Fly, thou made bubble of my sighs and tears.
In the wild air when thou hast rolled about,
And, like a blasting planet, found her out.
Stoop, mount, pass by to take her eye, then glare
Like to a dreadful comet in the air:
Next, when thou dost perceive her fixed sight
For thy revenge to be most opposite,
Then, like a globe or ball of wild-fire, fly,
And break thyself in shivers on her eye.
216. A MEDITATION FOR HIS MISTRESS.
You are a tulip seen to-day,
But, dearest, of so short a stay
That where you grew scarce man can say.
You are a lovely July-flower,
Yet one rude wind or ruffling shower
Will force you hence, and in an hour.
You are a sparkling rose i' th' bud,
Yet lost ere that chaste flesh and blood
Can show where you or grew or stood.
You are a full-spread, fair-set vine,
And can with tendrils love entwine,
Yet dried ere you distil your wine.
You are like balm enclosed well
In amber, or some crystal shell,
Yet lost ere you transfuse your smell.
You are a dainty violet,
Yet wither'd ere you can be set
Within the virgin's coronet.
You are the queen all flowers among,
But die you must, fair maid, ere long,
As he, the maker of this song.
217. THE BLEEDING HAND; OR, THE SPRIG OF EGLANTINE GIVEN TO A MAID.
From this bleeding hand of mine
Take this sprig of eglantine,
Which, though sweet unto your smell,
Yet the fretful briar will tell,
He who plucks the sweets shall prove
Many thorns to be in love.
218. LYRIC FOR LEGACIES.
Gold I've none, for use or show,
Neither silver to bestow
At my death; but this much know;
That each lyric here shall be
Of my love a legacy,
Left to all posterity.
Gentle friends, then do but please
To accept such coins as these
As my last remembrances.
219. A DIRGE UPON THE DEATH OF THE RIGHT VALIANT LORD, BERNARD STUART.
Hence, hence, profane! soft silence let us have
While we this trental sing about thy grave.
Had wolves or tigers seen but thee,
They would have showed civility;
And, in compassion of thy years,
Washed those thy purple wounds with tears.
But since thou'rt slain, and in thy fall
The drooping kingdom suffers all;
_Chor._ This we will do, we'll daily come
And offer tears upon thy tomb:
And if that they will not suffice,
Thou shall have souls for sacrifice.
Sleep in thy peace, while we with spice perfume thee,
And cedar wash thee, that no times consume thee.
Live, live thou dost, and shall; for why?
_Souls do not with their bodies die_:
Ignoble offsprings, they may fall
Into the flames of funeral:
Whenas the chosen seed shall spring
Fresh, and for ever flourishing.
_Chor._ And times to come shall, weeping, read thy glory
Less in these marble stones than in thy story.
_Trental_, a dirge; but see Note.
_Cedar_, oil of cedar.
220. TO PERENNA, A MISTRESS.
Dear Perenna, prithee come
And with smallage dress my tomb:
Add a cypress sprig thereto,
With a tear, and so Adieu.
_Smallage_, water-parsley.
223. THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
DEDICATED TO MR. JOHN MERRIFIELD, COUNSELLOR-AT-LAW.
Rare temples thou hast seen, I know,
And rich for in and outward show:
Survey this chapel, built alone,
Without or lime, or wood, or stone:
Then say if one thou'st seen more fine
Than this, the fairies' once, now thine.
THE TEMPLE.
A way enchased with glass and beads
There is, that to the chapel leads:
Whose structure, for his holy rest,
Is here the halcyon's curious nest:
Into the which who looks shall see
His temple of idolatry,
Where he of godheads has such store,
As Rome's pantheon had not more.
His house of Rimmon this he calls,
Girt with small bones instead of walls.
First, in a niche, more black than jet,
His idol-cricket there is set:
Then in a polished oval by
There stands his idol-beetle-fly:
Next in an arch, akin to this,
His idol-canker seated is:
Then in a round is placed by these
His golden god, Cantharides.
So that, where'er ye look, ye see,
No capital, no cornice free,
Or frieze, from this fine frippery.
Now this the fairies would have known,
Theirs is a mixed religion:
And some have heard the elves it call
Part pagan, part papistical.
