THE TEMPTATION OF THE CLAY

[Illustration: THE TEMPTATION OF THE CLAY]

I

Some men grow away from places, others grow into them: It is a curious

and delicate matter. Before now, a man has been thrown out by his own

property, yet his successor made immediately at home there. Once let

Imagination dwell upon this psychology of places and it will travel

very far. Here lies a great mystery, entangled with the mystery of life

itself, delicately baited, too. Only the utterly obtuse, one thinks,

can ignore the hint offered by Nature--that there is this very definite

relationship existing between places and human beings, and that the

aggressive attitude is not always chiefly upon the side of the latter.

So it is that there are spots of country--mere bits of scenery, a

valley, plain, or river bank, estate or even garden--that undeniably

bid a man stay, and welcome; or for no ascertainable reason reject

him, and make him anxious to leave. Campers, looking for a night’s

resting-place, know this well; and so may owners of estates and

houses,--campers on a larger scale, seeking to settle somewhere for the

few years of a life-time. Neither one nor other, however, one thinks,

unless he be a swift-minded poet with vivid divination, gets quite to

the root of the matter.

Very suggestive are the mysterious processes by which such results

are sometimes brought about, a certain pathos in them too. For the

rejected owner is usually of that hard intellectual type that is

utterly insensible to the fairy flails of Beauty, and seeks, therefore,

in vain through all his stores of logic for a reasonable cause and

effect; whereas the accepted one, exquisitely adjusted though he may

be to the seduction of the place that takes him in, yet is unable to

tell in words what really happens, or to express a tithe of that sweet

marvellous explanation that lies concealed within his heart. The one

denies it, the other makes wild, poetic guesses; but neither really

knows.

Dick Eliot understood something of the two points of view perhaps,

because he experienced both acceptance and rejection; and this story,

of how a place first welcomed him, then violently tossed him out

again, is as queer a case of such relationship as one may ever hear.

But, then, Dick Eliot combined in himself a measure of both types

of mind; he was intellectual, and knew that two and two make four,

but he was also mystical, and knew that they make five or nothing,

or a million--that everything is One, and One is everything. Neither

was, perhaps, very strong in him, because life had not provided the

opportunity for one or other’s exclusive development; but both existed

side by side in his general mental composition. And they resulted

in a level so delicately poised that the apparent balance yet had

instability at its roots.

* * * * *

Leaving England at twenty-two or three--there were misunderstandings

with his University, where in classics and philosophy he had promised

well; with his step-parents who regarded him as well lost; and in a

sense, that yet did not affect his honour, with his country’s law--he

had since met life in difficult, rough places. He had lived. All manner

of experiences had been his; he had known starvation in strange cities,

and had more than once been close to death--queer kinds of death. But,

also, he had been close to earth, and the earth had wonderfully taught

him. The results of this teaching, not recognised at the time, came out

later to puzzle and amaze him. For years he dwelt in the wilderness

with life reduced to its essentials--the big, crude, thundering facts

of it--so that he had come to regard scholarship, once so valued, as

over-rated, and action as the sole reality. The poetic, mystical side

of him passed into temporary abeyance. Worldly achievement and ambition

led him. This, however, was a mood of youth only, a reaction due to the

resentment of his exile, and to the grievance he cherished against the

academic conventions--so he deemed them--that had cut him off from his

inheritance.

At thirty, or thereabouts, he fell in love and married--a vigorous

personality of a woman with Red Indian in her blood, picked up in

some wild escapade along the frontiers of Arizona and New Mexico;

and, within six months of marriage, the death of an aunt had left him

unexpected master of this little gem of an estate in the south of

England where the following experience took place.

This impulsive action of an aunt whom he had seen but once, due to

her wish to spite the other claimants rather than to any pretended

love for himself, resulted in a radical change of life. He came home,

ignored by his relations, and ignoring them in turn. The former love

of books revived; the imaginative point of view re-asserted itself;

he saw life from another angle. Action, after all, was but a part of

it, another form of play. The mental life was the reality; he studied,

meditated, wrote. Once more the deep, poetic mystery of things lit all

his thoughts with wonder. Corrected by the hard experiences of his

early years, the philosopher and dreamer in him assumed the upper hand,

though the speculative dreams he indulged were more sanely regulated

than before. The imagination was now more finely tempered.

To look at, he was sometimes obviously forty-five, yet at others could

easily have passed for thirty:--a tall, lean figure of a man; spare,

as though the wilderness had taken that toll of him which no amount of

subsequent easy living could efface. To see him was to think of men

toiling in a hard, stern land where all things had to be conquered

and nothing yielded of itself, where, moreover, human life was cheap

and of small account. He was alert, always in training, cheeks thin,

neck sinewy, knees ready instantly to turn a horse by grip alone, the

reins unnecessary so that both hands were free to fight. The eyes were

keen and dark, moustache clipped very short and partly grizzled; deep

furrows marked the jaw and forehead; but the muscular hands were young,

the fling of the shoulders young, the toss and set of the big head

young as well. And he always dressed in riding breeches, with a strap

about the waist instead of braces. You might see him hitch them up as

he stepped back to leap the stream, or to take the pine knolls with a

run downhill.

Indeed, the imaginative side of him seemed almost incongruous; and that

such a figure could conceal a mystical, tenderly poetic side not one

man in a thousand need have guessed. But, in spite of these severer

traits, the character, you felt, was tender enough upon its under

side. It was merely that the control of the body and emotions acquired

in the wilds had never been unlearned, and that no amount of softer

living could let it be forgotten.

About the rather grim and over-silent mouth, for instance, there were

marks like the touches of a flower that sometimes made the sternness

seem a clumsy mask. An intuitive woman, or a child, must have found him

out at once.

Pan's garden · 第 78 / 130 题