"_Why then go forward, sweet Auspicious Bride,

And come upon your Bridegroom like a Tide

Bearing down Time before you; hye

Swell, mix, and loose your souls; imply

Like streams which flow

Encurled together, and no difference show

In their [most] silver waters; run

Into your selves like wool together spun.

Or blend so as the sight

Of two makes one Hermaphrodite._

9 [6].

"And, beauteous Bride, we do confess _you_ are wise

_On drawing_ forth _those_ bashful jealousies [doling

In love's name, do so; and a price

Set on yourself by being nice.

But yet take heed

What now you seem be not the same indeed,

And turn Apostat_a_: Love will

Part of the way be met, or sit stone still;

On them, and though _y'are slow

In going_ yet, howsoever go.

10.

"_How long, soft Bride, shall your dear C[lipseby] make

Love to your welcome with the mystic cake,

How long, oh pardon, shall the house

And the smooth Handmaids pay their vows

With oil and wine

For your approach, yet see their Altars pine?

How long shall the page to please

You stand for to surrender up the keys

Of the glad house? Come, come,

Or Lar will freeze to death at home._

11.

"_Welcome at last unto the Threshold, Time

Throned in a saffron evening, seems to chime

All in, kiss and so enter. If

A prayer must be said, be brief,

The easy Gods

For such neglect have only myrtle rods

To stroke, not strike; fear you

Not more, mild Nymph, than they would have you do;

But dread that you do more offend

In that you do begin than end._

12 [7].

"And now y'are entered, see the coddled cook

Runs from his Torrid Zone to pry and look

And bless his dainty mistress; see

_How_ th' aged point out: 'This is she

Who now must sway

_Us_ (_and God_ shield her) with her yea and nay,'

And the smirk Butler thinks it

Sin in _his_ nap'ry not t' express his wit;

Each striving to devise

Some gin wherewith to catch _her_ eyes.

13.

"_What though your laden Altar now has won

The credit from the table of the Sun

For earth and sea; this cost

On you is altogether lost

Because you feed

Not on the flesh of beasts, but on the seed

Of contemplation: your,

Your eyes are they, wherewith you draw the pure

Elixir to the mind

Which sees the body fed, yet pined._

14 [14].

"If _you must needs_ for ceremonie's sake

Bless a sack posset, Luck go with _you_, take

The night charm quickly; you have spells

And magic for to end, and Hells

To pass, but such

And of such torture as no _God_ would grutch

To live therein for ever: fry,

_Aye_ and consume, and grow again to die,

And live, and in that case

Love the _damnation_ of _that_ place. [the

15 [8].

"To Bed, to Bed, _sweet_ Turtles now, and write

This the shortest day,† this the longest night

_And_ yet too short for you; 'tis we

Who count this night as long as three,

Lying alone

_Hearing_ the clock _go_ Ten, Eleven, Twelve, One:

Quickly, quickly then prepare.

And let the young men and the Bridemaids share

Your garters, and their joints

Encircle with the Bridegroom's points.

16 [9].

"By the Bride's eyes, and by the teeming life

Of her green hopes, we charge you that no strife,

_Further_ than _virtue lends_, gets place

Among _you catching at_ her Lace.

Oh, do not fall

Foul in these noble pastimes, lest you call

Discord in, and so divide

The _gentle_ Bridegroom and the _fragrous_ Bride,

Which Love forefend: but spoken

Be't to your praise: 'No peace was broken'.

17[10].

"Strip her of spring-time, tender whimpering maids,

Now Autumn's come, when all _those_ flowery aids

Of her delays must end, dispose

That Lady-smock, that pansy and that Rose

Neatly apart;

But for prick-madam, and for gentle-heart,

And soft maiden-blush, the Bride

Makes holy these, all others lay aside:

Then strip her, or unto her

Let him come who dares undo her.

18 [11].

"And to enchant _you_ more, _view_ everywhere [ye

About the roof a Syren in a sphere,

As we think, singing to the din

Of many a warbling cherubin:

_List, oh list!_ how

_Even heaven gives up his soul between you_ now, [ye

_Mark how_ thousand Cupids fly

To light their Tapers at the Bride's bright eye;

To bed, or her they'll tire,

Were she an element of fire.

19 [12].

