THE AVENGER OF PERDÓNDARIS

I was rowing on the Thames not many days after my return from the Yann

and drifting eastwards with the fall of the tide away from Westminster

Bridge, near which I had hired my boat. All kinds of things were on

the water with me--sticks drifting, and huge boats--and I was

watching, so absorbed the traffic of that great river that I did not

notice I had come to the City until I looked up and saw that part of

the Embankment that is nearest to Go-by Street. And then I suddenly

wondered what befell Singanee, for there was a stillness about his

ivory palace when I passed it by, which made me think that he had not

then returned. And though I had seen him go forth with his terrific

spear, and mighty elephant-hunter though he was, yet his was a fearful

quest for I knew that it was none other than to avenge Perdóndaris by

slaying that monster with the single tusk who had overthrown it

suddenly in a day. So I tied up my boat as soon as I came to some

steps, and landed and left the Embankment, and about the third street

I came to I began to look for the opening of Go-by Street; it is very

narrow, you hardly notice it at first, but there it was, and soon I

was in the old man's shop. But a young man leaned over the counter.

He had no information to give me about the old man--he was sufficient

in himself. As to the little old door in the back of the shop, "We

know nothing about that, sir." So I had to talk to him and humour

him. He had for sale on the counter an instrument for picking up a

lump of sugar in a new way. He was pleased when I looked at it and he

began to praise it. I asked him what was the use of it, and he said

that it was of no use but that it had only been invented a week ago

and was quite new and was made of real silver and was being very much

bought. But all the while I was straying towards the back of the

shop. When I enquired about the idols there he said that they were

some of the season's novelties and were a choice selection of mascots;

and while I made a pretence of selecting one I suddenly saw the

wonderful old door. I was through it at once and the young

shop-keeper after me. No one was more surprised than he when he saw

the street of grass and the purple flowers on it; he ran across in his

frock-coat on to the opposite pavement and only just stopped in time,

for the world ended there. Looking downward over the pavement's edge

he saw, instead of accustomed kitchen-windows, white clouds and a

wide, blue sky. I led him to the old back door of the shop, looking

pale and in need of air, and pushed him lightly and he went limply

through, for I thought the air was better for him on the side of the

street that he knew. As soon as the door was shut on that astonished

man I turned to the right and went along the street till I saw the

gardens and the cottages, and a little red patch moving in a garden,

which I knew to be the old witch wearing her shawl.

"Come for a change of illusion again?" she said.

"I have come from London," I said. "And I want to see Singanee. I

want to go to his ivory palace over the elfin mountains where the

amethyst precipice is."

"Nothing like changing your illusions," she said, "or you grow tired.

London's a fine place but one wants to see the elfin mountains

sometimes."

"Then you know London?" I said.

"Of course I do," she said. "I can dream as well as you. You are not

the only person that can imagine London." Men were toiling dreadfully

in her garden; it was in the heat of the day and they were digging

with spades; she suddenly turned from me to beat one of them over the

back with a long black stick that she carried. "Even my poets go to

London sometimes," she said to me.

"Why did you beat that man?" I said.

"To make him work," she answered.

"But he is tired," I said.

"Of course he is," said she.

And I looked and saw that the earth was difficult and dry and that

every spadeful that the tired men lifted was full of pearls; but some

men sat quite still and watched the butterflies that flitted about the

garden and the old witch did not beat them with her stick. And when I

asked her who the diggers were she said, "These are my poets, they are

digging for pearls." And when I asked her what so many pearls were

for she said to me: "To feed the pigs of course."

"But do the pigs like pearls?" I said to her.

"Of course they don't," she said. And I would have pressed the matter

further but the old black cat had come out of the cottage and was

looking at me whimsically and saying nothing so that I knew I was

asking silly questions. And I asked instead why some of the poets

were idle and were watching butterflies without being beaten. And she

said: "The butterflies know where the pearls are hidden and they are

waiting for one to alight above the buried treasure. They cannot dig

until they know where to dig." And all of a sudden a faun came out of

a rhododendron forest and began to dance upon a disk of bronze in

which a fountain was set; and the sound of his two hooves dancing on

the bronze was beautiful as bells.

