CHAPTER I.

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2. The diphthong oe is represented by [oe].

Darnley

or,

The Field of the Cloth of Gold, Vol. 6

Darnley.

_By_

G. P. R. JAMES

LONDON

GEORGE ROUTLEDGE

AND SONS LIMITED

MDCCCCIII.

_The Introduction is written by_ LAURIE MAGNUS, M.A.: _the Title-page

is designed by_ IVOR I. J. SYMES.

INTRODUCTION.

George Payne Rainsford James, Historiographer Royal to King William

IV., was born in London in the first year of the nineteenth century,

and died at Venice in 1860. His comparatively short life was

exceptionally full and active. He was historian, politician and

traveller, the reputed author of upwards of a hundred novels, the

compiler and editor of nearly half as many volumes of letters,

memoirs, and biographies, a poet and a pamphleteer, and, during the

last ten years of his life, British Consul successively in

Massachusetts, Norfolk (Virginia), and Venice. He was on terms of

friendship with most of the eminent men of his day. Scott, on whose

style he founded his own, encouraged him to persevere in his career as

a novelist; Washington Irving admired him, and Walter Savage Landor

composed an epitaph to his memory. He achieved the distinction of

being twice burlesqued by Thackeray, and two columns are devoted to an

account of him in the new "Dictionary of National Biography." Each

generation follows its own gods, and G. P. R. James was, perhaps, too

prolific an author to maintain the popularity which made him "in some

ways the most successful novelist of his time." But his work bears

selection and revival. It possesses the qualities of seriousness and

interest; his best historical novels are faithful in setting and free

in movement. His narrative is clear, his history conscientious, and

his plots are well-conceived. English learning and literature are

enriched by the work of this writer, who made vivid every epoch in the

world's history by the charm of his romance.

The parodists of G. P. R. James have been quick to remark the sameness

of his openings. He has established a kind of 'James-gambit' in

historical fiction, and the present romance is no exception to the

rule. Once more the irrepressible horseman is riding along the

inevitable road, and once more the first chapter is devoted to a

careful description of the traveller's accoutrements--material and

moral. It is not inappropriately, therefore, that James selected as

his motto for this chapter Dryden's conventional lines,

"In this King Arthur's reign,

A lusty knight was pricking o'er the plain."

Donne, Cowley, Ben Jonson, Dryden, Shakespeare, these are the authors

to whom James has chiefly gone for his poetical headings to the

chapters of this novel. The feature is a rare one in his works, nor

can it truthfully be said that the literary flavour thus imparted is

maintained by the text of the book. There is more familiarity, more

banality, in its style than is common in James's writings. It is odd,

for instance, to read the first paragraph of Chapter XVII.--"Oh, the

man in the moon! the man in the moon! What a prodigious sackful

of good resolutions you must have, all broken through the middle

...."--immediately after a solemn quotation from _Macbeth_; and a yet

more flagrant example occurs at the beginning of Chapter XXXIX., where

a couplet from Shakespeare is again used to usher in the following

triumph of bathos: "And where was Osborne Darnley all this while? Wait

a little, dearly-beloved, and you shall hear more." It should be added

that the first sentence is not an intentional pentameter. But, however

severely the shortcomings of style may be criticised in a writer who

'broke the record' for rapidity of production, James hardly ever fails

to tell a good story, with plenty of adventure and accuracy of

learning. "Darnley" does not fall behind the rest in these respects.

The date is fixed in the first line, as well as in the sub-title, and

the gorgeous festivities of Midsummer, 1520, as well as the character

of King Henry VIII., are admirably conceived and described. The

original picture of the scene in the Field near Calais, which is

preserved at Hampton Court, should be visited by readers of this

volume. Those curious in bibliography, by the way, will discover on

page 372 a notable instance of want of skill in the abridgment of

"Darnley" by James or his editors.

DARNLEY.

CHAPTER I.

In this King Arthur's reign,

A lusty knight was pricking o'er the plain.--Dryden.