If unto me all tongues were granted,
I could not speak the saints here painted.
Saint Tit, Saint Nit, Saint Is, Saint Itis,
Who 'gainst Mab's-state placed here right is;
Saint Will o' th' Wisp, of no great bigness,
But _alias_ called here _Fatuus ignis_;
Saint Frip, Saint Trip, Saint Fill, Saint Fillie
Neither those other saintships will I
Here go about for to recite
Their number, almost infinite,
Which one by one here set down are
In this most curious calendar.
First, at the entrance of the gate
A little puppet-priest doth wait,
Who squeaks to all the comers there:
"_Favour your tongues who enter here;
Pure hands bring hither without stain._"
A second pules: "_Hence, hence, profane!_"
Hard by, i' th' shell of half a nut,
The holy-water there is put:
A little brush of squirrel's hairs
(Composed of odd, not even pairs,)
Stands in the platter, or close by,
To purge the fairy family.
Near to the altar stands the priest,
There off'ring up the Holy Grist,
Ducking in mood and perfect tense,
With (much-good-do-'t him) reverence.
The altar is not here four-square,
Nor in a form triangular,
Nor made of glass, or wood, or stone,
But of a little transverse bone;
Which boys and bruckel'd children call
(Playing for points and pins) cockal.
Whose linen drapery is a thin
Subtile and ductile codlin's skin:
Which o'er the board is smoothly spread
With little seal-work damasked.
The fringe that circumbinds it too
Is spangle-work of trembling dew,
Which, gently gleaming, makes a show
Like frost-work glitt'ring on the snow.
Upon this fetuous board doth stand
Something for show-bread, and at hand,
Just in the middle of the altar,
Upon an end, the fairy-psalter,
Grac'd with the trout-flies' curious wings,
Which serve for watchet ribbonings.
Now, we must know, the elves are led
Right by the rubric which they read.
And, if report of them be true,
They have their text for what they do;
Aye, and their book of canons too.
And, as Sir Thomas Parson tells,
They have their book of articles;
And, if that fairy-knight not lies,
They have their book of homilies;
And other scriptures that design
A short but righteous discipline.
The basin stands the board upon
To take the free oblation:
A little pin-dust, which they hold
More precious than we prize our gold
Which charity they give to many
Poor of the parish, if there's any.
Upon the ends of these neat rails,
Hatch'd with the silver-light of snails,
The elves in formal manner fix
Two pure and holy candlesticks:
In either which a small tall bent
Burns for the altar's ornament.
For sanctity they have to these
Their curious copes and surplices
Of cleanest cobweb hanging by
In their religious vestery.
They have their ash-pans and their brooms
To purge the chapel and the rooms;
Their many mumbling Mass-priests here,
And many a dapper chorister,
Their ush'ring vergers, here likewise
Their canons and their chanteries.
Of cloister-monks they have enow,
Aye, and their abbey-lubbers too;
And, if their legend do not lie,
They much affect the papacy.
And since the last is dead, there's hope
_Elf Boniface shall next be pope_.
They have their cups and chalices;
Their pardons and indulgences;
Their beads of nits, bells, books, and wax
Candles, forsooth, and other knacks;
Their holy oil, their fasting spittle;
Their sacred salt here, not a little;
Dry chips, old shoes, rags, grease and bones;
Beside their fumigations
To drive the devil from the cod-piece
Of the friar (of work an odd piece).
Many a trifle, too, and trinket,
And for what use, scarce man would think it.
Next, then, upon the chanters' side
An apple's core is hung up dri'd,
With rattling kernels, which is rung
To call to morn and even-song.
The saint to which the most he prays
And offers incense nights and days,
The lady of the lobster is,
Whose foot-pace he doth stroke and kiss;
And humbly chives of saffron brings
For his most cheerful offerings.
When, after these, h'as paid his vows
He lowly to the altar bows;
And then he dons the silk-worm's shed,
Like a Turk's turban on his head,
And reverently departeth thence,
Hid in a cloud of frankincense,
And by the glow-worm's light well guided,
Goes to the feast that's now provided.
_Halcyon_, king-fisher.
_Saint Tit_, etc., see Note.
_Mab's-state_, Mab's chair of state.