"Tea-bell," said the witch; and all the poets threw down their spades

and followed her into the house, and I followed them; but the witch

and all of us followed the black cat, who arched his back and lifted

his tail and walked along the garden-path of blue enamelled tiles and

through the black-thatched porch and the open, oaken door and into a

little room where tea was ready. And in the garden the flowers began

to sing and the fountain tinkled on the disk of bronze. And I learned

that the fountain came from an otherwise unknown sea, and sometimes it

threw gilded fragments up from the wrecks of unheard-of galleons,

foundered in storms of some sea that was nowhere in the world; or

battered to bits in wars waged with we know not whom. Some said that

it was salt because of the sea and others that it was salt with

mariners' tears. And some of the poets took large flowers out of

vases and threw their petals all about the room, and others talked two

at a time and other sang. "Why they are only children after all," I

said.

"Only children!" repeated the old witch who was pouring out cowslip

wine.

_"Only_ children," said the old black cat. And every one laughed at

me.

"I sincerely apologize," I said. "I did not mean to say it. I did

not intend to insult any one."

"Why he knows nothing at all," said the old black cat. And everybody

laughed till the poets were put to bed.

And then I took one look at the fields we know, and turned to the

other window that looks on the elfin mountains. And the evening

looked like a sapphire. And I saw my way though the fields were

growing dim, and when I found it I went downstairs and through the

witch's parlour, and out of doors and came that night to the palace of

Singanee.

Lights glittered through every crystal slab--and all were

uncurtained--in the palace of ivory. The sounds were those of a

triumphant dance. Very haunting indeed was the booming of a bassoon,

and like the dangerous advance of some galloping beast were the blows

wielded by a powerful man on the huge, sonourous drum. It seemed to

me as I listened that the contest of Singanee with the more than

elephantine destroyer of Perdóndaris had already been set to music.

And as I walked in the dark along the amethyst precipice I suddenly

saw across it a curved white bridge. It was one ivory tusk. And I

knew it for the triumph of Singanee. I knew at once that this curved

mass of ivory that had been dragged by ropes to bridge the abyss was

the twin of the ivory gate that once Perdóndaris had, and had itself

been the destruction of that once famous city--towers and walls and

people. Already men had begun to hollow it and to carve human figures

life-size along its sides. I walked across it; and half way across,

at the bottom of the curve, I met a few of the carvers fast asleep. On

the opposite cliff by the palace lay the thickest end of the tusk and

I came down a ladder which leaned against the tusk for they had not

yet carved steps.

Outside the ivory palace it was as I had supposed and the sentry at

the gate slept heavily; and though I asked of him permission to enter

the palace he only muttered a blessing on Singanee and fell asleep

again. It was evident that he had been drinking bak. Inside the ivory

hall I met with servitors who told me that any stranger was welcome

there that night, because they extolled the triumph of Singanee. And

they offered me bak to drink to commemorate the splendour but I did

not know its power nor whether a little or much prevailed over a man

so I said that I was under an oath to a god to drink nothing

beautiful; and they asked me if he could not be appeased by a prayer,

and I said, "In nowise," and went towards the dance; and they

commiserated me and abused that god bitterly, thinking to please me

thereby, and then they fell to drinking bak to the glory of Singanee.

Outside the curtains that hung before the dance there stood a

chamberlain and when I told him that though a stranger there, yet I

was well known to Mung and Sish and Kib, the gods of Pegana, whose

signs I made, he bade me ample welcome. Therefore I questioned him

about my clothes asking if they were not unsuitable to so august an

occasion and he swore by the spear that had slain the destroyer of

Perdóndaris that Singanee would think it a shameful thing that any

stranger not unknown to the gods should enter the dancing hall

unsuitably clad; and therefore he led me to another room and took

silken robes out of an old sea-chest of black and seamy oak with green

copper hasps that were set with a few pale sapphires, and requested me

to choose a suitable robe. And I chose a bright green robe, with an

under-robe of light blue which was seen here and there, and a light

blue sword-belt. I also wore a cloak that was dark purple with two

thin strips of dark-blue along the border and a row of large dark

sapphires sewn along the purple between them; it hung down from my

shoulders behind me. Nor would the chamberlain of Singanee let me

take any less than this, for he said that not even a stranger, on that

night, could be allowed to stand in the way of his master's

munificence which he was pleased to exercise in honour of his victory.

