seen. I was told that I

would find the worst-paved streets in the world. I have found them. I

was told that I would see unsightly, old-fashioned telegraph-poles

sticking up in the streets. I have seen them. I was told that I would

have to pay a small fortune for my cab from the docks to my hotel. I

have paid it. I was told that a newspaper reporter would ask me what I

thought of America as soon as I landed. I am asked that question by

eight gentlemen of the Press; indeed, I was interrogated upon that point

by the representative of a leading American paper before I left the

shores of England. I was told that I would find the most charming and

best-dressed women in the world. That promise is more than realised.

[Illustration: "SANDY."]

"I find New York as bright as Paris, as busy as London, as interesting

as Rome, and, in fact, I am so delighted and bewildered with everybody

and everything that, like the old lady's parrot, I don't say much, but I

think a deal; and now my difficulty is to convey those thoughts to the

public through the medium of your valuable papers."

Scores of Columbuses arrive at Sandy Hook every week to discover America

for themselves, from Charles Columbus Dickens to Rudyard Columbus

Kipling, to say nothing of Tom, Dick, Harry Columbus Brown, Jones,

Robinson. It is hardly fair to say that they go over with their pockets

full of letters of introduction to their American cousins, who receive

them with open arms and unlimited hospitality, and then that these Toms,

Dicks, and Harrys bring back in exchange notes for columns of ridicule

and abuse of their Transatlantic friends. If our Americans _have_ a

fault, it is a very slight one. They are too sensitive. They seem to

forget that they receive and honour some of our countrymen as critics

and satirists, but they expect that on leaving their shores their late

guests will wash off the critical and satirical sides of their natures

just as an actor removes his paint and make-up on leaving the boards.

Americans, both publicly and privately, are incessantly interviewing the

stranger: "What do you think of our great country? What do you think of

ourselves?" They live in a glass house filled with forced young plants,

from out of which house they may throw stones at the stranger, but woe

betide the critic who has the temerity to cast one in return. He gets

his impressions from the hothouse society snobs reared in the hotels of

the cities, the dollar worshipper, the vulgar millionaire, made more

obnoxious by the newer European importation, happily a plant not true to

the American soil. We strangers too often see but the cut flowers,

showy, glaring, to-day; jaded, gone to-morrow. We do not see the

cultured orchid or the natural wild flowers of America, for the simple

reason we do not look for them in seeing that wonderful country in a

hurry.

My first impression of New York was that of a faded back-cloth in a

melodrama; but when you get upon the stage, or, in other words, into the

streets, you find yourself amid a transformation scene of wonderful

activity and brilliancy. Some of the streets, in fact most of them in

which business is transacted, resemble strongly the shop scenes in

harlequinades, for the Americans have carried advertising so far that

their streets of shops, and especially those in New York, are simply

museums of grotesque advertisement.

Gigantic hands advertising gloves, huge hats, boots, and animals form a

heterogeneous collection of anything but beautiful models, gilded and

painted in all the most flaming colours, piled on top of each other on

every house from street level to attic, each tradesman vieing with the

other in screeching to the public to "Buy! buy!! buy!!!" by means of the

curiosities and monstrosities of the advertiser's art.

A few years ago a celebrated Continental authoress came to London for

the first time, in the height of the season, to stay a week in order to

get her impressions for a book she was writing, in which the heroine had

flown to London for that period of time. She went everywhere and saw

everything; just before she left London I asked her what had impressed

her most of all she had seen. In reply she said, "The fact that the

drivers of public vehicles never cracked their whips!"

If I were asked what impressed me most about New York, I should not say

Brooklyn Bridge, or Wall Street, or the Elevated Railway, but the number

of chiropodists' advertisements! They confront you at every turn; these

huge gilded models of feet outside the chiropodists' establishments,

some painted realistically and many adorned with bunions, are destined

to meet your eye as you stroll through the streets. Should you look up,

you will see them suspended from the first floor window, or painted on

canvas on the front of the house. Avoid the shops altogether, and you

are bound to knock up against some gentleman in the gutter encased in a

long white waterproof, on which is portrayed the inevitable foot and the

name and address of the chiropodist.

[Illustration: CHIROPODY.]

