SAND

[Illustration: SAND]

I

As Felix Henriot came through the streets that January night the fog

was stifling, but when he reached his little flat upon the top floor

there came a sound of wind. Wind was stirring about the world. It blew

against his windows, but at first so faintly that he hardly noticed it.

Then, with an abrupt rise and fall like a wailing voice that sought to

claim attention, it called him. He peered through the window into the

blurred darkness, listening.

There is no cry in the world like that of the homeless wind. A vague

excitement, scarcely to be analysed, ran through his blood. The curtain

of fog waved momentarily aside. Henriot fancied a star peeped down at

him.

‘It will change things a bit--at last,’ he sighed, settling back into

his chair. ‘It will bring movement!’

Already something in himself had changed. A restlessness, as of that

wandering wind, woke in his heart--the desire to be off and away. Other

things could rouse this wildness too: falling water, the singing of a

bird, an odour of wood-fire, a glimpse of winding road. But the cry

of wind, always searching, questioning, travelling the world’s great

routes, remained ever the master-touch. High longing took his mood in

hand. Mid seven millions he felt suddenly--lonely.

‘I will arise and go now, for always night and day

I hear lake water lapping with low sounds by the shore;

While I stand on the roadway, or on the pavements gray,

I hear it in the deep heart’s core.’

He murmured the words over softly to himself. The emotion that produced

Innisfree passed strongly through him. He too would be over the hills

and far away. He craved movement, change, adventure--somewhere far from

shops and crowds and motor-’busses. For a week the fog had stifled

London. This wind brought life.

Where should he go? Desire was long; his purse was short.

He glanced at his books, letters, newspapers. They had no interest

now. Instead he listened. The panorama of other journeys rolled in

colour through the little room, flying on one another’s heels. Henriot

enjoyed this remembered essence of his travels more than the travels

themselves. The crying wind brought so many voices, all of them

seductive:

There was a soft crashing of waves upon the Black Sea shores, where the

huge Caucasus beckoned in the sky beyond; a rustling in the umbrella

pines and cactus at Marseilles, whence magic steamers start about the

world like flying dreams. He heard the plash of fountains upon Mount

Ida’s slopes, and the whisper of the tamarisk on Marathon. It was

dawn once more upon the Ionian Sea, and he smelt the perfume of the

Cyclades. Blue-veiled islands melted in the sunshine, and across the

dewy lawns of Tempe, moistened by the spray of many water-falls, he

saw--Great Heavens above!--the dancing of white forms ... or was it

only mist the sunshine painted against Pelion?... ‘Methought, among

the lawns together, we wandered underneath the young grey dawn.

And multitudes of dense white fleecy clouds shepherded by the slow,

unwilling wind....’

And then, into his stuffy room, slipped the singing perfume of a

wall-flower on a ruined tower, and with it the sweetness of hot ivy. He

heard the ‘yellow bees in the ivy bloom.’ Wind whipped over the open

hills--this very wind that laboured drearily through the London fog.

And--he was caught. The darkness melted from the city. The fog whisked

off into an azure sky. The roar of traffic turned into booming of the

sea. There was a whistling among cordage, and the floor swayed to and

fro. He saw a sailor touch his cap and pocket the two-franc piece. The

syren hooted--ominous sound that had started him on many a journey of

adventure--and the roar of London became mere insignificant clatter of

a child’s toy carriages.

He loved that syren’s call; there was something deep and pitiless in

it. It drew the wanderers forth from cities everywhere: ‘Leave your

known world behind you, and come with me for better or for worse! The

anchor is up; it is too late to change. Only--beware! You shall know

curious things--and alone!’

Henriot stirred uneasily in his chair. He turned with sudden energy to

the shelf of guide-books, maps and time-tables--possessions he most

valued in the whole room. He was a happy-go-lucky, adventure-loving

soul, careless of common standards, athirst ever for the new and

strange.

‘That’s the best of having a cheap flat,’ he laughed, ‘and no ties in

the world. I can turn the key and disappear. No one cares or knows--no

one but the thieving caretaker. And he’s long ago found out that

there’s nothing here worth taking!’