As soon as I was attired we went to the dancing hall and the first

thing that I saw in that tall, scintillant chamber was the huge form

of Singanee standing among the dancers and the heads of the men no

higher than his waist. Bare were the huge arms that had held the

spear that had avenged Perdóndaris. The chamberlain led me to him and

I bowed, and said that I gave thanks to the gods to whom he looked for

protection; and he said that he had heard my gods well spoken of by

those accustomed to pray but this he said only of courtesy, for he

knew not whom they were.

Singanee was simply dressed and only wore on his head a plain gold

band to keep his hair from falling over his forehead, the ends of the

gold were tied in the back with a bow of purple silk. But all his

queens wore crowns of great magnificence, though whether they were

crowned as the queens of Singanee or whether queens were attracted

there from the thrones of distant lands by the wonder of him and the

splendour I did not know.

All there wore silken robes of brilliant colours and the feet of all

were bare and very shapely for the custom of boots was unknown in

those regions. And when they saw that my big toes were deformed in

the manner of Europeans, turning inwards towards the others instead of

being straight, one or two asked sympathetically if an accident had

befallen me. And rather than tell them truly that deforming out big

toes was our custom and our pleasure I told them that I was under the

curse of a malignant god at whose feet I had neglected to offer

berries in infancy. And to some extent I justified myself, for

Convention is a god though his ways are evil; and had I told them the

truth I would not have been understood. They gave me a lady to dance

with who was of marvellous beauty, she told me that her name was

Saranoora, a princess from the North, who had been sent as tribute to

the palace of Singanee. And partly she danced as Europeans dance and

partly as the fairies of the waste who lure, as legend has it, lost

travellers to their doom. And if I could get thirty heathen men out of

fantastic lands, with their long black hair and little elfin eyes and

instruments of music even unknown to Nebuchadnezzar the King; and if I

could make them play those tunes that I heard in the ivory palace on

some lawn, gentle reader, at evening near your house then you would

understand the beauty of Saranoora and the blaze of light and colour

in that stupendous hall and the lithesome movement of those mysterious

queens that danced round Singanee. Then gentle reader you would be

gentle no more but the thoughts that run like leopards over the far

free lands would come leaping into your head even were it London, yes,

even in London: you would rise up then and beat your hands on the wall

with its pretty pattern of flowers, in the hope that the bricks might

break and reveal the way to that palace of ivory by the amethyst gulf

where the golden dragons are. For there have been men who have burned

prisons down that the prisoners might escape, and even such

incendiaries those dark musicians are who dangerously burn down custom

that the pining thoughts may go free. Let your elders have no fear,

have no fear. I will not play those tunes in any streets we know. I

will not bring those strange musicians here, I will only whisper the

way to the Lands of Dream, and only a few frail feet shall find the

way, and I shall dream alone of the beauty of Saranoora and sometimes

sigh. We danced on and on at the will of the thirty musicians, but

when the stars were paling and the wind that knew the dawn was

ruffling up the edge of the skirts of night, then Saranoora the

princess of the North led me out into a garden. Dark groves of trees

were there which filled the night with perfume and guarded night's

mysteries from the arising dawn. There floated over us, wandering in

that garden, the triumphant melody of those dark musicians, whose

origin was unguessed even by those that dwelt there and knew the Lands

of Dream. For only a moment once sang the tolulu-bird, for the

festival of that night had scared him and he was silent. For only a

moment once we heard him singing in some far grove because the

musicians rested and our bare feet made no sound; for a moment we

heard that bird of which once our nightingale dreamed and handed on

the tradition to his children. And Saranoora told me that they have

named the bird the Sister of Song; but for the musicians, who

presently played again, she said they had no name, for no one knew who

they were or from what country. Then some one sang quite near us in

the darkness to an instrument of strings telling of Singanee and his

battle against the monster. And soon we saw him sitting on the ground

and singing to the night of that spear-thrust that had found the

thumping heart of the destroyer of Perdóndaris; and we stopped awhile

and asked him who had seen so memorable a struggle and he answered

none but Singanee and he whose tusk had scattered Perdóndaris, and now

the last was dead. And when we asked him if Singanee had told him of

the struggle he said that that proud hunter would say no word about it

and that therefore his mighty deed was given to the poets and become

their trust forever, and he struck again his instrument of strings and

sang on.