Now why is this? The Americans have pretty feet and small hands, both

men and women. Is it vanity, and do they squeeze their feet into boots

too small for them, or are their pedal coverings badly made, or does the

secret lie in the rough pavements of their thoroughfares? I am glad to

say that I never required the services of a foot doctor, but I know that

my feet have ached many and many a time after promenading the New York

pathways.

New York ought to be called New Trilby.

I was offered more than once an open cheque which I might fill in to

cover all my expenses from the time I left England until I reached the

shores of the Old Country again if I would supply a journal with _one

page_ of impressions of America illustrated. A suggestion of this sort

in an English newspaper office would have just about the same effect as

a big canister of dynamite! I didn't accept any of these tempting

offers. I didn't go to the States on my first visit to paint glaring

pictures, or to make up stories, or to marry an American heiress, nor

did I go in search of the almighty dollar. I simply went as a tourist in

search of health, and with the desire of shaking hands with my many

friends on the other side.

[Illustration: "NEW TRILBY."]

I was therefore extremely annoyed on my arrival to find the

irrepressible lecture agent, Major Pond, had coolly announced that I was

going over to him, and he had actually taken rooms for me at the Everett

House! Of course I informed the interviewers that I was not going to

tour with Pond or to make money in any way. I was merely a bird of

passage, a _rara avis_, a visitor without an eye on the almighty dollar.

After I returned to England an irresponsible paragraphist informed the

American public that I went home determined to give it to them hot. This

contradiction of mine appeared, and was sent to me by the Major. Note in

it I contradict his report that I went over in his interests.

[Illustration: AMIABLE MR. HENRY FURNISS.

The London Punch Cartoonist Denies Certain

Unfriendly Reports.

To the Editor of The Sun--Sir: Paragraphs

have appeared in some American papers to the

effect that I "went home determined to give

it to New York and the Americans hot." I can

only suppose that this is invented for the purpose

of firing off a very feeble joke upon my

name at the sacrifice of the truth, for I had a

most pleasant time in America, and have

brought back with me most agreeable reminiscences,

which I intend to publish.

Will you be kind enough to contradict this

unfair insinuation, and also the incorrect surmise

that I went to the States to the interest

of any paper or person? I simply made the

journey in search of health, and not interest

of the almighty dollar.

By the way, before the end of the year I may

contribute to London Punch a few pages from

my well-stocked American sketch book. Faithfully

yours,

Harry Furniss.

Garrick Club, London, July, 1892.]

Major Pond is a typical American, hospitable, kind, with an eye for

business, but I do not appear in his entertaining book, nor was I ever

on his business books either. He sat for me on the shoeblack's street

chair outside his office when I made a sketch of him, and he was so

obliging I believe he would have stood on his head if I had asked him.

He managed to get me to stand in front of the camera, but not in front

of an audience.

Some day I shall write a paper entitled "Photographers I Have Met," for

few people have faced the fire of the camera oftener than I. I am not a

fashionable beauty, nor much of a celebrity, neither am I honestly a

vain man--I shrink from the rays of the too truthful lens--but I have

been dragged into the line of fire and held there until the deed is

done, like an unwilling convict. In nearly every town I have visited

have I undergone this operation, and the result is a collection of

criminal-looking, contorted countenances of a description seldom seen

outside the museum of a police station.

[Illustration: MAJOR POND.]

I was therefore determined not to incur this risk in America.

Photographers sent their cards, but they saw me not (perhaps if they

had they would have repented of their invitation). However, one day I

was secured by stratagem.

I was walking along Union Square with Major Pond, whose martial bearing

impressed me as much as his 'cuteness fascinated me. He had that morning

heard of my determination not to be photographed, and as he walked along

he suddenly stepped into a doorway, his arm in mine, touched a button in

a side panel, down rushed an elevator, the door was flung open, and I

was flung in. "Sarony," said the Major, and up, up, up we flew.

"The photographer?" I asked hurriedly.

"The artist," the Major replied; "one of the greatest flesh drawers"

(nude studies) "we have in this gr--e--a--t country, sir. Here he is,

deaf to everything but art, and to everyone but artists."

Who can say photography is not high art when you have to go up seven

stories to it?

I now stood before the greatest photographer in the world--and the

smallest. I stood--he danced. He talked--I listened.

