From 'Grammar of Painting and Engraving'

In a wide, heavily wooded country, the sojourning-place of that

happiness sung by the poets, some peasants have discovered a tomb hidden

by a thicket of trees, and bearing this brief inscription: "Et in

Arcadia ego" (I too lived in Arcadia). These words, issuing from the

tomb, sadden their faces, and the smiles die upon their lips. A young

girl, carelessly leaning upon the shoulder of her lover, seems to

listen, mute and pensive, to this salutation from the dead. The thought

of death has also plunged into reverie a youth who leans over the tomb

with bowed head, while the oldest shepherd points out the inscription he

has just discovered. The landscape that completes this quiet picture

shows reddened leaves upon arid rocks; hillocks that melt in the vague

horizon, and in the distance, something ill-defined that resembles the

sea. The sublime in this painting is that which we cannot see; it is the

thought that hovers over it, the unexpected emotion that fills the soul

of the spectator, transported suddenly beyond the tomb into the

infinite unknown.

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Library of the World's Best Literature, Ancient and Modern — Volume 05 · 第 130 / 273 题