"And to your more bewitching, see the proud

Plump bed bear up, and _rising_ like a cloud,

Tempting _thee, too, too_ modest; can

You see it brussle like a swan

And you be cold

To meet it, when it woos and seems to fold

The arms to hug _you_? throw, throw

Yourselves into _that main, in the full_ flow

Of _the_ white pride, and drown

The _stars_ with you in floods of down.

20 [13].

"_You see 'tis_ ready, and the maze of love

Looks for the treaders; everywhere is wove

Wit and new mystery, read and

Put in practice, to understand

And know each wile,

Each Hieroglyphic of a kiss or smile;

And do it _in_ the full, reach

High in your own conceipts, and _rather_ teach

Nature and Art one more

_Sport_ than they ever knew before.

21.

To the Maidens:]

"_And now y' have wept enough, depart; yon stars [the

Begin to pink, as weary that the wars

Know so long Treaties; beat the Drum

Aloft, and like two armies, come

And guild the field,

Fight bravely for the flame of mankind, yield

Not to this, or that assault,

For that would prove more Heresy than fault

In combatants to fly

'Fore this or that hath got the victory._

22 [15].

"But since it must be done, despatch and sew

Up in a sheet your Bride, and what if so

It be with _rib of Rock and_ Brass,

_Yea_ tower her up, as Danae was, [ye

Think you that this,

Or Hell itself, a powerful Bulwark is?

I tell _you_ no; but like a [ye

Bold bolt of thunder he will make his way,

And rend the cloud, and throw

The sheet about, like flakes of snow.

23 [16].

"All now is hushed in silence: Midwife-moon

With all her Owl-ey'd issue begs a boon

Which you must grant; that's entrance with

Which extract, all we † call pith

And quintessence

Of Planetary bodies; so commence,

All fair constellations

Looking upon _you_ that _the_ Nations

Springing from to such Fires

May blaze the virtue of their Sires."

--R. HERRICK.

The variants in this version are not very important; one of the most

noteworthy, _round_ for _ground_, in stanza 5 [4], was overlooked by Dr.

Grosart in his collation. Of the seven stanzas subsequently omitted

several are of great beauty. There are few happier images in Herrick

than that of _Time throned in a saffron evening_ in stanza 11. It is

only when the earlier version is read as a whole that Herrick's taste

in omitting is vindicated. Each stanza is good in itself, but in the

MSS. the poem drags from excessive length, and the reduction of its

twenty-three stanzas to sixteen greatly improves it.

286. _Ever full of pensive fear._ Ovid, _Heroid._ i. 12: Res est

solliciti plena timoris amor.

287. _Reverence to riches._ Perhaps from Tacit. _Ann._ ii. 33: Neque in

familia et argento quæque ad usum parantur nimium aliquid aut modicum,

nisi ex fortuna possidentis.

288. _Who forms a godhead._ From Martial, VIII. xxiv. 5:--

Qui fingit sacros auro vel marmore vultus

Non facit ille deos: qui rogat, ille facit.

290. _The eyes be first that conquered are._ From Tacitus, _Germ._ 43:

Primi in omnibus proeliis oculi vincuntur.

293. _Oberon's Feast._ For a note on Herrick's Fairy Poems and on the

_Description of the King and Queene of the Fayries_ (1635), in which

part of this poem was first printed, see Appendix. Add. MS. 22, 603, at

the British Museum, and Ashmole MS. 38, at the Bodleian, contain early

versions of the poem substantially agreeing. I transcribe the Museum

copy:--

"A little mushroom table spread

After _the dance_, they set on bread,

A _yellow corn of hecky_ wheat

With some small _sandy_ grit to eat

His choice bits; with _which_ in a trice

They make a feast less great than nice.

But all _the_ while his eye _was_ served

We _dare_ not think his ear was sterved:

But that there was in place to stir

His _fire_ the _pittering_ Grasshopper;

The merry Cricket, puling Fly,

The piping Gnat for minstralcy.

