THE RETURN

[Illustration: THE RETURN]

It was curious--that sense of dull uneasiness that came over him so

suddenly, so stealthily at first he scarcely noticed it, but with

such marked increase after a time that he presently got up and left

the theatre. His seat was on the gangway of the dress circle, and he

slipped out awkwardly in the middle of what seemed to be the best and

jolliest song of the piece. The full house was shaking with laughter;

so infectious was the gaiety that even strangers turned to one another

as much as to say: ‘Now, isn’t _that_ funny--?’

It was curious, too, the way the feeling first got into him at all,

here in the full swing or laughter, music, light-heartedness, for it

came as a vague suggestion: ‘I’ve forgotten something--something I

meant to do--something of importance. What in the world was it, now?’

And he thought hard, searching vainly through his mind; then dismissed

it as the dancing caught his attention. It came back a little later

again, during a passage of long-winded talk that bored him and set his

attention free once more, but came more strongly this time, insisting

on an answer. What could it have been that he had overlooked, left

undone, omitted to see to? It went on nibbling at the subconscious part

of him. Several times this happened, this dismissal and return, till

at last the thing declared itself more plainly--and he felt bothered,

troubled, distinctly uneasy.

He was wanted somewhere. There was somewhere else he ought to be. That

describes it best, perhaps. Some engagement of moment had entirely

slipped his memory--an engagement that involved another person, too.

But where, what, with whom? And, at length, this vague uneasiness

amounted to positive discomfort, so that he felt unable to enjoy

the piece--and left abruptly. Like a man to whom comes suddenly the

horrible idea that the match he lit his cigarette with and flung into

the waste-paper basket on leaving was not really out--a sort of panic

distress--he jumped into a taxi-cab and hurried to his flat: to find

everything in order, of course; no smoke, no fire, no smell of burning.

But his evening was spoilt. He sat smoking in his armchair at

home--this business man of forty, practical in mind, of character

some called stolid--cursing himself for an imaginative fool. It was

now too late to go back to the theatre; the club bored him; he spent

an hour with the evening papers, dipping into books, sipping a long

cool drink; doing odds and ends about the flat; ‘I’ll go to bed early

for a change,’ he laughed, but really all the time fighting--yes,

deliberately fighting--this strange attack of uneasiness that so

insidiously grew upwards, outwards from the buried depths of him that

sought so strenuously to deny it. It never occurred to him that he was

ill. He was _not_ ill. His health was thunderingly good. He was robust

as a coal-heaver.

The flat was roomy, high up on the top floor, yet in a busy part of

town, so that the roar of traffic mounted round it like a sea. Through

the open windows came the fresh night air of June. He had never

noticed before how sweet the London night air could be, and that not

all the smoke and dust could smother a certain touch of wild fragrance

that tinctured it with perfume--yes, almost perfume--as of the country.

He swallowed a draught of it as he stood there, staring out across the

tangled world of roofs and chimney-pots. He saw the procession of the

clouds; he saw the stars; he saw the moonlight falling in a shower of

silver spears upon the slates and wires and steeples. And something in

him quickened--something that had never stirred before.

He turned with a horrid start, for the uneasiness had of a sudden

leaped within him like an animal. There was some one in the flat.

Instantly, with action, even this slight action, the fancy vanished;

but, all the same, he switched on the electric lights and made a

search. For it seemed to him that some one had crept up close behind

him while he stood there watching the Night--some one, moreover,

whose silent presence fingered with unerring touch both this new

thing that had quickened in his heart and that sense of original deep

uneasiness. He was amazed at himself, angry; indignant that he could

be thus foolishly upset over nothing, yet at the same time profoundly

distressed at this vehement growth of a new thing in his well-ordered

personality. Growth? He dismissed the word the moment it occurred to

him. But it had occurred to him. It stayed. While he searched the

empty flat, the long passages, the gloomy bedroom at the end, the

little hall where he kept his overcoats and golf sticks--it stayed.

Growth! It was oddly disquieting. Growth, to him, involved--though he

neither acknowledged nor recognised the truth perhaps--some kind of

undesirable changeableness, instability, unbalance.

Yet, singular as it all was, he realised that the uneasiness and the

sudden appreciation of Beauty that was so new to him had both entered

by the same door into his being. When he came back to the front room he

noticed that he was perspiring. There were little drops of moisture on

his forehead. And down his spine ran positively chills--little, faint

quivers of cold. He was shivering.

He lit his big meerschaum pipe, and left the lights all burning. The

feeling that there was something he had overlooked, forgotten, left

undone, had vanished. Whatever the original cause of this absurd

uneasiness might be--he called it absurd on purpose, because he now

realised in the depths of him that it was really more vital than he

cared about--it was much nearer to discovery than before. It dodged

about just below the threshold of discovery. It was as close as that.