When the strings of pearls that hung down from her neck began to gleam

all over Saranoora I knew that dawn was near and that that memorable

night was all but gone. And at last we left the garden and came to

the abyss to see the sunrise shine on the amethyst cliff. And at first

it lit up the beauty of Saranoora and then it topped the world and

blazed upon those cliffs of amethyst until it dazzled our eyes, and we

turned from it and saw the workman going out along the tusk to hollow

it and to carve a balustrade of fair professional figures. And those

who had drunken bak began to awake and to open their dazzled eyes at

the amethyst precipice and to rub them and turn them away. And now

those wonderful kingdoms of song that the dark musicians established

all night by magical chords dropped back again to the sway of that

ancient silence who ruled before the gods, and the musicians wrapped

their cloaks about them and covered up their marvellous instruments

and stole away to the plains; and no one dared ask them whither they

went or why they dwelt there, or what god they served. And the dance

stopped and all the queens departed. And then the female slave came

out again by a door and emptied her basket of sapphires down the abyss

as I saw her do before. Beautiful Saranoora said that those great

queens would never wear their sapphires more than once and that every

day at noon a merchant from the mountains sold new ones for that

evening. Yet I suspected that something more than extravagance lay at

the back of that seemingly wasteful act of tossing sapphires into an

abyss, for there were in the depths of it those two dragons of gold of

whom nothing seemed to be known. And I thought, and I think so still,

that Singanee, terrific though he was in war with the elephants, from

whose tusks he had built his palace, well knew and even feared those

dragons in the abyss, and perhaps valued those priceless jewels less

than he valued his queens, and that he to whom so many lands paid

beautiful tribute out of their dread of his spear, himself paid

tribute to the golden dragons. Whether those dragons had wings I could

not see; nor, if they had, could I tell if they could bear that weight

of solid gold from the abyss; nor by what paths they could crawl from

it did I know. And I know not what use to a golden dragon should

sapphires be or a queen. Only it seemed strange to me that so much

wealth of jewels should be thrown by command of a man who had nothing

to fear--to fall flashing and changing their colours at dawn into an

abyss.

I do not know how long we lingered there watching the sunrise on those

miles of amethyst. And it is strange that that great and famous

wonder did not move me more than it did, but my mind was dazzled by

the fame of it and my eyes were actually dazzled by the blaze, and as

often happens I thought more of little things and remember watching

the daylight in the solitary sapphire that Saranoora had and that she

wore upon her finger in a ring. Then, the dawn wind being all about

her, she said that she was cold and turned back into the ivory palace.