"Come here," he cried; "you are an artist--you can understand

genius--you can appreciate my work."

And he produced from a portfolio a quantity of studies, or, as the Major

would call them, "flesh drawings," prettily touched in with the stump

and chalk with a _chic_ familiar to those who know the facility of the

French school. He patted me on the shoulder, kissed his hand to his

work, and fell into raptures over the human form divine with an

earnestness which showed him to be a true artist. With his sitter in

front of him he was even more enthusiastic, placing you into position,

and striking attitudes in front of you till you felt inclined to dance

"Ta ra ra boom de ay" instead of remaining rigid. I pointed out to him

that my hair being of an auburn hue, that on my chin and the remnant on

my head came out black.

"Ah, we shall alter that," he said, and he powdered my head. "And now to

counteract that--here goes!" and with some soot or charcoal he touched

over the scanty parts on my "dome of thought." During this process I

noticed that his own luxurious head of hair was not a fixture. He wore a

fez, and as he paused and pirouetted and struck attitudes, he would

pull the fez over one eye coquettishly, or over the other one

ferociously, and with it went his hair, parting and all. It is no wonder

this energetic photographer was so successful with the instantaneous

process, or that he so cleverly caught in the lens theatrical dancers

and others in motion to perfection. Of the most successful of his photos

that I saw was that of a row of comedians dancing together, and although

I was not present at the moment the photograph was taken, I have no

doubt, from the pleasant smile of their faces and their artistic poses,

that all credit was due to the late Sarony.

[Illustration: THE GREAT SARONY.]

The Major had his "Bureau" in Everett House. There he arranged for his

"stars," and there under false pretences he decoyed me, and there for

the first time initiated me into the obnoxious habit of drinking iced

water.

Most people are aware that in Nicaragua there dwell a tribe who

gradually kill themselves by an extraordinary predilection for eating a

certain kind of clay. These people are of the lowest order, and may

therefore be pardoned for their foolishness in turning themselves into

plaster casts; but why the enlightened Americans choose to convert

themselves into walking icebergs through drinking so much iced water is

unaccountable to the alien. They certainly do play havoc with their

digestions. They eat rapidly and recklessly, and swallow with startling

rapidity, for having all the dishes placed before them at once they have

no waiting in between the courses to assist digestion, and almost before

they have swallowed their food they freeze it with draughts of iced

water.

At this hotel in New York there lived for some years an Italian singer,

who was a great favourite in the city, and whose horror of iced water

was a terror to all the waiters. They knew that it was as much as their

lives were worth, and certainly as much as the glass was worth, to set a

drink of this concoction before him. If any new or forgetful waiter

offered the obnoxious liquid to the foreigner, it was soon thrown at his

head or to the other end of the room. Americans seldom show their

feelings, but anything they resent they will harbour in their minds, and

never forget.

In due course this singer died. The weather was hot at the time, and the

body in the shell was surrounded by ice until the time came to carry it

out of the hotel. As it passed through the hall the manager, who had had

many and many an upbraiding from the excitable Italian after the latter

had been proffered the hateful iced water, rushed out and triumphantly

exclaimed:

"'Guess, sir, you've got plenty of ice now, whether you like it or

not!'"

I was told that kindness would be showered upon me in America. I lived

in a perfect blizzard of hospitality, the force of which was too much

for me to stand up against. The poet asks, "What's in a name?" I don't

know, I'm sure, but I know what's not in a name, and that's something by

which you can identify the owner of it.

You are introduced to a man, his name being given you as Mr. James B.

Brown. You could never forget his face as long as you live, but there is

nothing in the name of James B. Brown to fix it in your memory. Indians

are more practical--they adopt nicknames. Amongst them the gentleman in

question would probably be known as "Cherrybeak," "Bleary Eye," or some

such descriptive cognomen.

I felt the want of this common-sense system when in America terribly.

While there I lived at the highest pressure of hospitality. Breakfasts,

luncheons, teas, dinners, suppers, receptions and all sorts of

gatherings, sometimes two or three of them in one day. At each of them I

was introduced to most interesting people, names perfectly familiar to

me but faces unknown. I was bewildered beyond description. I made many

friends, and as a natural consequence I made many blunders. The worst

of these latter I really must record, and pray that should this

confession meet the eye of my hospitable friend I trust he will forgive

me--indeed I know he will, for he is one of the best and cleverest of

men.