_Bruckel'd_, begrimed.
_Cockal_, a game played with four huckle-bones.
_Codlin_, an apple.
_Fetuous_, feat, neat.
_Watchet_, pale blue.
_Hatch'd_, inlaid.
_Bent_, bent grass.
_Nits_, nuts.
_The lady of the lobster_, part of the lobster's apparatus for digestion.
_Foot-pace_, a mat.
_Chives_, shreds.
224. TO MISTRESS KATHERINE BRADSHAW, THE LOVELY, THAT CROWNED HIM WITH
LAUREL.
My muse in meads has spent her many hours,
Sitting, and sorting several sorts of flowers
To make for others garlands, and to set
On many a head here many a coronet;
But, amongst all encircled here, not one
Gave her a day of coronation,
Till you, sweet mistress, came and interwove
A laurel for her, ever young as love--
You first of all crown'd her: she must of due
Render for that a crown of life to you.
225. THE PLAUDITE, OR END OF LIFE.
If, after rude and boisterous seas,
My wearied pinnace here finds ease;
If so it be I've gained the shore
With safety of a faithful oar;
If, having run my barque on ground,
Ye see the aged vessel crown'd:
What's to be done, but on the sands
Ye dance and sing and now clap hands?
The first act's doubtful, but we say
It is the last commends the play.
226. TO THE MOST VIRTUOUS MISTRESS POT, WHO MANY TIMES ENTERTAINED HIM.
When I through all my many poems look,
And see yourself to beautify my book,
Methinks that only lustre doth appear
A light fulfilling all the region here.
Gild still with flames this firmament, and be
A lamp eternal to my poetry.
Which, if it now or shall hereafter shine,
'Twas by your splendour, lady, not by mine.
The oil was yours; and that I owe for yet:
_He pays the half who does confess the debt_.
227. TO MUSIC, TO BECALM HIS FEVER.
Charm me asleep and melt me so
With thy delicious numbers,
That, being ravished, hence I go
Away in easy slumbers.
Ease my sick head
And make my bed,
Thou power that canst sever
From me this ill;
And quickly still,
Though thou not kill,
My fever.
Thou sweetly canst convert the same
From a consuming fire
Into a gentle-licking flame,
And make it thus expire.
Then make me weep
My pains asleep;
And give me such reposes
That I, poor I,
May think thereby
I live and die
'Mongst roses.
Fall on me like a silent dew,
Or like those maiden showers
Which, by the peep of day, do strew
A baptism o'er the flowers.
Melt, melt my pains
With thy soft strains;
That, having ease me given,
With full delight
I leave this light,
And take my flight
For heaven.
228. UPON A GENTLEWOMAN WITH A SWEET VOICE.
So long you did not sing or touch your lute,
We knew 'twas flesh and blood that there sat mute.
But when your playing and your voice came in,
'Twas no more you then, but a cherubin.
229. UPON CUPID.
As lately I a garland bound,
'Mongst roses I there Cupid found;
I took him, put him in my cup,
And drunk with wine, I drank him up.
Hence then it is that my poor breast
Could never since find any rest.
230. UPON JULIA'S BREASTS.
Display thy breasts, my Julia--there let me
Behold that circummortal purity,
Between whose glories there my lips I'll lay,
Ravish'd in that fair _via lactea_.
_Circummortal_, more than mortal.
231. BEST TO BE MERRY.
Fools are they who never know
How the times away do go;
But for us, who wisely see
Where the bounds of black death be,
Let's live merrily, and thus
Gratify the Genius.
232. THE CHANGES TO CORINNA.
Be not proud, but now incline
Your soft ear to discipline.
You have changes in your life--
Sometimes peace and sometimes strife;
You have ebbs of face and flows,
As your health or comes or goes;
You have hopes, and doubts, and fears
Numberless, as are your hairs.
You have pulses that do beat
High, and passions less of heat.
You are young, but must be old,
And, to these, ye must be told
Time ere long will come and plough
Loathed furrows in your brow:
And the dimness of your eye
Will no other thing imply
But you must die
As well as I.
234. NEGLECT.
_Art quickens nature; care will make a face;
Neglected beauty perisheth apace._
235. UPON HIMSELF.
Mop-eyed I am, as some have said,
Because I've lived so long a maid:
But grant that I should wedded be,
Should I a jot the better see?
