I.

Jenny was cross and tugged at your hair when she dressed you to go to

Chadwell Grange.

"Jenny-Wee, Mamma says if I'm not good Aunt Bella will be ill. Do you

think it's really true?"

Jenny tugged. "I'd thank you for some of your Aunt Bella's illness,"

she said.

"I mean," Mary said, "like Papa was in the night. Every time I get

'cited and jump about I think she'll open her mouth and begin."

"Well, if she was to you'd oughter be sorry for her."

"I _am_ sorry for her. But I'm frightened too."

"That's not being good," said Jenny. But she left off tugging.

Somehow you knew she was pleased to think you were not really good at

Aunt Bella's, where Mrs. Fisher dressed and undressed you and you were

allowed to talk to Pidgeon.

Roddy and Dank said you ought to hate Uncle Edward and Pidgeon and Mrs.

Fisher, and not to like Aunt Bella very much, even if she was Mamma's

sister. Mamma didn't really like Uncle Edward; she only pretended

because of Aunt Bella.

Uncle Edward had an ugly nose and a yellow face widened by his black

whiskers; his mouth stretched from one whisker to the other, and his

black hair curled in large tufts above his ears. But he had no beard;

you could see the whole of his mouth at once; and when Aunt Bella came

into the room his little blue eyes looked up off the side of his nose

and he smiled at her between his tufts of hair. It was dreadful to

think that Mark and Dank and Roddy didn't like him. It might hurt him

so much that he would never be happy again.

About Pidgeon she was not quite sure. Pidgeon was very ugly. He had

long stiff legs, and a long stiff face finished off with a fringe of

red whiskers that went on under his chin. Still, it was not nice to

think of Pidgeon being unhappy either. But Mrs. Fisher was large and

rather like Aunt Bella, only softer and more bulging. Her round face

had a high red polish on it always, and when she saw you coming her

eyes twinkled, and her red forehead and her big cheeks and her mouth

smiled all together a fat, simmering smile. When you got to the black

and white marble tiles you saw her waiting for you at the foot of the

stairs.

She wanted to ask Mrs. Fisher if it was true that Aunt Bella would be

ill if she were naughty; but a squeezing and dragging came under her

waist whenever she thought about it, and that made her shy and ashamed.

It went when they left her to play by herself on the lawn in front of

the house.

Aunt Bella's house was enormous. Two long rows of windows stared out at

you, their dark green storm shutters folded back on the yellow brick

walls. A third row of little squeezed-up windows and little squeezed-up

shutters blinked in the narrow space under the roof. All summer a sweet

smell came from that side of the house where cream-coloured roses hung

on the yellow walls between the green shutters. There was a cedar tree

on the lawn and a sun-dial and a stone fountain. Goldfish swam in the

clear greenish water. The flowers in the round beds were stiff and

shining, as if they had been cut out of tin and freshly painted. When

you thought of Aunt Bella's garden you saw calceolarias, brown velvet

purses with yellow spots.

She could always get away from Aunt Bella by going down the dark walk

between the yew hedge and the window of Mrs. Fisher's room, and through

the stable-yard into the plantation. The cocks and hens had their black

timber house there in the clearing, and Ponto, the Newfoundland, lived

all by himself in his kennel under the little ragged fir trees.

When Ponto saw her coming he danced on his hind legs and strained at

his chain and called to her with his loud, barking howl. He played with

her, crawling on his stomach, crouching, raising first one big paw and

then the other. She put out her foot, and he caught it and held it

between his big paws, and looked at it with his head on one side,

smiling. She squealed with delight, and Ponto barked again.

The stable bell would ring while they played in the plantation, and

Uncle Edward or Pidgeon or Mrs. Fisher would come out and find her and

take her back into the house. Ponto lifted up his head and howled after

her as she went.

At lunch Mary sat quivering between Mamma and Aunt Bella. The squeezing

and dragging under her waist had begun again. There was a pattern of

green ivy round the dinner plates and a pattern of goats round the

silver napkin rings. She tried to fix her mind on the ivy and the goats

instead of looking at Aunt Bella to see whether she were going to be

ill. She _would_ be if you left mud in the hall on the black and white

marble tiles. Or if you took Ponto off the chain and let him get into

the house. Or if you spilled the gravy.

Aunt Bella's face was much pinker and richer and more important than

Mamma's face. She thought she wouldn't have minded quite so much if

Aunt Bella had been white and brown and pretty, like Mamma.

There--she had spilled the gravy.

Little knots came in Aunt Bella's pink forehead. Her face loosened and

swelled with a red flush; her mouth pouted and drew itself in again,

pulled out of shape by something that darted up the side of her nose

and made her blink.

Mary Olivier: a Life · 第 33 / 378 题