There followed then no lengthy indecision. Preparation was even shorter

still. He was always ready for a move, and his sojourn in cities was

but breathing-space while he gathered pennies for further wanderings.

An enormous kit-bag--sack-shaped, very worn and dirty--emerged speedily

from the bottom of a cupboard in the wall. It was of limitless

capacity. The key and padlock rattled in its depths. Cigarette ashes

covered everything while he stuffed it full of ancient, indescribable

garments. And his voice, singing of those ‘yellow bees in the ivy

bloom,’ mingled with the crying of the rising wind about his windows.

His restlessness had disappeared by magic.

This time, however, there could be no haunted Pelion, nor shady groves

of Tempe, for he lived in sophisticated times when money markets

regulated movement sternly. Travelling was only for the rich; mere

wanderers must pig it. He remembered instead an opportune invitation

to the Desert. ‘Objective’ invitation, his genial hosts had called

it, knowing his hatred of convention. And Helouan danced into letters

of brilliance upon the inner map of his mind. For Egypt had ever held

his spirit in thrall, though as yet he had tried in vain to touch

the great buried soul of her. The excavators, the Egyptologists, the

archaeologists most of all, plastered her grey ancient face with labels

like hotel advertisements on travellers’ portmanteaux. They told where

she had come from last, but nothing of what she dreamed and thought

and loved. The heart of Egypt lay beneath the sand, and the trifling

robbery of little details that poked forth from tombs and temples

brought no true revelation of her stupendous spiritual splendour.

Henriot, in his youth, had searched and dived among what material he

could find, believing once--or half believing--that the ceremonial

of that ancient system veiled a weight of symbol that was reflected

from genuine supersensual knowledge. The rituals, now taken literally,

and so pityingly explained away, had once been genuine pathways of

approach. But never yet, and least of all in his previous visits to

Egypt itself, had he discovered one single person, worthy of speech,

who caught at his idea. ‘Curious,’ they said, then turned away--to go

on digging in the sand. Sand smothered her world to-day. Excavators

discovered skeletons. Museums everywhere stored them--grinning, literal

relics that told nothing.

But now, while he packed and sang, these hopes of enthusiastic younger

days stirred again--because the emotion that gave them birth was real

and true in him. Through the morning mists upon the Nile an old pyramid

bowed hugely at him across London roofs: ‘Come,’ he heard its awful

whisper beneath the ceiling, ‘I have things to show you, and to tell.’

He saw the flock of them sailing the Desert like weird grey solemn

ships that make no earthly port. And he imagined them as one: multiple

expressions of some single unearthly portent they adumbrated in mighty

form--dead symbols of some spiritual conception long vanished from the

world.

‘I mustn’t dream like this,’ he laughed, ‘or I shall get absent-minded

and pack fire-tongs instead of boots. It looks like a jumble sale

already!’

And he stood on a heap of things to wedge them down still tighter.

But the pictures would not cease. He saw the kites circling high in the

blue air. A couple of white vultures flapped lazily away over shining

miles. Felucca sails, like giant wings emerging from the ground, curved

towards him from the Nile. The palm-trees dropped long shadows over

Memphis. He felt the delicious, drenching heat, and the Khamasin, that

over-wind from Nubia, brushed his very cheeks. In the little gardens

the mish-mish was in bloom.... He smelt the Desert ... grey sepulchre

of cancelled cycles.... The stillness of her interminable reaches

dropped down upon old London....

The magic of the sand stole round him in its silent-footed tempest.

And while he struggled with that strange, capacious sack, the piles of

clothing ran into shapes of gleaming Bedouin faces; London garments

settled down with the mournful sound of camels’ feet, half dropping

wind, half water flowing underground--sound that old Time has brought

over into modern life and left a moment for our wonder and perhaps our

tears.