_The Humming Dor, the dying Swan,

And each a choice Musician._

And now we must imagine first,

The Elves present to quench his thirst

A pure seed-pearl of infant dew,

Brought and _beswetted_ in a blue

And pregnant violet; which done,

His kitling eyes begin to run

Quite through the table, where he spies

The horns of papery Butterflies:

Of which he eats, _but with_ a little

_Neat cool allay_ of Cuckoo's spittle;

A little Fuz-ball pudding stands

By, yet not blessed by his hands--

That was too coarse, but _he not spares

To feed upon the candid hairs

Of a dried canker, with a_ sagg

And well _bestuffed_ Bee's sweet bag:

_Stroking_ his pallet with some store

Of Emme_t_ eggs. What would he more,

But Beards of Mice, _an Ewt's_ stew'd thigh,

_A pickled maggot and a dry

Hipp, with a_ Red cap worm, that's shut

Within the concave of a Nut

Brown as his tooth, _and with the fat

And well-boiled inchpin of a Bat.

A bloated Earwig with the Pith

Of sugared rush aglads him with;

But most of all the Glow-worm's fire.

As most betickling his desire

To know his Queen, mixt with the far-

Fetcht binding-jelly of a star.

The silk-worm's seed_, a little moth

_Lately_ fattened in a piece of cloth;

Withered cherries; Mandrake's ears;

Mole's eyes; to these the slain stag's tears;

The unctuous dewlaps of a Snail;

The broke heart of a Nightingale

O'er-come in music; with a wine

Ne'er ravished from the flattering Vine,

But gently pressed from the soft side

Of the most sweet and dainty Bride,

Brought in a _daisy chalice_, which

He fully quaffs _off_ to bewitch

His blood _too high_. This done, commended

Grace by his Priest, the feast is ended."

The Shapcott to whom this _Oberon's Feast_ and _Oberon's Palace_ are

dedicated is Herrick's "peculiar friend, Master Thomas Shapcott,

Lawyer," of a later poem. Dr. Grosart again suggests that it may have

been a character-name, but, as in the case of John Merrifield, the owner

was a West country-man and a member of the Inner Temple, where he was

admitted in 1632 as the "son and heir of Thomas Shapcott," of Exeter.

298. _That man lives twice._ From Martial, X. xxiii. 7:--

Ampliat aetatis spatium sibi vir bonus: hoc est

Vivere bis vita posse priore frui.

301. _Master Edward Norgate, Clerk of the Signet of his Majesty:_--

Son to Robert Norgate, D.D., Master of Bene't College, Cambridge. He was

employed by the Earl of Arundel to purchase pictures, and on one

occasion found himself at Marseilles without remittances, and had to

tramp through France on foot. According to the Calendars of State Papers

in 1625, it was ordered that, "forasmuch as his Majesty's letters to the

Grand Signior, the King of Persia, the Emperor of Russia, the Great

Mogul, and other remote Princes, had been written, limned, and garnished

with gold and colours by scriveners abroad, thenceforth they should be

so written, limned, and garnished by Edward Norgate, Clerk of the Signet

in reversion". Six years later this order was renewed, the "Kings of

Bantam, Macassar, Barbary, Siam, Achine, Fez, and Sus" being added to

the previous list, and Norgate being now designated as a Clerk of the

Signet Extraordinary. In the same year, having previously been

Bluemantle Pursuivant, he was promoted to be Windsor Herald, in which

capacity he received numerous fees during the next few years, and was

excused ship money. He still, however, retained his clerkship, for he

writes in 1639: "The poor Office of Arms is fain to blazon the Council

books and Signet". The phrase occurs in a series of nineteen letters of

extraordinary interest, which Norgate wrote from the North, chiefly to

his friend, Robert Reade, secretary to Windebank, on the course of

affairs. In Sept., 1641, "Ned Norgate" was ordered personally to attend

the king. "It is his Majesty's pleasure that the master should wait and

not the men, and _that_ they shall find." Henceforth I find no certain

reference to him; according to Fuller he died at the Herald's Office in

1649. It would be interesting if we could be sure that this Edward

Norgate is the same as the one who in 1611 was appointed Tuner of his

Majesty's "virginals, organs, and other instruments," and in 1637

received a grant of £140 for the repair of the organ at Hampton Court.

Herrick's love of music makes us expect to find a similar trait in his

friends.