I was invited to an excellent dinner by a well-known man of letters I

had never met before. I accepted the invitation on condition I should be

allowed to leave early, as I had engagements two or three deep for that

evening. I came away with the best impression of my host and all his

friends. I saw their jokes and their faces, and knew I would recollect

both, but their names! how to recollect them was the puzzle. That

evening I met more distinguished people at the second house I visited,

more at the third, and still more at the fourth. I shall never forget

their kindness, but I gave up all hopes of trying to recollect hundreds

of names, all new to me in one evening. The problem was hopeless. The

following morning callers began early, and more invitations poured in.

At breakfast one of my new acquaintances called.

[Illustration: JAMES B. BROWN!]

"Tell me, Mr. Furniss, have you met our great literary man and renowned

humorist, Mr. James B. Brown?"

"Brown, Brown!" I repeated (that was not the name of course, but it will

do). "Well, no. I know his name so well, but I don't think I have yet

had the pleasure of making his acquaintance."

"Not know James B. Brown? Well, you must straightaway. Now let me

reckon. You leave New York at four this afternoon--you must lunch first.

Why not with me at the ---- Club? I'll get James B. Brown there or I'll

swallow Bartholdi's statue!"

I found refusals were of no avail, so I agreed. At one I entered the

club, at two minutes past one James B. Brown entered, and we met. He was

my first host of the previous evening!

We were formally introduced. I smiled--James B. Brown didn't. James B.

Brown pulled himself up to his full height--about double mine--I never

felt so small before. I shook his hand (he didn't shake mine) and said:

"This is a great honour and pleasant surprise," and I pulled the

dismayed celebrity gently to my side, when getting on tip-toes I

telephoned up the string of his eye-glass:

"Keep up the joke, Mr. Brown, keep it up. Fact is, I was so delighted at

meeting you last night and so charmed with you that when I was asked if

I had met you before I said 'No,' so that I might have the pleasure of

meeting you again. Forgive me!"

James B. Brown shook my hand warmly, and telephoned down:

"Sir, this is the greatest compliment I have ever received. Your sin

will be forgiven for your sincere flattery of so humble an admirer as

myself."

Americans claim to be superior to us in respect of three things--their

facility in travelling, their fire system, and their after-dinner

speaking. One of these I will not question, and that is the Fire

Brigade. It is necessary for America to excel in this respect, for with

their huge warehouses and stores overstocked with inflammable goods fire

would destroy their cities as Chicago was destroyed, were they not so

wonderfully prompt and efficient with their engines and appliances.

When I arrived in the States I only presented two of the very numerous

letters of introduction with which I was supplied. One was to the Chief

of Police in New York, and the other was to the Captain of the Fire

Brigade. The latter I met, when I arrived at the station at which he is

located, just coming out in ordinary clothes, for it was his night off;

but such is the pride taken by the Fire Brigade in their work that

whatever engagement he was going to keep was abandoned, and he was at my

service until I had seen everything it was possible to see in connection

with the famous Fire Brigade.

[Illustration: FIRE!]

As I was speaking to the Captain in the engine-room I noticed a couple

of horses standing there. One of them was a grey mare with a most

cunning look, and as the Captain was informing me that "she had done

continuous work here for some years," she gave me an artful wink of

confirmation. Just at that moment the alarm bell suddenly vibrated, and

before you could say Jack Robinson (even if you wanted to), seemingly by

magic but in reality by electricity, the halters fell from the horses'

heads, and to my surprise, without any one being near them they rushed

to their places at either side of the shaft of the engine. There were

manholes in the ceiling, through which brass rods were suspended

vertically. Down these slid half-dressed men, who seemed to turn a

somersault into their clothes during the descent on to the engine, the

harness suspended above the horses dropped on to their backs, and in an

instant they were in the street, the engine manned, its fire ablaze, and

the horses alive to the stiff job they had before them of reaching the

fire in an incredibly short space of time. But hardly had they taken the

first leap from one of the boulders over the cavities with which New

York streets abound to another, than a whistle from the Captain stopped

them. It was a false alarm given for my edification. Before they could

get back into the engine-house I was conducted by the Captain into the

dormitory, where I concealed myself under a bed. Without a grumble the

men came up and literally walked out of their clothes, for boots, pants

and everything are all one piece. They opened these carefully and laid

them ready by the side of their beds, and in a few minutes were all

snoring fast asleep.