On the morning of the 24th day of March, 1520, a traveller was seen

riding in the small, rugged cross-road which, traversing the eastern

part of Kent, formed the immediate communication between Wye[1] and

Canterbury. Far be it from me to insinuate that this road pursued

anything like a direct course from the one place to the other: on the

contrary, it seemed, like a serpent, to get on only by twisting; and

yet truly, as its track now lies pictured on the old county map before

me, I can discover no possible reason for its various contortions,

inasmuch as they avoid neither ascents nor descents, but proceed alike

over rough and smooth, hill and dale, appearing only to wind about for

the sake of variety. I can conceive the engineer who planned it

laughing in his sleeve at the consummate meanderings which he

compelled his travellers to undergo. However, as at the time I speak

of this was the only road through that part of the country, every

traveller was obliged to content himself with it, such as it was,

notwithstanding both its circumvolutions and its ruggedness.

Indeed, the horseman and his beast, who on the afore-mentioned morning

journeyed on together towards Canterbury, were apparently well

calculated to encounter what the profane vulgar call the ups and downs

of life; for never a stouter cavalier mounted horse, and never a

stouter horse was mounted by cavalier; and there was something in the

strong, quadrate form of each, in the bold, free movement of every

limb, and in the firm, martial regularity of their pace, which spoke a

habitual consciousness of tried and unfailing power.

The rider was a man of about five or six-and-twenty, perhaps not so

old; but the hardy exposed life which had dyed his florid cheek with a

tinge of deep brown, had given also to his figure that look of set,

mature strength which is not usually concomitant with youth. But

strength with him had nothing of ungracefulness, for the very vigour

of his limbs gave them ease of motion. Yet there was something more in

his aspect and in his carriage than can rightly be attributed to the

grace induced by habits of martial exercise, or to the dignity derived

from consciousness of skill or valour: there was that sort of innate

nobility of look which we are often weakly inclined to combine in our

minds with nobility of station, and that peculiar sort of grace which

is a gift, not an acquirement.

To paint him to the mind's eye were very difficult, though to describe

him were very easy; for though I were to say that he was a tall, fair

man, with the old Saxon blood shining out in his deep blue eye, and in

his full, short upper lip, from which the light brown moustache turned

off in a sweep, exposing its fine arching line; though I were to speak

of the manly beauty of his features, rendered scarcely less by a deep

scar upon his forehead; or were I to detail, with the accuracy of a

sculptor, the elegant proportion of every limb, I might, indeed,

communicate to the mind of the reader the idea of a much more handsome

man than he really was; but I should fail to invest the image with

that spirit of gracefulness which, however combined with outward form,

seems to radiate from within, which must live to be perfect, and must

be seen to be understood.

His apparel was not such as his bearing seemed to warrant: though

good, it was not costly, and though not faded, it certainly was not

new. Nor was the fashion of it entirely English: the gray cloth

doublet slashed with black, as well as the falling ruff round his

neck, were decidedly Flemish; and his hose of dark stuff might

probably have been pronounced foreign by the connoisseurs of the day,

although the variety of modes then used amongst our change-loving

nation justified a man in choosing the fashion of his breeches from

any extreme, whether from the fathomless profundity of a Dutchman's

ninth pair, or from the close-fitting garment of the Italian sworder.

The traveller's hose approached more towards the latter fashion, and

served to show off the fair proportions of his limbs without

straitening him by too great tightness, while his wide boots of

untanned leather, pushed down to the ankle, evinced that he did not

consider his journey likely to prove long, or, at least, very

fatiguing.

In those days, when, as old Holinshed assures us, it was not safe to

ride unarmed, even upon the most frequented road, a small bridle path,

such as that which the traveller pursued, was not likely to afford

much greater security. However, he did not appear to have furnished

himself with more than the complement of offensive arms usually worn

by every one above the rank of a simple yeoman; namely, the long,

straight, double-edged sword, which, thrust through a broad buff belt,

hung perpendicularly down his thigh, with the hilt shaped in form of a

cross, without any farther guard for the hand; while in the girdle

appeared a small dagger, which served also as a knife: added to these

was a dag or pistol, which, though small, considering the dimensions

of the arms then used, would have caused any horse-pistol of the

present day to blush at its own insignificance.