313. _The Entertainment, or Porch Verse._ The words _Ye wrong the

threshold-god_ and the allusion to the porch in the Clipsby Crew

Epithalamium (stanza 4) show that there is no reference here (as Brand

thinks, ii. 135) to the old custom of reading part of the marriage

service at the church door or porch (cp. Chaucer: "Husbands at churchë

door she had had five"). The porch of the house is meant, and the

allusions are to the ceremonies at the threshold (cp. the Southwell

Epithalamium). Dr. Grosart quotes from the Dean Prior register the entry

of the marriage of Henry Northleigh, gentleman, and Mistress Lettice

Yard on September 5, 1639, by licence from the Archbishop of Canterbury.

319. _No noise of late-spawned Tittyries._ In the Camden Society's

edition of the _Diary of Walter Yonge_, p. 70 (kindly shown me by the

Rev. J. H. Ward), we have a contemporary account of the Club known as

the Tityre Tues, which took its name from the first words of Virgil's

first _Eclogue_. "The beginning of December, 1623, there was a great

number in London, haunting taverns and other debauched places, who swore

themselves in a brotherhood and named themselves _Tityre Tues_. The oath

they gave in this manner: he that was to be sworn did put his dagger

into a pottle of wine, and held his hand upon the pommel thereof, and

then was to make oath that he would aid and assist all other of his

fellowship and not disclose their council. There were divers knights,

some young noblemen and gentlemen of this brotherhood, and they were to

know one the other by a black bugle which they wore, and their followers

to be known by a blue ribbond. There are discovered of them about 80 or

100 persons, and have been examined by the Privy Council, but nothing

discovered of any intent they had. It is said that the king hath given

commandment that they shall be re-examined." In Mennis's _Musarum

Deliciæ_ the brotherhood is celebrated in a poem headed "The Tytre Tues;

or, a Mocke Song. To the tune of Chive Chase. By Mr. George Chambers."

The second verse runs:--

"They call themselves the Tytere-tues,

And wore a blue rib-bin;

And when a-drie would not refuse

To drink. O fearful sin!

"The council, which is thought most wise,

Did sit so long upon it,

That they grew weary and did rise,

And could make nothing on it."

According to a letter of Chamberlain to Carleton, indexed among the

_State Papers_, the Tityres were a secret society first formed in Lord

Vaux's regiment in the Low Countries, and their "prince" was called

Ottoman. Another entry shows that the "Bugle" mentioned by Yonge was the

badge of a society originally distinct from the Tityres, which

afterwards joined with it. The date of Herrick's poem is thus fixed as

December, 1623/4, and this is confirmed by another sentence in the same

passage in _Yonge's Diary_, in which he says: "The Jesuits and Papists

do wonderfully swarm in the city, and rumours lately have been given out

for firing the Navy and House of Munition, on which are set a double

guard". The Parliament to which Herrick alludes was actually summoned in

January, 1624, to meet on February 12. Sir Simeon Steward, to whom the

poem is addressed, was of the family of the Stewards of Stantney, in the

Isle of Ely. He was knighted with his father, Mark Steward, in 1603, and

afterwards became a fellow-commoner of Trinity Hall, Cambridge. He was

at different times Sheriff and Deputy-Lieutenant for Cambridgeshire, and

while serving in the latter capacity got into some trouble for unlawful

exactions. In 1627 he wrote a poem on the _King of the Fairies Clothes_

in the same vein as Herrick's fairy pieces.

321. _Then is the work half done._ As Dr. Grosart suggests, Herrick may

have had in mind the "Dimidium facti qui cœpit habet" of Horace, I.

_Epist._ ii. 40. But here the emphasis is on beginning _well_, there on

_beginning_.

_Begin with Jove_ is doubtless from the "Ab Jove principium, Musæ," of

Virg. _Ecl._ iii. 60.

323. _Fears not the fierce sedition of the seas._ A reminiscence of

Horace, III. _Od._ i. 25-32.

328. _Gold before goodness._ Printed in _Witts Recreations_, 1650, as _A

Foolish Querie_. The sentiment is from Seneca, _Ep._ cxv.: An dives,

omnes quærimus; nemo, an bonus. Cp. Juvenal, III. 140 sqq.; Plaut.

_Menæchm._ IV. ii. 6.

331. _To his honoured kinsman, Sir William Soame._ The second son of Sir

Stephen Soame, Lord Mayor of London in 1598. Herrick's father and Sir

Stephen married sisters.

_As benjamin and storax when they meet._ Instances of the use of

"Benjamin" for gum benzoin will be found in the Dictionaries. Dr.