The Captain gave a slight tap on the floor as a signal for another false

alarm. At the first sound of the bell, with one bound the men were out

of bed, in another into their combinations, and in a third they were

going head over heels down the holes in the floor, just as mice would

disappear down theirs at the sight of a cat, and in a second or two I

heard again the rumbling of the engine over the pavement.

We escaped before the men were back again to bed, but hardly had I been

shown the completeness of everything, and gone into details which I need

not repeat here, and had another wink from the old grey mare, which

plainly said, "Ah, I knew those alarms were false," when her two ears

went up like a flash as she sprang under her harness once more, the

other animal as quickly by her side. The third alarm was a genuine one,

and she knew it. The Captain and I, as soon as the alarm was given,

rushed in the direction of the fire, but we had not got to the first

corner before the old mare and her companion flew past, and I just had

time to notice that the men were completing their toilet as they were

hurled by. Quickly followed the officer of the night in his one-horse

trap, and by the time we got to the fire, which was only round a block

of buildings, an exhibition of fire engines and appliances was collected

there which beggars description. The water tower, a huge affair seventy

or eighty feet high, built up like a crane, which shoots water on to

the top of the burning building; so also are the hook and ladder

brigade, the men with the jumping net--in fact, everything is at hand.

This is accounted for by the fact that a policeman at any corner, when

giving the alarm of a fire, touches an electric button or turns a

handle, which gives the signal at every fire station, unloosing the

horses and putting everything into motion at once.

[Illustration: THE ALARM.]

The one weak point in the whole system is that the alarms are not

isolated, which means that every signal of fire in the big city of New

York disturbs every man and horse at every station, some of them nine

miles away from the scene of the conflagration, for so anxious are the

men to be up to time that they are often in the street, harnessed,

equipped and ready, before the second signal comes to acquaint them

with the locality and extent of the fire. At least that was then the

system.

When I returned to England I stopped once as I was passing a fire

station and told the men of the wonders I had seen in America. A very

athletic, sailor-looking fireman, who had listened attentively to all I

had to say, chimed in with "Yes, sir, what you've said is quite true,

for I've been in America myself, and seen them at work; but though they

may possibly get to the fire a few seconds quicker than we, when we _do_

get there we put it out. That's more than they do generally."

"Well, perhaps so," I rejoined; "but then you haven't the wonderful

electric apparatus for dropping the harness on to the horses' backs!"

"No," said he, "we go a step further than that; the harness is on the

horses' backs beforehand!"

This youth's visit to America had evidently had a sharpening effect upon

him, for he was a bit too wideawake for me.

Being on a trip for rest and health, I found the gaiety of New York too

much for me, so having whispered to my friends that I was going to study

culture and eat bacon and beans in Boston, I quietly slipped off to

study Congress and to feast my eyes on the beautiful city of Washington.

Not being clean-shaven I could not wear a false beard, so I took a false

name. "Mr. Harry Furniss of London _Punch_" went in the spirit to Boston

(for had I stayed much longer in New York my used-up body would have

been returned in spirits to England); "Mr. French of Nowhere" went in

the flesh to Washington.

On arriving at my hotel I signed "Mr. French of Nowhere." Reporters who

scan the hotel list did not think "Mr. French of Nowhere" a subject

worthy of dissection, so for a few days I thought I should enjoy perfect

peace with profit. A "stocky little Englishman" taking notes _en

passant_ with an amateurish fervency was probably what most people would

think who cared to think at all of the stranger in their midst.

But it so happened that in going down by train from New York I sat

opposite to a very delightful American gentleman, and we chatted away

in the most friendly fashion. We parted on arriving at the city. Next

day I happened to "strike" him in the street.

"I've been on the look-out for you everywhere, Mr. French" (I had given

him my assumed name in the train). "I am very anxious to show you all

over this beautiful city, and my brother the Judge is also anxious that

you should dine at his house."