He rose at length with the excitement of some deep enchantment in his

eyes. The thought of Egypt plunged ever so deeply into him, carrying

him into depths where he found it difficult to breathe, so strangely

far away it seemed, yet indefinably familiar. He lost his way. A touch

or fear came with it.

‘A sack like that is the wonder of the world,’ he laughed again,

kicking the unwieldy, sausage-shaped monster into a corner of the

room, and sitting down to write the thrilling labels: ‘Felix Henriot,

Alexandria _via_ Marseilles.’ But his pen blotted the letters; there

was sand in it. He rewrote the words. Then he remembered a dozen things

he had left out. Impatiently, yet with confusion somewhere, he stuffed

them in. They ran away into shifting heaps; they disappeared; they

emerged suddenly again. It was like packing hot, dry, flowing sand.

From the pockets of a coat--he had worn it last summer down Dorset

way--out trickled sand. There was sand in his mind and thoughts.

And his dreams that night were full of winds, the old sad winds of

Egypt, and of moving, sifting sand. Arabs and Afreets danced amazingly

together across dunes he could never reach. For he could not follow

fast enough. Something infinitely older than these ever caught his

feet and held him back. A million tiny fingers stung and pricked him.

Something flung a veil before his eyes. Once it touched him--his face

and hands and neck. ‘Stay here with us,’ he heard a host of muffled

voices crying, but their sound was smothered, buried, rising through

the ground. A myriad throats were choked. Till, at last, with a

violent effort he turned and seized it. And then the thing he grasped

at slipped between his fingers and ran easily away. It had a grey and

yellow face, and it moved through all its parts. It flowed as water

flows, and yet was solid. It was centuries old.

He cried out to it. ‘Who are you? What is your name? I surely know you

... but I have forgotten...?’

And it stopped, turning from far away its great uncovered countenance

of nameless colouring. He caught a voice. It rolled and boomed and

whispered like the wind. And then he woke, with a curious shaking in

his heart, and a little touch of chilly perspiration on the skin.

But the voice seemed in the room still--close beside him:

‘I am the Sand,’ he heard, before it died away.

* * * * *

And next he realised that the glitter of Paris lay behind him, and a

steamer was taking him with much unnecessary motion across a sparkling

sea towards Alexandria. Gladly he saw the Riviera fade below the

horizon, with its hard bright sunshine, treacherous winds, and its

smear of rich, conventional English. All restlessness now had left him.

True vagabond still at forty, he only felt the unrest and discomfort

of life when caught in the network of routine and rigid streets, no

chance of breaking loose. He was off again at last, money scarce enough

indeed, but the joy of wandering expressing itself in happy emotions of

release. Every warning of calculation was stifled. He thought of the

American woman who walked out of her Long Island house one summer’s day

to look at a passing sail--and was gone eight years before she walked

in again. Eight years of roving travel! He had always felt respect and

admiration for that woman.

For Felix Henriot, with his admixture of foreign blood, was philosopher

as well as vagabond, a strong poetic and religious strain sometimes

breaking out through fissures in his complex nature. He had seen much

life; had read many books. The passionate desire of youth to solve the

world’s big riddles had given place to a resignation filled to the brim

with wonder. Anything _might_ be true. Nothing surprised him. The most

outlandish beliefs, for all he knew, might fringe truth somewhere. He

had escaped that cheap cynicism with which disappointed men soothe

their vanity when they realise that an intelligible explanation of the

universe lies beyond their powers. He no longer expected final answers.

For him, even the smallest journeys held the spice of some adventure;

all minutes were loaded with enticing potentialities. And they shaped

for themselves somehow a dramatic form. ‘It’s like a story,’ his

friends said when he told his travels. It always was a story.

But the adventure that lay waiting for him where the silent streets of

little Helouan kiss the great Desert’s lips, was of a different kind

to any Henriot had yet encountered. Looking back, he has often asked

himself, ‘How in the world can I accept it?’

And, perhaps, he never yet has accepted it. It was sand that brought

it. For the Desert, the stupendous thing that mothers little Helouan,

produced it.

Pan's garden · 第 59 / 130 题