Grosart's gloss, "_Benjamin_, the favourite youngest son of the

Patriarch," is unfortunate.

336. _His Age: dedicated to ... M. John Wickes under the name of

Posthumus._ There is an important version of this poem in Egerton MS.,

2725, where it is entitled _Mr. Herrick's Old Age to Mr. Weekes_. I do

not think it has been collated before. Stanzas i.-vi. contain few

variants; ii. 6 reads: "Dislikes to care for what's behind"; iii. 6:

"Like a lost maidenhead," for "Like to a lily lost"; v. 8: "With the

best and whitest stone"; vi. 1: "We'll not be poor". After this we have

two stanzas omitted in 1648:--

"We have no vineyards which do bear

Their lustful clusters all the year,

Nor odoriferous

Orchards, like to Alcinous;

Nor gall the seas

Our witty appetites to please

With mullet, turbot, gilt-head bought

At a high rate and further brought.

"Nor can we glory of a great

And stuffed magazine of wheat;

We have no bath

Of oil, but only rich in faith

O'er which the hand

Of fortune can have no command,

But what she gives not, she not takes,

But of her own a spoil she makes."

Stanza vii., l. 2, has "close" for "both"; l. 3 "see" for "have"; l. 6,

"open" for "that cheap"; l. 7, "full" for "same". Stanzas x.-xvii. have

so many variants that I am obliged to transcribe them in full, though

they show Herrick not at his best, and the poem is not one to linger

over:--

10.

"Live in thy peace; as for myself,

When I am bruisèd on the shelf

Of Time, and _read

Eternal daylight o'er my head:_

When with the rheum,

_With_ cough _and_ ptisick, I consume

_Into an heap of cinders:_ then

The Ages fled I'll call again,

11.

"And with a tear compare these last

_And cold times unto_ those are past,

While Baucis by

_With her lean lips_ shall kiss _them dry

Then will we_ sit

By the fire, foretelling snow and sleet

And weather by our aches, grown

†Old enough to be our own

12.

"True Calendar [ ]

_Is for to know_ what change is near,

Then to assuage

The gripings _in_ the chine by age,

I'll call my young

Iülus to sing such a song

I made upon my _mistress'_ breast;

_Or such a_ blush at such a feast.

13.

"Then shall he read _my Lily fine

Entomb'd_ within a crystal shrine:

_My_ Primrose next:

A piece then of a higher text;

For to beget

In me a more transcendent heat

Than that insinuating fire

Which crept into each _reverend_ Sire,

14.

"When the _high_ Helen _her fair cheeks

Showed to the army of the Greeks;_

At which I'll _rise_

(_Blind though as midnight in my eyes_),

And hearing it,

Flutter and crow, _and_, in a fit

Of _young_ concupiscence, and _feel

New flames within the aged steal_.

15.

"Thus frantic, crazy man (God wot),

I'll call to mind _the times_ forgot

And oft between

_Sigh out_ the Times that _we_ have seen!

_And shed a tear_,

And twisting my Iülus _hair_,

Doting, I'll weep and say (in truth)

Baucis, these were _the_ sins of youth.

16.

"Then _will I_ cause my hopeful Lad

(If a wild Apple can be had)

To crown the Hearth

(Lar thus conspiring with our mirth);

_Next_ to infuse

Our _better beer_ into the cruse:

Which, neatly spiced, we'll first carouse

Unto the _Vesta_ of the house.

17.

"Then the next health to friends of mine

_In oysters, and_ Burgundian wine,

_Hind, Goderiske, Smith,

And Nansagge_, sons of _clune[M] and_ pith,

Such _who know_ well

_To board_ the magic _bowl_, and _spill

All mighty blood, and can do more

Than Jove and Chaos them before_."

[M] Clune = "clunis," a haunch.

This John Wickes or Weekes is spoken of by Anthony à Wood as a "jocular

person" and a popular preacher. He enters Wood's _Fasti_ by right of his

co-optation as a D.D. in 1643, while the court was at Oxford; his

education had been at Cambridge. He was a prebendary of Bristol and Dean

of St. Burian in Cornwall, and suffered some persecution as a royalist.

Herrick later on, when himself shedless and cottageless, addresses

another poem to him as his "peculiar friend,"

To whose glad threshold and free door

I may, a poet, come, though poor.