I thanked him most cordially, and accepted his kind offer, saying that I

should be ready for him at my hotel at 9 o'clock the next morning. We

parted, but my conscience pricked me for giving him a false name, so I

hurried back after him and explained to him the whole circumstance. It

was flattering to me to see that he took a greater interest than ever in

being my guide. The next morning Mr. French (to all but my new

acquaintance) was in the hall of the "Arlington" at the appointed time.

I waited and waited, but my guide did not put in an appearance.

Presently a strange gentleman came up to me, and boldly addressed me by

my proper name. I saw at once I was in the clutches of an interviewer,

so I point-blank contradicted him, and asserted that my name was French.

"That won't do for me," he said.

"Then you won't do for me," I said, and turned upon my heel.

However, I rather liked the look of the man, and didn't like to

disappoint him altogether, being a journalist myself.

"I am waiting for a gentleman," I said. "I expect him every minute, and

then I must be off."

"You may wait, but I guess that gentleman won't arrive," said the

journalist, "and I want a column out of you for our evening paper."

A frightful thought flashed across my mind.

"Have I been sold?"

I had, and I thought more of the gentleman of the Press (all the

Pressmen were very kind to me in Washington, and, indeed, all over

America) than I did of my newly-made erratic acquaintance.

When I paid my second and professional visit to Washington years

afterwards, of course it was a different matter. My representative had

for business reasons to invite the Press to "boom" me. I was rated a

good subject for interviewers, being only too pleased to do my best for

our mutual benefit. One day a representative of the important Washington

family paper called. We lunched and chatted, and subsequently over a

cigar he informed me that he knew nothing about art or artists or

politics, nor had he any object in common with me--in fact, he was the

sporting editor. The interview appeared--two long columns on prize

fighting! I was the innocent "peg" upon which the sporting writer hung

his own ideas. He discussed "a rendezvous in the Rockies," remote from

the centre of civilisation, as surely an appropriate locale for a

train-scuttling speciality or a fight to a death finish between Roaring

Gore and Wild Whiskers. A pair of athletes, scienced to the tips of

their vibrating digits, compelled to appeal to the courtesy of a wild

and well-whiskered Legislature, would doubtless appear inconsistent to

gentlemen of the National Sporting Club of London, who were anxious to

have the big fight settled within earshot of Bow Bells, in the luxurious

rooms of the London National Sporting Club. One combatant, I declared,

"swallowed the gruel rammed at him as if it were mother's milk," the

lads "had enough blood on tap to run a sizeable slaughterhouse"; then a

British fighter "swallowing a lobster salad on top of a whiskey sour,

with a dose of prussic acid by way of dessert"; and references to my

knowledge of the "Freds," "Toms," or "Dicks" of the Sporting Press of

London, and to my familiarity with "Charlies," "Fitzs," and "Jims" of

the "Magic Circle," were astounding.

My manager rushed into my rooms with the paper in question. "This will

ruin your prospects here! We depend on the women folk; they will never

come to hear you after reading this!" And so it was. In spite of other

interviewers at Washington writing of me as "an English good fellow,

rich and juicy, and genial in flavour, like other hot stuffs of that

remarkable country"; and another,

"Harry Furniss' eclipse of the gayety of John Bull, with facile

pencil and brilliant tongue, attracted a cultured assemblage to the

Columbia Theatre. Furniss, a plump lump of a man, all curves from

pumps to poll, in gesture and in the breezy flourish of his

sentences, genially cynical like Voltaire, cuts an engaging figure

in his black coat that he wears with the inborn grace of a

well-dined Londoner, a bon vivant, whose worldly shaft tickles and

never bites, for he is a gentleman whose wit wins and never wounds.

Furniss is Thackeray in the satirist's mellow moments, and there is

no little of the Thackerian spirit radiating in the pictures of

this rotund and quaint little caricaturist."

I did very bad business in Washington, largely due to bad management.

Five o'clock teas had become the rage of Washington Society, and my

appearances in the theatre were between 4.15 and 6 o'clock in the

afternoon. Alluding to this a critic wrote in the _Morning Times_: "It

may help Mr. Furniss to forgive the small audiences here in Washington

if he is informed that during this season none of his English friends

have made a very glittering success; nearly all of them have lost money

or made very little. We seem to be somewhat down on Englishmen this

year."

