Says Jim Jenkins, "What was the matter of him?"

"Who? Bill? Abe Johnson shot him; he was fooling around Johnson's wife,

an' Tom sold me the mine dirt cheap."

"Why didn't he work it himself?"

"Him? Oh, he was laying for Abe and calculated to have to leave the

country pretty quick."

"Huh!" says Jim Jenkins, and the tale flows smoothly on.

Yearly the spring fret floats the loose population of Jimville out into

the desolate waste hot lands, guiding by the peaks and a few rarely

touched water-holes, always, always with the golden hope. They develop

prospects and grow rich, develop others and grow poor but never

embittered. Say the hills, It is all one, there is gold enough, time

enough, and men enough to come after you. And at Jimville they

understand the language of the hills.

Jimville does not know a great deal about the crust of the earth, it

prefers a "hunch." That is an intimation from the gods that if you go

over a brown back of the hills, by a dripping spring, up Coso way, you

will find what is worth while. I have never heard that the failure of

any particular hunch disproved the principle. Somehow the rawness of the

land favors the sense of personal relation to the supernatural. There is

not much intervention of crops, cities, clothes, and manners between you

and the organizing forces to cut off communication. All this begets in

Jimville a state that passes explanation unless you will accept an

explanation that passes belief. Along with killing and drunkenness,

coveting of women, charity, simplicity, there is a certain indifference,

blankness, emptiness if you will, of all vaporings, no bubbling of the

pot,--it wants the German to coin a word for that,--no bread-envy, no

brother-fervor. Western writers have not sensed it yet; they smack the

savor of lawlessness too much upon their tongues, but you have these to

witness it is not mean-spiritedness. It is pure Greek in that it

represents the courage to sheer off what is not worth while. Beyond that

it endures without sniveling, renounces without self-pity, fears no

death, rates itself not too great in the scheme of things; so do beasts,

so did St. Jerome in the desert, so also in the elder day did gods.

Life, its performance, cessation, is no new thing to gape and wonder at.

Here you have the repose of the perfectly accepted instinct which

includes passion and death in its perquisites. I suppose that the end of

all our hammering and yawping will be something like the point of view

of Jimville. The only difference will be in the decorations.

The Land of Little Rain(#10217) · 第 26 / 36 题