And I feared that we might never meet again, for time moves

differently over the Lands of Dream than over the fields we know; like

ocean-currents going different ways and bearing drifting ships. And

at the doorway of the ivory palace I turned to say farewell and yet I

found no words that were suitable to say. And often now when I stand

in other lands I stop and think of many things to have said; yet all I

said was "Perhaps we shall meet again." And she said that it was

likely that we should often meet for that this was a little thing for

the gods to permit not knowing that the gods of the Lands of Dream

have little power upon the fields we know. Then she went in through

the doorway. And having exchanged for my own clothes again the raiment

that the chamberlain had given me I turned from the hospitality of

mighty Singanee and set my face towards the fields we know. I crossed

that enormous tusk that had been the end of Perdóndaris and met the

artists carving it as I went; and some by way of greeting as I passed

extolled Singanee, and in answer I gave honour to his name. Daylight

had not yet penetrated wholly to the bottom of the abyss but the

darkness was giving place to a purple haze and I could faintly see one

golden dragon there. Then looking once towards the ivory palace, and

seeing no one at the windows, I turned sorrowfully away, and going by

the way that I knew passed through the gap in the mountains and down

their slopes till I came again in sight of the witch's cottage. And

as I went to the upper window to look for the fields we know, the

witch spoke to me; but I was cross, as one newly waked from sleep, and

I would not answer her. Then the cat questioned me as to whom I had

met, and I answered him that in the fields we know cats kept their

place and did not speak to man. And then I came downstairs and walked

straight out of the door, heading for Go-by Street. "You are going

the wrong way," the witch called through the window; and indeed I had

no sooner gone back to the ivory palace again, but I had no right to

trespass any further on the hospitality of Singanee and one cannot

stay always in the Lands of Dream, and what knowledge had that old

witch of the call of the fields we know or the little though many

snares that bind our feet therein? So I paid no heed to her, but kept

on, and came to Go-by Street. I saw the house with the green door

some way up the street but thinking that the near end of the street

was closer to the Embankment where I had left my boat I tried the

first door I came to, a cottage thatched like the rest, with little

golden spires along the roof-ridge, and strange birds sitting there

and preening marvellous feathers. The door opened, and to my surprise

I found myself in what seemed like a shepherd's cottage; a man who was

sitting on a log of wood in a little low dark room said something to

me in an alien language. I muttered something and hurried through to

the street. The house was thatched in front as well as behind. There

were not golden spires in front, no marvellous birds; but there was no

pavement. There was a row of houses, byres, and barns but no other

sign of a town. Far off I saw one or two little villages. Yet there

was the river--and no doubt the Thames, for it was the width of the

Thames and had the curves of it, if you can imagine the Thames in that

particular spot without a city around it, without any bridges, and the

Embankment fallen in. I saw that there had happened to me permanently

and in the light of day some such thing as happens to a man, but to a

child more often, when he awakes before morning in some strange room

and sees a high, grey window where the door ought to be and unfamiliar

objects in wrong places and though knowing where he is yet knows not

how it can be that the place should look like that.

A flock of sheep came by me presently looking the same as ever, but

the man who led them had a wild, strange look. I spoke to him and he

did not understand me. Then I went down to the river to see if my

boat was there and at the very spot where I had left it, in the mud

(for the tide was low) I saw a half-buried piece of blackened wood

that might have been part of a boat, but I could not tell. I began to

feel that I had missed the world. It would be a strange thing to

travel from far away to see London and not be able to find it among

all the roads that lead there, but I seemed to have travelled in Time

and to have missed it among the centuries. And when as I wandered

over the grassy hills I came on a wattled shrine that was thatched

with straw and saw a lion in it more worn with time than even the

Sphinx at Gizeh and when I knew it for one of the four in Trafalgar

Square then I saw that I was stranded far away in the future with many

centuries of treacherous years between me and anything that I had

known. And then I sat on the grass by the worn paws of the lion to

think out what to do. And I decided to go back through Go-by Street

and, since there was nothing left to keep me any more to the fields we

know, to offer myself as a servant in the palace of Singanee, and to

see again the face of Saranoora and those famous, wonderful,

amethystine dawns upon the abyss where the golden dragons play. And I

stayed no longer to look for remains of the ruins of London; for there

is little pleasure in seeing wonderful things if there is no one at

all to hear of them and to wonder. So I returned at once to Go-by

Street, the little row of huts, and saw no other record that London

had been except that one stone lion. I went to the right house this

time. It was very much altered and more like one of those huts that

one sees on Salisbury plain than a shop in the city of London, but I

found it by counting the houses in the street for it was still a row

of houses though pavement and city were gone. And it was still a shop.

A very different shop to the one I knew, but things were for sale

there--shepherd's crooks, food, and rude axes. And a man with long

hair was there who was clad in skins. I did not speak to him for I did

not know his language. He said to me something that sounded like

"Everkike." It conveyed no meaning to me; but when he looked towards

one of his buns, light suddenly dawned in my mind, and I knew that

England was even England still and that still she was not conquered,

and that though they had tired of London they still held to their

land; for the words that the man had said were, "Av er kike," and then

I knew that that very language that was carried to distant lands by

the old, triumphant cockney was spoken still in his birthplace and

that neither his politics nor his enemies had destroyed him after all

these thousand years. I had always disliked the Cockney dialect--and

with the arrogance of the Irishman who hears from rich and poor the

English of the splendour of Elizabeth; and yet when I heard those

words my eyes felt sore as with impending tears--it should be

remembered how far away I was. I think I was silent for a little

while. Suddenly I saw that the man who kept the shop was asleep.