As Washington is the capital of America, so the Capitol, where Congress

meets, is the cap of the capital, the dome, of course, being the

Capitol's cap, and a capital cap it is, covering the collective

councillors of the country. The Capitol itself looks like a huge white

eagle protecting the interests of the States. Audubon's Bird of

Washington is the name of the eagle well-known to naturalists, but this

_rara avis_ is the _Falcho Washingtoniensis_. At its heart is seated the

Supreme Court, keeping an eagle eye on the laws of the land; under its

right wing is the Senate (equivalent to the English House of Lords); and

the left shelters the House of Representatives (corresponding to our

House of Commons). At first this bird of buildings had no wings, and the

three representative assemblies sat in the Central Edifice; afterwards

the wings were added, and now the Capitol is fly enough for anything. It

soars high above the city, and from its summit a capital birdseye view

is naturally obtained.

The Senate in the American Congress answers to the House of Lords in the

British Parliament. The "sporting editor" would doubtless say that each

in its respective country is the right hand of the Government, and when

there happens to be a genuine stand-up fight, as foreseen with Spain, an

international contest, although the "left," in prize ring phraseology

(the House of Representatives in America and the House of Commons in

England), does all the preliminary work, it is reserved for the right,

when the critical moment arrives, to administer the knock-out blow.

[Illustration: THE THRONE IN THE SENATE.]

In both the Old Country and the New these superior senators are

politically alike. Representatively they are as different as iced water

is to old port.

[Illustration: THE THRONE, HOUSE OF REPRESENTATIVES.]

The seating of the senators in these two assemblages is typical of the

countries they represent. In the British House of Lords the Peers loll

about on scarlet sofas; in America the chosen ones sit at desks. The

British Peer has forsaken one lounge to occupy another; the American has

left the office desk for the desk in office. In Britain the House of

Lords is composed of Princes and Peers, with an admixture of bishops,

brewers, and other political party pullers; it is also an asylum for

stranded political wrecks from the Lower House. Soldiers and sailors,

too, are honoured and are sent there, not as politicians, but merely to

exist for the time being in a sort of respectable retreat, before being

translated to the crypt of Westminster Abbey or St. Paul's. John Bull

has made this hereditary hotch-potch, and he must swallow it. Jonathan

selects his senators to his own taste, and has them dished up fresh from

time to time.

The Senate is not sombre and sedate as is our Upper House, but

simplicity itself--no gilded throne, no Lord Chancellor in wig and gown,

no offensive officialism. It looks like a huge auction room, the

auctioneer being the deputy President standing at a table hammer in hand

knocking down the separate business of State lot by lot as put up by the

clerks.

The House of Representatives, like the Senate, reminds one very much of

an auction room. It is a splendid hall, but its size prevents Members

from being heard very distinctly, particularly as they talk away amongst

themselves, except when anything particularly interesting is going on.

In the Senate the table, and the clerks' table, are of dark wood; in the

House of Representatives they are of white marble. The American flag

hanging over the balcony gives it a semi-theatrical look, and the white

marble table resembles an American bar, making one feel inclined to go

up to it and order a brandy-smash, a gin-sling, or a corpse-reviver.

[Illustration]

The House has not met as I enter. The page-boys are playing at leapfrog,

and some early Members are disposing of their correspondence, and

instead of reproving the boys cast glances at them that seem to signify

they would like to join in the game themselves. Presently a Member comes

in backwards through one of the doorways, calling out to something that

is following him. I lean over to see if he has brought his favourite dog

or domestic cat, when a little infant in modernised Dutch costume comes

in waddling laughingly after her parent. Another Member turns round on

his swivel chair as his page-boy runs up to him, shakes him heartily by

the hand, tosses him on his foot and gives him a "ride-a-cock-horse."

Oh, you English sticklers for etiquette! What would you say if Mr.

Labouchere came in on all fours with his little child pulling his

coat-tails and whacking him with a stick, or if Sir William Harcourt

played at leapfrog with Lulu round the Speaker's chair?

[Illustration: THE HOUSE OF REPRESENTATIVES.]

