A disciple of Locke, and a man of considerable and various powers, the

non-conformist divine Isaac Watts, produced perhaps the first

considerable didactic treatise on Study. I refer, of course, to his

well-known work entitled "The Improvement of the Mind"; on which, he

tells us, he was occupied at intervals for twenty years. It has two

Parts: one on the acquisition of knowledge; the other on Communication

or leaching. The scheme is a very wide one. Observation, Reading,

attending Lectures, Conversation,--are all included. To the word

"Study," Watts attaches a special meaning, namely Meditation and

Reflection, together with the control or regulation of all the exercises

of the mind. I doubt if this meaning is well supported by usage. At all

events it is not the signification that I propose to attach to the term.

Observation is an art in itself: so is Conversation, whether amicable or

contentious. The _proportions_ that these exercises should bear to

reading, would fairly claim a place in the complete Art of Study.

Watts has two short chapters on Books and Reading, containing sensible

remarks. He urges the importance of thorough mastery of select authors;

but assumes a power of discriminating good and bad beyond the reach of

a learner, and does not show how it is to be attained. He is very much

concerned all through as to the moral tone and religious orthodoxy of

the books read, he also reproves hasty and ill-natured judgments upon

the authors.

Watts's Essay is so pithily written, and so full of sense and propriety,

that it long maintained a high position in our literature; he tells us,

that it had become a text-book in the University. I do not know of any

better work on the same plan. A "Student's Guide," by an American named

Todd, was in vogue with us, some time ago; but anyone looking at its

contents, will not be sorry that it is now forgotten. It would not,

however, be correct to say that the subject has died out. If there have

not been many express didactic treatises of late, there has been an

innumerable host of small dissertations, in the form of addresses,

speeches, incidental discussions, leading articles, sermons--all

intended to guide both young and old in the path of useful study. What

to read, when to read, and how to read,--have been themes of many an

essay, texts of many a discourse. According as Education at large has

been more and more discussed, the particular province of self-education,

as here marked out, has had an ample share of attention from more or

less qualified advisers.

What we have got before us, then, is, first, to define our ground, and

then to appropriate and value the accumulated fruits of the labour

expended on it. I have already indicated how I would narrow the subject

of Study, so as to occupy a field apart, and not jumble together matters

that follow distinct laws. The theory of Education in general is the

theory of good Teaching: that is a field by itself, although many things

in it are applicable also to self-education. To estimate the values of

different acquisitions--Science, Language, and the rest, is good for

all modes of culture. The laws of the understanding in general, and of

the memory in particular, must be taken into account under every mode of

acquiring knowledge. Yet the alteration of circumstances, when a pupil

is carving out his own course, and working under his own free-will,

leads to new and distinct rules of procedure. Also, that part of

self-education consisting in the application to books is distinct from

the other forms of mental cultivation, namely, conversing, disputing,

original composition, and tutorial aid. Each of these has its own rules

or methods, which I do not mean to notice except by brief allusion.

In connection with the Plan of study, it is material to ask what the

individual is studying for. Each profession, each accomplishment, has

its own course of education. If book reading is an essential part, then

the choice of books must follow the line of the special pursuit. This is

obvious; but does not do away with the consideration of the best modes

of studying whatever books are suitable for the end. One man has to read

in Chemistry, another in Law, another in Divinity, and so on. For each

and all of these, there is a profitable and an unprofitable mode of

working, and the speciality of the matter is unessential.

[DIFFERENT ENDS OF STUDY.]

The more important differences of subject, involving differences of

method, are seen in such contrasted departments as Science and Language,

Thought and Style, Reality and Poetry, Generality and Particularity. In

applying the mind to these various branches, and in using books as the

medium of acquisition, there are considerable differences in the mode of

procedure. The study of a book of Science is not on the same plan as the

study of a History or a Poem. Yet even in these last, there are many

circumstances in common, arising out of the constitution of our

faculties and the nature of a verbal medium of communication of thought.

