ACT I. SCENE 3.

#Page 13.# [Footnote 13: #se donner de l'importance#, _put on

airs_. She affects to attribute Charles's manner to the democratic

tendencies of the age.]

[Footnote 14: #tout à l'heure#, _by and by_, but also "just now."]

[Footnote 15: #courrier#, _mail_, here.]

#Page 5.#

[Footnote 16: #coup de tête#, _piece of rashness_.]

[Footnote 17: #Mon dieu#. Wherever _Dieu_ carries any suggestion of

deity, it will be printed with a capital. Where, as here, it corresponds

to "Dear me," "Oh dear," and the like, I have thought it more reverent

to print with _d_.]

#Page 6.#

[Footnote 18: #de qui tenir#, a parent _from whom to inherit it_.]

[Footnote 19: See p. 2, note 4.]

[Footnote 20: #manqué chavirer# (_capsize_), for the more usual

_manqué de chavirer_.]

[Footnote 21: #fête#, not "birthday" as with us, but _baptismal day_,

or day of her patron saint.]

[Footnote 22: #vous ira#, _will become you_.]

#Page 7.#

[Footnote 23: #vous#, _on you_. A colloquial use.]

[Footnote 24: #à vous toute seule#, i.e., without the rejuvenating

effect of my company. For the feminine ending of the adverb _toute_ see

any grammar.]

[Footnote 25: _I have no skill in that_. Ingenuously.]

[Footnote 26: _One really cannot be more considerate_, #pas# is

emphatic.]

#Page 8.#

[Footnote 27: #petite marquise!# _you little aristocrat!_]

[Footnote 28: #s'il est gai#, _isn't he light-hearted?_ or, _how

light-hearted he is!_]

[Footnote 29: #Cimarosa# (1740-1801), Italian composer, noted for the

graceful charm of his vocal music, especially in light opera.]

#Page 9.#

[Footnote 30: #bien né#, _of noble birth_, of aristocratic breeding.]

[Footnote 31: #bien de sa personne#, _pleasing in his appearance._]

[Footnote 32: #bonne compagnie#, _good breeding_, good society.]

[Footnote 33: #me mettent hors de moi#, _exasperate me_.]

[Footnote 34: #nous déconsidère#, _is humiliating_ or _derogatory to

us_.]

Bataille de dames · 第 3 / 34 章