Any moment he would know what it was: he would remember. Yes, he would

_remember_. Meanwhile, he was in the right place. No desire to go

elsewhere afflicted him, as in the theatre. Here was the place, here in

the flat.

And then it was, with a kind of sudden burst and rush--it seemed to him

the only way to phrase it--memory gave up her dead.

At first he only caught her peeping round the corner at him, drawing

aside a corner of an enormous curtain, as it were; striving for more

complete entrance as though the mass of it were difficult to move.

But he understood; he knew; he recognised. It was enough for that. An

entrance into his being--heart, mind, soul--was being attempted, and

the entrance, because of his stolid temperament, was difficult of

accomplishment. There was effort, strain. Something in him had first to

be opened up, widened, made soft and ready as by an operation, before

full entrance could be effected. This much he grasped, though for the

life of him he could not have put it into words. Also, he knew _who_ it

was that sought an entrance. Deliberately from himself he withheld the

name. But he knew, as surely as though Straughan stood in the room and

faced him with a knife, saying, ‘Let me in, let me in. I wish you to

know I’m here. I’m clearing a way...! You recall our promise...?’

He rose from his chair and went to the open window again, the strange

fear slowly passing. The cool air fanned his cheeks. Beauty, till

now, had scarcely ever brushed the surface of his soul. He had never

troubled his head about it. It passed him by, indifferent; and he

had ever loathed the mouthy prating of it on others’ lips. He was

practical; beauty was for dreamers, for women, for men who had means

and leisure. He had not exactly scorned it; rather it had never

touched his life, to sweeten, cheer, uplift. Artists for him were like

monks--another sex almost, useless beings who never helped the world go

round. He was for action always, work, activity, achievement--as he saw

them. He remembered Straughan vaguely--Straughan, the ever impecunious,

friend of his youth, always talking of colour, sound--mysterious,

ineffective things. He even forgot what they had quarrelled about,

if they _had_ quarrelled at all even; or why they had gone apart all

these years ago. And, certainly, he had forgotten any promise. Memory,

as yet, only peeped round the corner of that huge curtain at him,

tentatively, suggestively, yet--he was obliged to admit it--somewhat

winningly. He was conscious of this gentle, sweet seductiveness that

now replaced his fear.

And, as he stood now at the open window, peering over huge London,

Beauty came close and smote him between the eyes. She came blindingly,

with her train of stars and clouds and perfumes. Night, mysterious,

myriad-eyed, and flaming across her sea of haunted shadows, invaded his

heart and shook him with her immemorial wonder and delight. He found

no words, of course, to clothe the new, unwonted sensations. He only

knew that all his former dread, uneasiness, distress, and with them

this idea of ‘growth’ that had seemed so repugnant to him, were merged,

swept up, and gathered magnificently home into a wave or Beauty that

enveloped him. ‘See it ... and understand,’ ran a secret inner whisper

across his mind. He saw. He understood....

He went back and turned the lights out. Then he took his place again at

that open window, drinking in the night. He saw a new world; a species

of intoxication held him. He sighed ... as his thoughts blundered

for expression among words and sentences that knew him not. But the

delight was there, the wonder, the mystery. He watched, with heart

alternately tightening and expanding, the transfiguring play of moon

and shadow over the sea of buildings. He saw the dance of the hurrying

clouds, the open patches into outer space, the veiling and unveiling

of that ancient silvery face; and he caught strange whispers of the

hierophantic, sacerdotal Power that has echoed down the world since

Time began and dropped strange magic phrases into every poet’s heart

since first ‘God dawned on Chaos’--the Beauty of the Night....

A long time passed--it may have been one hour, it may have been

three--when at length he turned away and went slowly to his bedroom. A

deep peace lay over him. Something quite new and blessed had crept into

his life and thought. He could not quite understand it all. He only

knew that it uplifted. There was no longer the least sign of affliction

or distress. Even the inevitable reaction that, of course, set in could

not destroy that.

And then, as he lay in bed, nearing the borderland of sleep, suddenly

and without any obvious suggestion to bring it, he remembered another

thing. He remembered the promise. Memory got past the big curtain

for an instant, and showed her face. She looked into his eyes. It

must have been a dozen years ago when Straughan and he had made that

foolish, solemn promise that whoever died first should show himself, if

possible, to the other.

He had utterly forgotten it--till now. But Straughan had not forgotten

it. The letter came three weeks later, from India. That very evening

Straughan had died--at nine o’clock. And he had come back--in the

Beauty that he loved.

Pan's garden · 第 57 / 130 题