CHAPTER XXVI.

LOST FAITH.

“For your own sake, if not for mine, Robert, do not begin drinking the

first thing in the morning,” Cherokee pleaded.

“I must, I must; my nerves are all shattered. I will stop when I have

won the laurels of art,” and he poured the fiery poison into the

sugared glass.

“Does Marrion know breakfast is waiting?” he asked.

“I suppose not.” Cherokee felt her voice trembling, she was almost

certain he had gone; there was a dreariness about the place, an utter

loneliness, that made her feel that she would not hear his voice that

morning.

Robert touched the bell, and when the servant answered, he bade her:

“Tell Mr. Latham breakfast is ready.”

“Mr. Latham went away in the night,” the servant answered. “I suppose

he won’t be back soon, as he took a grip with him.”

In sudden temper Robert cried: “You don’t mean it, has he gone home?”

“I don’t know, sir, he went towards the station about a half hour

before the New York train was due.”

“That will do, leave us,” he ordered the maid.

“Now, Cherokee, tell me why Marrion has left me?”

“Mr. Latham may prefer to make his own excuse,” she answered, quietly.

“Never mind that assumed dignity; I know the reason as well as you

could tell me. This letter I found on the studio floor gives the

villain away,” and thrusting it at her, he demanded: “Read it aloud.”

She nervously unfolded it and read:

“MY DEAR LATHAM:

I presume you know I too was painting the ‘Athlete.’ My model is a

failure, a disappointment. Come to New York at once, and pose for

me at your own price.

Yours, anxiously,

WILLARD FROST.”

When she finished the letter she could not find a suitable answer, so

she did not answer at all. Robert did not like silence, he liked to

have things explained, cleared up.

He looked at his wife with grave severity, and demanded:

“You knew this was what called him away.”

“I did not,” was her truthful and emphatic reply.

“Oh, God!” in a frenzy, “just to think how I trusted him; his word and

honor were dear to my very soul; but now--now I hate him, I curse him;

if I ever prayed, I might pray that the train would be wrecked and dash

him to his eternal, just reward.”

“Robert, Robert!” the gentle voice pleaded, “hold him not guilty

without defense; he is still your friend.”

“Hush! tell me nothing. It is a plain case of villainy; he has been

bought off; he has robbed me of my future,” and Robert quit the table

and went at once to his room. The insanity of drink held festival in

his delirious brain.

The next few hours found him in a deplorable condition. The reaction

from his fit of inebriety had been a severe shock to his system, not

especially strong at best, and this, together with Marrion’s sudden

flight, preyed sharply on his mind, and he suffered a sort of nervous

prostration.

“My picture! my masterpiece is unfinished! it can never be finished

without him!” was the substance of his raving.

Never before had Cherokee seen such woe in his countenance. She knew

the painting was almost completed, and that he could finish it from the

picture he had of Marrion, taken purposely to aid him, even when the

model was there; but to mention anything so as to manage a way out of

the pit into which he imagined he had fallen merely infuriated him, and

did no good.

“Marrion must come back to me; send for him; tell him I cannot win

without him,” he cried, scarcely above a whisper, he was so weak. Never

before had the one desire of man’s life been strained through his face

and speech like this.

Cherokee was deeply moved, yet she could not understand how he could

charge Marrion with double-dealing and treachery, with conduct so

entirely at variance with the whole tenor of his gracious life. How

could he think that Willard Frost, that crafty, remorseless villain,

could purchase the manhood of Marrion Latham. If Robert had only known

how much that friend had suffered and borne for him, he would have

worshipped where he now condemned.

“Cherokee,” he called from the bed, “what am I to do?”

“Rest and then go to work; your picture is almost finished; it already

shows the touch of a master-hand, and it is perfect so far as you have

done. Marrion had other reasons for going away from us; believe me, he

will make it all right.”

She was ever gentle and tender toward him, and worked quietly, yet

constantly.

The task of reforming a man takes a great deal of time, more than a

life has to give, frequently, but she had been strengthened by the

promise from Marrion to aid her, though now she must bear it alone.

She looked in the glass, and in the depths of it she found not the face

that once smiled at her--ah! that other face, its wild-rose bloom had

faded; the lips that used to tremble as if with joy alive are thinner

now and they do not tremble; they are firm and somewhat sad. The hair

that used to slip from its confinement, and in golden torrents fall

about the wild-rose face, is somber-hued, and stays where it is pinned.

Ah! she knows what youth means to a woman, and that is denied her.

A Fool in Spots · 第 26 / 32 章