VIII.

She lay beside her mother in the strange spare room.

She had got into bed straight from her undressing. On the other side of

the mattress she had seen her mother's kneeling body like a dwarfed thing

trailed there from the floor, and her hands propped up on the edge of the

eiderdown, ivory-white against the red and yellow pattern, and her

darling bird's head bowed to her finger-tips.

The wet eyelids had lifted and the drowned eyes had come to life again in

a brief glance of horror. Mamma had expected her to kneel down and pray.

In bed they had turned their backs on each other, and she had the feeling

that her mother shrank from her as from somebody unclean who had omitted

to wash herself with prayer. She wanted to take her mother in her arms

and hold her tight. But she couldn't. She couldn't.

Suddenly her throat began to jerk with a hysterical spasm. She thought:

"I wish I had died instead of Papa."

She forced back the jerk of her hysteria and lay still, listening to her

mother's sad, obstructed breathing and her soft, secret blowing of her

nose.

Presently these sounds became a meaningless rhythm and ceased. She was a

child, dreaming. She stood on the nursery staircase at Five Elms; the

coffin came round the turn and crushed her against the banisters; only

this time she was not afraid of it; she made herself wake because of

something that would happen next. The flagstones of the passage were hard

and cold to her naked feet; that was how you could tell you were awake.

The door of the Morfe drawing-room opened into Mamma's old bedroom at

Five Elms, and when she came to the foot of the bed she saw her father

standing there. He looked at her with a mocking, ironic animosity, so

that she knew he was alive. She thought:

"It's all right. I only dreamed he was dead. I shall tell Mamma."

When she really woke, two entities, two different and discordant

memories, came together with a shock.

Her mother was up and dressed. She leaned over her, tucking the blankets

round her shoulders and saying, "Lie still and go to sleep again, there's

a good girl."

Her memory cleared and settled, filtering, as the light filtered through

the drawn blinds. Mamma and she had slept together because Papa was dead.

Mary Olivier: a Life · 第 198 / 378 题