That habit was strangely like the ways of a man who if he were then

alive would be (if I could judge from the time-worn look of the lion)

over a thousand years old. But then how old was I? It is perfectly

clear that Time moves over the Lands of Dream swifter or slower than

over the fields we know. For the dead, and the long dead, live again

in our dreams; and a dreamer passes through the events of days in a

single moment of the Town-Hall's clock. Yet logic did not aid me and

my mind was puzzled. While the old man slept--and strangely like in

face he was to the old man who had shown me first the little, old

backdoor--I went to the far end of his wattled shop. There was a door

of a sort on leather hinges. I pushed it open and there I was again

under the notice-board at the back of the shop, at least the back of

Go-by Street had not changed. Fantastic and remote though this grass

street was with its purple flowers and the golden spires, and the

world ending at its opposite pavement, yet I breathed more happily to

see something again that I had seen before. I thought I had lost

forever the world I knew, and now that I was at the back of Go-by

Street again I felt the loss less than when I was standing where

familiar things ought to be; and I turned my mind to what was left me

in the vast Lands of Dream and thought of Saranoora. And when I saw

the cottages again I felt less lonely even at the thought of the cat

though he generally laughed at the things I said. And the first thing

that I saw when I saw the witch was that I had lost the world and was

going back for the rest of my days to the palace of Singanee. And the

first thing that she said was: "Why! You've been through the wrong

door," quite kindly for she saw how unhappy I looked. And I said,

"Yes, but it's all the same street. The whole street's altered and

London's gone and the people I used to know and the houses I used to

rest in, and everything; and I'm tired."

"What did you want to go through the wrong door for?" she said.

"O, that made no difference," I said.

"O, didn't it?" she said in a contradictory way.

"Well I wanted to get to the near end of the street so as to find my

boat quickly by the Embankment. And now my boat, and the Embankment

and--and----."

"Some people are always in such a hurry," said the old black cat. And

I felt too unhappy to be angry and I said nothing more.

And the old witch said, "Now which way do you want to go?" and she was

talking rather like a nurse to a small child. And I said, "I have

nowhere to go."

And she said, "Would you rather go home or go to the ivory palace of

Singanee." And I said, "I've got a headache, and I don't want to go

anywhere, and I'm tired of the Lands of Dream."

"Then suppose you try going in through the right door," she said.

"That's no good," I said. "Everyone's dead and gone, and they're

selling buns there."

"What do you know about Time?" she said.

"Nothing," answered the old, black cat, though nobody spoke to him.

"Run along," said the old witch.

So I turned and trudged away to Go-by Street again. I was very tired.

"What does he know about anything?" said the old black cat behind me.

I knew what he was going to say next. He waited a moment and then

said, "Nothing." When I looked over my shoulder he was strutting back

to the cottage. And when I got to Go-by Street I listlessly opened

the door through which I had just now come. I saw no use in doing it,

I just did wearily as I was told. And the moment I got inside I saw

it was just the same as of old, and the sleepy old man was there who

sold idols. And I bought a vulgar thing that I did not want, for the

sheer joy of seeing accustomed things. And when I turned from Go-by

Street which was just the same as ever, the first thing that I saw was

a taximeter running into a hansom cab. And I took off my hat and

cheered. And I went to the Embankment and there was my boat, and the

stately river full of dirty, accustomed things. And I rowed back and

bought a penny paper, (I had been away it seemed for one day) and I

read it from cover to cover--patent remedies for incurable illnesses

and all--and I determined to walk, as soon as I was rested, in all the

streets that I knew and to call on all the people that I had ever met,

and to be content for long with the fields we know.

Tales of Three Hemispheres · 第 18 / 19 题