An art of Study in general should not presume to follow out in minute

detail the education of the several professions. There should still be,

for example, a distinct view of the training special in an Orator, on

which the ancients bestowed so much pains; there being no corresponding

course hitherto chalked out for a Philosopher as such, or even for a

Poet.

Next, there is an important distinction between studies for a

professional walk, and the studies of a man's leisure, with a view to

gratifying a special taste, or for the higher object of independent

thinking on all the higher questions belonging to a citizen and a man.

Both positions has its peculiarities; and an art of study should be

catholic enough to embrace them. To have the best part of the day for

study, and the rest for recreation and refreshment, is one thing: and to

study in by-hours, in snatches of time, and in holidays is quite another

thing. In the latter case, the choice of subjects, and the extent of

them, must be considerably different; while the consideration of the

best modes of economizing time and strength, and of harmonizing one's

life as a whole, is more pressing and more arduous. But, when the course

is chalked out, the details of study must conform to the general

conditions of all acquirements in knowledge through the instrumentality

of books.

One, and only one, more preliminary clearing. When an instructor

proceeds, as Milton in his school, or as James Mill with his son, by

prescribing to each pupil a mass of books to be read, with more or less

of examination as to their contents; in such a case, education from

without has passed into study in our narrow sense; and the procedure for

one situation is applicable to both. The two cases are equally in

contrast to educating by the direct instruction of the teacher. In so

far, however, as any teacher requires book study to co-operate with his

own addresses, to that extent do the methods laid down for private study

come into play.

Under every view, it is a momentous fact, that the man of modern times

has become a book-reading animal. The acquisition of knowledge and the

cultivation of the intellectual powers of the mind, form only a small

part of the use of books; although the part more properly named Study.

The moral tendencies are controlled; the emotions regulated; sympathy

with mankind, or the opposite, generated; pleasurable excitement

afforded. These other uses may be provided apart, as in our literature

of amusement, or they may be given in combination with the element of

knowledge, in which case they are apt to be a disturbing force,

rendering uncertain our calculations as to the efficacy of particular

modes of study.

* * * * *

The practical problem of Study is not to be approached by any high

_priori_ road; in other words, by setting out from abstract principles

as to the nature of the mind's receptivity and the operation of

book-reading upon that receptivity. A humbler line of approach will be

more likely to succeed.

There exist a number of received maxims on study, the result of many

men's experience and wisdom. Our endeavour will be to collect these,

arrange them in a methodical plan, so that they may give mutual aid, and

supply each other's defects. We shall go a little farther, and criticise

them according to the best available lights; and, when too vague or

sweeping, supply needful qualifications.

The Choice of Books, in the first instance, depends on the merits

attributed to them severally by persons most conversant with the special

department. In some degree, too, this choice is controlled by the

consideration of the best modes of study, as will soon be apparent.

* * * * *

[A TEXT-BOOK-IN-CHIEF.]

1. Our first maxim is--"Select a Text-book-in-chief". The meaning is,

that when a large subject is to be overtaken by book study alone, some

one work should be chosen to apply to, in the first instance, which work

should be conned and mastered before any other is taken up. There being,

in most subjects, a variety of good books, the thorough student will not

be satisfied in the long run without consulting several, and perhaps

making a study of them all; yet, it is unwise to distract the attention

with more than one, while the elements are to be learnt. In Geometry,

the pupil begins upon Euclid, or some other compendium, and is not

allowed to deviate from the single line of his author. If he is once

thoroughly at home on the main ideas and the leading propositions of

Geometry, he is safe in dipping into other manuals, in comparing the

differences of treatment, and in widening his knowledge by additional

theorems, and by various modes of demonstration.

In principle, the maxim is generally allowed. Nevertheless, it is often

departed from in practice. This happens in several ways.

[MILTON'S PLAN WITH HIS PUPILS.]

[KEEPING TO A SINGLE LINE OF THOUGHT.]