A friend suggests that Hind may have been John Hind, an Anacreontic poet

and friend of Greene, and has found references to a Thomas Goodricke of

St. John's Coll., Camb., author of two poems on the accession of James

I., and a Martin Nansogge, B.A. of Trinity Hall, 1614, afterwards vicar

of Cornwood, Devon. Smith is certainly James Smith, who, with Sir John

Mennis, edited the _Musarum Deliciæ_, in which the first poem is

addressed "to Parson Weekes: an invitation to London," and contains a

reference to--

"That old sack

Young Herrick took to entertain

The Muses in a sprightly vein".

The early part of this poem contains, along with the name Posthumus,

many Horatian reminiscences: cp. especially II. _Od._ xiv. 1-8, and IV.

_Od._ vii. 14. It may be noted that in the imitation of the latter

passage in stanza iv. the MS. copy at the Museum corrects the

misplacement of the epithet, reading:--

"But we must on and thither tend

Where Tullus and rich Ancus blend," etc.,

for "Where Ancus and rich Tullus".

Again the variant, "_Open_ candle baudery," in verse 7, is an additional

argument against Dr. Grosart's explanation: "Obscene words and figures

made with candle-smoke," the allusion being merely to the blackened

ceilings produced by cheap candles without a shade.

337. _A Short Hymn to Venus._ Printed in _Witts Recreations_, 1650, as

_A vow to Cupid_, with variants: l. 1, _Cupid_ for _Goddess_; l. 2,

_like_ for _with_; l. 3, _that I may_ for _I may but_; l. 5, _do_ for

_will_.

340. _Upon a delaying lady._ Printed in _Witts Recreations_, 1650, as _A

Check to her delay_.

341. _The Lady Mary Villars_, niece of the first Duke of Buckingham,

married successively Charles, son of Philip, Earl of Pembroke, Esme

Stuart, Duke of Richmond and Lennox, and Thomas Howard. Died 1685.

355. _Hath filed upon my silver hairs._ Cp. Ben Jonson, _The King's

Entertainment_:--

"What all the minutes, hours, weeks, months, and years

That hang in file upon these silver hairs

Could not produce," etc.

359. _Philip, Earl of Pembroke and Montgomery._ Philip Herbert (born

1584, died 1650), despite his foul mouth, ill temper, and devotion to

sport ("He would make an excellent chancellor to the mews were Oxford

turned into a kennel of hounds," wrote the author of _Mercurius

Menippeus_ when Pembroke succeeded Laud as chancellor), was also a

patron of literature. He was one of the "incomparable pair of brethren"

to whom the Shakespeare folio of 1623 was dedicated, and he was a good

friend to Massinger. His fondness for scribbling in the margins of books

may, or may not, be considered as further evidence of a respect for

literature.

366. _Thou shall not all die._ Horace's "non omnis moriar".

367. _Upon Wrinkles._ Printed in _Witts Recreations_, 1650, under the

title _To a Stale Lady_. The first line there reads:--

"Thy wrinkles are no more nor less".

375. _Anne Soame, now Lady Abdie_, eldest daughter of Sir Thomas Soame,

and second wife of Sir Thomas Abdy, Bart., of Felix Hall, Essex.

Herrick's poem is modelled on Mart. III. lxv.

376. _Upon his Kinswoman, Mistress Elizabeth Herrick_, daughter of the

poet's brother Nicholas.

377. _A Panegyric to Sir Lewis Pemberton_ of Rushden, in

Northamptonshire, sheriff of the county in 1622; married Alice, daughter

of Tho. Bowles. Died 1641. With this poem cp. Ben Jonson's _Epig._ ci.

_But great and large she spreads by dust and sweat._ Dr. Grosart very

appositely quotes Montaigne: "For it seemeth that the verie name of

vertue presupposeth difficultie and inferreth resistance, and cannot

well exercise it selfe without an enemie" (Florio's tr., p. 233). But I

think the two passages have a common origin in some version of Hesiod's

τῆς ἀρετῆς ἱδρῶτα θεοὶ προπάροιθεν ἔθηκαν, which is twice quoted by Plato.

382. _After the rare arch-poet, Jonson, died._ Perhaps suggested by the

Epitaph of Plautus on himself, _ap._ Gell. i. 24:--

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