No, I should think that marriage might,
Rather than mend, put out the light.
_Mop-eyed_, shortsighted.
236. UPON A PHYSICIAN.
Thou cam'st to cure me, doctor, of my cold,
And caught'st thyself the more by twenty fold:
Prithee go home; and for thy credit be
First cured thyself, then come and cure me.
238. TO THE ROSE. A SONG.
Go, happy rose, and interwove
With other flowers, bind my love.
Tell her, too, she must not be
Longer flowing, longer free,
That so oft has fetter'd me.
Say, if she's fretful, I have bands
Of pearl and gold to bind her hands.
Tell her, if she struggle still,
I have myrtle rods (at will)
For to tame, though not to kill.
Take thou my blessing, thus, and go
And tell her this, but do not so,
Lest a handsome anger fly,
Like a lightning, from her eye,
And burn thee up as well as I.
240. TO HIS BOOK.
Thou art a plant sprung up to wither never,
But like a laurel to grow green for ever.
241. UPON A PAINTED GENTLEWOMAN.
Men say y'are fair, and fair ye are, 'tis true;
But, hark! we praise the painter now, not you.
243. DRAW-GLOVES.
At draw-gloves we'll play,
And prithee let's lay
A wager, and let it be this:
Who first to the sum
Of twenty shall come,
Shall have for his winning a kiss.
_Draw-gloves_, a game of talking by the fingers.
244. TO MUSIC, TO BECALM A SWEET-SICK YOUTH.
Charms, that call down the moon from out her sphere,
On this sick youth work your enchantments here:
Bind up his senses with your numbers so
As to entrance his pain, or cure his woe.
Fall gently, gently, and a while him keep
Lost in the civil wilderness of sleep:
That done, then let him, dispossessed of pain,
Like to a slumb'ring bride, awake again.
245. TO THE HIGH AND NOBLE PRINCE GEORGE, DUKE, MARQUIS, AND EARL OF
BUCKINGHAM.
Never my book's perfection did appear
Till I had got the name of Villars here:
Now 'tis so full that when therein I look
I see a cloud of glory fills my book.
Here stand it still to dignify our Muse,
Your sober handmaid, who doth wisely choose
Your name to be a laureate wreath to her
Who doth both love and fear you, honoured sir.
246. HIS RECANTATION.
Love, I recant,
And pardon crave
That lately I offended;
But 'twas,
Alas!
To make a brave,
But no disdain intended.
No more I'll vaunt,
For now I see
Thou only hast the power
To find
And bind
A heart that's free,
And slave it in an hour.
247. THE COMING OF GOOD LUCK.
So good luck came, and on my roof did light,
Like noiseless snow, or as the dew of night:
Not all at once, but gently, as the trees
Are by the sunbeams tickled by degrees.
248. THE PRESENT; OR, THE BAG OF THE BEE.
Fly to my mistress, pretty pilfering bee,
And say thou bring'st this honey bag from me:
When on her lip thou hast thy sweet dew placed,
Mark if her tongue but slyly steal a taste.
If so, we live; if not, with mournful hum
Toll forth my death; next, to my burial come.
249. ON LOVE.
Love bade me ask a gift,
And I no more did move
But this, that I might shift
Still with my clothes my love:
That favour granted was;
Since which, though I love many,
Yet so it comes to pass
That long I love not any.
250. THE HOCK-CART OR HARVEST HOME. TO THE RIGHT HONOURABLE MILDMAY,
EARL OF WESTMORELAND.
Come, sons of summer, by whose toil
We are the lords of wine and oil:
By whose tough labours and rough hands
We rip up first, then reap our lands.
Crowned with the ears of corn, now come,
And to the pipe sing harvest home.
Come forth, my lord, and see the cart
Dressed up with all the country art:
See here a maukin, there a sheet,
As spotless pure as it is sweet:
The horses, mares, and frisking fillies,
Clad all in linen white as lilies.
The harvest swains and wenches bound
For joy, to see the hock-cart crowned.
About the cart, hear how the rout
Of rural younglings raise the shout;
Pressing before, some coming after,
Those with a shout, and these with laughter.