One way is exemplified in Milton's Tractate, already referred to. His

method of teaching any subject would appear to have been to take, the

received authors, and to read them one after another, probably according

to date; the reading pace, and degree of concentration, being apparently

equal all through. His six authors on Rhetoric were--Plato (select

Dialogues, of course), Aristotle, Phalereus, Cicero, Hermogenes,

Longinus. To read their several treatises through in the order named,

with equal attention, would undoubtedly leave in the mind a good many

thoughts on Rhetoric, but in a somewhat chaotic state. Much better would

it have been to have adopted a Text-book-in-chief, the choice lying

between Aristotle and Ouintilian (who comes in at a prior stage of the

Miltonic curriculum). The book so chosen would be read, and re-read; or

rather each chapter would be gone over several times, with appropriate

testing exercises and examinations. The other works might then be

overtaken and compared with the principal text-book; the judgment of

the pupil being so far matured, as to see what in them was already

superseded, and what might be adopted as additions to his already

acquired stock of ideas. Milton's views of education embraced the useful

to a remarkable degree; he was no pamperer of imagination and the

ornamental. His list of subjects might be said to be utility run

wild:--comprising the chief parts of Mathematics, together with

Engineering, Navigation, Architecture, and Fortification; Natural

Philosophy; Natural History; Anatomy, and Practice of Physic; Ethics,

Politics, Economics, Jurisprudence, Theology; a full course of the

Orators and Poets; Logic, Rhetoric, and Poetics. He tumbles out a whole

library of reading: but only in Ethics, does he indicate a leading or

preferential work; the half-dozen of classical books on the subject are

to be perused, "under the determinate sentence" of the scripture

authorities. With all this voracity for the useful, Milton had no

conception of scientific form, or method; and indeed, few of the

subjects had as yet passed the stage of desultory treatment; so that the

idea of casting the knowledge into some one form, under the guidance of

a chosen author, would never occur to him. Better things might have been

expected of James Mill, in conducting the education of his son. Yet we

find his plan to have been to require an even and exhaustive perusal of

nearly every book on nearly every subject, without singling out any one

to impart the best known form in each case. The disadvantage of the

process would be that, at first, all the writers were regarded as

profitable alike. Nevertheless, in the special subjects that he knew

himself, he gave his own instructions as the leading text, and his

pupil's knowledge took form according to these. In some cases, accident

gave a text-in-chief, as when young Mill at ten years of age, studied

Thomson's Chemistry, without the distraction of any other work. If there

had been half-a-dozen Chemical manuals in existence, he would probably

have read them all, and fared much worse. It happens, however, that,

in the more exact sciences, there is a greater sameness in the leading

ideas, than in Politics, Morals, or the Human Mind; and the evil of

distraction is so much smaller. Undoubtedly, the best of all ways of

learning anything is to have a competent master to dole out a fixed

quantity every day, just sufficient to be taken in, and no more; the

pupils to apply themselves to the matter so imparted, and to do nothing

else. The singleness of aim is favourable to the greatest rapidity of

acquirement; and any defects are to be left out of account, until one

thread of ideas is firmly set in the mind. Not unfrequently, however,

and not improperly, the teacher has a text-book in aid of his oral

instructions. To make this a help, and not a hindrance, demands the

greatest delicacy; the sole consideration being that the pupil must

be kept _in one single line of thought_, and never be required to

comprehend, on the same point, conflicting or varying statements.

Even the foot-notes to a work may have to be disregarded, in the first

instance. They may act like a second author, and keep up an irritating

friction. There is, doubtless, a consummate power of annotation that

anticipates difficulties, and clears away haze, without distracting the

mind. There is also an art of bringing out relief by an accompaniment,

like the two images of the stereoscope. This is most likely to arise

through a living teacher or commentator, who, by his tones and emphasis,

as well as by his very guarded and reserved additions, can make the

meaning of the author take shape and fulness.

