XIV.

The air of the drawing-room braced her like the rigour of a cold bath.

Her heartache loosened and lost itself in the long shiver of chilled

flesh.

The stone walls were clammy with the sweat of the thaw; they gave out a

sour, sickly smell. Grey smears of damp dulled the polished lid of the

piano.

They hadn't used the drawing-room since Papa died. It was so bright, so

heartlessly cheerful compared with the other rooms, you could see that

Mamma would think you unfeeling if you wanted to sit in it when Papa was

dead. She had told Catty not to light the fire and to keep the door shut,

for fear you should be tempted to sit in it and forget.

The piano. Under the lid the keys were stiffening with the damp. The

hammers were swelling, sticking together. She tried not to think of the

piano.

She turned her back on it and stood by the side window that looked out on

to the garden. Mamma's garden. It mouldered between the high walls

blackened by the thaw. On the grass-plot the snow had sunk to a thin

crust, black-pitted. The earth was a black ooze through ulcers of grey

snow.

She had a sudden terrifying sense of desolation.

Her mind clutched at this feeling and referred it to her father. It sent

out towards him, wherever he might be, a convulsive emotional cry.

"You were wrong. I do care. Can't you see that I can never be happy

again? Yet, if you could come back I would be happy. I wouldn't mind

your--your little funny ways."

It wasn't true. She _would_ mind them. If he were really there he would

know it wasn't true.

She turned and looked again at the piano. She went to it. She opened the

lid and sat down before it. Her fingers crept along the keyboard; they

flickered over the notes of the Sonata _Appassionata_, a ghostly, furtive

playing, without pressure, without sound.

And she was ashamed as if the piano were tempting her to some cruel,

abominable sin.

Mary Olivier: a Life · 第 204 / 378 题