In point of defensive armour, he carried none, except a steel cap,

which hung at his saddle-bow, while its place on his head was supplied

by a Genoa bonnet of black velvet, round which his rich chesnut hair

curled in thick profusion.

Here have I bestowed more than a page and a half upon the description

of a man's dress and demeanour, which, under most circumstances, I

should consider a scandalous and illegitimate waste of time, paper,

and attention; but, in truth, I would fain, in the present instance,

that my reader should see my traveller before his mind's eye, exactly

as his picture represents him, pricking along the road on his strong

black horse, with his chest borne forward, his heel depressed, his

person erect, and his whole figure expressing corporeal ease and

power.

Very different, however, were his mental sensations, if one might

believe the knitted look of thought that sat upon his full, broad

brow, and the lines that early care seemed to have busily traced upon

the cheek of youth. Deep meditation, at all events, was the companion

of his way; for, confident in the surefootedness of his steed, he took

no care to hold his bridle in hand, but suffered himself to be borne

forward almost unconsciously, fixing his gaze upon the line of light

that hung above the edge of the hill before him, as if there he spied

some object of deep interest, yet, at the same time, with that fixed

intensity which told that, whilst the eye thus occupied itself, the

mind was far otherwise employed.

It was a shrewd March morning, and the part of the road at which the

traveller had now arrived opened out upon a wide wild common, whereon

the keen north-west blast had full room to exercise itself

unrestrained. On the one side the country sloped rapidly down from the

road, exposing an extensive view of some fine level plains,

distributed into fields, and scattered with a multitude of hamlets and

villages; the early smoke rising from the chimneys of which, caught by

the wind, mingled with the vapour from a sluggish river in the bottom,

and, drifting over the scene, gave a thousand different aspects to the

landscape as it passed. On the other hand, the common rose against the

sky in a wide sloping upland, naked, desolate, and unbroken, except

where a clump of stunted oaks raised their bare heads out of an old

gravel-pit by the road-side, or where a group of dark pines broke the

distant line of the ground. The road which the traveller had hitherto

pursued proceeded still along the side of the hill, but, branching off

to the left, was seen another rugged, gravelly path winding over the

common.

At the spot where these two divaricated, the horseman stopped, as if

uncertain of his farther route, and looking for some one to direct him

on his way. But he looked in vain; no trace of human habitation was to

be seen, nor any indication of man's proximity, except such as could

be gathered from the presence of a solitary duck, which seemed to be

passing its anchoritish hours in fishing for the tadpoles that

inhabited a little pond by the road-side.

The traveller paused, undetermined on which of the two roads to turn

his horse, when suddenly a loud scream met his ear, and, instantly

setting spurs to his horse, he galloped towards the quarter from

whence the sound seemed to proceed. Without waiting to pursue the

windings of the little path, in a moment he had cleared the upland,

towards the spot where he had beheld the pines, and, instead of

finding that the country beyond, as one might have imagined from the

view below, fell into another deep valley on that side, he perceived

that the common continued to extend for some way over an uninterrupted

flat, terminated by some wide plantations at a great distance.

In advance, sheltered by a high bank and the group of pines above

mentioned, appeared a solitary cottage formed of wood and mud. It may

be well supposed that its architecture was not very perfect, nor its

construction of the most refined taste; but yet there seemed some

attempt at decoration in the rude trellis that surrounded the doorway,

and in the neat cutting of the thatch which covered it from the and

weather. As the traveller rode towards it the scream was reiterated,

now, guided by his ear, he proceeded direct towards a little

garden, which had been borrowed from the common, and enclosed with a

mud wall. The door of this enclosure stood open, and at once admitted

the stranger into the interior, where he beheld--what shall be

detailed in the following chapter.

Darnley; or, The Field of the Cloth of Gold · 第 1 / 41 章