As the chief text-book is chosen, among other reasons, for its method

and system, any defects on this head may be very suitably supplied,

during the reader's progress, by notes or otherwise. When the end is

clearly kept in view, we shall not go wrong as to the means: the spirit

will remedy an undue bias to the letter.

The subjects that depend for their full comprehension upon a certain

method and order of details, are numerous, and include the most

important branches of human culture. The Sciences, in mass, are avowedly

of this character: even such departments as Theology, Ethics, Rhetoric,

and Criticism have their definite form; and, until the mind of the

student is fully impressed with this, all the particulars are vague and

chaotic, and comparatively useless for practical application. So, any

subject cast in a _polemic_ form must be received and held in the

connection thereby given to it. If the arguments _pro_ and _con_ fall

out of their places in the mind of the reader, their force is missed or

misconceived.

History is pre-eminently a subject for method, and, therefore, involves

some such plan as is here recommended. Every narrative read otherwise

than for mere amusement, as we read a novel, should leave in the

mind--(1) the Chronological sequence (more or less detailed); and (2)

the Causal sequence, that is, the influences at work in bringing about

the events. These are best gained by application to a single work in the

first place; other works being resorted to in due time.

Of the non-methodical subjects, forming an illustrative contrast,

mention may be made of purely didactic treatises, where the precepts are

each valuable for itself, and by itself: such as, until very recently,

the works on Agriculture, and even on Medicine. A book of Domestic

Receipts, consulted by index, is not a work for study.

Poems and fictitious narrations will naturally be regarded as of the

un-methodical class. If there are exceptions, they consist of long

poems--Epics and Dramas--whose plan is highly artistic, and must be felt

in order to the full effect. Probably, however, this is the merit that

the generality of readers are content to miss, especially if greater

strain of attention is needed to discover it. Readers bent on enjoyment

dwell on the passing page, and are not inclined to carry with them what

has gone before, in order to understand what is to follow.

[REPUDIATION OF METHOD BY MEN OF REPUTE.]

Very intelligent and superior men have wholly repudiated the notion of

study by method. We must not lay too much stress upon these disclaimers,

seeing that they are usually cited from those in advanced years, or men

whose day of methodical education is passed. When Johnson said--"A man

ought to read just as inclination leads him," he was not thinking of

beginners, for whom he would probably have dictated a different course.

Still, it is a prevailing tendency of many minds, to read all books

equally, provided the interest or enjoyment of them is equal. Macaulay,

Sir William Hamilton, De Quincey, as well as Johnson, and a numerous

host besides, were book-gluttons, books in breeches; they imbibed

information copiously, and also retained it, but as a matter of chance.

The enjoyment of their life was to read; whereas, to master thoroughly a

considerable field of knowledge, can never be all enjoyment. Gibbon was

a book devourer, but he had a plan; he was organizing a vast work of

composition. Macaulay, also, showed himself capable of realizing a

scheme of composition; both his History and his Speeches have the stamp

of method, even to the pitch of being valuable as models. Hamilton and

De Quincey, each in his way, could form high ideals of work, and in part

execute them; but their productiveness suffered from too much bookish

intoxication. While readers generally mix the motive of instruction with

stimulation, the class that seek instruction solely is but small; the

other extreme is frequent enough.

[DIFFICULTY IN CHOOSING A FIRST TEXT-BOOK.]

In many subjects, the difficulties of fixing upon the proper Text-book

are not inconsiderable. The mere reputation of a book may be great, and

well-founded; and yet the merits may not be of the kind that fits it for

the commencing student. Such conditions as the following must be taken

into account. The Form or Method should be of a high order: this we

shall have occasion to illustrate under the next head. It should be

abreast: of the time, on its own subject. It should be moderately full,

without being necessarily exhaustive in detail. It is on this point that

the cheap primers of the present day are mainly defective. They state

general ideas, and lay down outlines; but they do not provide

sufficiently expanded illustration to stamp these on the mind of the

learner. A shilling primer is really a more advanced book than one on a

triple scale, that should embrace the same compass of leading ideas.

