I.

They hated the piano. They had pushed it away against the dark outside

wall. Its strings were stiff with cold, and when the rain came its wooden

hammers swelled so that two notes struck together in the bass.

The piano-tuner made them move it to the inner wall in the large, bright

place that belonged to the cabinet. Mamma was annoyed because Mary had

taken the piano-tuner's part.

Mamma loved the cabinet. She couldn't bear to see it standing in the

piano's dark corner where the green Chinese bowls hardly showed behind

the black glimmer of the panes. The light fell full on the ragged, faded

silk of the piano, and on the long scar across its lid. It was like a

poor, shabby relation.

It stood there in the quiet room, with its lid shut, patient, reproachful,

waiting for you to come and play on it.

When Mary thought of the piano her heart beat faster, her fingers

twitched, the full, sensitive tips tingled and ached to play. When she

couldn't play she lay awake at night thinking of the music.

She was trying to learn the Sonato _Appassionata_, going through it bar

by bar, slowly and softly, so that nobody outside the room should hear

it. That was better than not playing it at all. But sometimes you would

forget, and as soon as you struck the loud chords in the first movement

Papa would come in and stop you. And the Sonata would go on sounding

inside you, trying to make you play it, giving you no peace.

Towards six o'clock she listened for his feet in the flagged passage.

When the front door slammed behind him she rushed to the piano. There

might be a whole hour before Roddy fetched him from the Buck Hotel. If

you could only reach the last movement, the two thundering chords, and

then--the _Presto_.

The music beat on the thick stone walls of the room and was beaten back,

its fine, live throbbing blunted by overtones of discord. You longed to

open all the doors and windows of the house, to push back the stone walls

and let it out.

Terrible minutes to six when Mamma's face watched and listened, when she

knew what you were thinking. You kept on looking at the clock, you

wondered whether this time Papa would really go. You hoped--

Mamma's eyes hurt you. They said, "She doesn't care what becomes of him

so long as she can play."

Mary Olivier: a Life · 第 190 / 378 题