Some bless the cart, some kiss the sheaves,
Some prank them up with oaken leaves:
Some cross the fill-horse, some with great
Devotion stroke the home-borne wheat:
While other rustics, less attent
To prayers than to merriment,
Run after with their breeches rent.
Well, on, brave boys, to your lord's hearth,
Glitt'ring with fire, where, for your mirth,
Ye shall see first the large and chief
Foundation of your feast, fat beef:
With upper stories, mutton, veal
And bacon (which makes full the meal),
With sev'ral dishes standing by,
As here a custard, there a pie,
And here all-tempting frumenty.
And for to make the merry cheer,
If smirking wine be wanting here,
There's that which drowns all care, stout beer;
Which freely drink to your lord's health,
Then to the plough, the commonwealth,
Next to your flails, your fans, your fats,
Then to the maids with wheaten hats:
To the rough sickle, and crook'd scythe,
Drink, frolic boys, till all be blithe.
Feed, and grow fat; and as ye eat
Be mindful that the lab'ring neat,
As you, may have their fill of meat.
And know, besides, ye must revoke
The patient ox unto the yoke,
And all go back unto the plough
And harrow, though they're hanged up now.
And, you must know, your lord's word's true,
Feed him ye must, whose food fills you;
And that this pleasure is like rain,
Not sent ye for to drown your pain,
But for to make it spring again.
_Maukin_, a cloth.
_Fill-horse_, shaft-horse.
_Frumenty_, wheat boiled in milk.
_Fats_, vats.
251. THE PERFUME.
To-morrow, Julia, I betimes must rise,
For some small fault to offer sacrifice:
The altar's ready: fire to consume
The fat; breathe thou, and there's the rich perfume.
252. UPON HER VOICE.
Let but thy voice engender with the string,
And angels will be born while thou dost sing.
253. NOT TO LOVE.
He that will not love must be
My scholar, and learn this of me:
There be in love as many fears
As the summer's corn has ears:
Sighs, and sobs, and sorrows more
Than the sand that makes the shore:
Freezing cold and fiery heats,
Fainting swoons and deadly sweats;
Now an ague, then a fever,
Both tormenting lovers ever.
Would'st thou know, besides all these,
How hard a woman 'tis to please,
How cross, how sullen, and how soon
She shifts and changes like the moon.
How false, how hollow she's in heart:
And how she is her own least part:
How high she's priz'd, and worth but small;
Little thou'lt love, or not at all.
254. TO MUSIC. A SONG.
Music, thou queen of heaven, care-charming spell,
That strik'st a stillness into hell:
Thou that tam'st tigers, and fierce storms that rise,
With thy soul-melting lullabies,
Fall down, down, down from those thy chiming spheres,
To charm our souls, as thou enchant'st our ears.
255. TO THE WESTERN WIND.
Sweet western wind, whose luck it is,
Made rival with the air,
To give Perenna's lip a kiss,
And fan her wanton hair.
Bring me but one, I'll promise thee,
Instead of common showers,
Thy wings shall be embalm'd by me,
And all beset with flowers.
256. UPON THE DEATH OF HIS SPARROW. AN ELEGY.
Why do not all fresh maids appear
To work love's sampler only here,
Where spring-time smiles throughout the year?
Are not here rosebuds, pinks, all flowers
Nature begets by th' sun and showers,
Met in one hearse-cloth to o'erspread
The body of the under-dead?
Phil, the late dead, the late dead dear,
O! may no eye distil a tear
For you once lost, who weep not here!
Had Lesbia, too-too kind, but known
This sparrow, she had scorn'd her own:
And for this dead which under lies
Wept out her heart, as well as eyes.
But, endless peace, sit here and keep
My Phil the time he has to sleep;
And thousand virgins come and weep
To make these flowery carpets show
Fresh as their blood, and ever grow,
Till passengers shall spend their doom:
Not Virgil's gnat had such a tomb.
_Phil_, otherwise Philip or Phip, was a pet name for a sparrow.
_Virgil's gnat_, the _Culex_ attributed to Virgil.
257. TO PRIMROSES FILLED WITH MORNING DEW.
Why do ye weep, sweet babes? can tears
Speak grief in you,
Who were but born
Just as the modest morn
Teem'd her refreshing dew?