As a farther condition, the work chosen should not have so much of

individuality as to fail in the character of representing the prevailing

views. The greatest authors often err on this point; and, while a work

of genius is not to be neglected, it may, for this reason, have to take

the second place in the order of study. Newton's _Principia_ could never

be a work suited for an early stage of mathematical study. Lyell's

Geology has been a landmark in the history of the subject; but it is not

cast in the form for a beginner in Geology. It is, in its whole plan,

argumentative; setting up and defending a special thesis in Geology; the

facts being arrayed with that view. Many other great works have assumed

a like form; such are Malthus on Population, Grove's Correlation of

Physical Forces, Darwin's Origin of Species. Even expressly didactic

works are often composed more to bring forward a peculiar view, than

from the desire to develop a subject in its due proportions. Locke's

Essay on the Understanding does not propose to give a methodical and

exhaustive handling of the Powers of the Mind, or even of the Intellect.

That was reserved for Reid.

The question as between old writers and new, would receive an easy

solution upon such grounds as the foregoing, were it not for the

sentiment of veneration for the old, because they are old. If an ancient

writer retains a place by virtue of surpassing merits, as against all

subsequent writers, his case is quite clear. In the nature of things,

this must be rare: if there be an example, it is Euclid; yet his

position is held only through the mutual jealousy of his modern rivals.

The only motive for commencing a study upon a very old writer is a

desire to work out a subject historically; which, in some instances may

be allowed, but not very often. In Politics, Ethics, and Rhetoric, the

plan might have its advantages; but, with this imperative condition,

that we shall follow out the development in the modern works. In

proportion as a subject assumes a scientific shape, it must carefully

define its terms, marshal its propositions in proper dependence, and

offer strict proof of all matters of fact; now, in these respects, every

known branch of knowledge has improved with the lapse of ages; so that

the more recent works are necessarily the best for entering upon the

study. A historical sequence may be proper to be observed; but that

should be backward and not forward. The earlier stages of some subjects

are absolutely worthless; as, for example, Physics, Chemistry, and most

of Biology, in other subjects, as Politics and Ethics, the tentatives of

such men as Plato and Aristotle have an undying value; nevertheless, the

student should not begin, but end, with them.

* * * * *

There is an extreme form of putting our present doctrine that runs it

into paradox: namely, the one-book-and-no-more maxim. Scarcely any book

in existence is so all-sufficient for its purpose that a student is

better occupied in re-reading it for the tenth time, than in reading

some others once. Even the merits of the one book are not fully known

unless we compare it with others; nor have we grasped any subject unless

we are able to see it stated in various forms, without being distracted

or confused. It is not a high knowledge of horsemanship that can be

gained by the most thorough acquaintance with one horse.

[NO WORK ENTIRELY SELF-SUFFICIENT.]

Any truth that there is in the paradox of excluding all books but one

from perusal, belongs to it as a form of the maxim we have now been

considering. There is not in existence a work corresponding to the

notion of absolute self-sufficiency. Suppose we were to go over the

_chef-d'oeuvres_ of human genius, we should not find one in the position

of entire independence of all others. Take, for example, the poems of

Homer; the Republic and a few other of Plato's pre-eminent Dialogues;

the great speeches of Demosthenes; the Ethics and Politics of Aristotle;

the poems of Dante; Shakespeare, as a whole; Bacon's Novum Organum;

Newton's Principia; Locke on the Understanding; the _Méchanique Céleste_

of Laplace. No one of all these could produce its effect on the mind

without referring to other works, previous, contemporary, or following.

The remark is not confined to works of elucidation and comment

merely--as the contemporary history of Greece, or the speeches of

Demosthenes--but extends to other compositions, of the very same tenor,

by different, although inferior, writers. Shakespeare himself is made

much more profitable by a perusal of the other Elizabethans, and by a

comparison with dramatic models before and after him.

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