ORIGIN OF PAUL "PRY."

(By the Author.)

The idea of the character of Paul Pry was suggested by the following

anecdote, related to me several years ago, by a beloved friend:--An idle

old lady, living in a narrow street, had passed so much of her time in

watching the affairs of her neighbours, that she, at length, acquired

the power of distinguishing the sound of every knocker within hearing.

It happened that she fell ill, and was, for several days, confined to

her bed. Unable to observe in person what was going on without, she

stationed her maid at the window, as a substitute for the performance

of that duty. But Betty soon grew weary of the occupation: she became

careless in her reports--impatient and tetchy when reprimanded for her

negligence.

"Betty, what _are_ you thinking about? don't you hear a double

knock at No. 9? Who is it?"

"The first-floor lodger, Ma'am."

"Betty! Betty!--I declare I must give you warning. Why don't you tell me

what that knock is at No. 54!"

"Why, Lord! Ma'am, it is only the baker, with pies."

"_Pies_, Betty! what _can_ they want with pies at 54?--they

had pies yesterday!"

Of this very point I have availed myself. Let me add that Paul Pry

was never intended as the _representative of any one individual_, but

a class. Like the melancholy of Jaques, he is "compounded of many

_Simples_;" and I _could_ mention five or six who were unconscious

contributors to the character.--That it should have been so often,

though erroneously, supposed to have been drawn after some particular

person, is, perhaps, complimentary to the general truth of the

delineation.

With respect to the play, generally, I may say that it is original: it

is original in structure, plot, character, and dialogue--such as they

are. The only imitation I am aware of is to be found in part of the

business in which Mrs. Subtle is engaged: whilst writing those scenes

I had strongly in my recollection _Le Vieux Celibataire_. But even

the little I have adopted is considerably altered and modified by the

necessity of adapting it to the exigencies of a different plot.--_New

Monthly Magazine_.

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The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 479, March 5, 1831 · 第 20 / 41 题