My drawing will show you better what the House of Representatives is

like than any written description I can give. Each Member has his own

desk, with his Parliamentary papers all around him. He is not bothered,

as Members are in England, by having his papers sent to his private

house, or having to call for them at the office when he arrives, or

actually having to fight for a seat. Americans pay their

Representatives, and consider that they too have a right to be

accommodated with a seat whenever they want one to see them, and to know

who they are; so you have in front of you a diagram of the sitting

arrangements of the House, with the names of the Members.

[Illustration: AN EX-SPEAKER.]

At 12 o'clock the procession enters. An official carries a little wand

with the eagle on top, and after the Chaplain (during my first visit I

saw the "Blind Chaplain," the Rev. W. H. Milburn) has delivered a few

touching words about the floods in Minnesota, the reading of the

"reakard" begins. The House buzzes with conversation and displays the

utmost indifference while the minutes of the last meeting are read with

extraordinary rapidity by a clerk with a grating voice. Every now and

then a Member corrects a misprint in the "reakard" of what he has said,

and then leave of absence is given to applicants for it, who have to

state their reasons. The Chairmen of the various Committees then report

to the House, Chairmen of Committees taking in turn to sit in the

Speaker's Chair and preside over the House, whilst anyone can examine

them.

Instead of calling out a Member by his name--Mr. Bacon or Mr. Beans--the

Speaker calls upon "the gentleman from Illinois," or "the gentleman from

Michigan." But if any question arises to which some Member has an

objection filibustering is rampant. The Speaker rises and asks if there

is any objection to the consideration of the Bill. After a pause he

says, "The Chair hears none," and is about ordering the Bill to be

engrossed when some Member objects and a division is taken, the Members

standing up to be counted. Groups of them, however, do not pay a bit of

attention, and sit about on their desks smoking cigars and telling

stories, and when the numbers are given some of these will get up and

complain that their names are not included, as they did not hear, or

went out to speak to a friend, or some trivial excuse like that, so they

are counted again. One in particular I noticed and made a sketch of

peeling and eating an apple, and he strolled up afterwards and demanded

to have his name inserted. More delay; then "the gentleman from

Somewhere-else" informs the Speaker that there is not a quorum. "The

gentleman from Bedlam" demands a division taken by tellers, and the

Speaker agrees, and is just appointing the tellers, when "the gentleman

from Obstructianna" calls for "Yeas and Nays," which means, gentle

reader, that the whole of the House of Representatives have to be called

out by name, from Alpha to Omega. Those not wishing to vote smoke or eat

apples. Then some Member comes in and informs the Speaker that he didn't

hear his name when it was called.

In case the reader may think I am exaggerating I append the following

cutting from the "Congressional Record," vol. xxiii., No. 93.:

"Mr. O'NEILL of Pennsylvania. Mr. Speaker, I am paired, but I have

voted in order to make a quorum.

The SPEAKER. There is no quorum.

Mr. HENDERSON of Iowa. Mr. Speaker, when my name was called the

first time I did not hear it, and the second time I was examining

some papers and my name was passed before I could answer.

The SPEAKER. Did the gentleman fail to hear his name?

Mr. HENDERSON of Iowa. I heard it called, but did not answer in

time.

The SPEAKER. The gentleman understands the rule. If the gentleman

states that he was in the Hall of the House and failed to hear his

name, his vote will be recorded.

Mr. HENDERSON of Iowa. I was.

The vote of Mr. HENDERSON of Iowa was recorded.

Mr. PATTERSON of Tennessee. Mr. Speaker, I desire to vote.

The SPEAKER. Was the gentleman in the Hall, and did he fail to hear

his name called?

Mr. PATTERSON of Tennessee. Yes, sir.

The vote of Mr. PATTERSON of Tennessee was recorded.

Mr. DOLLIVER. Mr. Speaker, although paired I have voted to make a

quorum.

Mr. McKEIGHAN. Mr. Speaker, I was in the Hall and heard my name,

but did not vote because I did not understand the measure. If it is

in order I desire now to vote.

The SPEAKER. The Chair can not entertain the gentleman's request

under the rule.

Mr. HUFF. Mr. Speaker, I voted to make a quorum. I am paired with

Mr. KRIBBS.

The SPEAKER. On this vote the yeas are 136 and the nays 3. No

quorum has voted.

The Confessions of a Caricaturist, Vol. 2 · 第 2 / 9 章