Alas! you have not known that shower
That mars a flower,
Nor felt th' unkind
Breath of a blasting wind,
Nor are ye worn with years,
Or warp'd as we,
Who think it strange to see
Such pretty flowers, like to orphans young,
To speak by tears before ye have a tongue.
Speak, whimp'ring younglings, and make known
The reason why
Ye droop and weep;
Is it for want of sleep?
Or childish lullaby?
Or that ye have not seen as yet
The violet?
Or brought a kiss
From that sweetheart to this?
No, no, this sorrow shown
By your tears shed
Would have this lecture read:
That things of greatest, so of meanest worth,
Conceiv'd with grief are, and with tears brought forth.
258. HOW ROSES CAME RED.
Roses at first were white,
Till they could not agree,
Whether my Sappho's breast
Or they more white should be.
But, being vanquish'd quite,
A blush their cheeks bespread;
Since which, believe the rest,
The roses first came red.
259. COMFORT TO A LADY UPON THE DEATH OF HER HUSBAND.
Dry your sweet cheek, long drown'd with sorrow's rain,
Since, clouds dispers'd, suns gild the air again.
Seas chafe and fret, and beat, and overboil,
But turn soon after calm as balm or oil.
Winds have their time to rage; but when they cease
The leafy trees nod in a still-born peace.
Your storm is over; lady, now appear
Like to the peeping springtime of the year.
Off then with grave clothes; put fresh colours on,
And flow and flame in your vermilion.
Upon your cheek sat icicles awhile;
Now let the rose reign like a queen, and smile.
260. HOW VIOLETS CAME BLUE.
Love on a day, wise poets tell,
Some time in wrangling spent,
Whether the violets should excel,
Or she, in sweetest scent.
But Venus having lost the day,
Poor girls, she fell on you:
And beat ye so, as some dare say,
Her blows did make ye blue.
262. TO THE WILLOW-TREE.
Thou art to all lost love the best,
The only true plant found,
Wherewith young men and maids distres't,
And left of love, are crown'd.
When once the lover's rose is dead,
Or laid aside forlorn:
Then willow-garlands 'bout the head
Bedew'd with tears are worn.
When with neglect, the lovers' bane,
Poor maids rewarded be,
For their love lost, their only gain
Is but a wreath from thee.
And underneath thy cooling shade,
When weary of the light,
The love-spent youth and love-sick maid
Come to weep out the night.
263. MRS. ELIZ. WHEELER, UNDER THE NAME OF THE LOST SHEPHERDESS.
Among the myrtles as I walk'd,
Love and my sighs thus intertalk'd:
Tell me, said I, in deep distress,
Where I may find my shepherdess.
Thou fool, said Love, know'st thou not this?
In everything that's sweet she is.
In yond' carnation go and seek,
There thou shalt find her lip and cheek:
In that enamell'd pansy by,
There thou shalt have her curious eye:
In bloom of peach and rose's bud,
There waves the streamer of her blood.
'Tis true, said I, and thereupon
I went to pluck them one by one,
To make of parts a union:
But on a sudden all were gone.
At which I stopp'd; said Love, these be
The true resemblances of thee;
For, as these flowers, thy joys must die,
And in the turning of an eye:
And all thy hopes of her must wither,
Like those short sweets, ere knit together.
264. TO THE KING.
If when these lyrics, Cæsar, you shall hear,
And that Apollo shall so touch your ear
As for to make this, that, or any one,
Number your own, by free adoption;
That verse, of all the verses here, shall be
The heir to this _great realm of poetry_.
265. TO THE QUEEN.
_Goddess of youth, and lady of the spring,
Most fit to be the consort to a king_,
Be pleas'd to rest you in this sacred grove
Beset with myrtles, whose each leaf drops love.
Many a sweet-fac'd wood-nymph here is seen,
Of which chaste order you are now the queen:
Witness their homage when they come and strew
Your walks with flowers, and give their crowns to you.
Your leafy throne, with lily-work possess,
And be both princess here and poetess.
266. THE POET'S GOOD WISHES FOR THE MOST HOPEFUL AND HANDSOME PRINCE,
THE DUKE OF YORK.